2005Arms forum
Weight and handling challenges of the Panavision Gold II camera on Steadicam rigs
21 years old. Gear and prices may have changed since.
What the thread found
- The Panavision Gold II is significantly heavier than expected and causes physical strain during extended handheld use, with operators reporting arm pain and numbness after relatively short periods of work.
- A fully configured Gold II conversion with matte box, motors, lenses and accessories can weigh 35 to 42 pounds depending on lens selection, exceeding the practical comfort threshold for sustained operation.
- Unconverted Gold II setups with full-size optical blocks and standard dovetail plates are estimated to exceed 50 pounds, which creates excessive risk for equipment failure and operator injury.
- The camera's weight distribution tends to be top-heavy, making it difficult to achieve proper center of mass balance in the gimbal and resulting in unsteady footage.
- Spring components in 3A arms have been known to fail under the stress of carrying heavily configured Gold II systems, with springs shooting through the arm cover.
- Operators who have used both Panavision Gold II and Moviecam SL note significant differences in weight and handling characteristics between the two cameras.
- The lighter-weight zoom lenses available for the Gold II compromise image quality compared to prime lens alternatives.
- Attending a camera prep at the rental facility before the first use is recommended to become familiar with the camera's handling characteristics.
Depends on
- Reports are based on 1990s-2000s equipment configurations and may not reflect modern setups.
- Arm failures occurred with specific 3A sled configurations and may vary with other arm models.
- Weight measurements were taken by individual operators using various scales and methods, not all precisely documented.
- The comparison between Gold II and Moviecam SL was anecdotal rather than systematic.
- No standardized testing or manufacturer specifications are referenced to verify claims.
Parts
Same gear or parts
- 2026Rig setup for 180-degree immersive camera operation with Blackmagic URSA Cine Immersive: minimizing rig and monitor visibility in ultra-wide field of view.FacebookThe Steadicam Group
- 2026Finding a bright (1500–2000 nits) low-mode monitor with recording and SDI I/O to replace a defective Transvideo Starlite.DisputedFacebookSteadicam operators group
- 2026Vest drops: what lowering the arm socket actually buys, and what it costs at the topOperator practice
- 2026Lemo connectors on the ARRI Artemis sled: pinout, polarity verification, and powering low-mode monitors and Volt battery.FacebookSteadicam operators group