Was Operator herausgefunden haben

• A custom Triax cable was manufactured for Cinema Products with silicone insulation and stranded cadmium center conductor instead of copper, making it exceptionally flexible and limp.2014 General Discussion
• A 15mm rail system can replace the original spar at the bottom of the sled, allowing adjustable width for different amounts of rotational inertia and accommodation of various accessory configurations.2014 General Discussion
• Genuine Anton Bauer plates are more reliable than third-party alternatives.2014 Batteries/Power
• The center pin of an SMA RF connector should be soldered to the center PCB land of the RF filter labeled FLT1, not to nearby adjacent lands.2014 Follow Focus
• XCS and Pro gimbal handle tapers are identical and interchangeable2014 Gimbal
• Standard SD video cabling lacks the impedance and shielding characteristics required for HD-SDI transmission2014 Sled

Bis heute umstritten

1. 2014Production companies requesting certificates of insurance from crew members and equipment rental arrangementsLegal / Business Practices
2. 2014Budget baseplate options compatible with Steadicam Archer dovetail plates for indie productionsSteadi-Newbies
3. 2014Post editing time limits and procedures in marketplace forumsForum Support

Oft in denselben Diskussionen

Follow Focus53, Zephyr37, Top Stage23, Low Mode20, Dovetail Plate17, MDR15, CineLive14, BFD11, Docking Bracket9, Monitor Bracket7, Arm Post6, Base Plate6

Alle Diskussionen

1. 2014Characteristics and design of Cinema Products ultra-flexible Triax cable with silicone jacketingGeneral Discussion
2. 2014Upgrading a first-generation camera stabilizer with modular rail systems and power distribution improvementsGeneral Discussion
3. 2014Converting Steadicam power system from Switronix to Anton Bauer battery platesBatteries/Power
4. 2014Reconnecting an RF antenna connector to a Preston MDR 3 circuit board for use in an MDR 2 unitFollow Focus
5. 2014Gimbal handle compatibility across different gimbal brands and the mechanical issues with cross-brand mountingGimbal
6. 2014Feasibility of converting standard SD video cabling to HD-SDI in steadicam rigsSled
7. 2014Experience with ARRI single axis follow focus unit for iris and focus pullsFollow Focus
8. 2014Production companies requesting certificates of insurance from crew members and equipment rental arrangementsUmstrittenLegal / Business Practices
9. 2014Securing protective bumpers on PRO Arm elbowsArms
10. 2014Budget baseplate options compatible with Steadicam Archer dovetail plates for indie productionsUmstrittenSteadi-Newbies
11. 2014Post editing time limits and procedures in marketplace forumsUmstrittenForum Support
12. 2014Blackmagic Design customer support and repair policies compared to competitorsGeneral Discussion
13. 2014Finding Souriau/Lemo 0B series female receptacle connectorsBatteries/Power
14. 2014Comparing follow focus systems for backup useFollow Focus
15. 2014Budget-friendly crane simulation using Steadicam on a grip vehicle liftOperating
16. 2014Configuration settings and firmware features for Transvideo monitors to improve visibility and functionalityMonitors
17. 2014Operating a camera rig through extremely tight spacesOperating
18. 2014Custom bracket and yoke mount system for Steadicam Pilot and Scout rigs to improve monitor positioning and balance adjustmentMonitors
19. 2014Motor runaway behavior during calibration on follow focus systemFollow Focus
20. 2014Using shark fin battery mounts with multiple batteries for additional bottom weight on camera rigsBatteries/Power
21. 2014Battery failures and firmware issues with professional cinema batteriesBatteries/Power
22. 2014Affordable 15mm clamp solution for PRO FIZ dovetail platesBrackets/Widgets
23. 2014Gimbal clamp on Zephyr sled becomes stiff and difficult to operateSled
24. 2014Repairing stripped lanyard attachment thread on follow focus hand unitFollow Focus
25. 2014Longevity and durability of steadicam arms spanning several decades of useArms
26. 2014Career path and equipment decisions for someone starting in steadicam operatingSteadi-Newbies
27. 2014Appropriate experience level and preparation for attending Steadicam operator workshopsSteadi-Newbies
28. 2014Tax planning and financial management strategies for freelancers and small business operatorsLegal / Business Practices
29. 2014Reactivating silica gel desiccant packs by baking and risks of overheatingCases/Carts/Stands and Transport
30. 2014Adding rods to Steadicam Zephyr for wireless follow focus systemFollow Focus
31. 2014Finding steadicam work through networking and alternative job search methodsIndustry Contacts, Info and Links
32. 2014Motor torque and speed for vintage anamorphic lenses in cold weatherFollow Focus
33. 2014Mounting and balancing an Arri AMIRA camera on a Steadicam PRO sledCameras (Film/Video/HD)
34. 2014Options for mounting a Heden motor on 15mm rod systems using dogbone adaptersFollow Focus
35. 2014Teradek Bolt transmitter running hot during operationVideo Assist and Video Accessories
36. 2014Walter Klassen Pro arm modification for back mount vest and rod end bearing durabilityArms
37. 2014Squeaking and creaking noise in Ultra 2 camera support vest during useUmstrittenVests
38. 2014Comparison between Preston HU3/MDR series and Arri WCU-4/UMC4 follow focus systems for cinema productionUmstrittenFollow Focus
39. 2014Comparison of AJA V2 Analog and Decimator 2 converters for downconversion and reliabilityGeneral Discussion
40. 2014Using F65 camera on a 3D Steadicam rig3D Steadicam
41. 2014Currency conversion costs when paying internationally for equipment purchasesLegal / Business Practices
42. 2014Flying an Amira camera on a Zephyr aerial platformGeneral Discussion
43. 2014Techniques and equipment configurations for operating stabilized camera rigs in low-mode shootingOperating
44. 2014Cinegears digital wireless follow focus performance and reliability assessmentFollow Focus
45. 2014Bolt Pro 600 wireless video transmission performance and suitability for production workVideo Assist and Video Accessories
46. 2014Preston MDR-1 follow focus not receiving power from Cinelive sledFollow Focus
47. 2014Resolving frame synchronization delay issues with Boxx Meridian broadcast systems in live outside broadcastsVideo Assist and Video Accessories
48. 2014Getting started with Steadicam operation: training, practice, and equipment decisions for new operatorsUmstrittenSteadi-Newbies
49. 2014Performance and versatility of budget-priced Merlin-style camera stabilizersSteadi-Newbies
50. 2014Anton Bauer G-Series battery release timeline, specifications, and manufacturing detailsBatteries/Power
51. 2014Wiring CineLive batteries in parallel while maintaining 24V capabilityBatteries/Power
52. 2014Decimator 2 HD-SDI loop output failure troubleshootingVideo Assist and Video Accessories
53. 2014Heden Carat follow focus system compatibility issues with Red Epic and Dragon camerasFollow Focus
54. 2014Steadicam operating techniques and challenges in the film BirdmanSteadicam Aesthetics
55. 2014Safety lessons from camera operator crash incidentOperating
56. 2014Equipment cart options in the UK for film and steadicam gearCases/Carts/Stands and Transport
57. 2014Characteristics and performance of Robert Luna-modified Steadicam arms compared to standard designsArms
58. 2014Amira camera mounting brackets and adapters for Steadicam and matte box compatibilityBrackets/Widgets
59. 2014Pricing practices and rate undercutting among steadicam operatorsUmstrittenGeneral Discussion
60. 2014Hand positioning above versus below gimbal in low mode operationOperating
61. 2014Finding and verifying the center of gravity when balancing a Steadicam with a weight plate underneath the cameraOperating
62. 2014Using CineLive tally connector as power source for SmallHD monitorSled
63. 2014Compatible motor types for microforce V+F follow focus systemFollow Focus
64. 2014Early Steadicam rigs, modifications, and operator experiences from the 1980s and 1990sPicture and History Archives
65. 2014External recorder selection for playback monitoring without interrupting camera feed to video villageVideo Assist and Video Accessories
66. 2014Editing techniques for steadicam operator reelsSteadi-Newbies
67. 2014Performance comparison between Titan and Atlas exoskeletons with different canister configurationsArms
68. 2014Rain cover options for Magliner Jr equipment cartsCases/Carts/Stands and Transport
69. 2014Cmotion Camin 3M wireless follow focus system capabilities and planned featuresFollow Focus
70. 2014Compatibility and mounting of cinematic precision camera plates with various camera support systemsCamera Stage/Donkey Box
71. 2014Choosing a steadicam rig for live television broadcast workSteadi-Newbies
72. 2014Electric unicycle as a camera stabilization vehicle platformVehicles and Mounts
73. 2014Wireless video transmission technology choices and latency performance for professional on-set useVideo Assist and Video Accessories
74. 2014Control options and compatibility for the DJI Ronin gimbalUmstrittenGimbal
75. 2014Transvideo HD8 X-sbl monitor specifications, features, and user experiencesMonitors
76. 2014Executing a continuous one-shot film sequence using multiple camera stabilization techniquesGeneral Discussion
77. 2014Sourcing replacement 0.8 pitch gear rings for Heden focus motor follow focus systemsFollow Focus
78. 2014Stabilizer sled tilting excessively during drop tests with light camera configurationsSled
79. 2014Compatibility of Steadicam Zephyr HD with Arri Alexa camerasGeneral Discussion
80. 2014Steadicam sled length and inertia management techniques for operatingOperating
81. 2014Upgrading monitor setup and video connections on a Master Elite sledSled
82. 2014Budget options for stabilizer arm and vest systems supporting heavy camera loadsSteadi-Newbies
83. 2014Tiffen Steadicam Merlin arm specifications and modification possibilitiesArms
84. 2014Mounting bracket options for MDR3 camera support on 15mm rodsBrackets/Widgets
85. 2014Recovering audio and timecode from warped MiniDV tapes using professional equipmentGeneral Discussion
86. 2014SD to HD upgrade conversion for PRO sled stabilizer systemsSled
87. 2014Sony F55 camera specifications and compatibility with wireless monitoring and control systemsUmstrittenCameras (Film/Video/HD)
88. 2014Affordable wireless follow focus systems as alternatives to high-end unitsFollow Focus
89. 2014Steadicam Pilot sled compatibility and HD monitor upgrade considerations for GH4 cameraSteadi-Newbies
90. 2014Finding film and television work in the United KingdomIndustry Contacts, Info and Links
91. 2014Wireless video transmission device failure and repair service experienceUmstrittenVideo Assist and Video Accessories
92. 2014Evaluating Master broadcast sled versus Archer2 sled for professional steadicam workUmstrittenSteadi-Newbies
93. 2014Using a DJI Ronin gimbal on a Steadicam arm via an adapter instead of a traditional sledSteadi-Newbies
94. 2014Selecting stands and weights for supporting a cinema camera rigUmstrittenCases/Carts/Stands and Transport
95. 2014Compatibility and performance issues between Preston MDR3 follow focus and Heden M26VE motorsUmstrittenFollow Focus
96. 2014Motorized exoskeleton arm rigs for gimbal and camera supportUmstrittenGeneral Discussion
97. 2014Troubleshooting tally light connectivity between Steadicam sled and on-camera monitorGeneral Discussion
98. 20143D printing for manufacturing camera accessories with quality control considerationsBrackets/Widgets
99. 2014Cinetronic Gen 2 monitor fails to display image despite power indicationMonitors
100. 2014Stabilizing an Aaton Penelope camera on steadicam while managing film weight distribution during a hiking shotCameras (Film/Video/HD)
101. 2014Decimator 2 USB control panel Mac support and firmware updatesVideo Assist and Video Accessories
102. 2014Autonomous subject tracking using computer vision for camera platforms like drones and gimbals3D Steadicam
103. 2014Using GH4 camera with Pilot stabilizer monitor via composite video connectionSteadi-Newbies
104. 2014Assessment of Tilta wireless follow focus system and modularity concept compared to established competitorsFollow Focus
105. 2014Selecting a steadicam system for a heavy DSLR cinema rig used in live event workSteadi-Newbies
106. 2014HDMI to SDI converter options for on-camera use and steadicam monitoring in 2014Video Assist and Video Accessories
107. 2014MDR3 bracket compatibility and mounting options for cinema follow focus systemsFollow Focus
108. 2014Selecting a professional on-camera monitor for HD production workMonitors
109. 2014Budget-friendly camera stabilizer options for DSLR filmmaking under $400Steadi-Newbies
110. 2014New camera support and monitoring equipment announced at IBC 2014General Discussion
111. 2014Evaluating and upgrading a used Steadicam Pro Vid 2Steadi-Newbies
112. 2014Maintenance and safety concerns with older cinema camera armsArms
113. 2014Techniques and time requirements for transitioning a Steadicam rig to low mode operationGeneral Discussion
114. 2014Steadicam setup advice for beginners including back pain, arm tension adjustment, drop time selection, and arm post configurationSteadi-Newbies
115. 2014Connecting batteries in parallel using P-Tap connectors and risks of back-chargingUmstrittenBatteries/Power
116. 2014Cost-effective wireless Standard Definition video transmission for short-distance line-of-sight applicationsVideo Assist and Video Accessories
117. 2014Hard case options for transporting arms with space-efficient packingArms
118. 2014Weight plate accessory for Transvideo RainbowHD7 monitor to improve balance on camera rigsBrackets/Widgets
119. 2014Finding replacement parts for damaged Arrihead 1 camera head handwheel thumb knobsOff Topic
120. 2014Powering an Alexa camera from a Master sled battery system via 24v conversionBatteries/Power
121. 2014Converting SDI output from BMC 4K camera to composite and HDMI signals for Steadicam Pilot monitoringSteadi-Newbies
122. 2014Plate slippage in DB2 camera support due to wear and tolerance issuesCamera Stage/Donkey Box
123. 2014DC voltage converter box with adjustable output range and protection featuresUmstrittenGeneral Discussion
124. 2014Electronic roll and tilt stabilization added to steadicam via brushless gimbal headGeneral Discussion
125. 2014Weight limits and configuration for Steadicam sled with camera and accessoriesSled
126. 2014Learning Steadicam with a Zephyr rig and choosing between P2 202 and P2 502 camerasSteadi-Newbies
127. 2014Wireless follow focus system performance and reliability issues in field useUmstrittenFollow Focus
128. 2014Choosing appropriate monitor screen size for professional video workMonitors
129. 2014Nyrius Aries Pro wireless HDMI transmitter compatibility with camera outputs and frame rate requirementsVideo Assist and Video Accessories
130. 2014RED Dragon camera operational issues and workarounds during production useCameras (Film/Video/HD)
131. 2014Eliminating vertical jitter when running with a Steadicam Pilot rigSteadi-Newbies
132. 2014PAG stackable gold mount batteries for camera stabilizers and recordersUmstrittenBatteries/Power
133. 2014Selecting and comparing outdoor field monitors for independent film productionMonitors
134. 2014Emergency repair options for a damaged gimbal kip handle locking mechanismGeneral Discussion
135. 2014How athletic background benefits steadicam operating through strength, body awareness, and mental disciplineJournals
136. 2014Control options for the Fuji Cabrio 19-90 servo lens focus and zoom functionsUmstrittenFollow Focus
137. 2014Setting up tally light and zoom control systems for live steadicam workSteadi-Newbies
138. 2014Preston HU3 follow focus screen not powering onFollow Focus
139. 2014Selecting and learning to use a camera stabilizer for lightweight mirrorless camera setupsSteadi-Newbies
140. 2014Maintenance and check-up intervals for Master and Ultra armsArms
141. 2014Determining day rates for steadicam operator services and equipment rentalSteadi-Newbies
142. 2014Mounting a Donkey Box 3/2/1 on an MK-V camera sledCamera Stage/Donkey Box
143. 2014Bartech digital follow focus losing signal connection intermittentlyFollow Focus
144. 2014Performance and quality comparison between Chinese knockoff stabilizer rigs and genuine Steadicam systemsGeneral Discussion
145. 2014Compatibility between AJA HD10MD3 output formats and Pro sled input requirementsSled
146. 2014Dovetail plate compatibility between Zephyr and Ultra steadicam sleds for Alexa camera mountingGeneral Discussion
147. 2014Marshall V-LCD70XP-3GSDI monitor not recognizing SDI signal from Red MX cameraMonitors
148. 2014Dust and rain cover options for Magliner Jr. cartsCases/Carts/Stands and Transport
149. 2014Connecting Lemo 3-pin stage power to AJA Micro-Con-X 2-pin converterBatteries/Power
150. 2014Replacing a bent gimbal yoke-to-gimbal connecting screwGimbal
151. 2014Customizing socket head cap screws as camera lockdown fasteners to prevent slot damage and camera rotationCamera Stage/Donkey Box
152. 2014Powering SmallHD DP1x monitor from gold mount battery platesMonitors
153. 2014Comparison between Archer2 and Clipper2 camera stabilizers for film workSteadi-Newbies
154. 2014Operating the Phantom Flex 4K high-speed camera on a music video shoot with steadicamCameras (Film/Video/HD)
155. 2014Operating Steadicam while shooting at high frame rates up to 240fpsOperating
156. 2014Hedene Carat wireless follow focus system performance and reliabilityFollow Focus
157. 2014Connecting Canon C100 camera to Steadicam Scout monitor via HDMI to SDI conversionUmstrittenMonitors
158. 2014Preventing and addressing corrosion on master series armsArms
159. 2014Compatibility of Anton Bauer batteries with Steadicam Pilot camera stabilizerBatteries/Power
160. 2014Monitor resolution preferences for camera operating on film and video productionsOperating
161. 2014Powering up a Scout steadicam monitor and connecting a Canon C100 cameraMonitors
162. 2014Affordable stabilization alternatives to commercial camera sleds for handheld useSled
163. 2014Customization options for Steadicam equipment cartsCases/Carts/Stands and Transport
164. 2014Understanding 12V and 24V power distribution on camera sleds and avoiding damage from incorrect voltage connectionsSteadi-Newbies
165. 2014Loose gimbal collar connection on Zephyr causes horizontal play during tiltsGimbal
166. 2014Mounting Sony ENG cameras to Steadicam dovetail plates without using VCT broadcast platesCamera Stage/Donkey Box
167. 2014Power and control connectors for Amira camerasCameras (Film/Video/HD)
168. 2014Choosing between Canon 7D and Canon XF300 for multi-hour Steadicam work at a fixed-location performance eventUmstrittenSteadi-Newbies
169. 2014Tiffen WXB automatic horizon correction system for SteadicamMonitors
170. 2014Fine adjustment options for steadicam head positioningGeneral Discussion
171. 2014Steadicam operating experience filming motorcycle scenes during a public event paradeGeneral Discussion
172. 2014Safety and maintenance practices for leaving batteries on charge during extended absencesBatteries/Power
173. 2014Travel case protection for golf carts during air transportGeneral Discussion
174. 2014Compatible motors for Preston UHF follow focus system with MDR1 receiverFollow Focus
175. 2014Improving inadequate brakes on junior backstage cartsCases/Carts/Stands and Transport
176. 2014Docking collar slipping on camera post due to tolerance mismatchGeneral Discussion
177. 2014Learning path for beginning Steadicam operators and decision about joining the Steadicam Operators AssociationSteadi-Newbies
178. 2014Steadicar vehicle mount for camera stabilization during production filmingUmstrittenVehicles and Mounts
179. 2014Performance comparison of wireless video transmitter systems for on-location workUmstrittenVideo Assist and Video Accessories
180. 2014Purchasing decisions for used Steadicam equipment as a beginnerSteadi-Newbies
181. 2014Monitor damage from improper cable connection and power configuration on camera rigUmstrittenBatteries/Power
182. 2014Comparison of PRO Gen III and Gen IV battery racks for cinema sled systemsUmstrittenSled
183. 2014Upgrading a Steadicam Flyer LE sled with HD monitor rewiring and connector modificationsMonitors
184. 2014Mounting a brushless gimbal on a steadicam for extended camera movement range and combined stabilizationUmstrittenGeneral Discussion
185. 2014Creating a power cable from Steadicam rig Lemo connector to AJA deviceSteadi-Newbies
186. 2014Paralinx Arrow-X wireless video transmission system performance and reconnection behaviorVideo Assist and Video Accessories
187. 2014Spring canister selection for PRO Titan stabilizer arm for narrative cinematography workArms
188. 2014StarliteHD 5-inch OLED monitor capabilities, recording features, and limitationsMonitors
189. 2014Whether to list multiple roles on a single reel or create separate reels when working as both cinematographer and camera operatorGeneral Discussion
190. 2014Connecting Sony F5/F55 cameras to external monitors including the SmallHD Gen 2Monitors
191. 2014Upgrading a Master Series sled to HD-SDI and Anton Bauer powerSled
192. 2014Comparison of zoom control systems for broadcast camera workVideo Assist and Video Accessories
193. 2014Flying a RED Epic camera on a gimbal rig with proper weight distribution and stabilizationUmstrittenCameras (Film/Video/HD)
194. 2014Compatibility of Zephyr arm with Exovest and required adapter socket blockSteadi-Newbies
195. 2014Repair options and panel replacements for IMP Hummingbird monitorsMonitors
196. 2014Displaying video from F55 camera on external monitors when using PSF output formatCameras (Film/Video/HD)
197. 2014XCS monitor prototype features and specificationsUmstrittenMonitors
198. 2014Correcting misalignment between top and base stages of a Zephyr stabilizerSteadi-Newbies
199. 2014Custom protective screen covers for monitorsMonitors
200. 2014Experience with RT Motion focus iris zoom controller reliability and performanceUmstrittenFollow Focus
201. 2014Steadicam Pilot Gimbal Grip design, installation, and performance feedbackBrackets/Widgets
202. 2014Upgrading older 3A steadicam arms with improved springsArms
203. 2014Compatible replacement antennas for Boxx wireless video systemsVideo Assist and Video Accessories
204. 2014Hand-checking high-ISO film on international flights and airport X-ray risksGeneral Discussion
205. 2014Powering BFD follow focus receiver from Sony F5/55 Hirose connectorUmstrittenFollow Focus
206. 2014Comparison of wireless video transmission systems: Paralinx Arrow, Nyrius Pro, and IDX CW1Video Assist and Video Accessories
207. 2014Power supply compatibility for Boxx AV Transmitter modelsVideo Assist and Video Accessories
208. 2014Compatibility between Heden motors and Preston follow focus systemsFollow Focus
209. 2014Mounting options and adapters for TB6 monitor on camera rigsBrackets/Widgets
210. 2014Sourcing 3-pin to 6-pin LEMO power cables for RED Epic camerasCameras (Film/Video/HD)
211. 2014Managing thick Triax cable on Steadicam rigs to minimize impact on camera stabilityGeneral Discussion
212. 2014Wireless transmitter use in hospital environments and potential interference risksSteadi-Newbies
213. 2014Battery plate compatibility and mounting options for Marshall V-LCD70XHB-3GSDI monitorMonitors
214. 2014Leg numbness during extended live steadicam operating sessions and solutionsOperating
215. 2014Vehicle selection for transporting film production equipmentVehicles and Mounts
216. 2014Runtime performance of gyroscopes on HC batteries compared to older Hytron batteriesGeneral Discussion
217. 2014Clamp-on matte boxes for 4x5.6 filters: user experiences and comparisonsBrackets/Widgets
218. 2014Rubber band stabilizer arms for camera supportArms
219. 2014Camera automation and Steadicam techniques at Eurovision 2014General Discussion
220. 2014Archer 2 top stage camera locking mechanism plays loose on dovetailCamera Stage/Donkey Box
221. 2014Compatibility of Globalmediapro batteries with third-party V-mount chargersBatteries/Power
222. 2014Long-term storage practices for lithium-ion camera batteries during periods of non-useBatteries/Power
223. 2014Selecting a used steadicam rig suitable for both DSLR and broadcast camera workSteadi-Newbies
224. 2014Clicking sound in Steadicam Scout gimbal during tilt dropsGeneral Discussion
225. 2014Historical origins and development of the Bartech BFD follow focus systemUmstrittenFollow Focus
226. 2014Vibration issues when operating steadicam in low modeOperating
227. 2014Recovery and return to steadicam operation after spinal disc surgery or injuryOperating
228. 2014Desired improvements and missing accessories for Steadicam equipmentGeneral Discussion
229. 2014Ultra series telescoping post sections shifting and losing alignment due to locking clamp issuesSled
230. 2014Power distribution issues when operating an Alexa camera on 24V mode with auxiliary devices on a cinema rigUmstrittenCameras (Film/Video/HD)
231. 2014Power distribution options for Cine Live 12/24 volt auxiliary connectorsSled
232. 2014Feasibility of operating an Alexa XT camera on a Steadicam Zephyr rig in low modeGeneral Discussion
233. 2014Monitor signal loss when using AJA10MD3 converter with Red Epic cameraGeneral Discussion
234. 2014Case and storage solutions for Preston HU3 follow focus controller and accessoriesCases/Carts/Stands and Transport
235. 2014Letus Helix single-axis stabilizer performance and reliability issuesBrackets/Widgets
236. 2014Tiffen J bracket compatibility with Pro Atlas armArms
237. 2014Resolving clearance conflicts between rod adapters and matte box on Archer 2 camera stageCamera Stage/Donkey Box
238. 2014Veracity control wheels for gimbal operators using RC transmittersOff Topic
239. 2014Fraudulent emails impersonating forum support to distribute spam and phishing linksForum Support
240. 2014Finding and sourcing replacement Kipp adjustable handles for machineryBrackets/Widgets
241. 2014Compatibility and practicality of vintage NTSC VHF band video transmittersVideo Assist and Video Accessories
242. 2014Bearing lubricant selection and maintenance for gimbal bearingsUmstrittenGimbal
243. 2014IDX CW-3 wireless 3G-SDI transmission system specifications and feature roadmapVideo Assist and Video Accessories
244. 2014AJA Cion camera initial impressions and technical limitationsUmstrittenCameras (Film/Video/HD)
245. 2014Managing barrel displacement and focus motor coverage when using Hawk C-Series anamorphic lensesCameras (Film/Video/HD)
246. 2014Mounting bracket design for MDR3 follow focus system with multiple positioning optionsFollow Focus
247. 2014Wireless follow focus systems evaluation and comparison, particularly Ikan and Tilta models from 2014Follow Focus
248. 2014Combining Steadicam and MoVI gimbal systems for enhanced camera movementGeneral Discussion
249. 2014Upgrading Zephyr camera sleds with tally systems and integration with control room equipmentSled
250. 2014Post extension causes vibrations on Flyer LE with Epic gimbal setupSteadi-Newbies
251. 2014Hard case options for transporting camera crane armsArms
252. 2014Nushield DayVue AR screen filter effectiveness on monitor visibilityMonitors
253. 2014Finding and installing a dovetail plate for an SK2 Steadicam rigSteadi-Newbies
254. 2014Tiffen Steadicam M1 modular sled specifications and design featuresSled
255. 2014Physical conditioning for camera operators carrying heavy equipmentJournals
256. 2014Panavision camera 200-degree shutter mechanism and exposure compensationOff Topic
257. 2014IDX CW-3 HD-SDI wireless video transmitter capabilities and trade-offsVideo Assist and Video Accessories
258. 2014Experience with M-1 Motor repair service and alternativesFollow Focus
259. 2014Handle and mounting solutions for 7-inch video monitors used as backup or set monitorsVideo Assist and Video Accessories
260. 2014Teradek Bolt Pro wireless video transmission system updates for 2014 with three new transmitter and receiver modelsVideo Assist and Video Accessories
261. 2014Sources and materials for Fischer RS connectors and motor cable constructionBatteries/Power
262. 2014Replacement U-bolts and fasteners for Hill vehicle mount bracketsBrackets/Widgets
263. 2014Using Odyssey OLED monitors as on-camera and director's monitors for video productionMonitors
264. 2014Practical tips and techniques for Steadicam operation and safetyOperating
265. 2014Teradek Bolt Pro SDI wireless transmission of Alexa LDS metadata to external monitorsVideo Assist and Video Accessories
266. 2014Selection and comparison of HD monitors for steadicam workMonitors
267. 2014Marshall V-LCD651STX-3GSDI monitor performance for professional video workMonitors
268. 2014Suitable monitor sizes for steadicam rigsMonitors
269. 2014Selecting a suitable Schottky diode for battery plate installationBatteries/Power
270. 2014Comparison between Steadicam Pilot and Flycam stabilizers for purchasing decisionsSteadi-Newbies
271. 2014External level sensor for Transvideo Cinemonitor HD monitorsMonitors
272. 2014Transvideo Cinemonitor HD 6 Classic displaying no image despite power and signal presenceMonitors
273. 2014Comparing Steadicam Scout and Zephyr for use with Sony F5 and similar camerasGeneral Discussion
274. 2014Advice for beginners considering purchasing professional or prosumer Steadicam equipmentSteadi-Newbies
275. 2014Methods to reduce hip bruising and discomfort from protective vestsUmstrittenGeneral Discussion
276. 2014Adding HD-SDI video output to a Master Series Film SteadicamGeneral Discussion
277. 2014Low mode bracket installation and securing the rod against rotationSteadi-Newbies
278. 2014Using aircraft pins as replacements for stock pins in camera support arms to enable quick socket block flippingArms
279. 2014Socket block play in PRO Titan armArms
280. 2014Finding replacement delrin or plastic discs for arm post clamps to reduce friction during gimbal arm movementBrackets/Widgets
281. 2014Treatment approaches for Achilles tendinitis recoveryGeneral Discussion
282. 2014Heden M26VE motors producing noise during slow focus movementsFollow Focus
283. 2014Passive solar and off-grid earthship design with thermal mass and water reclamationOff Topic
284. 2014Sourcing and selecting fiber jumper cables with lemo connectorsBatteries/Power
285. 2014Starting a steadicam career as a beginner with the Pilot rigSteadi-Newbies
286. 2014Practical upgrades and modifications for an older EFP steadicam rigUmstrittenSled
287. 2014Replacing missing or broken screws on M-One follow focus motorFollow Focus
288. 2014Low-cost top stage options for camera support without electronicsCamera Stage/Donkey Box
289. 2014Finding suitable protective cases for PRO Vest systems for air travelVests
290. 2014Rear mounting hole thread size on TVLogic 5.6 inch monitorMonitors
291. 2014Cinema Labs AutoFocus 3 channel automatic follow focus system capabilities and limitationsUmstrittenGeneral Discussion
292. 2014Fitting and comfort adjustment of a Klassen Flex vestVests
293. 2014Choosing a protective case for a 29-inch stabilizer sledCases/Carts/Stands and Transport
294. 2014Southwest Airlines media baggage rates and requirements for production professionalsGeneral Discussion
295. 2014Troubleshooting non-functional tally signal from PRO Cinelive to Cinetronic Gen2 monitorMonitors
296. 2014Re-anodizing a follow focus hand unit for improved theft recovery and cosmetic restorationFollow Focus
297. 2014Mounting a Kenyon 6x6 gyro on an Ultra2 sled with remote battery power via backpack umbilicalSled
298. 2014Screen upgrade options and hardware compatibility for Transvideo CineMonitorHD monitorsUmstrittenIndustry Contacts, Info and Links
299. 2014Using steadicam equipment at fashion week showsGeneral Discussion
300. 2014Paralinx Array antenna specifications and FCC regulatory considerations for wireless HD video systemsUmstrittenVideo Assist and Video Accessories
301. 2014Creating replacement marking rings for older Bartech follow focus systemsFollow Focus
302. 2014Flyer LE produces excessive horizon roll compared to Archer 1, especially with shorter drop timesSteadi-Newbies
303. 2014Building a replica of the Aliens movie Smart-gun prop using Steadicam equipmentGeneral Discussion
304. 2014Docking bracket length and dynamic balancing technique for Glidecam X-22 gimbalUmstrittenSteadi-Newbies
305. 2014Upgrading Master sled electronics with newer MK-V system components for improved camera power and connectivitySled
306. 2014Monitor yoke bracket for Steadicam rigs enabling tilting adjustment and easy mode switchingMonitors
307. 2014Selection and use of American Stand docking stations for camera rigsCases/Carts/Stands and Transport
308. 2014Teradek Bolt 2000 wireless video transmitter performance and practical on-set useVideo Assist and Video Accessories
309. 2014Choosing a Steadicam Pilot model for a Canon 7D DSLR and understanding battery compatibility optionsSteadi-Newbies
310. 2014Mounting solutions and weight considerations for flying an Alexa cinema camera on a Flyer steadicam rigBrackets/Widgets
311. 2014Balancing a Canon T3i with 18-55mm kit lens on a Merlin stabilizerSteadi-Newbies
312. 2014Compatibility and repair options for FMG-6 follow focus motorsFollow Focus
313. 2014Recommended quantity and types of AB batteries for steadicam workSteadi-Newbies
314. 2014Cinetronic Gen2+ FullHD monitor specifications and upgrade optionsMonitors
315. 2014Transvideo 6" Evolution3 X-SBL monitor performance and features for field useMonitors
316. 2014Solo steadicam operation for documentary production and capability to manage focus while operatingGeneral Discussion
317. 2014Safety considerations when operating camera equipment near wild animals on film setsOperating
318. 2014Performance and suitability of Heden M21VE follow focus motors for different lens typesFollow Focus
319. 2014Arm post orientation and failure modes on camera stabilizer rigsArms
320. 2014Upgrading from Zephyr to EFP/3A rig: modularity, compatibility, and component performanceUmstrittenSteadi-Newbies
321. 2014Insurance requirements and practices for personal production equipment provided by crew membersSteadi-Newbies
322. 2014Recommendations for assistant camera equipment bagsCases/Carts/Stands and Transport
323. 2014Operating camera gimbal in low mode without a low mode bracketSteadi-Newbies
324. 2014Compatibility of Teradek Bolt wireless video transmission with Heden Carat Bluetooth focus control systemsVideo Assist and Video Accessories
325. 2014Cinetronic Gen2 steadicam monitor brightness and visibility performanceMonitors
326. 2014Training paths for becoming a steadicam operator: formal film school versus specialized workshopsSteadi-Newbies
327. 2014Compatibility issues between gimbal and center post despite both being rated 1.5 inchCenter Post
328. 2014Safety practices for spotting and assisting a Steadicam operator on setSteadi-Newbies
329. 2014Latency issues when monitoring RED Epic footage in 5K and 4KGeneral Discussion
330. 2014Budget stabilizer options for DSLR video workSteadi-Newbies
331. 2014Comparison of PRO and XCS gimbals for camera rigsUmstrittenGimbal
332. 2014Building a career as a Steadicam operator without established creditsIndustry Contacts, Info and Links
333. 2014Low-cost dovetail mounting method for Alexa camerasBrackets/Widgets
334. 2014Upgrading center posts on Prolite camera support bases to reduce vibrationCenter Post
335. 2014Soft transport cases for cinema rigs without cameraCases/Carts/Stands and Transport
336. 2014Experiences with Backstage TR-04 Junior equipment cart for steadicam accessoriesCases/Carts/Stands and Transport
337. 2014Reconditioning older Anton Bauer Dionic 90 batteries versus purchasing new unitsBatteries/Power
338. 2014Learning to balance and set up a Wieldy steadicam rig for beginnersSteadi-Newbies
339. 2014Powering film equipment during location shoots using vehicle-mounted power systemsBatteries/Power
340. 2014Modifying a Blackmagic Hyperdeck Shuttle recorder with Anton Bauer gold mount battery plates and upgraded connectors for camera rig mountingVideo Assist and Video Accessories