SteadiHub
2004Cameras (Film/Video/HD) forum

Operating a Panavision-mounted Sony 900 HD video camera on a motion control rig

22 years old. Gear and prices may have changed since.

What the thread found

  • The Sony 900 camera draws approximately 70 watts of power when used with an Evertz down converter attached, making it very power-hungry.
  • Powering the camera from the sled is not recommended due to high power consumption in this configuration.
  • Using onboard batteries for the camera is a viable alternative approach.
  • An Evertz down converter can be used to step down the HD signal to NTSC for compatibility with a TB-6 motion control system.
  • The camera with a zoom lens becomes quite long and heavy, and functions as a significant wind catcher.
  • The low-mode handle operates smoothly on this camera.
  • The requirement for stiff HD-SDI coaxial cable can be problematic, as engineers may want to monitor the actual HD image rather than the converted signal.
  • The camera balanced acceptably on an Ultimate Sled with BarTech follow focus in field conditions.
  • Some operators have used a black and white video camera mounted to the eyepiece as an alternative to using a down converter for monitoring.
  • Preston motors are suitable for focus control with this camera setup.

Depends on

  • The experience described is from 2004 with older converter technology.
  • Reports indicate that smaller and lighter down converters may have become available after the time of these discussions.
  • Wind conditions during one reported use were extreme, which may not reflect typical operating scenarios.
  • One user expressed a strong negative opinion about the overall system without providing exhaustive technical justification.
  • The specific issues with HD-SDI cable requirements appear to depend on engineering preferences and monitoring needs.
  • No comprehensive testing of all documented quirks was completed during the forum discussion.

Parts

Low Mode, Follow Focus

Same gear or parts

  1. 2026Low mode and flipping the image: what to check on the camera before the dayOperator practice
  2. 2026Swapping an ARRI ALEXA 35 between tripod/studio and Steadicam® mounting: baseplate choice and fastest workflow.FacebookSteadicam operators group
  3. 2026Rig setup for 180-degree immersive camera operation with Blackmagic URSA Cine Immersive: minimizing rig and monitor visibility in ultra-wide field of view.FacebookThe Steadicam Group
  4. 2026Lemo connectors on the ARRI Artemis sled: pinout, polarity verification, and powering low-mode monitors and Volt battery.FacebookSteadicam operators group
Read the original threadAsk about this threadThe answer cites the archive