Was Operator herausgefunden haben

• The forum requires users to have sustaining member status before they are able to create marketplace listings for selling items.2015 Forum Support
• The ACT2 vest provides substantial back support and is designed to accommodate various body types, though it may not suit very lean builds2015 Vests
• The Steadicam Pilot VL monitor does not natively accept HDMI output from a GH4 camera and requires a converter solution.2015 Steadi-Newbies
• Heat shrink tubing can be stretched using thin needle nose pliers to fit over already-attached connectors2015 General Discussion
• The Quattro system bracket eliminates vibration issues and holds monitors securely without movement during operation2015 Monitors
• Some operators need longer posts than standard compact models provide for specific shooting requirements where camera must remain on deck level without dolly support.2015 Center Post

Bis heute umstritten

1. 2015Managing knee injuries while continuing physically demanding work like steadicam operationGeneral Discussion
2. 2015Performance evaluation of the Chrosziel CDM-100 follow focus motorFollow Focus
3. 2015Lightweight stabilizer arm design with improved weight range and boom performanceArms

Oft in denselben Diskussionen

Zephyr35, Follow Focus26, Top Stage17, Low Mode13, CineLive11, MDR10, Arm Post8, G-706, Artemis5, Dovetail Plate5, Monitor Bracket5, Docking Bracket4

Alle Diskussionen

1. 2015Requirements for posting marketplace listings on the forumForum Support
2. 2015Long-term durability and fit characteristics of the Sachtler ACT2 camera support vestVests
3. 2015HDMI signal compatibility between GH4 camera and Steadicam Pilot VL monitorSteadi-Newbies
4. 2015Protecting cable labels with connectors already attached using heat shrink tubingGeneral Discussion
5. 2015Comparison of monitor mounting systems including Quattro bracket, Cam-Jam yoke, and traditional spud receiversMonitors
6. 2015Options for extending center post length on camera support systemsCenter Post
7. 2015Practical differences between Sony FS5 and FS7 cameras for production useCameras (Film/Video/HD)
8. 2015Disassembly and troubleshooting video line connections on the Ultra 2Sled
9. 2015Evaluating and purchasing a used Pilot stabilizer with HDMI modificationSteadi-Newbies
10. 2015Managing knee injuries while continuing physically demanding work like steadicam operationUmstrittenGeneral Discussion
11. 2015Omega stabilization system capabilities for handheld camera workCamera Stage/Donkey Box
12. 2015Powering cameras and accessories with a Pro CineLive battery rigSteadi-Newbies
13. 2015Foam selection and layering for comfortable, durable tactical vestsVests
14. 2015Compact on-board HD recorders for camera rigsMonitors
15. 2015Balancing a Steadicam rig: step-by-step procedure and common issuesSteadi-Newbies
16. 2015Performance evaluation of the Chrosziel CDM-100 follow focus motorUmstrittenFollow Focus
17. 2015Battery fuel gauge display shows incorrect charge level on Anton Bauer Dionic 90Batteries/Power
18. 2015Power consumption comparison between SmallHD 7" Pro High Bright monitor and other cinema equipment when used with wireless receiverMonitors
19. 2015Camera operation techniques used in boxing sequences for the film CreedOperating
20. 2015Service and maintenance options for Heden Motors M28VP follow focus unitsFollow Focus
21. 2015Upgrading HD signal capacity in GPI Pro Cinema HD sledSled
22. 2015Compatibility and performance of 100% HD video tops with Arricam LT camerasVideo Assist and Video Accessories
23. 2015Quality and operating challenges with Eemow Steadicam compared to professional rigsOperating
24. 2015Cinetronic Gen 2 monitor compatibility with Sony F55 cameraMonitors
25. 2015Rod-end bearings are the weakest component in Steadicam arms and require periodic replacementArms
26. 2015Modification to distribute weight and reduce belly pressure in tactical vestsVests
27. 2015Disassembling the top stage and gimbal on an Archer 1 sledSled
28. 2015Guidance for beginners assembling their first Steadicam kitSteadi-Newbies
29. 2015Lightweight stabilizer arm design with improved weight range and boom performanceUmstrittenArms
30. 2015SmallHD 702 on-camera monitor performance and practical setup considerationsUmstrittenMonitors
31. 2015Tension headaches and migraines triggered by operating work and exerciseGeneral Discussion
32. 2015MDR-3 booster board failure and recallFollow Focus
33. 2015Performance characteristics of the Chrosziel CDM-100 follow focus motorFollow Focus
34. 2015Distinguishing between focus pulling and zoom following in video productionGeneral Discussion
35. 2015Ground loop damage to video accessories when mixing 24V and 12V power on Alexa camerasUmstrittenGeneral Discussion
36. 2015Connex wireless video link capabilities, pricing, modifications, and comparison with alternativesVideo Assist and Video Accessories
37. 2015Identifying an unknown stabilizing vest and finding replacement partsSteadi-Newbies
38. 2015Visual differences between Flyer and Flyer LE steadicam modelsSteadi-Newbies
39. 2015Effects of callused fingertips from guitar playing on steadicam operating techniqueGeneral Discussion
40. 2015BlackMagic Video Assist connector specifications and physical characteristicsVideo Assist and Video Accessories
41. 2015Adapting a used Steadicam Ultra Arm to fit a Proline Vest and gimbal with mismatched post sizesArms
42. 2015Reducing payload weight on a camera gimbal sled to stay within operating limitsOperating
43. 2015Adjustment mechanisms for Master Series Steadicam arm weight and float point settingsArms
44. 2015Custom monitor mount and accessory upgrades for Steadicam Scout, Pilot, and Flyer rigsMonitors
45. 2015Hand placement and finger positioning for steadicam gimbal operationSteadi-Newbies
46. 2015Zephyr gimbal handle loosening due to payload exceeding capacityGimbal
47. 2015How monitor positioning affects dynamic balance on stabilizers with bottom-mounted monitor bracketsSteadi-Newbies
48. 2015Anton Bauer battery communication failure with chargersBatteries/Power
49. 2015Bringing camera equipment to Brazil for production workGeneral Discussion
50. 2015Using a limited liability company for union film work while maintaining union hour credits and equipment billingLegal / Business Practices
51. 2015Exovest pad configuration and velcro maintenance for cold and hot weather useVests
52. 2015Preston follow focus system compatibility with digital motors and 24V booster functionalityFollow Focus
53. 2015Replacement pin for PRO mode bracket arm post connectionBrackets/Widgets
54. 2015Custom foam cutting services for Pelican cases in Los AngelesCases/Carts/Stands and Transport
55. 2015Distinguishing Steadicam Flyer from Flyer LE models by physical characteristicsGeneral Discussion
56. 2015Wireless HD video transmission with tally integration for Sony broadcast cameras without CCUVideo Assist and Video Accessories
57. 2015Lift knob rotation problem on G70 stabilizer armArms
58. 2015Practical experience with the Sachtler Artemis Trinity stabilizer prototype and production modelGeneral Discussion
59. 2015Safety equipment and protective gear recommendations for camera and grip crew on film and television setsGeneral Discussion
60. 2015Ultra 2 monitor signal dropout issues and solutionsMonitors
61. 2015Artemis MINI sled concept with short centerpost for lightweight camera rigsSled
62. 2015Eclipse 500 HD wireless video transmitter performance and group purchaseVideo Assist and Video Accessories
63. 2015Ergonomic concerns and practical limitations of stabilization equipment including gimbals and exoskeleton rigsGeneral Discussion
64. 2015Performance characteristics of vintage Arri LCS follow focus system on modern camerasFollow Focus
65. 2015Wireless-free zoom control solution for AR Omega gimbal in studio with ENG lensFollow Focus
66. 2015Decimator MD-HX firmware upgrade adds image flip/flop capability and power connection guidanceVideo Assist and Video Accessories
67. 2015Teradek Bolt Sidekick lightweight receiver for wireless video transmissionVideo Assist and Video Accessories
68. 2015SledX gyro-stabilized handle for controlling brushless gimbalsSled
69. 2015Removing cigarette smoke odor from a used Steadicam Flyer rig and vest compatibilityVests
70. 2015Transvideo Stargate FHD 7-inch monitor specifications and availabilityMonitors
71. 2015Firmware updates and installation procedures for TV Logic VFM-058W monitorMonitors
72. 2015Monitor signal loss in camera sled system with intermittent dropout issuesUmstrittenSled
73. 2015Fixing a stuck screw on an XCS telescoping dual rod monitor bracket when using a smallHD DP7 High Bright monitorBrackets/Widgets
74. 2015Cinetronics Digital Level compatibility with different monitorsMonitors
75. 2015Teradek Bolt 2000 dual battery plates and cages for transmitters and receiversUmstrittenVideo Assist and Video Accessories
76. 2015Camera equipment and handheld stabilization technique used in the film VictoriaSteadicam Aesthetics
77. 2015Selecting stabilization equipment for a lightweight camera on a documentary shoot with limited training timeGeneral Discussion
78. 2015Wiring and HD upgrade options for old Cinelive top and bottom junction boxesUmstrittenSled
79. 2015Safety considerations when operating camera rigs mounted on Segways during live sports coverageUmstrittenGeneral Discussion
80. 2015Upgrading Steadicam Pilot to support professional camera power distribution via Lemo connectorsSteadi-Newbies
81. 2015Cable makers and suppliers available in the New York City area with fast shipping and turnaround timesIndustry Contacts, Info and Links
82. 2015Training methods for developing steadicam operating skillsOperating
83. 2015Chest pain experienced after operating a lightweight Steadicam rigOperating
84. 2015Steadicam arm adjustment and isolation performance troubleshootingArms
85. 2015Transvideo Starlite 5 inch monitor practical usage and mounting optionsMonitors
86. 2015Dark shadow appearing on Transvideo HD6 SBL Evolution monitor screenMonitors
87. 2015Finding a compact HD SDI frameline generator for custom overlay creationVideo Assist and Video Accessories
88. 2015Selection criteria and performance comparison for on-camera monitors suitable for professional video workMonitors
89. 2015Equipment insurance coverage limitations for freelance camera operators, particularly regarding rental and unaccompanied gearLegal / Business Practices
90. 2015Options for rotating a camera up to 90 degrees on top of a Steadicam for broadcast productionCamera Stage/Donkey Box
91. 2015Market dynamics and pricing practices when camera operators work outside their home regionLegal / Business Practices
92. 2015Skill development strategies for Steadicam operators working on low-budget feature filmsSteadi-Newbies
93. 2015Removing a VZ gimbal from a professional sledGimbal
94. 2015Maintenance procedures and product recommendations for PRO camera equipmentNews, Events, Workshops
95. 2015Handheld stabilization rig concept using counterbalanced arms and gimbal for small camerasGeneral Discussion
96. 2015Importing equipment to the US from abroad: duties, taxes, and documentation requirementsLegal / Business Practices
97. 2015Configurable wiring and power options for Steadicam systemsSled
98. 2015Centering and play issues in the Archer 1 gimbal yoke bearing axisGimbal
99. 2015Centering gimbal on an Ultra 2 stabilizerGimbal
100. 2015Flight-safe IDX batteries for powering an Ultra 1 sledBatteries/Power
101. 2015Building a homemade steadicam arm versus purchasing oneArms
102. 2015Power supply options for Small HD 502 monitorMonitors
103. 2015Weight plates for stabilizing camera rigsSteadi-Newbies
104. 2015Vertical lines and interference patterns appearing on monitor displayMonitors
105. 2015Building a custom Steadicam transport cart from Backstage componentsCases/Carts/Stands and Transport
106. 2015Steadicam Solo balancing stability when switching between equipment during shootsSteadi-Newbies
107. 2015Finding replacement batteries for a DV Steadicam rigBatteries/Power
108. 2015Firmware upgrade chip availability for Anton Bauer chargersBatteries/Power
109. 2015Bon monitor performance and build quality compared to competitorsMonitors
110. 2015Compatibility issues between Tiffen arms and Pro socket blocks on vestsVests
111. 2015Finding gyro mount solutions for Pro battery module 3Brackets/Widgets
112. 2015Standard commission practices for steadicam operators working with agentsLegal / Business Practices
113. 2015Transvideo StarliteHD 5-inch monitor/recorder for camera sleds and rigsMonitors
114. 2015Generation 2 cinemonitor not accepting SD composite video signalMonitors
115. 2015EFP gimbal balance shifts during 180-degree panning while on docking pinGimbal
116. 2015Starting a steadicam operating career and choosing initial equipmentSteadi-Newbies
117. 2015Finding lightweight Steadicam stands with stable bases as alternatives to American stand modelsCases/Carts/Stands and Transport
118. 2015Light leakage and optical defects in high-brightness monitorsMonitors
119. 2015C-Motion cvolution follow focus system compatibility with Alexa Mini and other camerasFollow Focus
120. 2015Rain protection options for Cinetronic Gen 2 monitorMonitors
121. 2015Using an ATA Carnet to travel internationally with professional video equipment without customs delaysCases/Carts/Stands and Transport
122. 2015G70X arm post adapters for different sled gimbal sizesArms
123. 2015Bayonet connection play between XCS post and Pro junction box camera mountCamera Stage/Donkey Box
124. 2015Repair options and technical challenges for Digital M-One follow focus motorsFollow Focus
125. 2015Powering a Blackmagic HDMI-SDI converter box from a Steadicam battery via a 3-pin Lemo connectorUmstrittenGeneral Discussion
126. 2015Ninebot handsfree personal transport device for camera stabilization workVehicles and Mounts
127. 2015SDI signal transmission through a camera post fails despite voltage passing throughCenter Post
128. 2015GPS tracking devices for equipment and luggageGeneral Discussion
129. 2015MK-V Nexus sled with inverted battery rack has loose connection between electronics and post after reassemblySled
130. 2015Steadicam setup for real-time motion tracking with HoloLens demonstrationSled
131. 2015Advice for purchasing a first steadicam rig as a new operatorSteadi-Newbies
132. 2015Transvideo CineMonitor HD X-SBL specifications and user experience comparison between 6 inch and 8 inch modelsMonitors
133. 2015Extendable mid-arm swivel for steadicam to achieve extreme high and low camera angles without extending the center postArms
134. 2015Klassen Flex 2 camera support vest characteristics and user impressionsVests
135. 2015Choosing between Anton Bauer Dionic HC and G90 batteries for Steadicam workBatteries/Power
136. 2015Flipping battery paddle on Pro Gen 2 hanger to center battery weightSled
137. 2015Purchasing used Steadicam systems and avoiding impulsive buying decisionsSteadi-Newbies
138. 2015Eliminating creaking noise from a Pro armArms
139. 2015Steadicam Model 2 setup, balance, and operation techniques from archival demonstration videoPicture and History Archives
140. 2015Anton/Bauer XCELL battery specifications and compatibilityBatteries/Power
141. 2015Artemis sled gimbal stabilizer setup with integrated monitorUmstrittenSled
142. 2015Powering a camera through a Steadicam battery caused monitor damage due to incorrect cable wiringSteadi-Newbies
143. 2015Choosing between Steadicam Pilot AA and Glidecam stabilizers for DSLR workSteadi-Newbies
144. 2015Performance factors and selection criteria for high-draw lithium gold mount batteries in steadicam rigsBatteries/Power
145. 2015Powering Steadicam Shadow sled with separate 12V and 24V battery supplies while bypassing the built-in DC/DC converterBatteries/Power
146. 2015Automated horizon stabilization technology for steadicam rigs and alternatives to achieve level framingUmstrittenCamera Stage/Donkey Box
147. 2015Finding an affordable carrying case for a 7-inch HD monitorMonitors
148. 2015Options for restoring faulty Anton Bauer Dionic 90 batteries through recelling servicesBatteries/Power
149. 2015Operating camera equipment on sandy beaches with wind and potentially wet conditionsOperating
150. 2015Archer 2 top stage dovetail plate slipping when rig is tilted horizontallyCamera Stage/Donkey Box
151. 2015Gimbal rubbing against handle in low mode with inverted cameraGimbal
152. 2015Choosing between KS 6x6 and KS 8x8 gyroscopic stabilizers for camera sledsBrackets/Widgets
153. 2015Market competition between steadicam operators and handheld electronic gimbals in film and television productionGeneral Discussion
154. 2015Troubleshooting a stuck locking wedge on a Master top stage camera mountCamera Stage/Donkey Box
155. 2015Career planning and equipment investment decisions for new steadicam operatorsUmstrittenSteadi-Newbies
156. 2015Comparison of 7-inch on-camera monitor brightness and features for outdoor useUmstrittenMonitors
157. 2015Powering stabilizer rig and accessories with D-Tap and P-Tap connectorsBatteries/Power
158. 2015Methods for securing a Steadicam rig for static shots without using a full tripod setupOperating
159. 2015Reducing play and jitter in the connection between Pro2 Junction Box and Donkey BoxCamera Stage/Donkey Box
160. 2015Finding replacement gimbal parts for S40 steadicam when manufacturer defects occurGimbal
161. 2015Delivery timeline and manufacturing lead times for Steadicam Pilot HD ordersSteadi-Newbies
162. 2015Starting a Steadicam career with limited budget and building professional reputationUmstrittenGeneral Discussion
163. 2015Body-mounted camera rigs for medium and wide shots featuring the performerGeneral Discussion
164. 2015Operating Steadicam without a monitor due to equipment failure or intentional practiceOperating
165. 2015Building a handheld director's monitor setup with wireless video receiver and batteryVideo Assist and Video Accessories
166. 2015SmallHD DP7 OLED monitor causing battery shorts during operationMonitors
167. 2015Motorized side-to-side stage adjustment on an Ultra 2 rig malfunctioning or unresponsiveCamera Stage/Donkey Box
168. 2015Resolving focus tracking inaccuracy in Bartech wireless follow focus systemFollow Focus
169. 2015Connecting a Panasonic GH4 camera to SD and HD Pilot steadicam monitors via HDMI conversionSteadi-Newbies
170. 2015Reliability and durability of EEMOV stabilizer systems compared to alternativesSteadi-Newbies
171. 2015Proper arm setup procedure for Steadicam SoloSteadi-Newbies
172. 2015Choosing between complete Pilot steadicam system versus sled-only with aftermarket arm and vest componentsSteadi-Newbies
173. 2015DB3 lockdown lever becomes loose despite tightening attemptsCamera Stage/Donkey Box
174. 2015Run/Stop cable compatibility between Alexa and Amira cameras with MDR2 recorderFollow Focus
175. 2015Choosing between entry-level steadicam rigs like Pilot and Scout for learning as an operatorSteadi-Newbies
176. 2015Forced arbitration clauses in non-union employment contracts and their implications for workersLegal / Business Practices
177. 2015Custom rewiring of Gen 4 Steadicam battery jumper blocks for alternative parallel configurationsSled
178. 2015Skill progression and learning plateaus in Steadicam operatingGeneral Discussion
179. 2015Addressing hip pad discomfort in Exo stabilization vest caused by pelvic movement habitsVests
180. 2015Servicing and upgrading costs for vintage 3A armsArms
181. 2015Post diameter specifications for the Archer2 camera sledSled
182. 2015Best practices for composing a professional steadicam operator's demo reelSteadi-Newbies
183. 2015Steadicam Zephyr setup and accessory selection for documentary and event workUmstrittenSteadi-Newbies
184. 2015Heden Carat follow focus handset battery consumption and solutionsFollow Focus
185. 2015Ultra Bright monitor losing graphical menu interface and failing to detect SDI syncMonitors
186. 2015Converting HD-SDI video signal from Sony F35 to analog output for legacy monitorsMonitors
187. 2015Mounting an XCS ergo handle in low mode with a bracketGimbal
188. 2015Power supply options and voltage behavior for Alexa camerasUmstrittenCameras (Film/Video/HD)
189. 2015SK-1 steadicam arm repair and HD monitor upgrade feasibilitySled
190. 2015Replacement wheel options for Steadicam stands to improve mobility and handlingCases/Carts/Stands and Transport
191. 2015Voltage drop when powering RED Dragon through Steadicam Clipper 12V distributionBatteries/Power
192. 2015Using Hitachi DK-H100 camera on multi-camera shoot with Steadicam EFPCameras (Film/Video/HD)
193. 2015Achieving extremely low camera positions with steadicam rigs for ground-level shotsOperating
194. 2015Building a Steadicam career and creating effective demo reels as a new operatorSteadi-Newbies
195. 2015Durability and maintenance of Walter Klassen vests in professional steadicam workUmstrittenVests
196. 2015Handle attachment failure on Zephyr gimbal due to loose screwGimbal
197. 2015Transvideo monitor models and their suitability for camera operation and stabilization workUmstrittenMonitors
198. 2015Mounting a Kenyon 6x6 gyroscope to a GPI Pro camera rig when standard post mounts are unavailableBrackets/Widgets
199. 2015Sourcing rectangular spirit level vials and understanding their sensitivity characteristicsGeneral Discussion
200. 2015Monitor rail diameter specifications for Ultra 2 camera support equipmentUmstrittenSled
201. 2015Selecting a monitor for Steadicam Pilot with V-lock mount and multiple input requirementsMonitors
202. 2015Experience with Actioncam camera stabilizer rigsGeneral Discussion
203. 2015Improper vest positioning causing nerve compression and circulation issuesVests
204. 2015Exovest stabilization vest fitting adjustments and configurationVests
205. 2015IDX CW-3 wireless HD-SDI transmitter performance and capabilitiesVideo Assist and Video Accessories
206. 2015Setting up a return monitor for live TV broadcast operationsMonitors
207. 2015Choosing an appropriate Steadicam rig for DSLR and small cinema camerasSteadi-Newbies
208. 2015Camera movement techniques and footwear considerations for shooting on roller rinksOperating
209. 2015Assembly of Antlers weight system with bullet insert and grooved cap connectionOperating
210. 2015Choosing a Teradeck Bolt wireless transmitter model for steadicam and handheld camera workVideo Assist and Video Accessories
211. 2015Mounting options for Atomos Shogun recorder on cinema camera sleds with monitor rodsUmstrittenBrackets/Widgets
212. 2015HU2 Omnishot battery adapter causing rapid low battery indicator blink with MicroForce zoom controlFollow Focus
213. 2015Missing components in Zephyr arm jointsArms
214. 2015Emergency release mechanism on steadicam vest backsSteadi-Newbies
215. 2015Notable features and design considerations across different tactical vestsVests
216. 2015Cable labeling methods and durable label solutionsGeneral Discussion
217. 2015Allen wrench sizes needed for Steadicam Zephyr gimbal handle and clamp adjustmentsGimbal
218. 2015Using fuses as power switches on camera sleds versus removing batteries or disconnecting cablesGeneral Discussion
219. 2015Connector compatibility between MDR1 and MDR2 follow focus systemsFollow Focus
220. 2015Back focus shifts during camera transport on rolling Steadicam standsGeneral Discussion
221. 2015Cam-Jam monitor yoke compatibility and assembly with Sachtler monitor armMonitors
222. 2015Budget steadicam rigs for practice and professional viabilityUmstrittenSteadi-Newbies
223. 2015Appropriate operating rates for Movi and gimbal work compared to Steadicam ratesUmstrittenLegal / Business Practices
224. 2015Comparison of Movi M15 gimbal controllers: Movi Controller versus Spektrum DX7sGimbal
225. 2015Daylight-viewable HD monitors suitable for mounting on a Flyer LE steadicam rigUmstrittenMonitors
226. 2015Power distribution from sled battery to camera via Anton Bauer plateBatteries/Power
227. 2015Monitor bracket options for professional sleds with 7-inch high-brightness displaysBrackets/Widgets
228. 2015Glidecam V25 steadicam rig capabilities and suitability for beginnersSteadi-Newbies
229. 2015Evaluating the CAME carbon fiber steadicam as a budget alternative to professional brands for 20-30lb camera rigsUmstrittenSteadi-Newbies
230. 2015Accessories and setup recommendations for live television work with stabilized camera rigsVideo Assist and Video Accessories
231. 2015Preventing vibration of Alexa cameras mounted on cinema sledsOperating
232. 2015Guidance for training and working with inexperienced Steadicam utilities on live productionsGeneral Discussion
233. 2015Analog follow focus receiver unit stopped responding to wireless signalsFollow Focus
234. 2015Finding brackets and adapters for Heden motor mounts used in follow focus systemsFollow Focus
235. 2015Obtaining an ATA Carnet for equipment transport across countriesLegal / Business Practices
236. 2015Rate structure for Steadicam operator equipment rental and labor on multi-day bookingsSteadi-Newbies
237. 2015Diagnosing and fixing wiggle or play in a top stage assembly mounted on a postSled
238. 2015Stabilizer rig showing jitter during static shots despite proper balancingOperating
239. 2015Balancing a Canon 7D camera on a Steadicam PilotSteadi-Newbies
240. 2015Cinetronic Generation 2 monitor displaying black screen after menu navigationMonitors
241. 2015Arri Alexa Mini camera specifications and practical deployment considerations for camera operatorsCameras (Film/Video/HD)
242. 2015Alternatives to Moses Pole for camera support and stabilizationCases/Carts/Stands and Transport
243. 2015Practice options for learning to operate camera gear headsGeneral Discussion
244. 2015Strategies for deciding when to use low mode stabilization and how to manage director/DP expectations about switching modes on setUmstrittenOperating
245. 2015Comparison of Anton Bauer Digital 150 and HCX batteries for cinema camera use, with discussion of alternativesBatteries/Power
246. 2015Learning curve and practical experience with Steadicam operationSteadi-Newbies
247. 2015Importing a used rig from Europe or UK to the United StatesLegal / Business Practices
248. 2015Image file upload failures on forum due to file extensionForum Support
249. 2015Follow focus controllers that can be mounted directly to steadicam gimbal handlesFollow Focus
250. 2015Zephyr gimbal clamp difficult to open by handGimbal
251. 2015Suitable protective cases and transport solutions for CineLive stabilizer systems and componentsCases/Carts/Stands and Transport
252. 2015Equipment performance and operational strategies for extreme cold weather filming below -20 CelsiusJournals
253. 2015Work schedule and practical requirements for starting a freelance steadicam operating careerSteadi-Newbies
254. 2015Assembly of Sachtler Vest ACT2 hip plate and spring placementVests
255. 2015Vibration issues when operating an Epic camera on a Zephyr steadicam rig during running shotsSteadi-Newbies
256. 2015Demand for a compact, lightweight receiver variant of the Bolt PRO 2000 wireless video systemVideo Assist and Video Accessories
257. 2015Availability of analog motors compatible with BarTech follow focus systemsFollow Focus
258. 2015Upgrading an EFP sled from 12V to 24V outputSled
259. 2015Transporting lithium-ion camera batteries on international flightsBatteries/Power
260. 2015Weight reduction for camera mounting using a threaded washer instead of a dedicated camera plateOperating