2016General Discussion forum
Adding three-axis gimbals to steadicam operator kits for film and television work
What the thread found
- Three-axis gimbals can be rented out separately or bundled with additional equipment like wireless systems and focus controllers, typically commanding lower daily rates than steadicam operating fees.
- Gimbal work is particularly effective for documentary filming, sports coverage, and shots requiring movement patterns that are difficult or impossible to achieve with steadicam.
- Building a complete three-axis gimbal kit with multiple mounting options, controllers, and support equipment requires investment comparable to a steadicam setup.
- Operating a gimbal is a distinct skill set requiring practice and different techniques than steadicam operation.
- Some experienced steadicam operators view gimbal technology as a way to extend their careers by reducing the physical demands of operating heavier equipment as they age.
- Gimbals are most effective when used creatively to achieve shots that differentiate the operator's capabilities and attract repeat business from directors and cinematographers.
Depends on
- Gimbal work currently represents a negligible portion of overall operating revenue for most steadicam operators who have added them to their kits.
- The financial return on gimbal equipment investment remains uncertain and dependent on local market demand and rates.
- Success with gimbals requires significant additional equipment investment beyond the gimbal itself, including various mounting systems and support rigs.
- Gimbal adoption and utilization varies significantly by region and market.
Gear in this thread
Same gear or parts
- 2019Using electronic gimbals with vest and arm rigs instead of handheld operationGeneral Discussion
- 2016Comparison of Artemis Maxima and Movi gimbals for camera stabilizationGeneral Discussion
- 2015Appropriate operating rates for Movi and gimbal work compared to Steadicam ratesDisputedLegal / Business Practices