2009Steadi-Newbies forum
Transitioning from freelance steadicam work to a full-time TV station position
17 years old. Gear and prices may have changed since.
What the thread found
- TV station work often uses steadicam operators as static camera platforms for extended periods with minimal actual movement shots.
- Directors at local TV stations frequently lack experience directing steadicam operators and may not utilize the equipment creatively.
- Requesting lightweight HD video and sync cables reduces the burden of being tethered during long shooting sessions.
- A wireless headset for communication reduces cable management problems during tethered work.
- Zoom and focus remote controls are essential for TV work, otherwise operators may be restricted to wide shots only.
- Full-time TV positions offer salary security but may involve less creative work compared to freelance commercial and feature projects.
- Transitioning from commercial and independent feature work to TV requires adjustment to different operational expectations and workflow patterns.
Depends on
- This discussion is specific to local TV station operations as of 2009, which may differ from current broadcast practices.
- The specific station and camera models were not revealed in the thread.
- No final outcome was reported regarding the job offer.
- The advice is based on individual experiences at local affiliates rather than comprehensive industry standards.