2015Cameras (Film/Video/HD) forum
Operating an Arriflex 416 film camera on a Steadicam rig for the first time
What the thread found
- The Arriflex 416 is suitable for Steadicam work and not excessively heavy, particularly when using prime lenses.
- Onboard battery power is adequate for Steadicam operation and does not add significant weight.
- The camera features integrated focus-iris-zoom control when used with Arri handsets and motors.
- Film magazine balance shifts sideways during shooting as film spools, requiring adjustment between takes, but does not shift front-to-back because the magazines are coaxial.
- Weight displacement is minimal with 16mm film compared to 35mm formats.
- Arriflex manufactured a dedicated two-piece baseplate for quick conversion between studio and Steadicam configurations.
- Film cameras risk scratching film if run upside down, so a dedicated top-mounted low-mode bracket should be used instead of simply inverting the rig, though the 416 can tolerate gentle inverted operation.
- Rebalancing after changing to a low-mode bracket typically takes three to four minutes with proper technique.
- Only the 416 Plus model has built-in FIZ; the base model does not.
Depends on
- The official name of the Steadicam baseplate accessory was not recalled by participants.
- No specific weight figures for the camera or mounted configurations were provided.
- Experience described may be specific to particular shooting conditions and setups.
- The threshold for what constitutes gentle handling when inverting the camera was not defined.
Gear in this thread
Parts
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