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Using a Steadicam EFP rig for television work and compatibility with modern cinema cameras

14 years old. Gear and prices may have changed since.

What the thread found

  • An EFP rig can support broadcast cameras and modern cinema cameras like the Alexa and RED One from a weight perspective.
  • When configuring an EFP for higher-capacity batteries, changing the breaker from 5 amp to 10 amp and adding a second battery holder for 24-volt operation improves performance compared to 12-volt operation.
  • The EFP was successfully used for broadcast television work with older cameras such as Betacams and 16mm film cameras.
  • A used EFP rig in good condition with most components included can be a reasonable starting point for learning steadicam work.
  • Focus control for cinema cameras on an EFP can be managed with a G-Zoom adapter or by using a Bartech system.
  • An HD monitor mounted on the sled improves operation with modern digital cinema cameras.

Depends on

  • The specific suitability of any given EFP unit depends on its mechanical and electronic condition, maintenance history, and any modifications made.
  • Actual experience with Alexa cameras on EFP rigs was limited among participants; compatibility was inferred rather than extensively documented.
  • A Stanton Focus handle, once preferred by operators, is no longer manufactured and used units are rare.
  • Power management and other technical factors beyond weight capacity may complicate use of digital cinema cameras.
  • The discussion centered on earlier examples with broadcast cameras rather than current digital cinema workflows.
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