2007Monitors forum
Selecting a monitor for HD video work with consideration of brightness, format compatibility, and cable routing
19 years old. Gear and prices may have changed since.
Note (as of October 2026)Curt O. Schaller, the developer of Artemis and Trinity, has no longer been with ARRI since the end of 2025. To our knowledge, ARRI currently has no dedicated team and no official contact persons for its stabilizer systems. In our view, the future of this line is uncertain. If you are buying new, get written confirmation from ARRI beforehand on how long service and spare parts are guaranteed. Have used rigs checked by the manufacturer before you buy.
What the thread found
- Brightness ratings of 700 nits are viewable in direct sunlight but not excessively bright for outdoor use.
- HD monitors may require downconverters when used with certain camera systems, though some newer cameras have built-in downconverters.
- HD-SDI cable routing can present challenges during post-production workflows.
- Multiple monitor options exist in the market including Transvideo, IMP Blackbird, and Hummingbird models, with different price and weight tradeoffs.
- Some camera manufacturers like Panasonic were incorporating downconverters directly into camera bodies to simplify HD workflows.
Depends on
- The discussion is from 2007 and discusses equipment and technologies that may be outdated.
- Specific pricing and availability information are not provided in detail.
- One user reported a defective AJA converter unit, but this appears to be an isolated incident.
- The Transvideo HD monitor mentioned as coming soon appears to have been in development for an extended period with uncertain release timing.
Gear in this thread
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