What the thread found

• The ARRI ST can be used effectively for steadicam work without a 100% video top, though it limits low-mode bracket compatibility and may necessitate using a low-mode cage instead
• Using LT steadicam magazines with an adapter on the ST can save some weight compared to standard studio mags
• A 100% video top mounted above the camera provides better balance and monitor image quality than mounting to the side, and simplifies low-mode setup
• The ARRI ST in full steadicam mode with ultra prime lenses balances reasonably well on a 3A arm, though actual performance depends on total system weight and configuration
• Converting the ARRI ST from studio to steadicam mode takes approximately seven minutes when done by an experienced assistant
• Adding tilt and shift lens systems with bellows to the ARRI ST significantly increases rig weight and can degrade operator footwork performance
• Newer ARRI tilt and shift lenses with self-contained systems are lighter and simpler than older bellows-based designs while maintaining compatibility with standard lens mounts

Depends on

• Budget constraints may prevent obtaining optional components like the 100% video top and steadicam mags
• The discussion includes specific experiences from one or two particular productions and may not represent all scenarios
• Weight and balance feedback is subjective and depends on individual operator strength and steadicam platform type
• No definitive performance comparison provided between different magazine types
• The newer tilt and shift lens discussion is limited to f2.8 performance at 45mm and 90mm focal lengths

Parts

Low Mode

Same gear or parts

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