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Mit Canon 5D Mark II auf Steadicam Rigs für professionelle Videoproduktion

17 Jahre alt. Geräte und Preise können sich seitdem geändert haben.

Was die Diskussion ergab

  • Die Canon 5D Mark II kann auf einer Steadicam mit kundenspezifischem Rigging montiert werden, die Teile mehrerer Hersteller kombiniert.
  • The larger sensor in the 5D Mark II produces shallower depth of field compared to 35mm film, which makes manual focus tracking more challenging for the focus puller.
  • Video output from the 5D Mark II uses composite video via a 1/8 inch connector with supplied RCA cables, not BNC connectors.
  • Mounting a lens support system like the Zacuto can create clearance conflicts with standard Steadicam dovetail plates, requiring custom vertical offset solutions.
  • Shallow depth of field on the 5D Mark II when mounted on a Steadicam makes it necessary to either use wide-angle lenses and stop down to F16, maintain fixed focus distance, or rely on external follow focus systems.
  • Wedding videographers using 5D Mark II on Steadicam rigs typically shoot wide shots on the stabilizer and reserve shoulder-mounted close-ups with rack focus for shallow depth of field work.
  • The Hocus Focus follow focus system is better suited for users of still and video lenses rather than cinema lenses, has limited rotation range, and costs significantly less than professional cinema focus systems.

Hängt ab von

  • The Steadicam rig setup required 2.5 hours to dial in with false starts, whereas the larger XL Steadicam variant was configured in 15 minutes, suggesting the custom 5D setup presented unusual complexity.
  • Manual focus tracking on moving subjects with the 5D Mark II was reported as brutal and difficult when using faster apertures and longer focal lengths.
  • The Canon 5D Mark II was being used mid-stream on a show that was primarily a 35mm production, so this represents an integrated approach rather than a dedicated camera choice.
  • Autofocus performance on the 5D Mark II with Steadicam was described as unreliable when the subject moves away from center frame.

Bauteile

Follow Focus

Dieselben Geräte oder Bauteile

  1. 2026Wechseln eines ARRI ALEXA 35 zwischen Stativ/Studio und Steadicam® Montage: Grundplattenwahl und schnellster Workflow.FacebookSteadicam operators group
  2. 2026Fokussieren und Zoomen Sie sich während des Betriebs, insbesondere bei Live-ShowsOperator practice
  3. 2025LC-1 (Lens Control-1) Follow Focus-System: verdrahtete Architektur, Motoren und frühe Betriebserfahrung (1990er Jahre).FacebookThe Steadicam Group
  4. 2024Modifikationen an einem Steadicam Scout-Rig für erweiterte Stromverteilung und KonnektivitätGeneral Discussion
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