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Master Series

191 threads in the archive

Master Series in the catalogSpecs and owners

Based on 203 threads · 52 cited

AI draft, not reviewedDraft, written by AI from the archive, every statement linked to its source — not yet reviewed.

A used Master Series rig can be a smart first big rig if you're on a budget, can handle your own repairs, and the rig has been checked and brought up to HD 123. Parts and manufacturer support are gone for it, so you carry the risk yourself 3. If you're starting out, do a workshop first, then buy a used pro Steadicam® rig like a Master Series sled and arm, and put your money into the arm and vest first 910.

The questions 10

Is a used Master Series rig worth buying as a first big rig?10 threads · latest 2023

In short

Yes, if you're on a budget, can handle your own repairs, and the rig has been checked and brought up to HD 123. Parts and manufacturer support are gone, so you carry the risk yourself 3.

How the pros do it

  1. Bring an experienced operator and test fly the rig in person, preferably from a local seller 45.
  2. Check that the post and gimbal run smoothly without grinding, and that all wiring and power outputs work 3. Confirm the monitor powers on 4.
  3. Test gimbal static balance on a 3-4 second drop time, then rotate it 180 degrees and confirm it still balances 6.
  4. Check the video path, because Master Series sleds were built for analog NTSC and PAL and need modification to pass HD-SDI 2. Older SDI ports are 50 Ohm but 75 Ohm is required, and many have been upgraded 3. Evaluate anyone else's custom HD modification carefully 2.
  5. Weigh the sled and k-section, because Master Series sleds are heavier than modern rigs and the k-section acts as a sail in the wind 2. Removing unused internal electronics from the k-section can cut weight 2. The arm carries roughly 30 to 60 lbs 3.
  6. Skip the Volt retrofit at first, because most operators advise waiting several years 3. The Volt Kit costs about 13,000 GBP and the manufacturer does not assist with the retrofit 3.
Caution

Exceeding a rig's design payload can cause gimbal failure, vibration and reduced stiffness 8. Heavy-duty socket blocks on a Flyer vest will likely make the vest clasps fail under load 8.

Opinions differ here

Some operators call the Master Series a solid entry point into larger rigs that can earn money 3, while others consider 10,000 GBP for the complete rig somewhat high and point to the lighter Clipper 2 3. On support, some users report recent improvements in customer service while others cite older bad experiences 1.

What changed

Earlier, in 2009, Master Series gear came with local dealer support through Tiffen distributors in Europe 7, today, in 2023, no original parts are available and the manufacturer and major service partners no longer maintain it 3.

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What rig should I buy to start out on a budget?9 threads · latest 2026

In short

Do a workshop first, then buy a used professional rig, such as a Master Series sled and arm or a Flyer, rather than a cheap new budget brand 910. Put your money into the arm and vest first 10.

How the pros do it

  1. Attend a workshop before you spend anything, and try several rigs there 1112. Where no workshop exists locally, regional dealers and service partners can organize training and demo rigs 9.
  2. Look at a used Steadicam® Master sled and arm, possibly refurbished by a service shop 9. In 2019 used Master sleds went for 11,000 to 12,000 dollars if they were in good working order 12.
  3. If money is tighter, a used Steadicam® Flyer was bought for about 1,200 USD 9. Flyer or Zephyr is also named as an intermediate step before a bigger rig 13.
  4. With around 15,000 USD, used pro rigs are now as affordable as ever 10. Complete Ultra-2 kits go for about 14,500 USD, and full EFP rigs for about 8,000 USD 10.
  5. The first sled can be inexpensive if it works, so put your money into a high-capacity arm and a quality vest for a full career 10. Upgrade the sled and accessories step by step 10.
  6. Budget for the extras on top of the rig: batteries, cables, stands or carts, and storage cases 12. In 2009 one thread suggested 5,000 to 10,000 dollars for accessories and cables 14.

Opinions differ here

Most operators advise against Rever EVO and similar budget brands such as Laing and Proaim, citing cast parts, poorly sealed bearings and cheap fasteners 10. One academic user of the Rever predecessor found it adequate for the price, though the vest needed modification and fasteners needed grease and threadlock 10. Chinese complete rigs like the Thanos Pro Cine are called solid by some users, but their longevity is contested 9. Operators also disagree on whether to attend a workshop before buying a professional rig or buy the equipment first 11.

What changed

Earlier, in 2009, operators pointed beginners to small used rigs like the Flyer or Archer and warned that used EFP rigs needed many replacement parts 14, today, in 2026, the advice is that high-quality used pro rigs are as affordable as ever and that you should put your money into arm and vest 10.

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How do I fix play in my Master Series gimbal?7 threads · latest 2026

In short

Take off the dust caps and turn the slot-head adjustment screws counterclockwise to remove play, seating them only snugly 15. Then check the 180-degree pan balance at a 2 to 3 second drop time 15.

How the pros do it

  1. Pop off the black dust caps on both sides of the yoke with a small flathead screwdriver 15. Under each cap sit a bearing and a slot-head adjustment screw 15.
  2. The screws work in reverse: turning counterclockwise pushes the screw against the bearing and removes play 15.
  3. Measure the gap between the yoke sides and the pan bearing housing with calipers 15. Adjust both sides equally and seat the screws only snugly 15.
  4. Balance the sled with fixed weight, such as a weight cage, using a spirit level on the tilt axis at a 2 to 3 second drop time 15. Point the lens toward one screw, pan 180 degrees and let it settle 15.
  5. Mark the deeper side of the yoke 15. Loosen the screw on the high side about a quarter turn clockwise, tighten the deeper side's screw the same amount counterclockwise, and repeat in small steps until it balances 15. Slower drop times need finer corrections 15.
  6. If you are swapping bearings instead, the spec named for the Master Series gimbal is 61809ZZ 16.
Caution

Over-tightening the adjustment screws jams the very small bearings and causes permanent damage 15. Seat them snugly and no more 15.

Opinions differ here

Some operators adjust the yoke screws themselves, using calipers and small quarter-turn steps 15. Others sent the gimbal to a service provider or replaced it rather than attempt the adjustment 15.

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How do I set up low mode on my Master Series sled?8 threads · latest 2019

In short

Fit an F-bracket, which lowers the camera post by about 12 inches on a Master Series rig 17. Pin it through the gimbal handle 18.

How the pros do it

  1. Start with the F-bracket, which drops the camera post by approximately 12 inches 17. The Master Series low mode F-bracket needs a connecting rod with a hole to attach to the gimbal yoke 19.
  2. If the rod is missing, a machinist can fabricate one, or you can try a spare arm post 19. Neither fix is confirmed as a working alternative 19.
  3. Run a pin through the gimbal handle, because clamping or set screws alone are not enough with an F-bracket or J-bracket 18. If you drill the handle, do it on a mill, not freehand, and go all the way through for double shear 18. A 3/16 inch hole takes a #10 hardened screw or quick pin 18.
  4. Use the bracket to put the arm's working end into the gap between camera and battery, so the arm does not hit the camera when you fly heavy cameras close to the stage 18.
  5. For more height, combine a long arm post with a D-bracket, cut the camera package weight, or add weight to the sled base 17. Gimbal inversion with a special screw is another option, if you have the screw 17.
  6. On a lightweight camera like an Alexa Mini, a Master series topstage can vibrate in low mode 20. Clamp the dovetail down firmly with the stage head upright, and use wedges between the dovetail plate and the nosebox or stage top only as an emergency fix 20. Service the topstage annually 20.
Caution

Flying upside down without proper low-mode brackets risks mag adaptor damage, battery loss, mag disengagement and other equipment failures 21. A missing pin through the gimbal handle is a safety problem 18.

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What weight can a Master arm carry?8 threads · latest 2017

In short

A Master arm carries about 65 to 67 pounds gross, counting camera, sled and everything mounted 22. Detuned for light loads, it goes down to around 37 pounds 23.

How the pros do it

  1. Count the whole rig, not just the camera, against the 65 to 67 pound gross limit 22.
  2. Subtract the sled and batteries from the arm's capacity to get your real camera payload 23.
  3. Expect about 65 pounds at maximum before detuning and about 37 pounds at minimum, a range of roughly 25 pounds 23.
  4. Tune the arm with an Allen wrench for heavier or lighter loads, separate from the standard red control knobs 22.
  5. If the camera is too light, as with an early RED EPIC, add ballast, up to three batteries plus extra weights, to reach the arm's working weight range 24.
  6. Use lithium-ion batteries and compact monitors to leave more of the arm's capacity for the camera 23.
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How do I convert my Master Series sled to Anton Bauer or V-lock?9 threads · latest 2013

In short

You swap the battery mount and join the sled's red and black wires to the new plate 2526. Expect to drill holes or fabricate a bracket, or buy an adapter plate 2726.

How the pros do it

  1. Pick your standard first by checking which chargers you already own and which battery type the rental houses in your region use 28.
  2. Get the hardware: a gold mount plate with a custom adapter plate, or a V-mount or AB adapter that may need four drilled mounting holes 2927.
  3. Wire it with red to positive and black to negative 27. On a CP mount, only the black and red wires are needed for 12V 25.
  4. Leave the three extra CP wires alone, because they belong to the battery display system and don't power anything 25. The thinner wires from the cells carry battery data like charge level and current draw 26.
  5. If you don't want to rewire, use an adapter plate that converts between mount types 26. The hard part is the bracket for the new battery shape 26.
  6. Another route is a V-lock battery on the monitor, powering the monitor from it 27. You can also run Master and V-lock batteries together, which helps with rented camera gear 27.
Caution

Double-check red and black before you power up 27. Reversed wires keep voltage off the camera connectors on a 24V conversion, and it only stayed free of permanent damage because it was caught immediately 30.

What changed

Earlier, in 2005, the conversion meant buying a gold mount and a custom-fabricated adapter plate 29, today, in 2010, you can replace the battery adapter with a V-mount or AB adapter and drill four holes 27.

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How do I adjust lift, springs and load on my Master arm?7 threads · latest 2016

In short

Set lift so the arm sections hang 5 to 10 degrees above horizontal, then set ride by feel 31. The Master arm is built for a 20 to 45 pound payload, and rubber bands or added weight only come in once the knob runs out of range 32.

How the pros do it

  1. Set the lift adjustment so the arm sections hang slightly above horizontal, typically 5 to 10 degrees 31. Both sections should track together and pass through horizontal together, not at an angle 31.
  2. Set ride by unscrewing the ride knob while you boom up and down until it starts to lock, then screw it back in a couple of turns 31. Heavier rigs need more iso-elastic response, so more threads show on the ride screw 31.
  3. Recheck lift after touching ride, because the two controls interact a little 31. Adjust both sections to reach their bottom limit at the same time, which cuts the jolts on slow moves 33.
  4. Know the range: the Master and Ultra take a 20 to 45 pound payload, and the total with the sled runs around 40 to 65 pounds 32. Only add rubber bands once the adjustment knob has hit the end of its normal range 32.
  5. For rubber bands, run them diagonally across the arm 32. Opposite the internal springs adds lifting power, and other positions lower the minimum load 32. Lower minimums make the arm less isoelastic and more reactive, so test it 32.
  6. With a very light camera, add weight to the camera or support instead of modifying the arm 32. A purpose-made weight plate on the dovetail beats a homemade stack for looks and function on set 34. To detune the springs, use thick slotted washers, one per arm section, and don't twist the cables 35.
Caution

Very light arms like the Pilot or Flyer risk bearing and structural failure if you add rubber bands to raise lift capacity 32. Substantial rubber bands on light arm models can cause structural damage 32.

Opinions differ here

Operators split on how to handle ride 31. Some leave ride at an extreme setting and change only lift when rig weight changes between jobs 31. One experienced operator reports that maximum iso-elasticity hurts very light rigs and backs it off slightly 31.

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Why does my Master arm clunk, squeak or stick?6 threads · latest 2020

In short

Clunks at the ends of boom travel usually come from the bottom section snapping or the elbow hitting the arm section 3637. Sticking at the extremes is often worn rubber bumper stops inside the arm, and squeaks come from the springs or the vest clasps 383940.

How the pros do it

  1. If the bottom section clunks at the top or bottom of the boom range, raise the arm tension setting 36. Let the upper arm section lead, which helps avoid the end-point snap 36.
  2. If the elbow clunks against the arm section nearest the vest, look for an unpadded side 37. Stick self-adhesive rubber pads or door bumpers on it, but treat that as a workaround, not a factory fix 37.
  3. If the arm sticks at the top and bottom with a back-mounted vest, push the sled outward slightly at the ends of the boom range 38. Tension alone may not cure it when the bumper stops are worn, so send it for professional service 38.
  4. For squeaking from the crane springs, clean them with a horse hair paint brush 39. For squeaks at the vest shoulder clasps, ACF 50 oil on the quick-release clasps quiets them for about eight weeks depending on workload 40. Shrink wrap around the shoulder clasps can also stop clasp noise 40.
  5. Tighten the screws on the backplates and the knobs on carbon arms, since that cured squeaking in some models 40. Silicone grease and PTFE spray did not fix clasp noise in reported cases 40.
  6. For a single click in the mid-to-upper boom range, pull the arm covers to see if springs rub on badly placed cover spacers 41. A misaligned safety cable pin touching the spring coils or a dry weight adjustment knob can also click 41.
Caution

The arm contains high-energy springs and complex internals, so get manufacturer service before you attempt disassembly 41.

Opinions differ here

On the elbow clunk, one side says add rubber pads to the unprotected side to dampen the impact 37. Others questioned whether that contact is normal for the arm at all, and the thread never settled whether both sides should have equal padding from the factory 37.

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How do I add HD-SDI video to my Master Series sled?6 threads · latest 2018

In short

Either re-terminate the existing composite coax in the post with BNC connectors 42, or run a new RG179 75 ohm coax alongside the wire bundle 43. Expect to lose the onboard digital level and frame lines on the HD feed 43.

How the pros do it

  1. Disconnect the composite cables from the signal processing and splitter, then route them straight to BNC connectors at the nose and the bottom electronics 42.
  2. If you'd rather add new cable, run RG179 75 ohm coax next to the existing wire bundle from the top stage to the K-section 43. Terminate it at an available SD-BNC or a new female chassis BNC in the existing opening 43.
  3. For two independent HD-SDI feeds, keep the nose-mounted BNC and drill an extra hole on the nose side for a second BNC 42.
  4. If you convert the 4-pin Hirose composite line, keep the replacement coax as short as possible in the front section 44. At the lower stage, swap one of the three existing BNCs for an HD-style BNC 44.
  5. If you run lines down the post to a connector on the base, leave enough slack for the post to telescope 45.
  6. Add an external HD-compatible bubble level, or use the frame line software built into many LCD monitors, because the onboard electronics don't process the HD signal 43.
Caution

If you feed a downconverter from sled power, note that some Blackmagic units may be damaged by the unregulated power from freshly charged batteries, while Decimator units tolerate a broader voltage range 47. If you're uncomfortable working inside the electronics, take the sled to a professional service 43.

What changed

Earlier (2008), retrofitting HD onto the Master Series Broadcast sled was considered difficult with no definitive solution 46, today (2013-2014) operators re-terminate existing coax with BNCs or run a new RG179 line 4243.

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Where can I get replacement buckles or parts for my Master vest?6 threads · latest 2017

In short

Start with the manufacturer, which supplies replacement ratchet buckles that retrofit to older vests 48. Third-party repair services and outside suppliers are the fallback for older gear 4950.

How the pros do it

  1. Order replacement ratchet buckles from the manufacturer, since they can be retrofitted to older vests 48. The new ones need only one screw per attachment point instead of two 48.
  2. For ratchet straps, contact the manufacturer directly or try a UK supplier 50. Snowboard binding straps or roller sports distributors are other sources 50.
  3. On an old vest, replace all four ratchet straps at once 50.
  4. For a plain broken buckle, use a Fastex buckle of matching width, typically 2 inches at the shoulders 49. Outdoor outfitters, fabric stores and online retailers carry them 49. Check first whether only the male part is damaged, because the female part may still take a new male one 49.
  5. For a cracked waist strip or belly plate, ask the manufacturer's parts department 51. That part cost around $145 in 2010 52. A local plastics fabrication service can also make a replacement 52.
  6. If your vest is discontinued, the manufacturer still offers parts and factory repairs, and third-party repair services are an option 49.

Opinions differ here

On the waist belt plate, one operator says puckboard, the hockey-rink plastic, worked as a substitute on older vests and costs about $25 for a 4 by 8 foot sheet 51. Another argues the original high-grade polypropylene is precision-formed and preferable 51.

What changed

Earlier, in 2010, operators swapped broken buckles for Fastex buckles from outdoor and fabric shops 49, today, as of 2016, the manufacturer sells replacement ratchet buckles that retrofit to older Master vests 48.

Ask a follow-up

Sources 52

  1. 1Practical limitations and user experiences with Master Series camera stabilization rigsSled forum · 2010Disputed
  2. 2Evaluating used Steadicam® Master Series rigs versus newer systems for operators starting outGeneral Discussion forum · 2018
  3. 3Buying a 1994 Steadicam® Master Series complete rig for approximately 10,000 GBP as a first rig, and retrofitting it with Volt electronics.Facebook · The Steadicam Group · 2023Disputed
  4. 4Evaluation criteria for purchasing used Steadicam® equipmentGeneral Discussion forum · 2005
  5. 5Purchasing used Steadicam® systems and avoiding impulsive buying decisionsSteadi-Newbies forum · 2015
  6. 6Evaluating the purchase of a used ActionCam stabilizer rig as a first systemGeneral Discussion forum · 2020
  7. 7Choosing between vintage Master series and new Movcam Pro Max camera sleds for a beginner operatorSled forum · 2009
  8. 8Guidance for purchasing a used stabilizer rig within a limited budgetSteadi-Newbies forum · 2010
All 52 sources
  1. 9Choosing an entry-to-advanced stabilizer rig in the 3,000–5,000 USD budget rangeFacebook · Steadicam operators group · 2024Disputed
  2. 10Entry-level stabilizer strategy on a 15,000 USD budget: Rever EVO versus used Artemis 2 or M2 plus Volt, in a market with limited secondhand availability.Facebook · The Steadicam Group · 2026Disputed
  3. 11Choosing between upgrading an older ProVid-2 kit or investing in a professional rig: workshop-first versus equipment-first approach for beginners.Facebook · Steadicam operators group · 2026Disputed
  4. 12Selecting a stabilizing camera rig within a 15,000 dollar budget for Alexa Mini and RED camera workSteadi-Newbies forum · 2019Disputed
  5. 13Choosing a first major stabilizer rig: Tiffen Steadicam®, GPI PRO, or small-maker sled (Calicocam), budget and features considered.Facebook · The Steadicam Group · 2022Disputed
  6. 14Starting a Steadicam® career on a limited budget with used rigs under $30,000Steadi-Newbies forum · 2009Disputed
  7. 15Adjusting play in a Steadicam® Master Series gimbal yoke and balancing it for smooth 180-degree pan without tipping.Facebook · Steadicam operators group · 2026Disputed
  8. 16Bearing specifications for Master Series gimbal replacementGimbal forum · 2023
  9. 17Methods to achieve lower camera positioning on a Master Series sled rigSled forum · 2010
  10. 18Drilling a hole in a gimbal handle to accommodate a low mode bracket pinGimbal forum · 2012
  11. 19Missing connecting rod for low mode F bracket gimbal yoke attachmentBrackets/Widgets forum · 2013
  12. 20Vibration issues with a topstage camera support system when used in low mode with lightweight camerasGeneral Discussion forum · 2019
  13. 21Attaching dovetail plates to Arri SR camera handles for low-mode operation and alternativesCameras (Film/Video/HD) forum · 2005
  14. 22Maximum payload capacity of Master Series Steadicam® arm including all componentsArms forum · 2005
  15. 23Master Arm payload capacity and adjustabilityArms forum · 2016
  16. 24Weight management and mounting solutions for RED EPIC cinema cameras on Steadicam® rigsGeneral Discussion forum · 2011
  17. 25Adapting CP battery mount connectors to AB Gold Mount for 12V powerBatteries/Power forum · 2009
  18. 26Replacing batteries in a camera sled and converting from PAG to Gold MountBatteries/Power forum · 2010
  19. 27Converting Master Series Steadicam® battery mount from proprietary to V-lock standardBatteries/Power forum · 2010
  20. 28Choosing between Anton Bauer and V-Lock battery systems for Steadicam® rigsBatteries/Power forum · 2010
  21. 29Converting Master Series Steadicam® rig to Anton Bauer battery systemBatteries/Power forum · 2005
  22. 30Converting a Masters Series Broadcast sled power system from lower voltage to 24V capabilityBatteries/Power forum · 2011
  23. 31Adjusting ride and lift controls on Steadicam® arms for proper balance and smooth operationSteadi-Newbies forum · 2008
  24. 32Adjusting load capacity range of Ultra and Master series arms using rubber bandsArms forum · 2009
  25. 33Arm bottom-out behavior and spring characteristics in stabilizer systemsArms forum · 2013Disputed
  26. 34Adding counterweight to a Master Series Steadicam® when practicing with lightweight camerasBrackets/Widgets forum · 2012
  27. 35Adjustments and detuning procedures for Master Series steadicam armsArms forum · 2016
  28. 36Master series arm bottom section produces clunking sounds at boom end positionsArms forum · 2020
  29. 37Master series arm elbow hitting arm section and creating noiseArms forum · 2012Disputed
  30. 38Master Series arm sticking at range extremes with back-mounted vestArms forum · 2006
  31. 39Maintenance and troubleshooting of camera crane arms and rigsGeneral Discussion forum · 2005
  32. 40Noise reduction methods for camera stabilizer vest quick-release clasps and connectionsVests forum · 2007
  33. 41Clicking noise from Ultra arm during boom movements in 6-spring modelArms forum · 2007
  34. 42Upgrading a Master series sled with HD-SDI connections by repurposing existing composite video cablesSled forum · 2013
  35. 43Adding HD-SDI video output to a Master Series Film Steadicam®General Discussion forum · 2014
  36. 44Converting composite video line to HD on Master series camera sledGeneral Discussion forum · 2018
  37. 45Upgrading a Master Series sled to HD-SDI and Anton Bauer powerSled forum · 2014
  38. 46HD-SDI signal compatibility with Ultra and Ultra2 sled video inputsSled forum · 2008
  39. 47Downconverter options for sending HD video signals through cinema camera sledsVideo Assist and Video Accessories forum · 2012
  40. 48Replacement ratchet buckles for Master Series vestVests forum · 2016
  41. 49Repair and modification of camera stabilizer vestsVests forum · 2010
  42. 50Sourcing replacement ratchet straps for an old Master series vestVests forum · 2017
  43. 51Replacement of the black plastic waist belt component on Master series camera vestsVests forum · 2004Disputed
  44. 52Repair options for cracked flexible plastic waist strip on Master Series vestVests forum · 2010

What operators found

Still argued about

  1. 2026Entry-level stabilizer strategy on a 15,000 USD budget: Rever EVO versus used Artemis 2 or M2 plus Volt, in a market with limited secondhand availability.FacebookThe Steadicam Group
  2. 2026Choosing between upgrading an older ProVid-2 kit or investing in a professional rig: workshop-first versus equipment-first approach for beginners.FacebookSteadicam operators group
  3. 2026Adjusting play in a Steadicam® Master Series gimbal yoke and balancing it for smooth 180-degree pan without tipping.FacebookSteadicam operators group

Often in the same threads

Top Stage23, Artemis8, Gimbal Bearing5, Zephyr19, Low Mode17, Arm Post10, G-7010, Ultra Vest8, Dovetail Plate8, Monitor Bracket5, Docking Bracket5, Follow Focus14

All threads

  1. 2026Proper clamping force on gimbal saddle clamps with heavy cameras: risk of over-tighteningFacebookSteadicam operators group
  2. 2026Entry-level stabilizer strategy on a 15,000 USD budget: Rever EVO versus used Artemis 2 or M2 plus Volt, in a market with limited secondhand availability.DisputedFacebookThe Steadicam Group
  3. 2026Choosing between upgrading an older ProVid-2 kit or investing in a professional rig: workshop-first versus equipment-first approach for beginners.DisputedFacebookSteadicam operators group
  4. 2026Adjusting play in a Steadicam® Master Series gimbal yoke and balancing it for smooth 180-degree pan without tipping.DisputedFacebookSteadicam operators group
  5. 2025Modifying a Wave horizon stabilizer for direct PRO-Post mounting and balancing without a top stageFacebookThe Steadicam Group
  6. 2024Entry-level rig comparison: Glidecam X-22 at USD 2,200 versus lightweight alternatives and professional progression paths.DisputedFacebookThe Steadicam Group
  7. 2024Choosing an entry-to-advanced stabilizer rig in the 3,000–5,000 USD budget rangeDisputedFacebookSteadicam operators group
  8. 2023Buying a 1994 Steadicam® Master Series complete rig for approximately 10,000 GBP as a first rig, and retrofitting it with Volt electronics.DisputedFacebookThe Steadicam Group
  9. 2023Bearing specifications for Master Series gimbal replacementGimbal
  10. 2022Choosing a first major stabilizer rig: Tiffen Steadicam®, GPI PRO, or small-maker sled (Calicocam), budget and features considered.DisputedFacebookThe Steadicam Group
  11. 2021Extending arm posts on steadicam rigs for shorter operatorsSteadi-Newbies
  12. 2020Master series arm bottom section produces clunking sounds at boom end positionsArms
  13. 2020Evaluating the purchase of a used ActionCam stabilizer rig as a first systemGeneral Discussion
  14. 2020Identification of an unbranded stabilizer vest with unusual socket block designVests
  15. 2019Selecting a stabilizing camera rig within a 15,000 dollar budget for Alexa Mini and RED camera workDisputedSteadi-Newbies
  16. 2019Balancing a gimbal that tilts severely when rotated after servicingGimbal
  17. 2019Adapting camera plates for the DXL2 camera on Master Series stabilizer sledsSled
  18. 2019Steadiproline Raven stabilizer system performance and suitability for operatorsSteadi-Newbies
  19. 2019Vibration issues with a topstage camera support system when used in low mode with lightweight camerasGeneral Discussion
  20. 2019Upgrading from a lightweight stabilizer rig to a larger payload-capable systemSteadi-Newbies
  21. 2018Converting composite video line to HD on Master series camera sledGeneral Discussion
  22. 2018Evaluating used Steadicam Master Series rigs versus newer systems for operators starting outGeneral Discussion
  23. 2018Arm post sizes and compatibility across different gimbal and arm modelsArms
  24. 2017Selecting an appropriately sized stabilizer vest for a smaller-framed operatorVests
  25. 2017Glidecam X-45 sled performance, design limitations, and value assessmentSled
  26. 2017Sourcing replacement ratchet straps for an old Master series vestVests
  27. 2017Using onboard batteries versus sled-powered cables for monitor operationMonitors
  28. 2017Selecting Steadicam arms for use with multiple camera types of varying weightsArms
  29. 2017Steadimate A-30 compatibility with Ronin gimbal for camera stabilizationOperating
  30. 2016Master Arm payload capacity and adjustabilityArms
  31. 2016Adjustments and detuning procedures for Master Series steadicam armsArms
  32. 2016Replacement ratchet buckles for Master Series vestVests
  33. 2016Steadicam centre post and arm post diameter specifications across different modelsCenter Post
  34. 2015Lightweight stabilizer arm design with improved weight range and boom performanceDisputedArms
  35. 2015Adjustment mechanisms for Master Series Steadicam arm weight and float point settingsArms
  36. 2015Purchasing used Steadicam systems and avoiding impulsive buying decisionsSteadi-Newbies
  37. 2015Starting a Steadicam career with limited budget and building professional reputationDisputedGeneral Discussion
  38. 2014Early Steadicam rigs, modifications, and operator experiences from the 1980s and 1990sPicture and History Archives
  39. 2014Maintenance and safety concerns with older cinema camera armsArms
  40. 2014Preventing and addressing corrosion on master series armsArms
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