Weight capacity and spring configuration options for PRO stabilizer arms

Gear

ZephyrCan I fly my Alexa or RED on a Zephyr?389

Master SeriesIs a used Master Series rig worth buying as a first big rig?191

BFDHow do I power my BFD receiver from my camera or sled?186

VoltCan I retrofit a Volt onto my existing sled or gimbal?168

ArtemisHow do I power my camera and accessories from an Artemis sled?166

MDRWhere can I mount my Preston MDR on my rig?143

ModulusIs there a Modulus option for HD wireless video?141

G-70Will my G-70 fit my vest, gimbal or sled?126

FI+ZCan I control iris and zoom wirelessly, not just focus?60

HU3Where can I get my HU3 repaired, refurbished or repainted?60

CineLiveHow do I pack and case my CineLive rig for transport?54

G-70XHow does the G-70X compare to Pro Titan, Xarm and other arms?46

Trinity 2Is Trinity 2 SUP 3.0 firmware safe to install or buggy?46

Ultra VestWhich vest should I choose for my body size, comfort and operator type?39

2012Arms forum

14 years old. Gear and prices may have changed since.

The Atlas arm can achieve up to 45 pounds lifting capacity when equipped with grey springs.
Mixing black and blue springs on the Atlas arm covers the weight gap between 22 and 26 pounds.
Grey springs were designed to enable the Atlas arm to reach 45 pounds and to provide additional power to the Titan arm when combined with black springs for 3D work.
A complete PRO system with Atlas arm, vest, and modular sled configured for 50 pounds lifting capacity costs approximately 34,000 dollars.
PRO standard systems offer upgrade flexibility across multiple manufacturers and use standard component dimensions, unlike some competitor systems that use proprietary specifications.

Using four grey springs is not considered realistic or practical for normal operations.
Weight capacity figures include manufacturer specifications and operator expectations that are averaged together.
The comparison between Atlas and Titan arm weights was raised as a question but not conclusively answered in the thread.
PRO standard equipment dominance mentioned for feature film and television production in LA, but live television production primarily uses Tiffen and XCS systems.