What operators found

• The system achieved remarkable transmission distance during testing in Miami conditions.2013 Video Assist and Video Accessories
• A steadicam operator should attend a professional workshop to develop skills beyond basic operation and learn to critique their own work.2013 Steadi-Newbies
• First generation Cinetronic monitors lack a built-in frameline generator and only squeeze the image without cropping it2013 Monitors
• When the optical bonding on a Hummingbird monitor screen fails, the lamination begins to separate from the display panel2013 Monitors
• The lamination layer on Hummingbird monitor screens can separate and deteriorate over time2013 Monitors
• Amazon Basics coiled audio cables can be purchased and modified by soldering appropriate connectors for use as power cables, with the shielding serving as neutral and the two leads tied together to create approximately 20AWG equivalent power cable.2013 Batteries/Power

Still argued about

1. 2013Rebotnix RB-2 wireless video transmission system specifications and comparisonVideo Assist and Video Accessories
2. 2013Stabilization technique used in Glidecam footage for action sports videographyOperating
3. 2013Movi motorized camera head capabilities and limitations compared to Steadicam for professional productionsGeneral Discussion

Often in the same threads

Zephyr61, Follow Focus55, Top Stage21, Low Mode20, Artemis13, Monitor Bracket13, Master Series12, MDR11, CineLive9, Arm Post8, Base Plate8, BFD8

All threads

1. 2013Anton Bauer HD RF wireless video transmission system performance and pricingVideo Assist and Video Accessories
2. 2013Developing steadicam operating skills and readiness for freelance workSteadi-Newbies
3. 2013Setting up framelines on monitors without built-in frameline generatorsMonitors
4. 2013Hummingbird monitor screen delamination and adhesive leakageMonitors
5. 2013Delamination and adhesive leakage issues in Hummingbird monitorsMonitors
6. 2013Sources and options for obtaining coiled power and audio cable for custom camera power cord assemblyBatteries/Power
7. 2013Marshall V-LCD70MD monitor suitability for steadicam work and compatibility with gearMonitors
8. 2013Yoke monitor mount for camera rigs with adjustable configurationsMonitors
9. 2013Convergent Odyssey 7 OLED monitor with integrated recording capabilitiesMonitors
10. 2013Identifying and sourcing a Transvideo monitor mount for Cinemonitor IIIMonitors
11. 2013Repair options for Decimator 2 units in the United StatesGeneral Discussion
12. 2013Rebotnix RB-2 wireless video transmission system specifications and comparisonDisputedVideo Assist and Video Accessories
13. 2013Techniques and applications for operating geared heads versus fluid heads in camera workOperating
14. 2013Experiences with WHM-BG artificial horizon modules for camera stabilization equipmentMonitors
15. 2013Custom modification of Hyperdeck Shuttle recorder with AB battery mount and BNC connectorsVideo Assist and Video Accessories
16. 2013Stabilization technique used in Glidecam footage for action sports videographyDisputedOperating
17. 2013Risks of responding to group text rate inquiries in professional workLegal / Business Practices
18. 2013Prototype follow focus unit functioning as power distribution and motor controllerFollow Focus
19. 2013Configuration settings for Cinetronic digital level monitorsMonitors
20. 2013Identifying Lemo connector part numbers for DCE Donkeybox auxiliary power portsCamera Stage/Donkey Box
21. 2013Teradek Bolt receiver power compatibility issues with Anton Bauer batteries via PTAP-LEMO cablesBatteries/Power
22. 2013Paralinx Tomahawk wireless HD video transmitter specifications and capabilitiesVideo Assist and Video Accessories
23. 2013Preventing Preston Strap Ring loosening on HU3 and Single Channel unitsGeneral Discussion
24. 2013Preparation and workflow for a first professional Steadicam Pilot assignmentSteadi-Newbies
25. 2013Movi motorized camera head capabilities and limitations compared to Steadicam for professional productionsDisputedGeneral Discussion
26. 2013Teradek Bolt Pro 2000 wireless video transmitter capabilities and compatibilityVideo Assist and Video Accessories
27. 2013Improving footwork and body movement control for Steadicam operatingDisputedOperating
28. 2013Mounting options for SmallHD DP7 HB monitor on Pro monitor arm and spudMonitors
29. 2013IBaird Pro vest low mode bracket for adjusting socket block height on camera support vestsVests
30. 2013Protecting and tracking filmmaking equipment on set from loss and theftGeneral Discussion
31. 2013Initial stabilizer testing and technique feedback for gimbal operationSteadi-Newbies
32. 2013Power connector specifications and wiring for Sony F65 cameraCameras (Film/Video/HD)
33. 2013Steadicam techniques for achieving camera movements in confined spaces without major set modificationsOperating
34. 2013Building a professional camera stabilizer rig on a budget by purchasing used componentsGeneral Discussion
35. 2013Brushless gimbal market composition and custom versus off-the-shelf componentsDisputedGeneral Discussion
36. 2013Battery selection and specifications for Preston HU3 follow focus systemFollow Focus
37. 2013PRO Titan arm low mode bracket orientation and arm post retention solutionsArms
38. 2013Upgrading from SD to HD-SDI monitor on Flyer 24LE stabilizer rigMonitors
39. 2013Prioritizing equipment upgrades for a Steadicam rig with limited budgetSteadi-Newbies
40. 2013Practical considerations for purchasing and using a vintage Steadicam Model III systemDisputedSteadi-Newbies
41. 2013Preston MDR pinout for Arri Alexa 3-pin Fischer start stop cable connectionFollow Focus
42. 2013UniArm steadicam arm design and classificationArms
43. 2013Bone conduction headphones for live production monitoringGeneral Discussion
44. 2013Electric tracking dolly designed for Steadicam and professional film productionVehicles and Mounts
45. 2013Options for restoring old Steadicam PAG batteries versus switching to alternative battery systemsBatteries/Power
46. 2013Mounting a Manfrotto quick release bracket to a Glidecam HD-2000Steadi-Newbies
47. 2013DC jack repair and internal testing connector on Nyrius Pro wireless video transmitterDisputedVideo Assist and Video Accessories
48. 2013Gear pitch specification for Fujinon ENG lens iris ring controlFollow Focus
49. 2013Compensation and contractual practices for camera operators across major television productionsLegal / Business Practices
50. 2013Compatibility of Merlin and Pilot kit vests and armsSteadi-Newbies
51. 2013Comparison of portable HD monitors for broadcast useDisputedMonitors
52. 2013Budget-friendly stabilizer options for renting with a Canon C300 cameraSteadi-Newbies
53. 2013Getting started with steadicam equipment on a limited budgetSteadi-Newbies
54. 2013Battery options for powering RedRock wireless follow focus systems on gimbalsSteadi-Newbies
55. 2013Custom start/stop cable for Red Epic/Scarlet cameras with Bartech follow focus receiverFollow Focus
56. 2013Methods for managing cable shield fraying at connector endsGeneral Discussion
57. 2013Installing HD monitors on Steadicam Clipper 24 rigs originally wired for RGBMonitors
58. 2013Remote start/stop control options for Canon C500 cameraCameras (Film/Video/HD)
59. 2013Gravity One stabilization system for handheld camera workVehicles and Mounts
60. 2013Stabilizer setup and technique with Canon T4i and zoom lensSteadi-Newbies