2009Foro General Discussion
Steadicam tasas de compensación del operador en películas y producciones presupuestarias
Tiene 17 años. Es posible que el equipo y los precios hayan cambiado desde entonces.
DiscutidoLos participantes no estuvieron de acuerdo y no llegaron a una conclusión. Lee los hallazgos como posturas, no como una respuesta.
Lo que encontró el hilo
- Las tasas notificadas de 250 dólares diarios para steadicam operadores y equipo fueron consideradas inadecuadas por profesionales experimentados
- Some operators accepted positions at scale rates plus modest equipment rental on low-budget features between $1-8 million, targeting approximately $5000 per week total compensation
- The emergence of affordable stabilization alternatives and less formal training requirements was seen as pressuring rates downward
- Feature film budgets and distribution methods were shifting toward lower-budget productions and direct-to-internet releases
- Accepting significantly discounted rates was viewed as potentially harmful to the profession by undercutting established rate standards
Depende de
- Discussion occurred in 2009 during economic downturn affecting production
- Rates and experiences varied significantly by geography and market conditions
- Some claims about rate trends were anecdotal rather than documented
- Disagreement existed about whether low rates were justified by changing market conditions or represented unsustainable undercutting