Lo que encontró el hilo

• El Canon 5D Mark II funcionó como cámaras A y B para la producción.
• Se utilizaron tres lentes de zoom Canon: 18-35mm, 24-70mm y 70-200mm, todas con abertura f2.8 y equipadas con sistemas de control de enfoque follow focus y Preston.
• El sistema de enfoque Preston demostró ser problemático en estas lentes particulares porque carecen de paradas duras, lo que hace que el anillo de enfoque siga girando incontrolablemente.
• La grabación en tarjetas CF de 8 GB dio aproximadamente 8 minutos de filmación por tarjeta.
• Una capacidad máxima de tarjeta CF de 16 GB se consideró el límite confiable en ese momento.
• Prior to firmware updates enabling manual exposure settings, exposure had to be reset after each roll by blocking light to force the camera to raise ISO to 3200, which would drop aperture to f2.8 and reduce frame rate until exposure locked.
• The click wheel allowed exposure adjustment within a ±2 stop range in increments of 1/3 or 1/4 stops.
• This manual exposure reset procedure was required for each take and false start, consuming significant production time.
• Stabilization equipment included a Redrock DSLR rig modified by cutting the top rails in half and repositioning the halves on the sides, skateboard dolly, Giraffe crane, and primarily handheld operation.
• A Flyer Steadicam rig was chosen over larger Steadicam gear to reduce transport burden across international locations.
• Dual system sound was recorded while also using the camera microphone for some B-roll footage.
• Firmware updates implemented partway through production resolved the manual exposure limitation.
• Battery changes sometimes required only two minutes, necessitating careful equipment configuration to allow quick access to both cards and batteries with multiple lens options.

Depende de

• The firmware limitation regarding manual exposure settings was resolved during production, so later portions of the shoot benefited from this improvement.
• The 16GB CF card reliability claim was stated without extensive technical backing.
• The Preston focus system issue was specific to lenses without hard stops.
• This was a specific production setup and may not represent optimal configurations for all DSLR filmmaking scenarios.
• The thread does not discuss final output frame rates or flicker mitigation strategies in detail.

Equipo de este hilo

HU3

Piezas

Follow Focus

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