Equipment selection and cost considerations for starting a live television steadicam business

2011General Discussion forum

15 years old. Gear and prices may have changed since.

A 1.5 inch post has been used successfully for live television work for over 25 years and represents a valid choice alongside 2 inch posts, with selection being a matter of personal preference rather than capability limitation.
A 2 inch diameter post is approximately twice as stiff as a 1.5 inch post due to physics of material stiffness.
Gimbal-mounted focus systems for steadicam work cost significantly more than initial estimates, requiring separate components including a receiver box, motor, and control system that together exceed $2100 before accessories.
Most broadcast lenses do not have internal focus motors, requiring additional external motor and receiver equipment rather than simple direct connection.
For live television work, an operator can successfully pull their own focus without requiring a dedicated focus puller, especially when the producer provides one as backup.
An assistant with prior cable pulling and spotting experience provides adequate support for live television work beyond basic equipment handling.
Used steadicam equipment is a viable purchasing option as operators typically maintain equipment carefully.
Entry into the field requires formal training through workshops to gain hands-on experience with different equipment configurations before making major purchases.

The discussion focuses on live television and live-style production rather than other camera work types.
Specific cost figures are from 2011 and do not reflect current pricing.
Recommendations about 1.5 inch versus 2 inch posts are based on preference rather than absolute capability requirements, and individual needs may vary.
The focus system cost analysis does not include all possible accessories and brackets needed for a complete working system.