SteadiHub
2016Follow Focus forum

Whether Steadicam operators need to own their own wireless follow focus systems in modern production environments

What the thread found

  • Many productions now include wireless follow focus systems as part of the standard camera package rental, reducing the necessity for operators to own their own equipment
  • Owning a backup follow focus system provides insurance against equipment failure on set and allows operators to maintain independence when production systems malfunction
  • Day players benefit from owning their own focus system because they arrive after setup is complete and may lack familiarity with the production's rental equipment, creating time pressure and setup complications
  • Compatibility issues between operator-owned and production-supplied focus systems can create logistical challenges including power cable mismatches and mounting bracket incompatibilities
  • Focus puller positions have increasingly moved to video village monitoring rather than on-set operation, changing how remote focus systems are deployed in modern workflows
  • Consignment arrangements with rental houses offer an alternative path for equipment owners to generate income from their gear on productions that use rental systems
  • On live television productions, operators typically need their own wireless focus systems because equipment failures cannot be resolved during broadcast
  • A single-channel backup focus system may be more practical than a full system for operators who encounter production-supplied focus equipment on most jobs

Depends on

  • The trend toward production-supplied equipment appears strongest in commercial and music video work, with less adoption on television and feature film productions
  • This discussion primarily reflects the experience of operators in North America, with one mention of Norway where ARRI wireless systems dominate instead of Preston equipment
  • The financial viability of owning focus equipment depends on job frequency and type; day-playing work makes equipment ownership harder to justify economically
  • Rental house policies and availability of accessories like power cables can create urgent logistical problems when backup equipment is needed
  • The discussion reflects conditions from 2016 and may not represent current industry standards

Gear in this thread

FI+Z, MDR

Parts

Follow Focus

Same gear or parts

  1. 2026Power loss on Trinity 2 / Artemis 2 with large cameras (A35, Venice): causes and battery solutions.DisputedFacebookArri Artemis Trinity
  2. 2026Pulling focus and zoom yourself while operating, especially on live showsOperator practice
  3. 2026Swapping an ARRI ALEXA 35 between tripod/studio and Steadicam® mounting: baseplate choice and fastest workflow.FacebookSteadicam operators group
  4. 2025History of wireless focus and lens control systems for Steadicam®: from cable-based Cinema Products and Seitz to Preston digital, and European solutions by Chrosziel, cmotion, and ARRI.FacebookSteadicam operators group
Read the original threadAsk about this threadThe answer cites the archive