2005
345 موضوعًا في الأرشيف
ما وجده المشغّلون
- A plate designed for a TB-6 monitor arm can be adapted by drilling an additional hole to accommodate a backup LCD monitor2005 Monitors
- High-intensity monochrome monitors offer daylight visibility at a lower price point than comparable color LCD monitors.2005 Monitors
- Bubble levels approximately 3 inches long can be sourced from industrial suppliers like McMaster-Carr, listed as tubular levels in their catalog2005 Steadi-Newbies
- F-connectors are the standard coaxial connectors used on cable television cables and can be adapted to BNC inputs on receivers2005 Brackets/Widgets
- Cranes with smaller bases tend to be less stable and present higher risks of tipping over during operation.2005 Operating
- The arm springs on a Steadicam Mini will loosen and become easier to control once weight from the camera and batteries is mounted on the sled.2005 Steadi-Newbies
لا يزال موضع جدل
- 2005Rebalancing handheld camera stabilizers when switching between small lensesSteadi-Newbies
- 2005Reasons for choosing front-mounted versus back-mounted Steadicam vestsVests
- 2005Wireless video transmitters for on-set use: frequency bands, power levels, and interference challengesVideo Assist and Video Accessories
كثيرًا في المواضيع نفسها
Follow Focus29, Low Mode24, Modulus18, BFD15, Master Series15, Dovetail Plate10, Top Stage10, Arm Post7, Artemis7, Docking Bracket7, G-707, FI+Z5
كل المواضيع
- 2005Mounting an LCD backup monitor to a standard 1/4 x 20 threaded spigot on a monitor armMonitors
- 2005Selecting daylight-visible monitors for Steadicam and handheld camera rigs as an upgrade from supplied LCD screensMonitors
- 2005Sources for bubble levels and electronic levels for Steadicam horizon monitoringSteadi-Newbies
- 2005Finding and installing F-connector to BNC adapter connectors for audio/video equipmentBrackets/Widgets
- 2005Selecting cranes for steadicam operation and safety considerationsOperating
- 2005Balancing and operating a Steadicam Mini with camera and batteriesSteadi-Newbies
- 2005Steadicam 7" HD-SDI LCD monitor specifications and performance characteristicsMonitors
- 2005Operating Steadicam on stairs during fast-paced action sequencesOperating
- 2005Risks and problems when financing steadicam gear through specialized financing companiesSteadi-Newbies
- 2005Appropriate preparation and prerequisites before attending a Steadicam workshopSteadi-Newbies
- 2005Steadicam operator practice techniques for beginnersOperating
- 2005Compatibility between Pro Vid arm and Masters sled for broadcast camera workArms
- 2005Sony F900R CineAlta camera specifications, accessories, and shooting configurations for film and video productionCameras (Film/Video/HD)
- 2005Lightweight zoom lens recommendations for Steadicam workFollow Focus
- 2005Phishing and second-chance offer scams targeting online auction biddersLegal / Business Practices
- 2005Planning and choreography improve steadicam performance on dance and music video shootsSteadi-Newbies
- 2005Steadyrig Battery Hanger specifications, pricing, and compatibility with Steadicam sledsSled
- 2005Rebalancing handheld camera stabilizers when switching between small lensesموضع خلافSteadi-Newbies
- 2005Converting Master Series Steadicam rig to Anton Bauer battery systemBatteries/Power
- 2005Email-borne virus distribution through compromised address booksLegal / Business Practices
- 2005How the Strada crane quick-release system works for suspended Steadicam operatorsVehicles and Mounts
- 2005Easyrig shoulder support rig for handheld camera workGeneral Discussion
- 2005Using an external LCD monitor with a Steadicam Merlin and lightweight cameraSteadi-Newbies
- 2005Adding stabilizing straps with fastex buckles to camera support vestsVests
- 2005Budget wireless video transmission for camera monitoring using 2.4GHz systemsVideo Assist and Video Accessories
- 2005Voltage regulation options for powering onboard recording equipment from 14.4V to lower voltagesBrackets/Widgets
- 2005Running HD-SDI video signals down Steadicam sled posts to external monitorsMonitors
- 2005Comparing camera stabilizer arms for weight capacity and suitability for different shooting scenariosArms
- 2005Storage bag options for steadicam arms and vestsArms
- 2005Technical characteristics and serviceability of the Cinema Products CP-16 16mm film cameraOff Topic
- 2005Reasons for choosing front-mounted versus back-mounted Steadicam vestsموضع خلافVests
- 2005Portable docking stand options for cinema camera rigs suitable for shipping and location workCases/Carts/Stands and Transport
- 2005Achieving smooth, consistent walking speed with a Steadicam at slow velocitiesSteadi-Newbies
- 2005Keeping hands warm and operational while working with Steadicam gimbals in cold weatherOperating
- 2005Monitor arm slipping on Ultra sled center post during operationCenter Post
- 2005Wireless video transmitters for on-set use: frequency bands, power levels, and interference challengesموضع خلافVideo Assist and Video Accessories
- 2005Steadicam technique for filming martial arts stunts in challenging conditionsJournals
- 2005Sources for custom rain gear covers for camera equipment sledsBrackets/Widgets
- 2005Camera equipment and techniques used in television production for vehicle-mounted shotsGeneral Discussion
- 2005Camera support systems and mounting plates for video and film camerasBrackets/Widgets
- 2005Anamorphic video display aspect ratio adjustment on field monitorMonitors
- 2005Weight and performance comparison of follow focus systems for lightweight camera rigsFollow Focus
- 2005Converting 8mm home movie film to digital formats for preservationموضع خلافOff Topic
- 2005Selecting and mounting teleprompters for Steadicam use in multi-camera productionsOperating
- 2005Recovery mode function on PAG battery chargersBatteries/Power
- 2005Follow focus motor gear disengagement at specific lens focus distancesFollow Focus
- 2005Grease selection for bicycle arms during reassemblyArms
- 2005Zoom potentiometer wiring pinout for Canon and Fujinon lens external zoom controllers using TAJIMI connectorsFollow Focus
- 2005Selection criteria and options for camera support posts, gimbals, and top stagesCenter Post
- 2005Guidance for purchasing a Steadicam rig as a new operatorSteadi-Newbies
- 2005Stabilizer sled weight and balance issues when upgrading from entry-level to professional equipmentموضع خلافSteadi-Newbies
- 2005Choosing a stabilizer rig for professional video production within a $5000 budgetSteadi-Newbies
- 2005Building a Steadicam demo reel when lacking broadcast credits with recognizable talent or logosموضع خلافSteadi-Newbies
- 2005Technical considerations for film shoots in MoscowOff Topic
- 2005Using Steadicam rigs while skiing or on snowVehicles and Mounts
- 2005Maintenance and troubleshooting of camera crane arms and rigsGeneral Discussion
- 2005Steadyrig Instant Release Topstage design features and beta testing feedbackCamera Stage/Donkey Box
- 2005Frameline and bubble display disappeared from monitor - diagnosis and repairMonitors
- 2005Downconversion challenges with early Sony HD cameras and alternative monitoring solutionsCameras (Film/Video/HD)
- 2005Carbon fiber post cracking on camera stabilizer rigsCenter Post
- 2005Steadicam operating in professional and college football/rugby broadcastsGeneral Discussion
- 2005Comparing Archer and Clipper 2 steadicam rigs for video and 16mm workSteadi-Newbies
- 2005How to acquire and finance a Steadicam rig as a beginner operatorSteadi-Newbies
- 2005Removing a stuck aircraft pin from an EFP armArms
- 2005Finding instructional resources for learning to operate and balance a Glidecam V20 stabilizer rigSteadi-Newbies
- 2005Comparison of the Movietube with PS Techniks Mini35 and Pro35 digital cinema adaptersCameras (Film/Video/HD)
- 2005ActionCam Zero-G camera stabilizer arm design and construction featuresNews, Events, Workshops
- 2005Power cable connector specifications for cinema camerasSteadi-Newbies
- 2005First-person shooter cinematography techniques used in the Doom film's FPS sequenceموضع خلافGeneral Discussion
- 2005Experience with Chrosziel Sunbird LCD monitor for field useMonitors
- 2005Setup and operational tips for Mini35 film adapter on SteadicamCameras (Film/Video/HD)
- 2005Managing triax cable routing and attachment on a Steadicam rig to minimize interference with sled movementOperating
- 2005Common mistakes and pitfalls for new steadicam operatorsSteadi-Newbies
- 2005Insurance requirements for crane and jib operators on production jobsOff Topic
- 2005Steadicam operating challenges on a television production setGeneral Discussion
- 2005Weight comparison of film camera bodies for Steadicam operationCameras (Film/Video/HD)
- 2005Operating an Arri 16BL film camera for productionCameras (Film/Video/HD)
- 2005Choosing and organizing transport cases for Steadicam equipmentCases/Carts/Stands and Transport
- 2005Glidecam V-20 stabilizer rig pricing and suitability for learningSteadi-Newbies
- 2005Using a Segway-based camera stabilization platform for film and video workVehicles and Mounts
- 2005Steadicam mounting on Segway vehicles for tracking shotsVehicles and Mounts
- 2005Adding a battery level meter to a camera rig powered by on-board batteriesBatteries/Power
- 2005Mounting a Sony DSR-570 camera on a Flyer sled with wireless follow focus and iris controlCameras (Film/Video/HD)
- 2005Converting 16:9 output from Sony HDW-750 to letterbox format for monitors lacking widescreen supportMonitors
- 2005Finding an affordable wireless video transmitter for camera-mounted stabilization rigsVideo Assist and Video Accessories
- 2005Panavision Elaine 16mm camera performance and specifications for Steadicam and conventional operationموضع خلافCameras (Film/Video/HD)
- 2005Bracket requirements for operating ProVid camera stabilizer in low modeBrackets/Widgets
- 2005Approaches to itemizing equipment and accessories for insurance coverageSteadi-Newbies
- 2005Assembling a first steadicam rig for television productionSled
- 2005Music video production with SDX 900 camera, vehicle-mounted filming in simulated rain, and equipment balance modificationsJournals
- 2005Cable length differences between spring configurations in 3A armsموضع خلافArms
- 2005Reducing bounce and handling arm swing in lightweight steadicam rigsSteadi-Newbies
- 2005International shipping costs and import taxes when sending goods from the US to the UKموضع خلافOff Topic
- 2005Selecting and configuring a Steadicam Vector sled system for mixed video and film workموضع خلافSled
- 2005Preparing for and operating a tethered steadicam on a live-to-tape concert productionموضع خلافOperating
- 2005Choosing between budget-friendly TFT monitors for professional useMonitors
- 2005Practical considerations for operating camera equipment as a freelancer in AfghanistanLegal / Business Practices
- 2005Evaluation of used Seitz 8710A follow focus system versus newer Bartech alternativeFollow Focus
- 2005Operating the HDW-750 camera for HD production with monitoring setupGeneral Discussion
- 2005Replacement bearings for Flyer arm joints and bearing failure troubleshootingArms
- 2005WiFi video transmission systems for professional video assist and monitoringVideo Assist and Video Accessories
- 2005Finding flexible fiber cables for Sony 950 HD cameras on Steadicam rigsBrackets/Widgets
- 2005Upgrading camera stabilizer arms for heavier film and HD equipmentArms
- 2005Attaching focus teeth or motorized gears to a dimmer knob on a ring lightBrackets/Widgets
- 2005Performance and practical use of Dionic 90 lithium-ion batteries for film camera power in 2005Batteries/Power
- 2005Selecting an appropriate stabilization rig for a university film program with budget and multi-camera requirementsSteadi-Newbies
- 2005Video assist system integrated into experimental military rifle platformVideo Assist and Video Accessories
- 2005Compatibility between BFD focus controller and Heden motors for follow focus applicationsFollow Focus
- 2005Using the ARRI ST camera in steadicam mode and equipment considerationsCameras (Film/Video/HD)
- 2005Hirose 4-pin connector pinout for Provid monitorMonitors
- 2005Role and responsibilities of Steadicam assistants in film and television production across different regions and work environmentsموضع خلافGeneral Discussion
- 2005Shipping equipment safely and cost-effectively for film and broadcast workLegal / Business Practices
- 2005Canon HDV camera specifications and design comparison with competitorsموضع خلافOff Topic
- 2005Comparison between Flyer and SK2 steadicam rigs for DV camera workSteadi-Newbies
- 2005Achieving adequate clearance and camera height in low-mode Steadicam operation with SK2 sledSteadi-Newbies
- 2005Career prospects and practical considerations for becoming a Steadicam operator in EuropeSteadi-Newbies
- 2005Low-mode solutions for Steadicam Flyer camera rigBrackets/Widgets
- 2005Running performance with back-mounted steadicam vests compared to front-mounted designsVests
- 2005Hip pain in camera operators using Steadicam rigsOperating
- 2005Attaching dovetail plates to Arri SR camera handles for low-mode operation and alternativesCameras (Film/Video/HD)
- 2005Aaton Penelope 35mm camera prototype development and featuresCameras (Film/Video/HD)
- 2005Segway modified for steadicam camera operationVehicles and Mounts
- 2005Selecting a handheld camera stabilizer system within a $500 budget for documentary videographyموضع خلافSteadi-Newbies
- 2005How a gimbal works in steadicam stabilizers and alternative stabilization mechanisms for homebuild rigsSteadi-Newbies
- 2005Budget options for camera crane systems with pan/tilt capability under $1000Off Topic
- 2005Elbow joint banging in Steadicam arms during fast movementsArms
- 2005Industry rate standards for steadicam operators and camera work in documentary productionLegal / Business Practices
- 2005Budget stabilizer camera rigs: MagiqCam as an entry-level alternative to professional Steadicam systemsSteadi-Newbies
- 2005Video recording devices for steadicam work including the AVIAH PVR and compact solid-state recordersVideo Assist and Video Accessories
- 2005Comparison between specialized camera rig workshops and lower-cost local alternativesNews, Events, Workshops
- 2005Power connector and voltage specifications for Moviecam Compact MK2 cameraCameras (Film/Video/HD)
- 2005Steadicam operator fall during football game filming and equipment damage assessmentJournals
- 2005Archos AV500 and AV420 portable video recorder capabilities, accessories, and modifications for video production useVideo Assist and Video Accessories
- 2005Choosing and purchasing a back-mounted steadicam vestVests
- 2005Back-mounted weight distribution vests for camera workVests
- 2005Comparison of portable video recorders for on-board use: Lyra versus ArchosVideo Assist and Video Accessories
- 2005Adding extra wiring capacity to a 1.5-inch center post for additional video feeds and accessoriesCenter Post
- 2005Sourcing replacement monitor screws (Kipp handles)Brackets/Widgets
- 2005Equipment selection for stabilizing a 16mm film camera using steadicam-type rigsSteadi-Newbies
- 2005Monitor upgrade options for Steadicam Provid sledMonitors
- 2005Low-mode camera bracket for Z1 camera with cost and build quality comparisonBrackets/Widgets
- 2005Maximum payload capacity of Master Series Steadicam arm including all componentsArms
- 2005Feasibility of flying various film cameras on Steadicam for a 10-minute single-take anamorphic shot with ramping to high frame ratesOperating
- 2005Hands-on experience with Glidecam Gold stabilizer rig for the first timeJournals
- 2005Camera rig configuration with Panavision 235 and monitoring setupOperating
- 2005Maintaining straight-line walking direction while operating steadicam backwards on a featureless beach environmentOperating
- 2005Steadicam technique for bullet-time effect in music video productionJournals
- 2005Steadicam techniques and constraints during feature film productionJournals
- 2005Camera support options for high-speed running shots in a film production on a limited budgetVehicles and Mounts
- 2005Bearings in gimbal arm pivot points and their practical effectsGimbal
- 2005Audio recording options when operating a Steadicam Merlin stabilizerSteadi-Newbies
- 2005Assessment of Baer-Bel Steadicam rigs and components for cinematographySled
- 2005JVC HD100 camera performance and practical setup considerations for video productionOff Topic
- 2005Steadicam operations at a major athletics championship broadcastOperating
- 2005Evaluation criteria for purchasing used Steadicam equipmentGeneral Discussion
- 2005Steadicam technique feedback for walking with a stabilized rigNews, Events, Workshops
- 2005Operating camera on rocky or uneven terrainموضع خلافOperating
- 2005Building and operating a homemade steadicam rig as a beginnerSteadi-Newbies
- 2005Techniques for executing very slow walking shots with SteadicamOperating
- 2005Steadicam cable management techniques for outdoor filmingJournals
- 2005Achieving dynamic balance on EFP steadicam rigs through component modificationsOperating
- 2005Comparison of gimbal models and their suitability for different rig setupsموضع خلافGimbal
- 2005Lighting techniques and equipment selection for steadicam work on location productionsOperating
- 2005Cost and capability comparison between Preston FI+Z lens control system and Bartech BFD single-channel focus deviceموضع خلافFollow Focus
- 2005Comparison of CRT greenscreen monitors versus LCD monitors for Steadicam work in various lighting conditionsموضع خلافMonitors
- 2005Budget options for acquiring stabilization equipment to handle 16mm film cameras around 25 poundsموضع خلافSteadi-Newbies
- 2005Cancellation policies and compensation for day players in film and video production when jobs are called off with short noticeLegal / Business Practices
- 2005Steadicam sled weight capacity, J-box function, and film versus video camera differencesSteadi-Newbies
- 2005Differences between various steadicam stabilization rigs and their market perceptionSteadi-Newbies
- 2005Connector compatibility between Heden M21VP motor and larger Heden motorsFollow Focus
- 2005Camera operator fatality from falling asleep while driving home after long work hoursGeneral Discussion
- 2005Using Panavision film cameras on Steadicam EFP rigs for vehicle-mounted workCameras (Film/Video/HD)
- 2005Workshop format and value: learning with provided demonstration equipment versus bringing your own gearموضع خلافNews, Events, Workshops
- 2005Mounting Preston digital microforce bracket on FI+Z follow focus unit while retaining the thick rubber handgripFollow Focus
- 2005Camera truck fire caused by lithium-ion battery incident during unattended chargingBatteries/Power
- 2005Battery system choice for Steadicam rigs: NP1 versus Anton Bauer mountsSteadi-Newbies
- 2005Modulus video assist reliability and customer service experiencesVideo Assist and Video Accessories
- 2005Operating a Steadicam sled while running on challenging terrain during a 16mm film productionOperating
- 2005Copyright and legal considerations for using copyrighted music and footage in demo reelsموضع خلافSteadi-Newbies
- 2005Techniques and challenges for shooting MTV CribsOperating
- 2005Steadicam operation and techniques used in television productionOperating
- 2005Maintaining level and operating technique during fast lateral tracking shots with prominent horizonsOperating
- 2005Diagnosing and correcting camera tilt issues on a stabilized rigGeneral Discussion
- 2005Understanding dynamic balance in steadicam rigsSteadi-Newbies
- 2005Comparison of gimbal models and their price-to-performance value propositionموضع خلافGimbal
- 2005Converting anamorphic and aspect ratio signals for LCD monitors on film camera rigsMonitors
- 2005Lubrication and maintenance procedure for a IIIA gimbalGimbal
- 2005Practical tips for first-time 16mm film shootingSteadi-Newbies
- 2005Methods for managing perspiration and heat while operating camera equipmentOperating
- 2005Purchasing guidance for entry-level Steadicam equipment with limited budgetموضع خلافSteadi-Newbies
- 2005Telescoping Steadicam sled that maintains balance during length changesSled
- 2005Choosing digital cameras for high-resolution production with steadicam and motion controlCameras (Film/Video/HD)
- 2005Reducing side-to-side roll when operating a Glidecam Smooth Shooter stabilizer rigOperating
- 2005Advantages of alternative Steadicam component manufacturers over Tiffen productsSteadi-Newbies
- 2005Pelican case selection for storing a Pro Arm camera rigArms
- 2005Transporting Steadicam equipment on commercial airline flights across multiple legsLegal / Business Practices
- 200524-volt XLR connector pinout standards for film and video camera power distributionBatteries/Power
- 2005Operating an SDX900 camera on a Steadicam Flyer sled with payload and balance considerationsSled
- 2005Mounting and powering a 16:9 Rainbow 2 LCD monitor on an EFP cameraMonitors
- 2005Ring light options for film and video production, including rental availability and technical specificationsBrackets/Widgets
- 2005Intermittent horizon level failures on stabilized camera rigMonitors
- 2005Battery power management systems for film camera sleds: chemistry compatibility and voltage regulation approachesBatteries/Power
- 2005Low-mode handle bracket with extended lever arm for reduced hand fatigueBrackets/Widgets
- 2005User experiences with the Sachtler Artemis gimbal under professional conditionsGimbal
- 2005Creating a low-friction post clamp for IIIA arm postsArms
- 2005Anton Bauer ProPac batteries failing to charge after extended sun exposure and ageموضع خلافBatteries/Power
- 2005Steadicam handheld shooting during a long day of documentary coverage at outdoor locationsJournals
- 2005Performance and reliability of Anton Bauer Titan TWQ and Titan Twin battery chargersBatteries/Power
- 2005Steadicam options for use with Canon XL2 cameraCameras (Film/Video/HD)
- 2005Building a video tap for HD camcorder eyepieces using small CCD camerasBrackets/Widgets
- 2005Steadicam wireless transmitter reliability and service quality during location filmingJournals
- 2005Bartering services: trading filming work for website developmentOperating
- 2005Portable HDD video recorder evaluation for field recordingVideo Assist and Video Accessories
- 2005Where to purchase a Steadicam Flyer and pricing informationSteadi-Newbies
- 2005Archos 7-inch portable video screen capabilities and limitations for video production workVideo Assist and Video Accessories
- 2005Camera compatibility and operational experiences with the Alien Revolution camera rigNews, Events, Workshops
- 2005Operating Panasonic Varicam camera on steadicam rigs for film and video productionCameras (Film/Video/HD)
- 2005GPI center post rigidity and durability compared to previous modelCenter Post
- 2005Steadicam onboard digital recorder specifications and capabilitiesVideo Assist and Video Accessories
- 2005Projecting video onto steam or smoke for cinematographyOff Topic
- 2005Monitoring HD video output on a Steadicam EFP rig using SD conversionOperating
- 2005Receiver and tuner recommendations for video assist systemsVideo Assist and Video Accessories
- 2005Restoring clarity to greenscreen CRT monitors by removing degraded plastic layersMonitors
- 2005Reversing the SK-1 arm configuration to prevent contact with monitor or batteriesموضع خلافArms
- 2005Budget-friendly stabilization methods for low-cost film productionsSteadi-Newbies
- 2005Cracking of Anton Bauer Gold Mount battery plates on Steadicam equipmentBatteries/Power
- 2005Adapting a lightweight camera to operate on a Steadicam rig designed for heavier loadsCameras (Film/Video/HD)
- 2005Manual focus control options for Steadicam operationFollow Focus
- 2005Shipping case options for assembled Steadicam sledsSled
- 2005Back and joint injuries related to Steadicam operating and how to prevent themموضع خلافSteadi-Newbies
- 2005Best practices for steadicam operation on film sets and working with crew membersJournals
- 2005Building a camera rickshaw from modified wheelchair componentsVehicles and Mounts
- 2005Archer Steadicam sled features, performance, and practical balance configurationSled
- 2005Camera operating setup and techniques used at Eurovision Song Contest 2005 in KievOperating
- 2005Considerations for a first-time Steadicam purchase and equipment selectionSteadi-Newbies
- 2005Setting up and operating Digi Betacam cameras for video production shootsCameras (Film/Video/HD)
- 2005Handling payment disputes and setup time billing in steadicam operationsموضع خلافOperating
- 2005Whether a beginner can achieve better stabilization results immediately with an entry-level Steadicam rig compared to handheld shooting, and which models suit low-budget workموضع خلافSteadi-Newbies
- 2005Operator-controlled zoom and focus systems for multi-camera video productionsFollow Focus
- 2005Comparison of Professional Steadicam arms: Pro arm versus Geo series arms (G-50, G-70)موضع خلافArms
- 2005Maintaining level horizon while operating 360-degree circular shots around a static subjectOperating
- 2005Connecting Cinema Products/Heden hybrid motor with onboard amplifier to follow focus systemFollow Focus
- 2005Focus problems in 5-inch green CRT monitorsMonitors
- 2005Adding a rear-facing monitor to a Steadicam rig for improved situational awarenessMonitors
- 2005Maintaining alignment of stabilizer sled components during telescoping post extensionCenter Post
- 2005Identifying and adjusting an old Ikegami-based EFP monitor for different aspect ratiosMonitors
- 2005Panasonic BT-LH900 8.4-inch multi-format LCD monitor for professional video acquisitionMonitors
- 2005Evaluation of steering wheel-based camera stabilization rigs for handheld video workموضع خلافGeneral Discussion
- 2005Steadicam work on a major film production using CineAlta HD camera equipment in jungle locationJournals
- 2005Essential equipment and accessories to purchase when acquiring a first Steadicam rig for professional rental and operationSteadi-Newbies
- 2005Finding 3/8 inch camera mounting screws of custom lengths for camera platesBrackets/Widgets
- 2005How to handle inconsistent day rates when different clients pay different amounts for the same laborLegal / Business Practices
- 2005Steadicam operating technique feedback and horizon control in early career workSteadi-Newbies
- 2005Balancing and configuring a GL2 camera with 35mm adapter on a camera rig for aerial filmingCameras (Film/Video/HD)
- 2005New Geo G-50 stabilizer arm capabilities and featuresArms
- 2005Available literature and resources for learning steadicam techniquesGeneral Discussion
- 2005Steadicam work experience during a television magic special productionIndustry Contacts, Info and Links
- 2005First practical Steadicam shoot experience and lessons learnedJournals
- 2005Wireless microwave video transmission systems for Steadicam and mobile camera workVideo Assist and Video Accessories
- 2005Weight and handling challenges of the Panavision Gold II camera on Steadicam rigsArms