ما توصّل إليه النقاش

• The Stanton zoom/focus controller is industry standard for live work and mounts to the gimbal handle, allowing separate control of zoom and focus without using the motorized stage control.
• The Stanton controller includes a motor that das into a standard hole on ENG lenses and requires an adapter for certain lens brands, powered from the rig with approximately 2000 USD cost.
• Some Canon broadcast lenses feature built-in focus servos that can interface with controllers like G-Zoom through 20-pin connectors, eliminating the need for separate servo motors.
• Canon and other manufacturers offer focus servo adapters that convert between different connector types (6-pin, 8-pin, 12-pin, 20-pin) to enable compatibility across lens generations and brands.
• The Bartech system offers an alternative approach by using a potentiometer on the gimbal to control standard lens motors for focus adjustment.
• Bebob zoom levers provide manual zoom control that hooks onto Canon or Fujinon lenses but only work with built-in zoom motors and may require adapters.
• For live studio work, manual marking and documentation of stage positions may provide simpler, more reliable setup changes than motorized stage controls, reducing single points of failure.

يعتمد على

• Stanton controller comes with a standard Master series 2-pin Lemo power connector that may require adapter fabrication for specific rigs.
• The Stanton company reportedly prioritizes its own connector standard and does not accommodate custom power connections.
• Lens connector compatibility varies significantly between Canon and Fujinon systems, requiring different adapters and sometimes multiple servo types.
• The bebob zoom lever only functions with lenses having built-in zoom motors and may not be suitable for all broadcast lens models.
• Motorized stage control mounting may restrict where zoom/focus controllers can be positioned on some gimbals.
• The discussion reflects experiences from 2010 and specific to broadcast lens availability of that period.

المعدات في هذا النقاش

Master Seriesالكتالوج

المعدات أو القطع نفسها

1. 2026(أ) الانتقاء بين رفع مستوى مجموعة مواد بروفيد-2 القديمة أو الاستثمار في جهاز مهني: النهج الأول لحلقة العمل مقابل النهج الأول للمبتدئين في المعدات.موضع خلافFacebookSteadicam operators group
2. 2026تعديل اللعب في Steadicam® سلسلة الماجستير gimbal يوك والموازنة بينه وبين الـ180 درجة سلسة من دون تصاميم.موضع خلافFacebookSteadicam operators group
3. 2026Intry-level stabilizationr strategy on a 15,000 USD budget: Rever EVO against used Artemis 2 or M2 plus Volt, in a market with limited secondhand availability.موضع خلافFacebookThe Steadicam Group
4. 2026قوة القصف السليم في gimbal مسامير السرج مع الكاميرات الثقيلة: خطر الإفراط في التصعيدFacebookSteadicam operators group