ALEXA 35
36 threads in the archive
AI draft, not reviewedDraft, written by AI from the archive, every statement linked to its source — not yet reviewed.
Power is where the ALEXA 35 bites first, so switch your Steadicam® sled to 24 V and use a cable wired for 24 V 12. A 12 V cable, like many Mini cables, won't start the camera 34. Then spec the ARRI SAM-6 plate as your baseline, and keep the rig low and light on a rigid plate 1115.
The questions 7
How do I power an ALEXA 35 from my Steadicam® sled?7 threads · latest 2023
In short
Switch the sled to 24 V and run a cable wired for 24 V 12. A cable wired for 12 V, like many Mini cables, won't start an ALEXA 35 34.
How the pros do it
- Set the sled to 24 V mode 2. On the M2 the 24 V switch sits on the side or the back of the sled 5.
- Use a cable wired for the 24 V pin 1. Correct wiring puts camera pins 2, 3, 4 on ground and pins 6, 7, 8 on the sled's 24 V output 3. A cable carries 12 V or 24 V, never both, so stock both variants 1.
- Check an unknown cable before the shoot 4. Unscrew the coupling nut on the 3-pin connector and look at the pins, meter it, or read the voltage on the camera display 4.
- Plan your batteries for 24 V 3. Tiffen M1/M2 rigs need at least three batteries 3. One operator ran three 12 V Gold Mount batteries in series on a Steadicam® PRO sled with reliable results 2.
- Take a dedicated 24 V camera cable over a battery eliminator fed with 24 V 1. Use a right-angle connector, because the ALEXA 35 power socket is angled 3.
- Think about a backup 1. If a sled battery fails you lose camera power, so an onboard battery adds redundancy at the cost of head weight and setup time 1. The ALEXA 35 is light enough to run from an onboard battery alone 3.
A Gold-mount-to-XLR battery eliminator fed with a 24 V cable puts 24 V on the P-Tap and 12 V accessory outlets, which can destroy attached equipment 1. A wrong cable on the camera itself just won't start it 3.
Opinions differ here
Operators disagree on runtime versus voltage 52. One thread reports that switching a battery from 24 V to 12 V can give longer operating time, though the participants never resolved why 5. Another says two 12 V batteries in series outlast the same pair in parallel because current draw is halved 2. A third notes that sled batteries discharge faster when supplying 24 V 1.
Why does my ALEXA 35 lose power on Trinity?5 threads · latest 2026
In short
Most often the Trinity motors spike the current under load and two batteries can't keep up, so the system and camera power down 6. Sled battery swaps, thin batteries, cables and firmware can also cause it 789.
How the pros do it
- Run three 12 V batteries or BeBob 24 V batteries rated 20 A per unit, because two Gold Mount batteries kept causing intermittent shutdowns regardless of brand, age or charge 6.
- If you use V-Lock, pick batteries rated 8 A or higher, since anything below 8 A gave about 40% dropout when switching to a depleted unit 7.
- Go B-Mount if the rental house has it, because it skips the power conversion in the battery module 7. Operators also add a B-Mount battery as a second supply to cure the dropout 6.
- Before you swap a sled battery, disconnect the sled power supply or camera cable, because the voltage falls from 24 V to 12 V and trips the camera's undervoltage cutoff 8. Set onboard battery priority in the camera menu and swap around 25 V 8.
- If power still fails, check the pin assignment of the camera cable and compare against a second original ARRI cable 9.
- Watch for jolts at the mechanical stops, at the gimbal limits or from light cable contact at the outer ring, because those are the moments the power drops 76. One operator went back to SUP1.5 and had a stable year, and SUP 4.0 is in development for the Trinity 2 cut-outs 710.
Opinions differ here
Operators disagree on how big the load really is 6. One calculation puts the draw at about 6.25 A at 24 V, or 10-12 A with 14.4 V batteries 6. Others observed spikes into the high teens of amperes when the motors hit a stop 6.
What changed
Earlier in 2025 the cut-outs were pinned on a defective camera regulator or on firmware awaiting SUP 4.0 910, today in 2026 operators point to current spikes from the Trinity motors that two batteries can't supply 6.
Which camera plates do I need for ALEXA 35 on Steadicam®?4 threads · latest 2026
In short
Spec the ARRI SAM-6 plate as your baseline for the ALEXA 35 11. If you need a lower profile, the Apex plate is the other main option 1213.
How the pros do it
- Ask for the SAM-6 plate when you spec a Trinity for the ALEXA 35 11. The longer SAM-6 gives you more balance travel for lenses of different weights 12.
- For a lower camera, screw-mount the SAM-6 to a Steadicam® or Apex plate 12. That saves roughly 1/8 to 3/8 inch in height 12.
- On a Flyer, the Apex plate in the cage system saves about 1.5-2 inches compared to stacking a SAM plate with a Trinity dovetail 13. A Level plate is a lighter option, about 0.5 cm flatter than the standard ARRI plate 13.
- All ARRI SAM plates have 3/8-inch threads on the underside and stack directly 13. The SAM-8 is noted as compatible 13.
- If you need lower rods, look at the Panavision and Keslow solutions 12. The Keslow one accepts older mini dovetail plates, so you can change the setup without rebuilding 12.
- Carry several plate types, including longer dovetails and spacer plates, because rental houses may not have spares 14. Use prep days to find out which plates you need and pick them up 14.
One operator reported broken yoke forks on the gimbal under heavy camera loads on the Flyer 13. Inspect it regularly when you run heavy cameras on it 13.
Opinions differ here
Operators split on the Apex plate 1113. One side says it saves height, about 1.5-2 inches in the cage compared to a stacked SAM plate and Trinity dovetail 13. The other side says Apex with a SAM-0 instead of a SAM-6 adds about 1/4 inch and risks clearance problems with focus scale markings and side rod brackets 11. That side adds that the camera must sit exactly centered in the head, and that ARRI plates are preferred because Trinity ring tolerances are critical 11.
How do I balance and mount an ALEXA 35 on a Steadicam®?4 threads · latest 2026
In short
Keep the rig low and light, and mount the camera on a rigid plate, ideally one that bypasses the ARRI dovetail 15. Balance with heavy batteries low, the post fully extended and a longplate if you run a long lens 16.
How the pros do it
- Power the camera from the sled with a 24 V cable instead of an onboard battery to save weight 16. Ask your dealer whether the Mini/Mini LF cable, marked 12 V, works on the A35 16.
- For a long zoom like the Cooke Varotal 18-100, use a third-party longplate under an Apex 35 or ARRI plate 16. Attach the camera by its dovetail directly to the longplate and integrate the lens support into the same plate 16.
- To balance, put heavier batteries low and extend the post fully 16. One operator swapped the SAM-7 plate for a CBP-5 with 19 mm rods to fit the lens length 16.
- For minimal height, the Octamas ALEXA 35 bottom plate with integrated 15-mm rods and ARRI dovetail clamp weighs about 262 g and is described as the lightest and flattest option 17. An LMS-4 top plate under the camera with UAP-3 plus LWS-6 also gives a flat base with centered rods, but you lose the rear attachment point 17.
- If you see vibration, check the ARRI dovetail for wear, because worn plates show play that shakes during zooming 15. Options that avoid it are the small ARRI front plate K2.0034179 under the camera, a BUD plate if the camera has a BUD clamp, a 3/8-inch gimbal base plate, or the cam-jam railway plate system 15.
- Don't expect nodal alignment on a Steadicam® T2 head with SAM-2 or SAM-6 plates, because the ALEXA 35 is too tall to move closer to the nodal point 18. Shims under the top stage only fill the gap between dub and head and do not fix nodal alignment 18.
An experienced operator cautions that every extra accessory, such as sync box, large cage or heavy zoom, adds physical strain over a career 16. Prioritize lighter options 16.
Opinions differ here
One side says the clamp pressure can make the focus ring stiff 17. The other side reports that most MKIII Super Speeds tolerate a clip-on if you calibrate focus first and tighten the clamp to only about 75 percent 17.
What changed
Earlier in 2023, operators mounted the ALEXA 35 through ARRI dovetail longplates and clamps 1716, today in 2026 they report worn dovetails causing vibration and move to rigid plates that bypass the dovetail 15.
Which Steadicam® rigs can safely carry an ALEXA 35?4 threads · latest 2025
In short
Don't put it on an entry-level vest system, because those aren't built for ALEXA 35 loads 19. The Aero 30 is borderline at best: the camera package lands at or above its 20 lb recommended weight 20. A used professional rig is the better route 19.
How the pros do it
- Skip entry-level vests for this camera, because their metal parts can't support heavy rigs and wear out within months 19.
- Look for a used professional rig, since the secondhand market has good deals and specialist forums are worth checking regularly 19.
- Make sure the setup has a back post and plastic shells, which entry-level systems lack 19.
- If you are looking at an Aero 30, add up the weight first: the ALEXA 35 body is about 7-8 lb, Atlas Orion anamorphics are 5-7 lb each, and you need an onboard battery for 24 V 20.
- Keep in mind the Aero 30 is recommended at 20 lb for the whole package and maxes out at 30 lb 20.
- Weigh the complete rigged package before production 20.
- If you are on an ARRI Trinity, the standard-body ALEXA 35 Live fits, but the classic fibre-return module does not, except possibly in Omega mode 21.
The gimbal, bolts and bearings on smaller rigs like the Aero 30 are proportionally smaller and more vulnerable, so keep one hand ready to catch the rig if something fails 20. Metal parts in budget systems wear out within months under heavy rigs 19.
Opinions differ here
On the Zephyr vest, some operators say they flew Alexa Mini, LF, SXT and rigs around 35 lb on it for years without issues 22. Others found it uncomfortable under full load and wouldn't trust it with heavy cameras 22. A later thread says budget vests can't carry ALEXA 35 loads at all 19.
What changed
Earlier, in 2022, operators reported flying Alexa Mini, LF and SXT cameras on the Zephyr vest for years 22, today, in 2025, the advice is that entry-level vests aren't designed for ALEXA 35 or Venice loads 19.
Where do I mount motors and receivers on an ALEXA 35 on Trinity?2 threads · latest 2026
In short
Put the focus motor as far back as you can so it counterweights the sensor and lens 23. Put the RIA-1 receiver on the rear top of the camera body or on a B-Mount cheeseplate 24.
How the pros do it
- Mount the Preston MDR4 as far back as possible, so it acts as a counterweight to the sensor and lens 23.
- Try a compact motor mount like the Heden DM5, which has similar weight and helps balance the rig 23.
- Mount the RIA-1 receiver on the rear top of the camera body 24.
- Or attach the RIA-1 to a B-Mount cheeseplate that clips into the ALEXA 35 battery plate 24.
- Use a third-party B-Mount cheeseplate if you need one 24.
- Put the video wireless transmitter at the rear of the sled foot (tail), not on the camera, to reduce load on the gimbal head 23.
How do I flip the ALEXA 35 image for low mode?2 threads · latest 2026
In short
Map sensor rotation or H/V flip to a User button on the ALEXA 35, so one press flips the image 2526. Confirm in prep that your body and firmware allow it 26.
How the pros do it
- Low mode turns the camera upside down, so the image has to be flipped in the camera 26.
- Assign sensor rotation or H/V flip to a User button on the ALEXA 35, so you skip the menu during Low Mode transitions 25.
- Check before the job that your specific camera and firmware allow the flip on a user button, and have it assigned during prep with the assistant 26.
- Establish which device does the flipping, because if the camera flips, everything downstream sees the flipped signal 26.
- If the camera does not flip, some monitors can flip their own display, but the recorded file stays upside down 26.
What changed
Earlier, in 2022, the image had to be rotated through the menu at every High/Low switch, which risked clients rotating their monitors instead 25, today, in 2026, the flip sits on a user button and takes one press 26.
Sources 26
- 1Powering an ARRI ALEXA 35 on a Tiffen M1 rig with 24 V: dedicated cable versus battery eliminator trade-offs.Disputed
- 2Powering an ARRI Alexa 35 from a Steadicam® PRO sled with CineLive electronics: 24 V battery configuration.
- 3ALEXA 35 power cable compatibility with ALEXA Mini/Mini LF cables and sled-mounted battery supplies.Disputed
- 4Identifying compatibility and voltage configuration of sled camera cables for ARRI ALEXA Mini, Mini LF, and ALEXA 35.
- 5Power distribution options for Tiffen Steadicam® M2 when operating with Alexa 35 cameraDisputed
- 6Power loss on Trinity 2 / Artemis 2 with large cameras (A35, Venice): causes and battery solutions.Disputed
- 7Power supply issues with Alexa 35 on Steadicam® Trinity: firmware, battery capacity, and B-Mount advantages
- 8ALEXA 35 powering down when 24 V sled cable is disconnected or sled battery is swapped; voltage priority and status indicators.Disputed
All 26 sources
- 9ALEXA 35 receives no power from Trinity 1 with 24 V upgrade despite correct voltage output
- 10ARRI Trinity 2 head unexpectedly cutting power to ALEXA 35 camera on contact, addressed in upcoming firmware.
- 11Initial equipment specification for ARRI Trinity 2: camera plates, power cables, and battery selection.Disputed
- 12Mounting the ARRI ALEXA 35 on Steadicam®: plate options and balance considerations.
- 13Low-profile mounting of ARRI ALEXA 35 to Steadicam® Flyer using minimal-height base plates.
- 14Camera adapter plates and stabilizer mounting systems to keep in a steadicam operator kit
- 15Eliminating vibration with the ARRI ALEXA 35 on Steadicam®: rigid mounting plate options to bypass the dovetail system
- 16Balancing an ARRI ALEXA 35 with a Cooke Varotal 18–100 mm T3 zoom on Steadicam®, including low-mode operation and weight reduction.Disputed
- 17Mounting an ARRI ALEXA 35 with Zeiss Super Speed lenses on Steadicam® with minimal height: mattebox options and rod support alternatives.Disputed
- 18Nodal point alignment of the Steadicam® T2 head with SAM plates and large-format cameras.
- 19Whether to build a Steadicam® system or upgrade an entry-level vest for ARRI ALEXA 35 and Sony Venice camera rigs.
- 20Operating an Alexa 35 camera on a Steadicam® Aero 30 system
- 21ALEXA 35 Live compatibility with the ARRI Trinity: standard body versus fibre-return module
- 22Carrying heavy camera rigs with the Zephyr vest from the Steadicam® M2 kitDisputed
- 23Mounting Preston MDR4 focus motor and Light Ranger iris control on an ALEXA 35 on the ARRI Trinity
- 24Mounting the RIA-1 wireless receiver on ARRI Trinity with ALEXA 35
- 25Assigning sensor rotation to a User button on ARRI ALEXA 35 for quick Low Mode switching
- 26Low mode and flipping the image: what to check on the camera before the day
What operators found
- Baseplate selection matters less than advance planning with focus puller to design the rig for quick conversion: place follow-focus motors on upper rods (never need repositioning), and consider a second wireless transmitter bracket for both studio and Steadicam® positions.2026 Facebook
- Alternatively, the receiver can be attached to a B-Mount cheeseplate that clips into the battery plate of the ALEXA 35.2026 Facebook
- Worn ARRI dovetail plates exhibit visible play between dovetail and ARRI bridge plate, which produces vibration during zooming operations; several operators have confirmed occasional vibration issues on the ALEXA 35.2026 Facebook
- One operator routinely flies 12 V systems (except film cameras or Alexa 35) without issues, using two Blueshape Mini Granite 140 batteries (12 A capacity each) plus Volt, whereas a Swit 146 (10 A) powered all AKS, Volt, and two monitors at only half capacity, suggesting higher-capacity batteries per channel are preferable.2026 FacebookDisputed
- One operator confirmed that three 12 V batteries or BeBob 24 V batteries (20 A per unit) provide sufficient current, whereas two Gold Mount batteries consistently cause intermittent shutdowns regardless of brand, age, or charge state; approximately 15 A total demand was observed.2026 FacebookDisputed
- Going into low mode turns the camera upside down, so the image has to be flipped in the camera. How quickly that can be done decides whether low mode is a shot you can offer on the floor or a setup that costs the crew minutes each time.2026 Operator practice
Still argued about
- 2026Power distribution failure of D-Tap step-down splitters on a Venice 2 rig, and proper AKS accessory power supply methods.FacebookSteadicam operators group
- 2026Power loss on Trinity 2 / Artemis 2 with large cameras (A35, Venice): causes and battery solutions.FacebookArri Artemis Trinity
- 2025ALEXA 35 powering down when 24 V sled cable is disconnected or sled battery is swapped; voltage priority and status indicators.FacebookThe Steadicam Group
Often in the same threads
Trinity 27, Top Stage6, Artemis3, Base Plate3, Dovetail Plate3, Low Mode3, MDR3, Volt2, Trinity 14, CineLive2
All threads
- 2026Swapping an ARRI ALEXA 35 between tripod/studio and Steadicam® mounting: baseplate choice and fastest workflow.FacebookSteadicam operators group
- 2026Mounting the RIA-1 wireless receiver on ARRI Trinity with ALEXA 35FacebookArri Artemis Trinity
- 2026Eliminating vibration with the ARRI ALEXA 35 on Steadicam®: rigid mounting plate options to bypass the dovetail systemFacebookThe Steadicam Group
- 2026Power distribution failure of D-Tap step-down splitters on a Venice 2 rig, and proper AKS accessory power supply methods.DisputedFacebookSteadicam operators group
- 2026Power loss on Trinity 2 / Artemis 2 with large cameras (A35, Venice): causes and battery solutions.DisputedFacebookArri Artemis Trinity
- 2026Low mode and flipping the image: what to check on the camera before the dayOperator practice
- 2026Camera adapter plates and stabilizer mounting systems to keep in a steadicam operator kitGeneral Discussion
- 2025Whether to build a Steadicam® system or upgrade an entry-level vest for ARRI ALEXA 35 and Sony Venice camera rigs.FacebookThe Steadicam Group
- 2025ALEXA 35 receives no power from Trinity 1 with 24 V upgrade despite correct voltage outputFacebookArri Artemis Trinity
- 2025ALEXA 35 powering down when 24 V sled cable is disconnected or sled battery is swapped; voltage priority and status indicators.DisputedFacebookThe Steadicam Group
- 2025Power supply issues with Alexa 35 on Steadicam® Trinity: firmware, battery capacity, and B-Mount advantagesSteadiHub
- 2025TRINITY 2 software regression from SUP 1.5 to SUP 3.0/4.0: motor behavior, control modes, and stability issues with workarounds and downgrade recommendation.SteadiHub
- 2025ARRI Trinity 2 head unexpectedly cutting power to ALEXA 35 camera on contact, addressed in upcoming firmware.SteadiHub
- 2025ARRI TRINITY 2 SUP 3.0.10 firmware issues and downgrade recommendation, September 2024.SteadiHub
- 2025Nodal point alignment of the Steadicam® T2 head with SAM plates and large-format cameras.SteadiHub
- 2024ALEXA 35 Live compatibility with the ARRI Trinity: standard body versus fibre-return moduleFacebookArri Artemis Trinity
- 2024Low-profile mounting of ARRI ALEXA 35 to Steadicam® Flyer using minimal-height base plates.FacebookThe Steadicam Group
- 2024Camera plate and Wave falling from Artemis Top Stage during transport despite locked safety pin—orientation and wear of retention mechanismFacebookArri Artemis Trinity
- 2024Operating an Alexa 35 camera on a Steadicam Aero 30 systemSteadi-Newbies
- 2024Performance and practical considerations for using the Steadicam Axis in professional productionGeneral Discussion