SteadiHub
2014Operating forum

Operating Steadicam while shooting at high frame rates up to 240fps

12 years old. Gear and prices may have changed since.

What the thread found

  • High frame rate footage appears very smooth, making the operator look skilled regardless of technical ability.
  • Focus becomes critical at high frame rates because a one-second focus error at 240fps becomes a ten-second error during playback, requiring marks, rehearsals, and deliberate pauses between moves rather than continuous operation.
  • The FS700 camera compresses footage heavily at 240fps, potentially resulting in soft or out-of-focus images when recorded internally, though external recorders improve sharpness significantly.
  • The FS700 records only 8-9 second bursts at 240fps, making record button timing difficult while operating Steadicam.
  • Faster camera movements work better at extremely high frame rates than slow movements, and being further away helps with very fast footage.
  • Keeping level is essential because any tilt or pan appears exaggerated for an extended duration when shot at high frame rates.
  • An external recorder such as the Odyssey 7Q or R5 recorder substantially improves image quality compared to internal FS700 recording at high speeds.
  • The FS700 supports LANC control, allowing wireless triggering via adapter cables from follow focus systems to eliminate wasted slow-motion footage.
  • Steadicam remains useful at high frame rates for quick setup changes and angle adjustments, even though stationary camera positions might seem simpler.

Depends on

  • Experiences and recommendations are specific to the FS700 camera.
  • FS700 frame rate and burst limitations apply only to that model.
  • Some operators found high-speed Steadicam unnecessary or questioned its value, indicating no universal agreement.
  • Testing with the Ninja external recorder showed much better results than internal recording, but this was a specific rig combination.
  • One operator's experience at 1000fps with speed ramps involved different creative choices than typical 240fps work.

Parts

Follow Focus

Same gear or parts

  1. 2026Pulling focus and zoom yourself while operating, especially on live showsOperator practice
  2. 2026Swapping an ARRI ALEXA 35 between tripod/studio and Steadicam® mounting: baseplate choice and fastest workflow.FacebookSteadicam operators group
  3. 2025LC-1 (Lens Control-1) follow focus system: wired architecture, motors, and early operational experience (1990s).FacebookThe Steadicam Group
  4. 2024Modifications to a Steadicam Scout rig for expanded power distribution and connectivityGeneral Discussion
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