Was Operator herausgefunden haben

• To swap the hinge block on a ProVid Arm, fold the old block over to access the back side where two grub screws are located stacked on top of each other holding the pin in place.2008 Arms
• The V-16 and V-20 models are functionally identical except for the springs in the arm.2008 Steadi-NewbiesUmstritten
• Taking a screenshot on iPhone can be done by simultaneously pressing the home button and the lock button, with the image saved to the photo gallery.2008 General Discussion
• A stabilized camera rig specified for up to 50 pounds of combined weight may be difficult to operate at maximum rated load.2008 Steadi-Newbies
• The Camos monitor has an external antenna input using a mini-pin connector that can be adapted to accept standard F-connector antennas like a Shark Fin antenna2008 Video Assist and Video Accessories
• Light camera and stabilizer combinations are significantly more sensitive to operator input than heavier rigs, similar to how a small boat rocks more than a cruise ship2008 Steadi-Newbies

Bis heute umstritten

1. 2008Balancing procedure for a Glidecam V-16 stabilizer rigSteadi-Newbies
2. 2008Impact of increased health insurance qualifying hours from 300 to 400 hours in film and television union contractsLegal / Business Practices
3. 2008Passive exoskeleton support system for camera operatorsVehicles and Mounts

Oft in denselben Diskussionen

Follow Focus45, Low Mode33, G-7023, Top Stage21, BFD15, Modulus15, Master Series14, MDR12, Artemis10, Dovetail Plate10, Base Plate9, Ultra Vest7

Alle Diskussionen

1. 2008Converting a ProVid Arm from ProVid2 block to Master Series blockArms
2. 2008Balancing procedure for a Glidecam V-16 stabilizer rigUmstrittenSteadi-Newbies
3. 2008iPhone apps useful for film and photography workGeneral Discussion
4. 2008Initial experience and setup recommendations for a budget entry-level steadicam rigSteadi-Newbies
5. 2008Camos monitor antenna compatibility and channel memory after power cycleVideo Assist and Video Accessories
6. 2008Light camera rigs on Merlin stabilizers require different operating techniques and have stability limitations compared to heavier setupsSteadi-Newbies
7. 2008Selection and use of knee pads for on-set operating workOperating
8. 2008Custom rain jacket designed to cover climbing harness and gear with specialized access featuresBrackets/Widgets
9. 2008Best practices for organizing professional camera operator demo reelsGeneral Discussion
10. 2008Shipping production gear domestically while avoiding airline excess baggage feesCases/Carts/Stands and Transport
11. 2008Repair options for broken spring in master armArms
12. 2008Sony F35 camera performance and handling for Steadicam and handheld useCameras (Film/Video/HD)
13. 2008Steadicam operation techniques for beginners: hand positioning, body mechanics, and balance practiceSteadi-Newbies
14. 2008Insurance options for shipping expensive camera equipment across the countryLegal / Business Practices
15. 2008Clunking sound during tension adjustment on tonearmArms
16. 2008Responsibility allocation when equipment damage occurs during freelance work and payment withholding tacticsLegal / Business Practices
17. 2008Using ARRIFLEX 35-III camera on Steadicam EFP rig with power and mounting considerationsCameras (Film/Video/HD)
18. 2008Safety and technique for running steadicam shots through forest terrainOperating
19. 2008Setting up a monitor and power system for a Flycam 6000 steadicam rigSteadi-Newbies
20. 2008Quality and durability issues with counterfeit camera stabilizer arms compared to original designsArms
21. 2008Transitioning from standing to sitting position while operating a stabilized camera system during vehicle motionSteadi-Newbies
22. 2008Impact of increased health insurance qualifying hours from 300 to 400 hours in film and television union contractsUmstrittenLegal / Business Practices
23. 2008Recelling Hytron 50 camera batteries and reliability concernsBatteries/Power
24. 2008Mounting a RED camera on a GPI PRO rig and baseplate stability issuesCameras (Film/Video/HD)
25. 2008Battery choice between Hytron and Dionic for powering a 235 cameraBatteries/Power
26. 2008Passive exoskeleton support system for camera operatorsUmstrittenVehicles and Mounts
27. 2008Dionic 90 battery flashing display under high current draw with Genesis camera and recorderBatteries/Power
28. 2008Using the Arri D-21 camera on steadicam rigs and with recording systemsCameras (Film/Video/HD)
29. 2008Weight specification of the G-50 armArms
30. 2008User experiences and fitness characteristics of the Artemis ACT 2 steadicam vest compared to competing modelsVests
31. 2008Counterweight selection and gimbal positioning for homemade camera stabilizersSteadi-Newbies
32. 2008Freeing stuck adjustment screws on Flyer arm rod-endsUmstrittenArms
33. 2008Merlin gimbal losing balance trim during tilting and drop tests with camera payloadsUmstrittenSteadi-Newbies
34. 2008Recording start/stop controller options for Panasonic HPX500 camera with manual cinema lensesCameras (Film/Video/HD)
35. 2008Adjusting 3A arm socket block for right-side operationArms
36. 2008Portable UHF director monitors for video assist on setVideo Assist and Video Accessories
37. 2008Stabilizing a Flyer LE gimbal with a lightweight camera by adding weight to the top stageSteadi-Newbies
38. 2008Connecting a Sony PMW-EX1 camera to a Steadicam Pilot monitor via video outputSteadi-Newbies
39. 2008Capabilities and limitations of the Archer Steadicam rig compared to larger modelsUmstrittenSteadi-Newbies
40. 2008Comparing single-arm camera stabilizer rigs for handheld documentary work with shoulder limitationsUmstrittenSteadi-Newbies
41. 2008Professional pricing standards for Steadicam operators and the damage caused by undercutting ratesLegal / Business Practices
42. 2008Understanding equipment insurance coverage and exclusions for rental situationsLegal / Business Practices
43. 2008Connecting HD cameras to standard definition stabilizer sledsSteadi-Newbies
44. 2008How to start practicing and learning steadicam operation as a beginner with limited budgetSteadi-Newbies
45. 2008Comparison of entry-level stabilizer rigs for small cameras: Steadicam Merlin, Pilot, and Glidecam X-10Steadi-Newbies
46. 2008Using PRO arm stabilizer with reduced number of canisters for lighter camera setupsArms
47. 2008Getting started with Steadicam training and equipment selectionSteadi-Newbies
48. 2008Using iPhone level applications as a substitute for a digital level toolUmstrittenMonitors
49. 2008Forum image visibility differences between member typesForum Support
50. 2008Improving drop time on a steadicam EFP sled by raising the center of gravitySteadi-Newbies
51. 2008Operating Steadicam at multi-day concert shoots with limited support infrastructureOperating
52. 2008Displaying timecode and audio levels on external monitor with SteadicamSteadi-Newbies
53. 2008Finding an image inverter to flip video horizontally and vertically when operating camera in inverted orientationVideo Assist and Video Accessories
54. 2008Operating a RED camera on a V-25 steadicam armCameras (Film/Video/HD)
55. 2008Using the Steadicam Pilot with a Canon HV20 camera and considerations for adding accessoriesSteadi-Newbies
56. 2008Starting out in steadicam operating and equipment selection for beginnersSteadi-Newbies
57. 2008Steadicam Flyer vest center pin loosening and dropping during operationOperating
58. 2008Weight balancing solutions for Transvideo Cine III A monitorsMonitors
59. 2008Managing headphone cables on a Steadicam Pilot without compromising stabilitySteadi-Newbies
60. 2008Building a hot-wire foam cutter for custom case paddingCases/Carts/Stands and Transport
61. 2008Balancing and operating a Steadicam Merlin with an HVX 200 cameraSteadi-Newbies
62. 2008Adjusting ride and lift controls on Steadicam arms for proper balance and smooth operationSteadi-Newbies
63. 2008Custom-built 6.5-inch LCD monitor designed for on-camera use with high brightness and SDI connectivityMonitors
64. 2008Specifications for a Mitchell mount base used with camera support equipmentVehicles and Mounts
65. 2008Image inversion options on a 235 camera systemCameras (Film/Video/HD)
66. 2008Signal distortion in AJA HD10MD3 downconverter connected to monitor sledVideo Assist and Video Accessories
67. 2008Finding suitable 3.5" and 4" LCD monitors for return video monitoring in aerial and stabilized camera workMonitors
68. 2008Weight distribution and gimbal positioning for Steadicam Pilot with Sony Z1 cameraUmstrittenSteadi-Newbies
69. 2008Insurance requirements and box rental contract disputes between Steadicam operators and production companiesUmstrittenLegal / Business Practices
70. 2008Compatibility of Clipper 324 stabilizer with G-70 arm instead of standard G-50 armUmstrittenArms
71. 2008Setup and power requirements for the Arri SR2 camera in aerial filmingUmstrittenCameras (Film/Video/HD)
72. 2008Career strategy for becoming a steadicam operator in film productionUmstrittenSteadi-Newbies
73. 2008Using a low platform rickshaw for camera operator step-on and step-off during long walk-and-talk shotsVehicles and Mounts
74. 2008Video viewfinder systems with wireless transmitters for cinema camerasOperating
75. 2008Finding suppliers for professional audio connectors and cablesBatteries/Power
76. 2008Modifying the Ultra 2 vest to lower the socket block position for improved comfort and ergonomicsUmstrittenVests
77. 2008Wireless video transmitter options for connecting HD monitor to camera without cablesVideo Assist and Video Accessories
78. 2008Lightweight mattebox accessories made from coroplastic for cinema camerasCamera Stage/Donkey Box
79. 2008Using Steadicam in studio television news broadcastsOperating
80. 2008Managing multicamera cable connections on the Panasonic HPX2000 camera rigCameras (Film/Video/HD)
81. 2008Steadicam rigging and operation with dual 3D camera systemsUmstrittenOperating
82. 2008Operating experiences and techniques with the Hands Free Transporter camera mounting systemVehicles and Mounts
83. 2008LEMO connector specifications for Flyer LE power adapter cablesBatteries/Power
84. 2008Understanding payload weight ratings and arm capacity for stabilizing rigsSteadi-Newbies
85. 2008Cable management techniques for steadicam operation in regular and low modesOperating
86. 2008Interference between Thompson HD wireless camera and Bartech wireless focus system on MK-V stabilized rigUmstrittenCameras (Film/Video/HD)
87. 2008Design considerations for rickshaw construction and stabilityUmstrittenVehicles and Mounts
88. 2008Choosing an entry-level camera stabilizer rig for budget around $2000-5000Steadi-Newbies
89. 2008Comparison of Steadicam sled options for European operators considering PRO, MK-V, and other manufacturersSled
90. 2008Low-mode camera mounting solutions for the Panasonic AG-HPX 500Brackets/Widgets
91. 2008RED camera setup considerations for Steadicam and commercial workCameras (Film/Video/HD)
92. 2008Wind shielding solutions for front-mounted camera rigs on vehiclesVehicles and Mounts
93. 2008Pin configurations and controller options for BeBob zoom controllers with ENG lensesVideo Assist and Video Accessories
94. 2008Genesis camera with onboard recorder experiences power instability despite adequate voltage readingsBatteries/Power
95. 2008Powering a JVC HD110 camera from a Steadicam Flyer sled battery through IDX D-Tap connectorsBatteries/Power
96. 2008Physical conditioning and equipment maintenance for Steadicam operationUmstrittenSteadi-Newbies
97. 2008Motor twitching and erratic behavior when using Master Prime lenses with follow focus systemsFollow Focus
98. 2008Contacting Tiffen Steadicam support when email addresses are unresponsiveSteadi-Newbies
99. 2008Selecting receive antennas for Modulus 3000 wireless video systemsUmstrittenVideo Assist and Video Accessories
100. 2008Comparison of Pilot and Flyer stabilizer vests for different body frames and equipment supportSteadi-Newbies
101. 2008Steadicam rig selection and configuration for RED One cameraSteadi-Newbies
102. 2008Removing the handle from a Sony HDW790P cameraCameras (Film/Video/HD)
103. 2008Specifications and comparison of the Steadicam FlyerLE hardcase with alternative options like Pelican casesCases/Carts/Stands and Transport
104. 2008Lemo connector pinout and designation for power distribution on camera stagesCamera Stage/Donkey Box
105. 2008Storage and transport solutions for Anton Bauer batteries and chargersBatteries/Power
106. 2008Connector angle selection for MDR2 follow focus power and camera run cablesFollow Focus
107. 2008Identification and installation of OpTex low-mode brackets for vintage Sony camcordersBrackets/Widgets
108. 2008Handheld LCD monitors with UHF receivers and handles for video monitoringVideo Assist and Video Accessories
109. 2008Detachable tilt stage options for camera support rigs beyond integrated modelsUmstrittenCamera Stage/Donkey Box
110. 2008Rubber band suspension arm design for camera stabilization equipmentUmstrittenArms
111. 2008Small portable program monitors for live television camera workMonitors
112. 2008Repair viability and technical differences of J7 zoom controls for Steadicam follow focus systemsUmstrittenFollow Focus
113. 2008Battery isolation switches for camera equipment sleds as alternative to circuit breakersSled
114. 2008Feasibility and technical challenges of mounting an underwater housing on a steadicam rig for a continuous shot transitioning from air to waterUmstrittenOperating
115. 2008Action Products stabilizing camera rig system features and performance compared to competitorsUmstrittenSled
116. 2008Comparison of Clipper 312/24 and MK-V Nexus Standard rigs for video and film workSteadi-Newbies
117. 2008Repurposing Model III j-box level sensors for modern rigsSled
118. 2008Transitioning from a steadicam shot above ground to underwater camera work in a single continuous takeOperating
119. 2008G-50 arm lift knob became loose and non-functional during operationArms
120. 2008Steadicam setup recommendations for tall operatorsSteadi-Newbies
121. 2008Practical experience with LitePad LED light fixtures for film productionBrackets/Widgets
122. 2008Stepping on and off a Handsfree Transporter platform with technique guidanceVehicles and Mounts
123. 2008Powering Preston follow focus equipment with the RED cameraUmstrittenFollow Focus
124. 2008Diagonal blue lines on CinemonitorIII monitor with RED camera and AJA downconverterMonitors
125. 2008Letus Extreme 35mm adapter performance and limitationsCameras (Film/Video/HD)
126. 2008Powering a Steadicam Master with dual batteries for proper weight balanceBatteries/Power
127. 2008Power supply compatibility of the Modulus 2000 video deviceVideo Assist and Video Accessories
128. 2008Sources for custom labels and case customization services for Pelican casesCases/Carts/Stands and Transport
129. 2008Fox follow focus motor spins continuously without stopping when powered on with FMG 6 controllerUmstrittenFollow Focus
130. 2008Upgrading PRO stabilizer sled rigs to support HD-SDI video signals through the center postSled
131. 2008Powering an AJA video converter from a BFD battery through pass-through connectionsBatteries/Power
132. 2008Steadicam vest fit and comfort issues during extended operating sessionsVests
133. 2008Steadicam operators facing rate pressure and low-ball offers during industry slowdownsLegal / Business Practices
134. 2008Performance and suitability of the Silver Spring Arm from Steadirig for lightweight camera workArms
135. 2008Carrying capacity and suitability of Clipper Steadicam rigs for RED One camera packagesCameras (Film/Video/HD)
136. 2008High-speed filming with film cameras requires careful battery selection and power delivery configurationBatteries/Power
137. 2008Choosing and acquiring steadicam gear for a new operator on a limited budgetSteadi-Newbies
138. 2008Finding UK-based custom broadcast cable manufacturersGeneral Discussion
139. 2008Building and using a slave cam rig for low-budget film productionGeneral Discussion
140. 2008Recelling chocolate bar batteries with NiMH cells for improved performanceBatteries/Power
141. 2008Preston DM-1X motor specifications and practical differences compared to DM-1 and DM-2Follow Focus
142. 2008Performing snap zooms while operating a steadicam rigOperating
143. 2008Heat management for Modulus 2000 video assist units during extended operationUmstrittenVideo Assist and Video Accessories
144. 2008Essential accessories and tools for building a Steadicam kitSteadi-Newbies
145. 2008Finding replacement dovetail plate for PRO follow focus receiver bracketFollow Focus
146. 2008Marshall 7" VR70DP monitor reliability and performance issuesMonitors
147. 2008Recognizing and refusing unsafe or dishonest job conditions in production workGeneral Discussion
148. 2008Battery and power supply selection for Flyer24LE Steadicam rigSteadi-Newbies
149. 2008Archos 504 video input recognition issues and troubleshootingUmstrittenVideo Assist and Video Accessories
150. 2008Movcam 3a stabilizer arm performance and isoelastic characteristicsArms
151. 2008Stabilizer camera shake on Steadicam Flyer sled with heavier camerasSled
152. 2008Steadicam maintenance and protection for beach and saltwater shootingOperating
153. 2008Compatibility of mixing different battery chemistries (Hytron and Dionic) on film production sledsUmstrittenBatteries/Power
154. 2008Safety practices and techniques for filming moving vehicles without a dedicated camera car mountVehicles and Mounts
155. 2008Setting up a Steadicam rig for live television work with Thomson GrassValley cameras and obtaining return video signalOperating
156. 2008Pricing strategy for Steadicam Merlin stabilizer work as a freelance operatorLegal / Business Practices
157. 2008Managing wind-induced corrections on a Flyer LE stabilizer during extended shotsSteadi-Newbies
158. 2008Steadicam operations during the 2008 Beijing Olympics swimming and diving coverageGeneral Discussion
159. 2008Movietech Phoenix crane parallelogram connection failure during equipment testVehicles and Mounts
160. 2008Early experiences with the TV Logic LVM-071W 7-inch monitor for professional video workMonitors
161. 2008Emergency quick-release mechanisms on Steadicam vests and real-world deployment experiencesUmstrittenJournals
162. 2008Low mode bracket solutions for stabilizer rigs with non-standard gimbal designsBrackets/Widgets
163. 2008Weight capacity and load-carrying capabilities of Archer and Clipper steadicam rigsSteadi-Newbies
164. 2008Tiffen Clipper 312 steadicam rig performance and configurationSteadi-Newbies
165. 2008Learning steadicam operation as an experienced cinematographer transitioning to a new rigSteadi-Newbies
166. 2008Powering a camera light from a Steadicam Pilot rig batterySteadi-Newbies
167. 2008Appropriate day rates and terms for new Steadicam operators working on student films and low-budget productionsSteadi-Newbies
168. 2008Preston bracket dovetail suppliers and compatibility with Bartech receiversBrackets/Widgets
169. 2008Component weights of Steadicam rigs and their relevance to operator fatigueSteadi-Newbies
170. 2008Optimal rail length selection for Flyer-LE when mounting Sony EX3 with additional accessoriesSteadi-Newbies
171. 2008Effects of overloading a Steadicam Pilot arm beyond its weight capacitySteadi-Newbies
172. 2008Finding manuals for Steadycam V-20 stabilization equipmentGeneral Discussion
173. 2008Union membership requirements for owner-operators working on non-union or low-budget film productionsLegal / Business Practices
174. 2008Using Archos 604 and 605 wifi devices as video recorders with power and connectivity solutionsVideo Assist and Video Accessories
175. 2008Arm bending inward on hard-mounted steadicam rigs and solutions for positioningArms
176. 2008Balancing a teleprompter setup on a Steadicam stabilizerSteadi-Newbies
177. 2008Obtaining or creating a breakout cable for a monitor with proprietary connectorMonitors
178. 2008Receiving dual monitor feeds on a portable live television camera rigMonitors
179. 2008Finding suitable neck straps for Bartech hand unitsFollow Focus
180. 2008Choosing between Steadicam Pilot and Flyer rigs for different shooting scenariosUmstrittenSteadi-Newbies
181. 2008Zoom controller options for JVC GY-HD250ch camera with Fuji lens on gimbal stabilizerSteadi-Newbies
182. 2008Boland 8.4 HD monitor displaying negative images and requiring startup stabilization timeMonitors
183. 2008Comparison of Steadicam Flyer 24LE and ActionCam Zero G rigs for camera stabilization workUmstrittenSteadi-Newbies
184. 2008Choosing and learning to use a Steadicam rig for independent film productionSteadi-Newbies
185. 2008Shipping camera stabilizer equipment internationally and secure payment methodsGeneral Discussion
186. 2008RED Drive RAID compatibility issues with gyroscopic stabilization systems on camera rigsCameras (Film/Video/HD)
187. 2008Using a Steadicam Pilot as a rehearsal rig for choreography planning before shooting with a larger SteadicamOperating
188. 2008Weight distribution and cable routing strategies for the FlyerLE steadicam rigSteadi-Newbies
189. 2008Fastener loosening in film rigging equipment over timeGeneral Discussion
190. 2008Choosing a Steadicam model and accessories for Sony Z-1 and EX-3 cameras used in wedding, documentary, and commercial workSteadi-Newbies
191. 2008Personal video display glasses for monitoring during camera workOperating
192. 2008Operating the RED One camera on film productions with Steadicam and as handheld cameraUmstrittenCameras (Film/Video/HD)
193. 2008Finding a replacement monitor for a Steadicam 3A rigMonitors
194. 2008Recelling options for AB Hytron batteries and charger compatibility with Dionic batteriesBatteries/Power
195. 2008Mounting a Panaflex Millennium camera on a Steadicam rig in low-mode and encountering compatibility issuesOperating
196. 2008Learning to balance and operate a camera stabilizer (Merlin) as a beginnerSteadi-Newbies
197. 2008Finding steadicam equipment rental and operator contacts in IndiaGeneral Discussion
198. 2008Getting started as a Steadicam operator assistantSteadi-Newbies
199. 2008Guidelines for building a steadicam operator demo reelOperating
200. 2008Archos 605 WiFi standby behavior and image recording setupBrackets/Widgets
201. 2008Monitor selection for Steadicam LE stabilizerMonitors
202. 2008RED camera power supply failures caused by V-Mount battery connection issues and cable voltage dropCameras (Film/Video/HD)
203. 2008Wireless video transmission solutions for steadicam monitoringSteadi-Newbies
204. 2008Upgrading an SK2 steadicam rig from a green CRT monitor to a color displayMonitors
205. 2008Historical evolution of follow focus control systems for Steadicam before wireless remote devicesSteadi-Newbies
206. 2008Legal enforceability and risk management of assumption of risk clauses in entertainment production contractsUmstrittenLegal / Business Practices
207. 2008Preston MDR2 to Cinetape follow focus interface cable configuration and compatibilityFollow Focus
208. 2008Sony HVR-Z7U camera features, capabilities, and workflow comparison with other HDV modelsCameras (Film/Video/HD)
209. 2008Bottom post adjustment clamp not holding on Steadicam PilotSteadi-Newbies
210. 2008Pricing and specifications of early Steadicam models from the 1970s and 1980sGeneral Discussion
211. 2008Steadicam Flyer LE operation technique and physical conditioning for new operatorsSteadi-Newbies
212. 2008Weight limits for F900 camera setup on Archer steadicam sled with G-50 gimbalCameras (Film/Video/HD)
213. 2008Methods for connecting audio cables between sound equipment and HD cameras on Steadicam rigsUmstrittenOperating
214. 2008IDX CamWave CW-5HD wireless video transmission system performance and compatibilityVideo Assist and Video Accessories
215. 2008Monitoring options when Sony EX1 camera outputs HD-SDI signal that disables other video outputsSteadi-Newbies
216. 2008ProFormer battery specifications and availabilityBatteries/Power
217. 2008Finding replacement lens support rings and rods for older Cooke PL mount zoom lensesCameras (Film/Video/HD)
218. 2008MDR wireless follow focus units experience interference when operating multiple units close together or near other wireless equipment on incompatible channelsFollow Focus
219. 2008Powercube batteries on a Steadicam PRO sled for extended runtimeBatteries/Power
220. 2008Attaching follow focus motors to old Zeiss high-speed lenses with PL-mount locking handlesFollow Focus
221. 2008Video assist equipment options and setup for recording film production video feedsVideo Assist and Video Accessories
222. 2008Running HD-SDI video signal through a crane jib post with existing wiringSled
223. 2008Balance adjustment procedure for dual-arm spring stabilizer rigsSteadi-Newbies
224. 2008Power cable and control connector specifications for Panavision Millennium XL cameraCameras (Film/Video/HD)
225. 2008Comparison of camera stabilizers for a 6kg Sony XDCAM EX1 setupSteadi-Newbies
226. 2008G-50 arm post pin failures and available upgradesArms
227. 2008Downconverters for converting RED camera HD-SDI output to SD for use with Steadicam monitoring systemsVideo Assist and Video Accessories
228. 2008Historical pricing and specifications of Steadicam 3A gimbal equipmentGimbal
229. 2008Steadicam Flyer purchase decision and voltage capability considerations for beginner operatorsSteadi-Newbies
230. 2008Sourcing Fischer connectors for cable assemblyBatteries/Power
231. 2008Sizing guidance for Steadicam Flyer vests across different body typesVests
232. 2008Collecting unpaid invoices from production companiesLegal / Business Practices
233. 2008Choosing an appropriate entry-level steadicam rig and career pathway for aspiring operatorsSteadi-Newbies
234. 2008Power supply solutions for camera equipment using Anton Bauer power taps and alternative connector optionsBrackets/Widgets
235. 2008Operational differences between Arri SR1 and SR3 film cameras, with practical guidance for field useCameras (Film/Video/HD)
236. 2008Pro Arm and D-Box 2 operation, canister adjustment, and socket block swapping proceduresSled
237. 2008Replacing green tube monitor on Provid steadicam with LCD monitorMonitors
238. 2008Sachtler telescoping and tilting monitor arm bracket for 1.5 inch postsMonitors
239. 2008Flyer LE sled suitability for compact HD cameras and monitor choice decisionSled
240. 2008Addressing squeaking noise in SteadiCam Pilot arm vertical movementSteadi-Newbies
241. 2008Panasonic HPX3000 camera setup, power consumption, and output capabilities for professional productionsCameras (Film/Video/HD)
242. 2008Weight limits and power compatibility for Steadicam PilotSteadi-Newbies
243. 2008Steadicam and camera techniques used in the 2006 film Running ScaredUmstrittenOperating
244. 2008Custom lightweight camera rig used for POV sequences in Strange Days filmOperating
245. 2008Use of storyboards and previz in narrative film, episodic television, and commercial production workflowsOff Topic
246. 2008XCS Ergo Handle ergonomic improvements and practical considerations for gimbal operationGimbal
247. 2008Camera technique used for moving shots in television productionOperating
248. 2008Boland Viewport 8.4 Day Bright Monitor practical considerations and modificationsMonitors
249. 2008Feedback on steadicam technique in a promotional video shot with Glidecam equipmentSteadi-Newbies
250. 2008Adding crosshairs to a Steadicam monitor when the camera does not output them to an external displayUmstrittenSteadi-Newbies
251. 2008IDX HD Transmitter performance and specifications for wireless video transmissionVideo Assist and Video Accessories
252. 2008Using Steadicam Flyer LCD monitors independently or with different equipmentSteadi-Newbies
253. 2008Monitor hood solutions for Steadicam Pilot rig and screen visibility in bright conditionsSteadi-Newbies
254. 2008Operating a Steadicam Archer SE at extreme altitude at Mount Everest Base CampJournals
255. 2008Bullitt Dolly camera platform: four-wheel caster vehicle for low-angle filmingVehicles and Mounts
256. 2008Estate planning for specialized equipment collections and gear inheritanceLegal / Business Practices
257. 2008Skills and preparation needed to become a Steadicam assistantSteadi-Newbies
258. 2008Fairness and legality of splitting Preston rental fees with first camera assistantsUmstrittenLegal / Business Practices
259. 2008Learning and comparing joystick versus wheel controllers for operating crane camera systems in professional video workOperating
260. 2008Safety practices and equipment for crane step-off camera workOperating
261. 2008Wireless audio playback solution for steadicam operation using consumer electronicsJournals
262. 2008Choosing between booming and tilting camera arm movements for different shotsOperating
263. 2008Preston motor bracket that mounts in Panavision follow focus slotFollow Focus
264. 2008Selecting a complete set of lens drive gears for follow focus systemsFollow Focus
265. 2008Lubricants and protectants suitable for Steadicam equipmentBrackets/Widgets
266. 2008Stabilizing camera movement caused by weight transfer between feet during slow walkingOperating
267. 2008Whether to enable in-camera image stabilization when shooting with a stabilizing rig like a Steadicam or GlidecamSteadi-Newbies
268. 2008Availability and pricing of Lumavec Blackbird monitors in the US market around 2008Monitors
269. 2008Compatibility between PRO arm sockets and different vest socket blocks on steadicam equipmentArms
270. 2008Panavision F23 camera setup for handheld and Steadicam work with two-piece recording configurationCameras (Film/Video/HD)
271. 2008Lighting techniques for Steadicam facility tours through hallwaysOperating
272. 2008Selecting wireless video transmitter and receiver equipment for video assistVideo Assist and Video Accessories
273. 2008Steadicam Pilot performance observations and operating technique developmentSteadi-Newbies
274. 2008Steadicam operation techniques and equipment setup for wedding videographySteadi-Newbies
275. 2008Hard case options for storing steadicam rigs ready to useCases/Carts/Stands and Transport
276. 2008HD-SDI signal compatibility with Ultra and Ultra2 sled video inputsSled
277. 2008Mounting options for Preston follow focus motors on Panavision camerasFollow Focus
278. 2008Repairing a loose main cable connector on the Stanton Zoom Focus follow focus unitFollow Focus
279. 2008Identification and selection of Steadicam sled equipment for 35mm film supportSled
280. 2008Avant G sled comparison with other stabilizer designsSled
281. 2008Collecting payment from clients who dispute work quality or refuse to pay after service deliveryUmstrittenLegal / Business Practices
282. 2008Battery selection and quantity requirements for powering 35mm and HD cinema cameras on stabilized rigsBatteries/Power
283. 2008Panavision Lightweight 2 camera power connector pinout for custom cable constructionBatteries/Power
284. 2008Steadicam walk and talk technique and equipment setup for beginnersUmstrittenSteadi-Newbies
285. 2008SD output capability while recording in HDV on JVC GY-HD111E cameraCameras (Film/Video/HD)
286. 2008Flexible triax cable solutions for Steadicam isolationGeneral Discussion
287. 2008Viewfactor follow focus system capabilities and early limitationsFollow Focus
288. 2008Choosing a used Steadicam rig for returning operators with budget constraintsSteadi-Newbies
289. 2008Connecting a BFD follow focus remote ON/OFF cable to a RED cameraFollow Focus
290. 2008Manufacturing extension posts for G-50 camera crane armsArms
291. 2008Checking dynamic balance on a stabilizer rig with insufficient docking bracket lengthSteadi-Newbies
292. 2008Professional HD on-camera monitor features and comparison for steadicam useUmstrittenMonitors
293. 2008Installing a compact voltmeter into a battery base to monitor charge level of non-digital batteries in film equipmentBatteries/Power
294. 2008Choosing between Steadicam Merlin with Arm & Vest and Pilot for lightweight camera workUmstrittenSteadi-Newbies
295. 2008Camera stabilization vehicle using Segway with joystick control and wireless remote operationVehicles and Mounts
296. 2008Operating a 535B camera on a Steadicam 3A armCameras (Film/Video/HD)
297. 2008Powering a 9V device from an 18V battery sourceBatteries/Power
298. 2008IDX CAM-WAVE HD wireless camera transmission system specifications and capabilitiesUmstrittenVideo Assist and Video Accessories
299. 2008Steadicam operator experience with Panavision G2 conversion kit suitability and rental house communication issuesUmstrittenCameras (Film/Video/HD)
300. 2008M-1 Preston Gear Adapter Kit compatibility and performance with follow focus motorsFollow Focus