Lo que descubrieron los operadores

• The Rainbow II monitor performs well in extremely bright sunlight conditions without requiring a sunshade2007 Monitors
• A federal law effective January 1, 2008 prohibits spare lithium-ion batteries in checked baggage and requires them to be carried in carry-on luggage with terminals covered.2007 Batteries/PowerDiscutido
• Lower frequencies in the VHF and UHF range perform better than microwave frequencies for video transmission because microwave signals are easily absorbed and blocked, making line of sight critical.2007 Video Assist and Video Accessories
• HD-SDI signals can be sent through a center post but require different cable and connector specifications than standard video2007 Center Post
• Maintaining good posture while operating Steadicam strengthens back muscles and can prevent serious injury2007 Operating
• The Sony 900 camera paired with a Zeiss Digizoom lens and Evertz Fiber optic back was the primary capture device for most episodes.2007 Operating

Aún sin consenso

1. 2007Lithium-ion battery regulations for air travel starting January 2008Batteries/Power
2. 2007Operating a Steadicam rig with and without footwearOperating
3. 2007Steadicam operation on Full Metal Jacket and the roles of different operatorsIndustry Contacts, Info and Links

Suelen aparecer en los mismos hilos

Follow Focus37, Low Mode28, Modulus23, Master Series18, Top Stage17, BFD16, Dovetail Plate16, Artemis11, G-7010, Arm Post7, Monitor Bracket7, Ultra Vest7

Todos los hilos

1. 2007Transvideo Rainbow II monitor performance in direct sunlightMonitors
2. 2007Lithium-ion battery regulations for air travel starting January 2008DiscutidoBatteries/Power
3. 2007Wireless video transmission frequency selection for camera movement applicationsVideo Assist and Video Accessories
4. 2007Transmitting HD-SDI video signals through camera crane center posts and connectorsCenter Post
5. 2007Posture and physical conditioning for Steadicam operationOperating
6. 2007Camera equipment and operational setup used for the 'Damages' television seriesOperating
7. 2007Finding PAL-compatible small LCD monitors with tuners for professional video productionVideo Assist and Video Accessories
8. 2007Horizontal compression and black bars appearing on a 4-inch CRT master monitorMonitors
9. 2007Bearing selection and quantity for constructing a 2-inch gimbal pan axisGimbal
10. 2007Division of responsibility between grip and camera departments for steadicam mounting hardware on ATV rigsVehicles and Mounts
11. 2007Operating a Steadicam rig with and without footwearDiscutidoOperating
12. 2007Steadicam operation on Full Metal Jacket and the roles of different operatorsDiscutidoIndustry Contacts, Info and Links
13. 2007Anton/Bauer Gold Mount adapter compatibility with RED ONE camera and battery runtime calculationsBatteries/Power
14. 2007Camera operating requirements for live soccer match sideline coverageOperating
15. 2007Clearing obstructions when mounting large ring lights on Master series Steadicam with extended top stageCamera Stage/Donkey Box
16. 2007Clothing and footwear selection for Steadicam operatingOperating
17. 2007Adapting camera arms with different post sizes to prevent play and handle torque issuesArms
18. 2007Aligning camera sled with monitor arm on stabilizer rigSteadi-Newbies
19. 2007Wind protection methods for camera stabilization rigsOperating
20. 2007Billing rates for camera equipment and operator time during pre-production preparation daysDiscutidoLegal / Business Practices
21. 2007Payment disputes and data management issues on problematic corporate video productionDiscutidoJournals
22. 2007Comparison of HVX and Sony EX1 cameras for professional video productionCameras (Film/Video/HD)
23. 2007Finding or making weight plates and cages for stabilizer systemsSteadi-Newbies
24. 2007Weight management and rig selection for HVX camera with 35mm adapter on SteadicamSteadi-Newbies
25. 2007Balancing and operating a lightweight Italian-made steadicam rigSteadi-Newbies
26. 2007Stereoscopic 3D camera systems and shooting techniques for 3D video productionCameras (Film/Video/HD)
27. 2007Performance and reliability of Canatrans wireless video transmitter in European operationsVideo Assist and Video Accessories
28. 2007Radio frequency interference between Modulus wireless transmitters and Bartech focus control systemsVideo Assist and Video Accessories
29. 2007Improving grip on gimbal handles to prevent slipping from sweatGimbal
30. 2007Hytron 50 battery showing charge on display but delivering no voltageBatteries/Power
31. 2007Operating challenges with lightweight Glidecam Smooth Shooter stabilizer systemSteadi-Newbies
32. 2007Battery options and runtime for Steadicam Pilot with Sony PMW-EX1Steadi-Newbies
33. 2007Bebob Zoe III remote zoom compatibility issues with newer Canon lensesVideo Assist and Video Accessories
34. 2007Differences between compact and standard stabilizer vestsVests
35. 2007Comparison of camera stage options: 3A top stage versus original Donkey Box for crane-mounted camerasCamera Stage/Donkey Box
36. 2007Practical comparison of shooting 16mm film versus HD cameras on professional Steadicam workDiscutidoCameras (Film/Video/HD)
37. 2007Mounting dual BFD wireless focus receivers on Master Series follow focus rigsFollow Focus
38. 2007Choosing between cage and bracket systems for low mode on Steadicam rigs with video camerasBrackets/Widgets
39. 2007High-speed cameras capable of 1000fps and above for film and video productionDiscutidoCameras (Film/Video/HD)
40. 2007V-mount lithium-ion batteries for broadcast use and travel restrictionsBatteries/Power
41. 2007Panavision SSR-1 solid state recorder performance and specifications on Genesis cameraCameras (Film/Video/HD)
42. 2007Shipping case options for MK-V Nexus Sled without disassemblyCases/Carts/Stands and Transport
43. 2007Storage solutions for organizing cables and small equipment in casesBrackets/Widgets
44. 2007Camera slippage on Steadicam Merlin dovetail plateSteadi-Newbies
45. 2007Stand options for a Steadicam Pilot system with lightweight camera rigCases/Carts/Stands and Transport
46. 2007Using RED cameras with AR (aerial rig) stabilizers and monitoring setupCameras (Film/Video/HD)
47. 2007Comparison of budget stabilizer rigs and upgrade paths for DV camerasSteadi-Newbies
48. 2007Technical execution of a five-minute Steadicam shot in the film AtonementOperating
49. 2007Upgrading from budget stabilizer rigs to professional-grade steadicam equipment and the relative importance of operator skill versus equipment qualitySteadi-Newbies
50. 2007Balancing camera rig weight distribution when replacing CRT monitor with lighter LCD monitorBatteries/Power
51. 2007Converting DVD VOB files to formats compatible with Adobe Premiere for editingGeneral Discussion
52. 2007Battery weight considerations for steadicam rigs regarding operator load, rig balance, and camera heightSteadi-Newbies
53. 2007Battery requirements for powering an Arri 435 camera at high speed on a Steadicam rigDiscutidoBatteries/Power
54. 2007Business development strategies for establishing an independent equipment operation in a competitive marketDiscutidoLegal / Business Practices
55. 2007Reducing squeaking noise from Steadicam Flyer vest during operationSteadi-Newbies
56. 2007Wire gauge and voltage drop considerations for center post camera power cablesCenter Post
57. 2007Preston HU III software upgrades and hardware issues related to wireless zoom control and moisture damageFollow Focus
58. 2007Renting steadicam equipment in Asia versus shipping personal gearGeneral Discussion
59. 2007Adding weight to a Steadicam Flyer rig to improve stability and handlingSteadi-Newbies
60. 2007Matching multiple video cameras using control panels, waveform monitors, and vectorscopesOff Topic
61. 2007Wireless LCD director monitors and portable video monitoring solutions for film productionVideo Assist and Video Accessories
62. 2007Initial experiences and setup guidance for Merlin steadicam vest and arm systemSteadi-Newbies
63. 2007XCS Ultimate Sled power output connector pinouts and specificationsSled
64. 2007Day player rates for network television camera work compared to regular operator ratesLegal / Business Practices
65. 2007Appropriate rate-setting for Steadicam operators and equipment rental in the face of industry undercuttingLegal / Business Practices
66. 2007Budget steadicam rig performance and practical considerations for beginnersSteadi-Newbies
67. 2007Selecting a stabilization vest system for wedding and event videography with Sony camerasSteadi-Newbies
68. 2007Converting RGB output from CineAlta cameras to HD-SDI for external monitoringVideo Assist and Video Accessories
69. 2007Wireless video transmission options for Steadicam use in live concert shootingVideo Assist and Video Accessories
70. 2007Camera equipment incident during music video production and subsequent creative usePicture and History Archives
71. 2007Shipping backstage stands with large wheels for international transportCases/Carts/Stands and Transport
72. 2007Choosing between Steadicam and dolly/jib rigs for dramatic interior/exterior shooting on a low-budget productionSteadi-Newbies
73. 2007Operating characteristics and legal considerations of UHF wireless video transmittersDiscutidoVideo Assist and Video Accessories
74. 2007Connector specifications for stabilizer rig power and video systemsBatteries/Power
75. 2007Cable management techniques for tethered camera operationOperating
76. 2007Monitor arm vibration issues with PRO arm and TB-6 monitorMonitors
77. 2007VAT-25 wireless video transmitter for film productionVideo Assist and Video Accessories
78. 2007Fitting and adjustment strategies for front-mounted Steadicam vests to reduce pain and improve comfortVests
79. 2007Attaching an LCD monitor with 1/4-20 threaded hole to a PRO monitor armMonitors
80. 2007Financing options for professional cinema camera equipment purchase or acquisitionDiscutidoLegal / Business Practices
81. 2007Modular 51 equipment bags: quality, ordering process, and customer service experiencesCases/Carts/Stands and Transport
82. 2007Mounting and operating the Aaton XTRprod camera on a Steadicam rigCameras (Film/Video/HD)
83. 2007Compatibility and performance of Hedén M26VE motors with Preston follow focus systemsFollow Focus
84. 2007Video signal dropouts when using a digital level and RF video transmitter together on a Clipper 24 sledVideo Assist and Video Accessories
85. 2007Connector model numbers for Transvideo Titan video monitorVideo Assist and Video Accessories
86. 2007Clipper II camera top stage looseness and vibration in video footageCamera Stage/Donkey Box
87. 2007Adding grip diameter to small camera stabilizer handlesCenter Post
88. 2007Powering follow focus motors and wireless receivers from video camera battery connectorsDiscutidoFollow Focus
89. 2007Techniques for setting up a Steadicam rig in low mode without specialized equipmentOperating
90. 2007Comparison of front-mounted and back-mounted steadicam vests for long-term operator comfort and healthVests
91. 2007Wexler wireless video transmitter systems for on-set monitoringDiscutidoVideo Assist and Video Accessories
92. 200735mm sync sound film cameras for steadicam work with limited budgetCameras (Film/Video/HD)
93. 2007Weight capacity and operational characteristics of older ActionCam single-action spring arm stabilizersArms
94. 2007Comparing entry-level stabilization systems: Steadicam SK, Steadicam Flyer, and Glidecam V25DiscutidoSteadi-Newbies
95. 2007Stabilizer balancing problems and stability issues on first steadicam shootSteadi-Newbies
96. 2007Getting started as a Steadicam operator with no professional experienceSteadi-Newbies
97. 2007Anti-reflective film coating on Transvideo cinema monitorsMonitors
98. 2007Compatibility of PRO to Preston power cable with Bartech follow focus systemFollow Focus
99. 2007Rental agreements and insurance requirements for equipment provided by crew members to production companiesLegal / Business Practices
100. 2007Compatibility of Flyer arm and vest components with Merlin stabilizerSteadi-Newbies
101. 2007Choosing between Glidecam and Merlin stabilizers for the Panasonic HVX200 cameraSteadi-Newbies
102. 2007Dovetail slipping on FLYER sled with heavy camera setups during tiltingSled
103. 2007Cleaning and lubrication procedures for PRO gimbal bearingsDiscutidoGimbal
104. 2007Eliminating squeaking noises from the lower section of a G-70 arm after impact damageArms
105. 2007Shoulder padding solutions for handheld camera operationBrackets/Widgets
106. 2007Power supply issues when starting an ARRI 435 camera with insufficient battery capacity or qualityBatteries/Power
107. 2007Balancing and horizon stability issues with Glidecam V8 handheld stabilizerSteadi-Newbies
108. 2007Optimal arm angle and weight configuration for steadicam stabilizersSteadi-Newbies
109. 2007Preston HU3 hand unit camera run button may not engage despite audible clickFollow Focus
110. 2007Eye stinging and tearing during handheld camera work at concertsOff Topic
111. 2007Sourcing replacement plastic T-screws for EFP camera vestsVests
112. 2007Wireless control options for on-board camera lights during steadicam workGeneral Discussion
113. 2007Replacement options for broken channel buttons on Modulus video equipmentVideo Assist and Video Accessories
114. 2007Planning a steadicam equipment purchase and career as a new operatorSteadi-Newbies
115. 2007Matching camera weight to stabilizer rig size for optimal steadicam performanceSteadi-Newbies
116. 2007Multiple Steadicam operators working on the same production and operational considerations around operator height differencesJournals
117. 2007Operating the stiffening system for stabilizing extended equipmentOperating
118. 2007Options for rebuilding Proformer batteries on the East CoastBatteries/Power
119. 2007Finding repair services for Sachtler fluid headsIndustry Contacts, Info and Links
120. 2007Kinor 35h Russian film camera weight and suitability for handheld steadicam operationCameras (Film/Video/HD)
121. 2007Steadicam techniques for point-of-view shots in music videosOperating
122. 2007Availability and sources for T-handle and stubby screwdrivers with number 7 blade for film productionBrackets/Widgets
123. 2007Operating position and hand preference for camera stabilizers, and equipment recommendations for lightweight HD camerasSteadi-Newbies
124. 2007Accuracy and honesty in film crew credits for work performedDiscutidoLegal / Business Practices
125. 2007Zoom control options for steadicam follow focus workFollow Focus
126. 2007Transvideo Cinemonitor HD characteristics and brightness limitations compared to alternativesMonitors
127. 2007Power management and signal effects of Archos recorders integrated into cinema camera sledsDiscutidoVideo Assist and Video Accessories
128. 2007Power cable pinout specifications for cinema battery connectorsBatteries/Power
129. 2007Challenges of operating Steadicam with unnecessarily heavy or poorly chosen lens configurations on commercial shootsOperating
130. 2007Selecting a video camera for handheld Merlin stabilizer useCameras (Film/Video/HD)
131. 2007Camera equipment thermal shutdown in extreme heat conditions and preventive measuresGeneral Discussion
132. 2007Reconfiguring the G-70 arm bracket for back-mounted vest compatibilityArms
133. 2007Managing physical strain when operating heavy camera stabilization rigsSteadi-Newbies
134. 2007Reducing vertical bobbing in handheld camera stabilizer operation with lightweight camerasSteadi-Newbies
135. 2007Oversized dovetail plates on Steadicam Flyer causing assembly problemsSled
136. 2007Techniques for operating circular camera movements around subjects and maintaining horizon stabilitySteadi-Newbies
137. 2007Wireless camera systems and operating techniques for Steadicam work on live music and television productionsOperating
138. 2007Aiptek A-HD solid-state camcorder as a compact video recording tool for Steadicam useVideo Assist and Video Accessories
139. 2007Lithium ion battery transport restrictions for air travel effective January 2008Batteries/Power
140. 2007Donkey Box II clamp lever breakage and parts availabilityCamera Stage/Donkey Box
141. 2007Essential accessories and equipment progression for steadicam operators moving from reality work to narrative films and music videosGeneral Discussion
142. 2007Canatrans transmitter causing radio frequency interference with Panatape focus measurement systemVideo Assist and Video Accessories
143. 2007Extending docking brackets on Flyer camera supports to enable full rotation checksCases/Carts/Stands and Transport
144. 2007Using utility vehicles for filming 5K running shotsVehicles and Mounts
145. 2007Expanding power distribution for camera rigs using multiple Lemo connectorsSteadi-Newbies
146. 2007Insurance responsibility and repair liability when equipment is damaged during production workDiscutidoLegal / Business Practices
147. 2007Payment practices and working conditions with ESPN productionsDiscutidoLegal / Business Practices
148. 2007Early user experiences with the Steadicam Pilot sled and its compatibility with the Merlin arm and vest systemSled
149. 2007Finding custom foam insert services for Pelican cases in Los Angeles areaCases/Carts/Stands and Transport
150. 2007Using Kearfott rate gyros for camera stabilization and power requirementsBrackets/Widgets
151. 2007Compensation and working conditions for camera operators at the 2008 Beijing OlympicsLegal / Business Practices
152. 2007Backup strategies for computer data protection against hardware failure and theftOff Topic
153. 2007Running FireWire and video cables down a camera sled center postCenter Post
154. 2007Operating a Panasonic HDX900 camera on a 12V Flyer steadicam rigSteadi-Newbies
155. 2007Managing sweat and heat discomfort when wearing a stabilizer vest during outdoor work in hot climatesVests
156. 2007Managing downtime and staying productive during Steadicam work with minimal shootingGeneral Discussion
157. 2007Learning timeline and practical feasibility of operating a steadicam rig as an amateur filmmakerSteadi-Newbies
158. 2007Obtaining replacement temperature sensor pins for Anton Bauer battery chargersBatteries/Power
159. 2007Protection measures for digital video lens interfaces against hot-plugging damageVideo Assist and Video Accessories
160. 2007Wireless video transmitters for on-set monitoring and their practical performanceVideo Assist and Video Accessories
161. 2007Diagnosis of a displaced spring collar on a Master arm and its implicationsArms
162. 2007Modifications and reliability issues with budget steadicam-style vest and arm rigSled
163. 2007Monitor mounting bracket looseness on Steadicam sled and solutionsMonitors
164. 2007Playing and editing AVI files from Archos AV500 on Mac in Final Cut ProVideo Assist and Video Accessories
165. 2007Steadicam weight, operating duration, and acquisition considerationsOperating
166. 2007Production cancellation policies and payment protection for short-notice schedule changesLegal / Business Practices
167. 2007Converting HD-SDI output to analog video for use with older cameras and monitorsDiscutidoVideo Assist and Video Accessories
168. 2007Powering 35mm film cameras on a 12V steadicam rig designed for video camerasBatteries/Power
169. 2007Pin configuration for MK-V Nexus 5-pin recorder output connectorDiscutidoVideo Assist and Video Accessories
170. 2007Fischer connector specifications for Arri 24V camera power connectionsBatteries/Power
171. 2007Professional perception and practical considerations when choosing between Bartech and Preston follow focus systemsFollow Focus
172. 2007Restarting a PDL Plus bubble monitor after power lossMonitors
173. 2007Protecting Steadicam equipment and operators during rain shootingOperating
174. 2007Guidance for aspiring steadicam operators starting their career and equipment acquisitionSteadi-Newbies
175. 2007Converting a Master Broadcast sled to operate from both 12V and 24V power sourcesBatteries/Power
176. 2007Hard mounting a stabilizer to a dolly using vehicle mountsSteadi-Newbies
177. 2007Adhesive for repairing foam separation in equipment casesCases/Carts/Stands and Transport
178. 2007Finding an affordable 7-inch monitor for broadcast video workMonitors
179. 2007Career path and training recommendations for aspiring Steadicam operatorsSteadi-Newbies
180. 2007Anton Bauer Dionic 90 battery troubleshooting and lifespanBatteries/Power
181. 2007Marking a carbon fiber center post to prevent it from slipping out completelyCenter Post
182. 2007Waterproof high-brightness monitors for outdoor and marine useMonitors
183. 2007Recommended lubricants for cleaning and maintaining gimbalsGimbal
184. 2007Choosing steadicam training workshops for beginnersSteadi-Newbies
185. 2007Steadicam operation on hands-free transporter systems for golf broadcast coverageOperating
186. 2007Workflow solutions for tethered Silicon Imaging SI-2K MINI camera operation with SteadicamCameras (Film/Video/HD)
187. 2007Fiber optic cables for Steadicam systems with improved bend toleranceBrackets/Widgets
188. 2007Sourcing 2-inch gears for Heden follow focus motorsFollow Focus
189. 2007Video signal degradation when multiple devices share a single video output on camera sledsMonitors
190. 2007Mounting options for digital levels on camera sleds without drillingVideo Assist and Video Accessories
191. 2007Choosing low-mode brackets versus cages for steadicam work with different camera modelsOperating
192. 2007Insurance coverage options when shipping film equipment via commercial carriersDiscutidoLegal / Business Practices
193. 2007Weight specifications of the Provid sled camera stabilizer systemSled
194. 2007Maximum power load capacity of Steadicam Flyer DC power connectionSteadi-Newbies
195. 2007Comparison between Walter K Traditional Deluxe and Universal back-mounted camera support vestsVests
196. 2007Wireless video transmitter and receiver options for camera rigsVideo Assist and Video Accessories
197. 2007Helical antenna performance for wireless video transmissionVideo Assist and Video Accessories
198. 2007Mounting a Canon XL2 camera on a Steadicam Flyer without fishtailingSteadi-Newbies
199. 2007Steadicam arm failure and repair experiencesArms
200. 2007Pricing strategies for steadicam operator and equipment rental services in UK corporate and broadcast video productionDiscutidoLegal / Business Practices
201. 2007Dealing with mistakes and performance issues as a Steadicam operatorSteadi-Newbies
202. 2007Physical size comparison of video transmitter devicesVideo Assist and Video Accessories
203. 2007Finding replacement focus gearing for Heden M26p follow focus wheelsFollow Focus
204. 2007Gimbal balance changes when panning camera head on standSteadi-Newbies
205. 2007Custom sled base upgrade with multi-battery support and dynamic balancing capabilitySled
206. 2007Mounting wireless video transmitters on Steadicam rigsSteadi-Newbies
207. 2007Low mode shooting techniques for Steadicam rigs with HVX and DVX camerasSteadi-Newbies
208. 2007Nanophosphate battery technology as alternative to lithium-ion batteries for film equipmentBatteries/Power
209. 2007Air travel regulations for lithium-ion camera batteriesBatteries/Power
210. 2007Practical experience with Sony F23 camera on Steadicam rigsCameras (Film/Video/HD)
211. 2007Archos portable video player models as on-set monitoring and recording devices for film productionVideo Assist and Video Accessories
212. 2007Career prospects and requirements for steadicam operators in Los AngelesSteadi-Newbies
213. 2007G50 arm bearing play and corrosion issuesArms
214. 2007Using a bicycle as a camera mount platform for steadicam operationsVehicles and Mounts
215. 2007Plastic component failures and repairs on Ultra and Provid vestsVests
216. 2007Building a professional Steadicam operator portfolio and website to attract paid workSteadi-Newbies
217. 2007Operating a Steadicam with Sony F900 camera and P&S Tech Pro 35 adapter setupCameras (Film/Video/HD)
218. 2007Mounting Antlers to XCS sled dovetail plates in regular and low modeBrackets/Widgets
219. 2007Managing disrespectful treatment and maintaining professionalism as a steadicam operator on low-budget productionsDiscutidoGeneral Discussion
220. 2007Ultra2 center button programming and remote side-to-side control troubleshootingOperating
221. 2007Equipment and business considerations for starting a stabilized camera operationSteadi-Newbies
222. 2007Setup and operational differences when transitioning to XCS Ultimate sled from traditional camera support rigsDiscutidoSled
223. 2007Mounting a Firestore FS-100 external recorder on a Steadicam rig with an HVX200 cameraSteadi-Newbies
224. 2007Determining the market value of a Cinema Products low mode cageBrackets/Widgets
225. 2007Noise reduction methods for camera stabilizer vest quick-release clasps and connectionsVests
226. 2007Maximum payload capacity and balancing of the Steadicam Flyer stabilizerSteadi-Newbies
227. 2007Evaluating the Basson Silver Arrow stabilizer as an entry-level rig for learning and budget productionsDiscutidoSteadi-Newbies
228. 2007Power supply options for Arri 435 camera and compatibility with different battery systemsCameras (Film/Video/HD)
229. 2007Anton Bauer InterActive 2000 quad charger displaying current fault errorBatteries/Power
230. 2007Small cargo vans and vehicles suitable for transporting equipment in different marketsCases/Carts/Stands and Transport
231. 2007Back pain management strategies for steadicam operators wearing vestsVests
232. 2007Steadicam mounting on golf carts and alternative vehicle rigsVehicles and Mounts
233. 2007Experience with TVLogic HD multiformat LCD monitors for professional video workMonitors
234. 2007Lisigav lubricant for gimbal bearings compared to standard alternativesNews, Events, Workshops
235. 2007Storage and maintenance of nickel-cadmium camera batteriesBatteries/Power
236. 2007Portable tool storage solutions for equipment cartsDiscutidoCases/Carts/Stands and Transport
237. 2007Import duty rates and procedures for equipment shipped to the UK from the USLegal / Business Practices
238. 2007Radio frequency band selection and power output for wireless follow focus systemsDiscutidoFollow Focus
239. 2007Obtaining and using ATA Carnets for transporting broadcast equipment internationallyCases/Carts/Stands and Transport
240. 2007Power requirements and practical considerations for using a Sony F900 cinema camera on a Steadicam rig with Pro35 lens adapterCameras (Film/Video/HD)
241. 2007Sachtler spring arm characteristics compared to previous modelsArms
242. 2007Insurance certificate requirements for steadicam operators on film and television productionsLegal / Business Practices
243. 2007Accessing restricted forum sections and managing automatic login persistenceForum Support
244. 2007Flying an Arri 435 camera on an EFP steadicam armArms
245. 2007LDK 6000 HD camera weight specifications and suitability for broadcast sports productionCameras (Film/Video/HD)
246. 2007Wireless follow focus systems for HD cinema lenses on steadicam rigsFollow Focus
247. 2007Wireless video monitoring with Archos 704 for film production and delay characteristicsDiscutidoVideo Assist and Video Accessories
248. 2007Reducing friction between arm posts and gimbal handles using bearings and washersSteadi-Newbies
249. 2007Using fabric strips to dampen motion of lightweight camera rigsOperating
250. 2007OLED display technology emerging as alternative to LCD monitorsMonitors
251. 2007Building a steadicam career as a new operator: breaking into the market and establishing reputationSteadi-Newbies
252. 2007Storage and usage practices for lithium-ion camera batteriesBatteries/Power
253. 2007Glidecam V25 stabilizer rig evaluation and comparison with competing systemsDiscutidoSled
254. 2007Risks and handling procedures for shipping film equipment through international customs inspectionsCases/Carts/Stands and Transport
255. 2007Gimbal handle angle positioning during lateral tracking shots with Steadicam rigsOperating
256. 2007Video production equipment suppliers in San Francisco Bay AreaIndustry Contacts, Info and Links
257. 2007Modification to prevent back strap slipping from buckle on diving vestVests
258. 2007Mirror function failure on Flyer Sled camera monitorSled
259. 2007Preston gimbal-mounted zoom control for Steadicam focus pullingDiscutidoFollow Focus
260. 2007Securing camera rigs in transport trucks without full casesCases/Carts/Stands and Transport
261. 2007Balancing a lightweight HVX camera on an Archer Steadicam rigSteadi-Newbies
262. 2007Steadicam operator rate negotiation strategies for television productionLegal / Business Practices
263. 2007Clicking noise from Ultra arm during boom movements in 6-spring modelArms
264. 2007Achieving sunlight-viewable HD monitors through transflexive modificationsMonitors
265. 2007Reducing high-frequency vibration when using Makohead on vehicles and rough terrainOperating
266. 2007Dynamic balancing challenges with EFP stabilizers using fixed batteries and workaroundsSteadi-Newbies
267. 2007Mounting motor driver receivers to camera support systems with incompatible hole spacingDiscutidoBrackets/Widgets
268. 2007Battery power requirements for Arri 235 camera with wireless microphone transmission and accessoriesBatteries/Power
269. 2007Lightweight wireless video monitoring setup for on-set script supervision during handheld camera workVideo Assist and Video Accessories
270. 2007Wireless broadcast video transmission systems for multi-camera studio and field productionVideo Assist and Video Accessories
271. 2007Operating Steadicam on beach sand during productionOperating
272. 2007Safety considerations when inverting film cameras for low-angle shotsCameras (Film/Video/HD)
273. 2007EFP vest structural failures and reinforcement solutionsVests
274. 2007Lens selection and depth of field considerations for Steadicam operationSteadi-Newbies
275. 2007Mounting bracket for attaching an LCD monitor to a Steadicam Master series monitorMonitors
276. 2007Voltage reading discrepancies when powering Sony XD Cam through external 4-pin connector versus battery plateBatteries/Power
277. 2007Using Archos portable recorders with stabilized camera rigs for on-location video captureJournals
278. 2007Choosing between regular and goofy-foot stance when operating a Steadicam with smaller video camerasSteadi-Newbies
279. 2007Steadicam operating challenges in music video productionOperating
280. 2007Measuring and standardizing camera gimbal drop times to improve accuracy and consistency across different rig configurationsOperating