Was Operator herausgefunden haben

• Static balance should be achieved first by positioning the camera's center of gravity slightly behind the post centerline and spreading battery and monitor paddles far apart on the bottom spar.2011 Steadi-Newbies
• TV glasses can help operators keep visual contact with the shot when a traditional monitor is not viewable, such as during backward-facing camera work on moving vehicles.2011 MonitorsUmstritten
• The plastic material used in 3A vest straps is polypropylene or polyethylene, though identification can be uncertain due to plastic variations2011 VestsUmstritten
• Memory foam with high density and conforming properties can be layered in cases to protect equipment without requiring individual foam cutouts for each item.2011 Cases/Carts/Stands and Transport
• A cameraman operating a Segway-mounted camera rig struck an obstacle on the ground while paying attention to the monitor, causing him to fall but escape serious injury.2011 Vehicles and MountsUmstritten
• Larger high-brightness monitors above 10 inches are beneficial for jib operations, remote head operations, and aerial camera work2011 Monitors

Bis heute umstritten

1. 2011Using TV glasses as monitoring solution for camera work in specialist situationsMonitors
2. 2011Repair options for cracked plastic shoulder strap on 3A vestVests
3. 2011Safety risks when operating camera rigs on Segways during live sports coverageVehicles and Mounts

Oft in denselben Diskussionen

Follow Focus47, Zephyr42, Top Stage27, Low Mode18, Base Plate16, MDR15, Modulus15, BFD13, Dovetail Plate12, Arm Post9, Master Series9, G-708

Alle Diskussionen

1. 2011Balancing a Steadicam Pilot rig and understanding drop time for beginnersSteadi-Newbies
2. 2011Using TV glasses as monitoring solution for camera work in specialist situationsUmstrittenMonitors
3. 2011Repair options for cracked plastic shoulder strap on 3A vestUmstrittenVests
4. 2011Using memory foam slabs in equipment cases for variable padding without custom cutoutsCases/Carts/Stands and Transport
5. 2011Safety risks when operating camera rigs on Segways during live sports coverageUmstrittenVehicles and Mounts
6. 2011Monitor size requirements for different camera operation scenariosMonitors
7. 2011Standard practices for applying hook and loop velcro to camera equipmentBrackets/Widgets
8. 2011Steadicam EFP training video availability and format qualitySteadi-Newbies
9. 2011Preston wireless follow focus motor runaway after extended useFollow Focus
10. 2011Sourcing Gold Spring arms and information about spring color options for Steadicam rigsArms
11. 2011Powering multiple wireless and follow-focus accessories from a Steadicam Flyer batteryOperating
12. 2011Docking bracket options for pro sled that allow full rotation to check balanceCases/Carts/Stands and Transport
13. 2011Adjustment and performance characteristics of 3A and Cinema Products armsUmstrittenArms
14. 2011Mounting solutions for back-heavy Alexa cameras on steadicam rigsBrackets/Widgets
15. 2011Insurance coverage for freelance camera operators' equipment on student film productionsLegal / Business Practices
16. 2011Arri UDM-1 ultrasonic distance measurement device for follow focus applicationsFollow Focus
17. 2011Sony F65 camera operational characteristics, power requirements, and field deployment concernsUmstrittenCameras (Film/Video/HD)
18. 2011Fiber jumper cable routing and attachment techniques for steadicam live television workVideo Assist and Video Accessories
19. 2011Compatibility of RED One MX camera with Zephyr Steadicam sledSteadi-Newbies
20. 2011Choosing between budget and diagnostic chargers for Anton Bauer batteriesSteadi-Newbies
21. 2011Motor compatibility and selection for Bartech Focus DeviceUmstrittenSteadi-Newbies
22. 2011Sony F3 simultaneous HD-SDI and SD output capabilities and limitationsUmstrittenCameras (Film/Video/HD)
23. 2011Mk-V Alexa camera plate performance and alternatives for mounting on narrow dovetailsUmstrittenBrackets/Widgets
24. 2011Steadicam Zephyr camera support capacity and configuration optionsSled
25. 2011Adapting a standard Magliner cart for Steadicam mountingCases/Carts/Stands and Transport
26. 2011Incompatibility issues between XCS Ergo handle and PRO gimbal components causing premature wearGimbal
27. 2011Balancing a Merlin stabilizer with a bottom-heavy camera configuration and addressing nodding motion during walkingUmstrittenSteadi-Newbies
28. 2011RF video transmitter and receiver selection for Steadicam rigsSteadi-Newbies
29. 2011Building a wireless HDMI video monitoring solution using WHDI technologyVideo Assist and Video Accessories
30. 2011Fore/aft camera adjustment mechanism on Zephyr camera rig differs from older modelsCamera Stage/Donkey Box
31. 2011Website malware warnings triggered by Google Safe BrowsingOff Topic
32. 2011Specifications, maintenance, comfort, and pricing guidance for the EFP sled stabilizer rigSled
33. 2011Clamping the Gorelock ring around the J-box ring to reduce post-to-camera distance on a PRO HD / XCS hybrid sledSled
34. 2011Methods for mounting follow focus receivers and control heads to Tiffen steadicam rigsFollow Focus
35. 2011Steadicam Pilot rental dispute involving equipment defects, damage assessment, and excessive loss-of-earnings chargesUmstrittenLegal / Business Practices
36. 2011Extended single-take steadicam sequence in the film Hanna with integrated fight choreography and lighting techniquesOperating
37. 2011Using gyroscopic stabilizers for dialogue scenes in windy conditions and their impact on sound recordingBrackets/Widgets
38. 2011Compatibility of Zephyr arm socket block with different vest modelsVests
39. 2011Real-world performance of Cinetronic LCD monitor compared to predecessor modelsMonitors
40. 2011Comparing budget stabilizer systems versus professional Steadicam rigs for small production workSteadi-Newbies
41. 2011Shipping cases and methods for Steadicam vests and armsCases/Carts/Stands and Transport
42. 2011Steadicam Pilot purchase timing and performance assessmentSteadi-Newbies
43. 2011Preston DM4 motor suitability for follow focus applicationsFollow Focus
44. 2011Gimbal clamp failures on Zephyr sled causing breakage during operationSled
45. 2011Mounting a Preston MDR bracket on camera rigsBrackets/Widgets
46. 2011Focus marking misalignment on Digital Bartech follow focus system during direction reversalFollow Focus
47. 2011Mounting options and balance considerations for Cinetronic monitors on camera stabilizer sledsMonitors
48. 2011Boxx Meridian wireless video transmission system performance in live production and television environmentsVideo Assist and Video Accessories
49. 2011Steadicam Merlin arc distance calculation discrepancies and dynamic balancing difficulties with lightweight camera setupsSteadi-Newbies
50. 2011Mounting a Transvideo Cinemonitor IIIA on a Clipper3 camera sledMonitors
51. 2011Transvideo Titan HD wireless video transmitter signal issues and potential causesUmstrittenVideo Assist and Video Accessories
52. 2011Performance and reliability comparison of lithium-ion camera batteries from various manufacturersUmstrittenBatteries/Power
53. 2011Flying the RED EPIC camera with anamorphic lenses on a camera sledCameras (Film/Video/HD)
54. 2011Troubleshooting Zephyr monitor connection and configuring the rig for 35mm film camerasGeneral Discussion
55. 2011Mounting a stabilized camera rig to a Jeep Wrangler for vehicle filmingVehicles and Mounts
56. 2011Routing multiple video feeds from a camera with limited outputs through a Zephyr sledUmstrittenSled
57. 2011Zoom drift issues when using analog zoom controllers with digital camera lensesGeneral Discussion
58. 2011Comparison of Betz Top Stage and Pro DB-3 camera platforms for crane/jib useUmstrittenCamera Stage/Donkey Box
59. 2011Challenges and safety considerations when operating a Segway indoors for video camera workOperating
60. 2011Powering a Canon 7D camera mounted on a Steadicam Pilot rigSteadi-Newbies
61. 2011Achieving acceptable focus depth when operating Steadicam with interchangeable lens cameras on tight single-day shootsFollow Focus
62. 2011Mounting an external professional monitor to an Archer HD camera using adapters and custom cablingMonitors
63. 2011Wireless follow focus system selection and compatibility with Steadicam ZephyrFollow Focus
64. 2011Steadicam oscillation and sway issues with Flyer LE rig holding static shotsUmstrittenSteadi-Newbies
65. 2011Adapting Zephyr steadicam battery to power wireless video transmitter via Lemo connectorSteadi-Newbies
66. 2011Adjusting Steadicam balance for sustained tilt shots rather than holding tilt dynamicallyGeneral Discussion
67. 2011Handheld director's monitors for SD video transmission and battery optionsVideo Assist and Video Accessories
68. 2011Spring failures in Master Series camera arms and maintenance considerationsArms
69. 2011Readjustment of a displaced tension scale on a PRO arm canisterArms
70. 2011Operating camera equipment and electronics in extreme cold conditions below freezingOperating
71. 2011Mounting solutions and alternatives for the Hyperdeck recorderUmstrittenVideo Assist and Video Accessories
72. 2011Determining when to use Steadicam shots and developing motivation-driven camera movement in filmmakingSteadicam Aesthetics
73. 2011Selecting a suitable Steadicam rig for operating RED cameras as a beginnerUmstrittenSteadi-Newbies
74. 2011Wireless video transmission systems for live event production and their reliability compared to traditional triax cablesUmstrittenVideo Assist and Video Accessories
75. 2011Obtaining Marshall monitor firmware updatesMonitors
76. 2011Weight capacity limits of the Archer 1 camera rig with G50 armSled
77. 2011HD-SDI/HDMI wireless video transmission device comparison and sourcingVideo Assist and Video Accessories
78. 2011Proper finger positioning on the Steadicam gimbal during operationUmstrittenOperating
79. 2011Teaching methods and analogies for explaining Steadicam operation to beginnersGeneral Discussion
80. 2011Hosting and embedding video reels on websites for professional portfoliosLegal / Business Practices
81. 2011Suitable camera sleds for the Sony F3Sled
82. 2011Whether rental charges for downconverters and HD transmission equipment are still viable in a transition from SD to HD productionUmstrittenLegal / Business Practices
83. 2011Handheld gimbal operating technique and stabilization methodsUmstrittenOperating
84. 2011Differences between Archer 2 Steadicam sled models and motorized stage utilitySled
85. 2011Monitor options and upgrade considerations for the Archer 2 camera stabilizerMonitors
86. 2011Boland 8.4HD DayBright LED monitor performance and featuresMonitors
87. 2011TVLogic 71W monitor capabilities and limitations compared to alternativesMonitors
88. 2011Sony L and M series battery mount compatibilityBatteries/Power
89. 2011Wearing eyeglasses while operating film and video camerasOff Topic
90. 2011Emergency power solution using battery charger's 12V output when wrong batteries were brought to setBatteries/Power
91. 2011Low-mode mounting solutions for a professional video cameraCameras (Film/Video/HD)
92. 2011Combining a Mini vest with a Merlin arm through custom modificationVests
93. 2011Steadicam Merlin wobble compared to Pilot and stability physicsSteadi-Newbies
94. 2011Finding f/j brackets compatible with thicker arm posts on action camera sledsBrackets/Widgets
95. 2011Electronics module in IIIA sled and comparison with later PRO 1 designSled
96. 2011Accessories and power solutions for Zephyr camera stabilizer used with RED camerasJournals
97. 2011Function and practical utility of the parallel/series power switch on steadicam rigsGeneral Discussion
98. 2011Mounting the EX1 camera on a Steadicam Pilot with a Manfrotto quick release plate causes balance and access issuesSteadi-Newbies
99. 2011Service and repair of Cinema Products WRC-3 wireless follow focus systemFollow Focus
100. 2011Balancing and tuning a Sony EX3 camera on a Steadicam rig for stable operationUmstrittenOperating
101. 2011Mounting steadicam equipment on horses for filmingVehicles and Mounts
102. 2011Maintaining camera slider rigs during extended periods of continuous or long-term setupGeneral Discussion
103. 2011Billing practices for rain cancellations and postponements on multi-day out-of-town production shootsLegal / Business Practices
104. 2011Risks of running with steadicam equipment during live sports filmingGeneral Discussion
105. 2011Operating a Steadicam in narrow aircraft cabin aisles during filmingOperating
106. 2011ZOE-DVXL focus slider capability and operational useFollow Focus
107. 2011Wireless follow focus control systems for cameras using iOS devicesFollow Focus
108. 2011Achieving stable handheld Steadicam Merlin operation for property video walkthroughsSteadi-Newbies
109. 2011Linear potentiometer-based focus control slider for Steadicam rigsFollow Focus
110. 2011Comparison of AJA and Decimator video converters for professional useVideo Assist and Video Accessories
111. 2011Cinetronic monitor mounting and setup for steadicam rigsMonitors
112. 2011Importance of vendor support and equipment reliability when purchasing professional steadicam gearLegal / Business Practices
113. 2011Balancing a Steadicam Merlin with Canon 7D and 24-70mm f/2.8 lensSteadi-Newbies
114. 2011Video distortion and signal issues when using AJA downconverters with Alexa cameras on steadicam rigsVideo Assist and Video Accessories
115. 2011Mobile application for calculating dynamic balance in Steadicam rigsUmstrittenOff Topic
116. 2011HoFoPro wireless follow focus system design and performance characteristicsUmstrittenFollow Focus
117. 2011Learning camera stabilization technique with a Glidecam unit as a beginnerSteadi-Newbies
118. 2011Rigging dual Alexa cameras on a Steadicam for 3D cinematography3D Steadicam
119. 2011Connecting Canon 7D video output to Scout monitor via BNCSteadi-Newbies
120. 2011Cinetronic HB 6.5" monitor performance and customer service experienceMonitors
121. 2011Payload weight limits and balancing issues with Archer 2 gimbal system when using heavy camera rigs and accessoriesSled
122. 2011Comparison of V-mount battery options for cinema camerasBatteries/Power
123. 2011Connecting Canon 7D video output to Steadicam ProVid2 monitorGeneral Discussion
124. 2011Wireless follow focus systems for DSLR cameras: comparison of budget-friendly optionsFollow Focus
125. 2011Mounting follow focus systems and rods to a FlyerLE Steadicam with dovetail plateFollow Focus
126. 2011Upgrading external monitoring on a Flyer LE stabilizer rigSteadi-Newbies
127. 2011Addressing numbness in the leg when wearing a WK-vestVests
128. 2011Building a Steadicam demo reel and developing operating skills as a beginnerSteadi-Newbies
129. 2011Feasibility of operating Steadicam tethered to 26-pin multicore cableOperating
130. 2011Power distribution solutions for FlyerLE camera stage to support multiple peripheralsCamera Stage/Donkey Box
131. 2011Weight limits for cinema cameras on gyro-stabilized aerial rigsSled
132. 2011Pilot AA monitor display glitching after initial startupSteadi-Newbies
133. 2011Operating Steadicam for live television sports coverage: stamina management, crew requirements, and equipment setupSteadi-Newbies
134. 2011Spring failure in pan-tilt arms and replacement procedureArms
135. 2011Cineroid Horizon monitor leveling tool - design, availability, and user experienceMonitors
136. 2011Best practices for creating an effective steadicam demo reelGeneral Discussion
137. 2011Communication delays and lead times when ordering motors from Heden EngineeringGeneral Discussion
138. 2011Renting out steadicam equipment when unable to use it personallyUmstrittenSteadi-Newbies
139. 2011Modifying Segway X2 for quick wheel changes to adjust width for different filming locationsVehicles and Mounts
140. 2011Pricing strategy for Steadicam operator services when owning your own equipmentGeneral Discussion
141. 2011Adding a Manfrotto release plate affects camera balance on a stabilizerSteadi-Newbies
142. 2011Remote start/stop cable compatibility between Preston controllers and RED Epic camerasCameras (Film/Video/HD)
143. 2011Tie-down screw specifications for Panasonic AF100 cameraSled
144. 2011Powering an Arri Alexa camera mounted on a Zephyr stabilizer with 24V battery system and connector compatibilityBatteries/Power
145. 2011Finding soft case options for camera equipment sledsCases/Carts/Stands and Transport
146. 2011Guidance on editing and structuring a Steadicam operator demonstration reelUmstrittenOperating
147. 2011Lightweight wireless HD camera system suitable for steadicam useGeneral Discussion
148. 2011Recovery procedure for Transvideo Cinemonitor HD Evo after failed software updateMonitors
149. 2011Battery life and practical operation of the Blackmagic Hyperdeck Shuttle recorderVideo Assist and Video Accessories
150. 2011Adding weight to a Pro Vid 2 Steadicam rig when using a lightweight Canon 7D cameraGeneral Discussion
151. 2011Using a Decimator downconverter with Steadicam rigs for monitoring HD camera feedsVideo Assist and Video Accessories
152. 2011Operating Arri 435 film camera on steadicam with power and equipment constraintsSteadi-Newbies
153. 2011Codex recorder placement on GPI Pro sled with Alexa cameraSled
154. 2011Using rollerskates or inline skates with Glidecam stabilizers for smooth camera movement in extreme sports filmingUmstrittenGeneral Discussion
155. 2011Quick-swap adapter solutions for Steadicam Flyer rig between aerial and tripod mountingSteadi-Newbies
156. 2011Production approaches and equipment choices for Walmart Soundcheck concert video seriesJournals
157. 2011Wheel options and mobility solutions for Steadicam standsCases/Carts/Stands and Transport
158. 2011Pinout specification for HU3 update cable with 4-pin Lemo connectorFollow Focus
159. 2011Upgrading a Steadicam sled from video to HD-SDI and replacing a CRT monitor with LCDSled
160. 2011Quick-change plate solutions for switching between Steadicam and tripod-mounted camerasCamera Stage/Donkey Box
161. 2011Compatibility between RED EPIC-M camera and IDX Camwave wireless video transmitterUmstrittenGeneral Discussion
162. 2011Advancing from lightweight glidecam to professional steadicam rigs and workshop training for career operatorsSteadi-Newbies
163. 2011Selecting and powering HD monitors compatible with the Zephyr camera rigMonitors
164. 2011Compatibility issues between Epic cameras, RedByte monitors, and firmware versionsMonitors
165. 2011Routing video and power cables internally through a Flyer LE sled center postCenter Post
166. 2011Quick release plate compatibility and alternatives for the Glidecam HD1000 stabilizerSteadi-Newbies
167. 2011Weight shift during focus with zoom lenses on Steadicam rigsGeneral Discussion
168. 2011Choosing a Steadicam system for a lightweight camera and planning equipment setupSteadi-Newbies
169. 2011Power requirements for running a Preston focus motor and Bartech iris controller simultaneously from a single Arri camera power connectorFollow Focus
170. 2011Power cabling solutions for the Flyer and Flyer LE camera stabilizer rigsSteadi-Newbies
171. 2011Steadicam Merlin rocking motion during operation and balancing techniquesSteadi-Newbies
172. 2011Finding a non-extending zoom lens for Steadicam work with the NEX-FS100Cameras (Film/Video/HD)
173. 2011Advantages and limitations of AR (Advanced Arm) stabilization rigs in music video productionUmstrittenGeneral Discussion
174. 2011Matching camera equipment cost to stabilizer rig cost as a selection guidelineUmstrittenSteadi-Newbies
175. 2011SI 2K 3D Sync Box connector polarity and monitor compatibilityUmstrittenGeneral Discussion
176. 2011Choosing a backup follow focus system when already using PrestonFollow Focus
177. 2011Comparison of portable HD recorders and monitoring solutions including Sidekick, Atomos Samurai, HyperDeck Shuttle, Nanoflash, Sound Devices Pix240, and CinedeckUmstrittenVideo Assist and Video Accessories
178. 2011Feasibility of mounting a Sony F3 cinema camera with accessories on a Pilot aerial rigOperating
179. 2011Using DSLR stabilizers with non-DSLR cameras and understanding price differencesSteadi-Newbies
180. 2011Comparison of Heden MVE21 and MVE26 focus motors for follow focus systemsFollow Focus
181. 2011Generic V-Mount batteries sold under various brand names including Hired Gun VideoBatteries/Power
182. 2011Powering HD monitors and cameras with Anton Bauer batteries while maintaining rig balanceSled
183. 2011Structural stability concerns with Moses Pole stand design and joint wobbling issuesCases/Carts/Stands and Transport
184. 2011Adapting V-lock battery plates to accept 24V instead of 12V batteriesBatteries/Power
185. 2011Selecting daylight-viewable LCD monitors for Steadicam work in the $1000-4000 price rangeMonitors
186. 2011Cracks discovered in IIIa arm sections during restoration and bearing replacementArms
187. 2011Day player steadicam operator rates and equipment rental negotiations on film and television productionsLegal / Business Practices
188. 2011Zephyr gimbal stabilizer rig capabilities, challenges, and user experiencesSled
189. 2011Camera mounting plate compatibility and rigidity for cinema rigsUmstrittenCamera Stage/Donkey Box
190. 2011Upgrading the monitor cable and display on a Steadicam Flyer sledSteadi-Newbies
191. 2011Using SCSI hard drives as affordable gyroscopic stabilizers for camera lensesUmstrittenGeneral Discussion
192. 2011Experience with RTMotion MK2 wireless follow focus systemFollow Focus
193. 2011Cable kit requirements for Steadicam operators entering the professionSteadi-Newbies
194. 2011Converting a Masters Series Broadcast sled power system from lower voltage to 24V capabilityBatteries/Power
195. 2011Inovativ Steadicart equipment cart features and specificationsCases/Carts/Stands and Transport
196. 2011Finding and selecting Steadicam operator workshops for beginners and progression trainingGeneral Discussion
197. 2011Selecting and configuring a steadicam sled for live television and live-to-tape production workSled
198. 2011Equipment selection and cost considerations for starting a live television steadicam businessGeneral Discussion
199. 2011Comparing Zephyr and Glidecam X-22 steadicam rigs for educational useUmstrittenSteadi-Newbies
200. 2011Requesting certificates of insurance when renting equipment to production companiesUmstrittenLegal / Business Practices
201. 2011Technique for executing smooth whip pans with minimal overshoot and bounce-backOperating
202. 2011Custom modifications to Yeager steadicam carts using welding and aftermarket componentsCases/Carts/Stands and Transport
203. 2011Bracket solutions for mounting mixed analog and digital BFD/BDR receivers on Steadicam rigsBrackets/Widgets
204. 2011Upgrading Flyer LE arm springs to support heavier camera packagesUmstrittenArms
205. 2011Essential power cables for Steadicam equipment on film setsSteadi-Newbies
206. 2011Adjusting spring tension on a Master Arm to change weight capacity and detuning settingsArms
207. 2011Using Steadicam framing to convey character emotion and psychological state in narrative scenesSteadicam Aesthetics
208. 2011Rigging a Mitchell High Hat as a vehicle mount on a Chevrolet Suburban for camera work on sand dunesVehicles and Mounts
209. 2011Electromagnetic interference between Preston MDR and RedByte Decimator devices on camera rigVideo Assist and Video Accessories
210. 2011Boland DayBrite 8.4 inch monitor specifications and featuresMonitors
211. 2011Comparison of wireless follow focus systems: CVolution versus ARRI WRSFollow Focus
212. 2011Balancing a camera rig in low mode operationOperating
213. 2011Optimal monitor size for Steadicam operationUmstrittenMonitors
214. 2011Using servo-controlled zoom and focus on Canon DSLRs for live video workCameras (Film/Video/HD)
215. 2011Operating the 3-Ality TS-5 lightweight carbon fiber 3D Steadicam rig in production conditions3D Steadicam
216. 2011Operating a camera on a Steadicam during elevator travel in an office buildingOperating
217. 2011Arm post tension adjustment on Flyer LE camera rigArms
218. 2011Opening the case of an Anton Bauer Quad 2702 charger for firmware chip replacementBatteries/Power
219. 2011Base plate options for Steadicam Pilot with Canon 5D and follow focus systemSteadi-Newbies
220. 2011Modular 51 and Rock Steadi Gear bag ordering experience and customer service issuesIndustry Contacts, Info and Links
221. 2011Outdoor monitor visibility for Pilot camera rigs and suitability of SmallHD DP6 versus alternativesMonitors
222. 2011Building and testing a stereoscopic camera rig on a Steadicam mount3D Steadicam
223. 2011Benefits of maintaining a FedEx account for receiving shipped items from distant helpersSteadi-Newbies
224. 2011Using multiple gyroscopes versus single gyroscope for camera horizon stabilization on pendulum mountsSteadi-Newbies
225. 2011Tuning arm sections to move in synchronizationArms
226. 2011Mounting an MDR2 follow focus unit to an MK-V J BoxFollow Focus
227. 2011International air travel with Steadicam gear and camera equipmentSteadi-Newbies
228. 2011Choosing between Steadicam Pilot and Zephyr models for initial investmentSteadi-Newbies
229. 2011Selecting and connecting an external monitor to a Flyer-LE Steadicam rig for exposure verification during productionUmstrittenSteadi-Newbies
230. 2011Interference patterns on monitor when operating Arri WCU3 wireless focus unit with RED camera and decimator on Archer 2 steadicam rigUmstrittenFollow Focus
231. 2011Dazmo LiFePO chemistry batteries and fiber optic converter productsBatteries/Power
232. 2011Adjusting and checking camera stabilizer thread balance in the field and at homeSteadi-Newbies
233. 2011Gyro stabilizer selection and setup for Steadicam Archer 2 SE with high-speed filmingBrackets/Widgets
234. 2011Appropriate gradient angles for walking steadicam shots on rampsGeneral Discussion
235. 2011Video signal transmission through Lemo connectors on cinema monitorsMonitors
236. 2011Sachtler ACT2 Monitor Bracket compatibility and pricingMonitors
237. 2011Protecting camera batteries and chargers from power interruptions during film productionBatteries/Power
238. 2011Sachtler Artemis Cine HD Pro camera stabilizer rig design and featuresUmstrittenSled
239. 2011Side-to-side adjustment slippage in Master series camera stageCamera Stage/Donkey Box
240. 2011Components and costs for upgrading a GPI generation 2 sled to HD specificationSled