What operators found

• To swap the hinge block on a ProVid Arm, fold the old block over to access the back side where two grub screws are located stacked on top of each other holding the pin in place.2008 Arms
• The V-16 and V-20 models are functionally identical except for the springs in the arm.2008 Steadi-NewbiesDisputed
• Taking a screenshot on iPhone can be done by simultaneously pressing the home button and the lock button, with the image saved to the photo gallery.2008 General Discussion
• A stabilized camera rig specified for up to 50 pounds of combined weight may be difficult to operate at maximum rated load.2008 Steadi-Newbies
• The Camos monitor has an external antenna input using a mini-pin connector that can be adapted to accept standard F-connector antennas like a Shark Fin antenna2008 Video Assist and Video Accessories
• Light camera and stabilizer combinations are significantly more sensitive to operator input than heavier rigs, similar to how a small boat rocks more than a cruise ship2008 Steadi-Newbies

Still argued about

1. 2008Balancing procedure for a Glidecam V-16 stabilizer rigSteadi-Newbies
2. 2008Impact of increased health insurance qualifying hours from 300 to 400 hours in film and television union contractsLegal / Business Practices
3. 2008Passive exoskeleton support system for camera operatorsVehicles and Mounts

Often in the same threads

Follow Focus45, Low Mode33, G-7023, Top Stage21, BFD15, Modulus15, Master Series14, MDR12, Artemis10, Dovetail Plate10, Base Plate9, Ultra Vest7

All threads

1. 2008Converting a ProVid Arm from ProVid2 block to Master Series blockArms
2. 2008Balancing procedure for a Glidecam V-16 stabilizer rigDisputedSteadi-Newbies
3. 2008iPhone apps useful for film and photography workGeneral Discussion
4. 2008Initial experience and setup recommendations for a budget entry-level steadicam rigSteadi-Newbies
5. 2008Camos monitor antenna compatibility and channel memory after power cycleVideo Assist and Video Accessories
6. 2008Light camera rigs on Merlin stabilizers require different operating techniques and have stability limitations compared to heavier setupsSteadi-Newbies
7. 2008Selection and use of knee pads for on-set operating workOperating
8. 2008Custom rain jacket designed to cover climbing harness and gear with specialized access featuresBrackets/Widgets
9. 2008Best practices for organizing professional camera operator demo reelsGeneral Discussion
10. 2008Shipping production gear domestically while avoiding airline excess baggage feesCases/Carts/Stands and Transport
11. 2008Repair options for broken spring in master armArms
12. 2008Sony F35 camera performance and handling for Steadicam and handheld useCameras (Film/Video/HD)
13. 2008Steadicam operation techniques for beginners: hand positioning, body mechanics, and balance practiceSteadi-Newbies
14. 2008Insurance options for shipping expensive camera equipment across the countryLegal / Business Practices
15. 2008Clunking sound during tension adjustment on tonearmArms
16. 2008Responsibility allocation when equipment damage occurs during freelance work and payment withholding tacticsLegal / Business Practices
17. 2008Using ARRIFLEX 35-III camera on Steadicam EFP rig with power and mounting considerationsCameras (Film/Video/HD)
18. 2008Safety and technique for running steadicam shots through forest terrainOperating
19. 2008Setting up a monitor and power system for a Flycam 6000 steadicam rigSteadi-Newbies
20. 2008Quality and durability issues with counterfeit camera stabilizer arms compared to original designsArms