What operators found

• The Rainbow II monitor performs well in extremely bright sunlight conditions without requiring a sunshade2007 Monitors
• A federal law effective January 1, 2008 prohibits spare lithium-ion batteries in checked baggage and requires them to be carried in carry-on luggage with terminals covered.2007 Batteries/PowerDisputed
• Lower frequencies in the VHF and UHF range perform better than microwave frequencies for video transmission because microwave signals are easily absorbed and blocked, making line of sight critical.2007 Video Assist and Video Accessories
• HD-SDI signals can be sent through a center post but require different cable and connector specifications than standard video2007 Center Post
• Maintaining good posture while operating Steadicam strengthens back muscles and can prevent serious injury2007 Operating
• The Sony 900 camera paired with a Zeiss Digizoom lens and Evertz Fiber optic back was the primary capture device for most episodes.2007 Operating

Still argued about

1. 2007Lithium-ion battery regulations for air travel starting January 2008Batteries/Power
2. 2007Operating a Steadicam rig with and without footwearOperating
3. 2007Steadicam operation on Full Metal Jacket and the roles of different operatorsIndustry Contacts, Info and Links

Often in the same threads

Follow Focus37, Low Mode28, Modulus23, Master Series18, Top Stage17, BFD16, Dovetail Plate16, Artemis11, G-7010, Arm Post7, Monitor Bracket7, Ultra Vest7

All threads

1. 2007Transvideo Rainbow II monitor performance in direct sunlightMonitors
2. 2007Lithium-ion battery regulations for air travel starting January 2008DisputedBatteries/Power
3. 2007Wireless video transmission frequency selection for camera movement applicationsVideo Assist and Video Accessories
4. 2007Transmitting HD-SDI video signals through camera crane center posts and connectorsCenter Post
5. 2007Posture and physical conditioning for Steadicam operationOperating
6. 2007Camera equipment and operational setup used for the 'Damages' television seriesOperating
7. 2007Finding PAL-compatible small LCD monitors with tuners for professional video productionVideo Assist and Video Accessories
8. 2007Horizontal compression and black bars appearing on a 4-inch CRT master monitorMonitors
9. 2007Bearing selection and quantity for constructing a 2-inch gimbal pan axisGimbal
10. 2007Division of responsibility between grip and camera departments for steadicam mounting hardware on ATV rigsVehicles and Mounts
11. 2007Operating a Steadicam rig with and without footwearDisputedOperating
12. 2007Steadicam operation on Full Metal Jacket and the roles of different operatorsDisputedIndustry Contacts, Info and Links
13. 2007Anton/Bauer Gold Mount adapter compatibility with RED ONE camera and battery runtime calculationsBatteries/Power
14. 2007Camera operating requirements for live soccer match sideline coverageOperating
15. 2007Clearing obstructions when mounting large ring lights on Master series Steadicam with extended top stageCamera Stage/Donkey Box
16. 2007Clothing and footwear selection for Steadicam operatingOperating
17. 2007Adapting camera arms with different post sizes to prevent play and handle torque issuesArms
18. 2007Aligning camera sled with monitor arm on stabilizer rigSteadi-Newbies
19. 2007Wind protection methods for camera stabilization rigsOperating
20. 2007Billing rates for camera equipment and operator time during pre-production preparation daysDisputedLegal / Business Practices
21. 2007Payment disputes and data management issues on problematic corporate video productionDisputedJournals
22. 2007Comparison of HVX and Sony EX1 cameras for professional video productionCameras (Film/Video/HD)
23. 2007Finding or making weight plates and cages for stabilizer systemsSteadi-Newbies
24. 2007Weight management and rig selection for HVX camera with 35mm adapter on SteadicamSteadi-Newbies
25. 2007Balancing and operating a lightweight Italian-made steadicam rigSteadi-Newbies
26. 2007Stereoscopic 3D camera systems and shooting techniques for 3D video productionCameras (Film/Video/HD)
27. 2007Performance and reliability of Canatrans wireless video transmitter in European operationsVideo Assist and Video Accessories
28. 2007Radio frequency interference between Modulus wireless transmitters and Bartech focus control systemsVideo Assist and Video Accessories
29. 2007Improving grip on gimbal handles to prevent slipping from sweatGimbal
30. 2007Hytron 50 battery showing charge on display but delivering no voltageBatteries/Power
31. 2007Operating challenges with lightweight Glidecam Smooth Shooter stabilizer systemSteadi-Newbies
32. 2007Battery options and runtime for Steadicam Pilot with Sony PMW-EX1Steadi-Newbies
33. 2007Bebob Zoe III remote zoom compatibility issues with newer Canon lensesVideo Assist and Video Accessories
34. 2007Differences between compact and standard stabilizer vestsVests
35. 2007Comparison of camera stage options: 3A top stage versus original Donkey Box for crane-mounted camerasCamera Stage/Donkey Box
36. 2007Practical comparison of shooting 16mm film versus HD cameras on professional Steadicam workDisputedCameras (Film/Video/HD)
37. 2007Mounting dual BFD wireless focus receivers on Master Series follow focus rigsFollow Focus
38. 2007Choosing between cage and bracket systems for low mode on Steadicam rigs with video camerasBrackets/Widgets
39. 2007High-speed cameras capable of 1000fps and above for film and video productionDisputedCameras (Film/Video/HD)
40. 2007V-mount lithium-ion batteries for broadcast use and travel restrictionsBatteries/Power
41. 2007Panavision SSR-1 solid state recorder performance and specifications on Genesis cameraCameras (Film/Video/HD)
42. 2007Shipping case options for MK-V Nexus Sled without disassemblyCases/Carts/Stands and Transport
43. 2007Storage solutions for organizing cables and small equipment in casesBrackets/Widgets
44. 2007Camera slippage on Steadicam Merlin dovetail plateSteadi-Newbies
45. 2007Stand options for a Steadicam Pilot system with lightweight camera rigCases/Carts/Stands and Transport
46. 2007Using RED cameras with AR (aerial rig) stabilizers and monitoring setupCameras (Film/Video/HD)
47. 2007Comparison of budget stabilizer rigs and upgrade paths for DV camerasSteadi-Newbies
48. 2007Technical execution of a five-minute Steadicam shot in the film AtonementOperating
49. 2007Upgrading from budget stabilizer rigs to professional-grade steadicam equipment and the relative importance of operator skill versus equipment qualitySteadi-Newbies
50. 2007Balancing camera rig weight distribution when replacing CRT monitor with lighter LCD monitorBatteries/Power
51. 2007Converting DVD VOB files to formats compatible with Adobe Premiere for editingGeneral Discussion
52. 2007Battery weight considerations for steadicam rigs regarding operator load, rig balance, and camera heightSteadi-Newbies
53. 2007Battery requirements for powering an Arri 435 camera at high speed on a Steadicam rigDisputedBatteries/Power
54. 2007Business development strategies for establishing an independent equipment operation in a competitive marketDisputedLegal / Business Practices
55. 2007Reducing squeaking noise from Steadicam Flyer vest during operationSteadi-Newbies
56. 2007Wire gauge and voltage drop considerations for center post camera power cablesCenter Post
57. 2007Preston HU III software upgrades and hardware issues related to wireless zoom control and moisture damageFollow Focus
58. 2007Renting steadicam equipment in Asia versus shipping personal gearGeneral Discussion
59. 2007Adding weight to a Steadicam Flyer rig to improve stability and handlingSteadi-Newbies
60. 2007Matching multiple video cameras using control panels, waveform monitors, and vectorscopesOff Topic
61. 2007Wireless LCD director monitors and portable video monitoring solutions for film productionVideo Assist and Video Accessories
62. 2007Initial experiences and setup guidance for Merlin steadicam vest and arm systemSteadi-Newbies
63. 2007XCS Ultimate Sled power output connector pinouts and specificationsSled
64. 2007Day player rates for network television camera work compared to regular operator ratesLegal / Business Practices
65. 2007Appropriate rate-setting for Steadicam operators and equipment rental in the face of industry undercuttingLegal / Business Practices
66. 2007Budget steadicam rig performance and practical considerations for beginnersSteadi-Newbies
67. 2007Selecting a stabilization vest system for wedding and event videography with Sony camerasSteadi-Newbies
68. 2007Converting RGB output from CineAlta cameras to HD-SDI for external monitoringVideo Assist and Video Accessories
69. 2007Wireless video transmission options for Steadicam use in live concert shootingVideo Assist and Video Accessories
70. 2007Camera equipment incident during music video production and subsequent creative usePicture and History Archives
71. 2007Shipping backstage stands with large wheels for international transportCases/Carts/Stands and Transport
72. 2007Choosing between Steadicam and dolly/jib rigs for dramatic interior/exterior shooting on a low-budget productionSteadi-Newbies
73. 2007Operating characteristics and legal considerations of UHF wireless video transmittersDisputedVideo Assist and Video Accessories
74. 2007Connector specifications for stabilizer rig power and video systemsBatteries/Power
75. 2007Cable management techniques for tethered camera operationOperating
76. 2007Monitor arm vibration issues with PRO arm and TB-6 monitorMonitors
77. 2007VAT-25 wireless video transmitter for film productionVideo Assist and Video Accessories
78. 2007Fitting and adjustment strategies for front-mounted Steadicam vests to reduce pain and improve comfortVests
79. 2007Attaching an LCD monitor with 1/4-20 threaded hole to a PRO monitor armMonitors
80. 2007Financing options for professional cinema camera equipment purchase or acquisitionDisputedLegal / Business Practices
81. 2007Modular 51 equipment bags: quality, ordering process, and customer service experiencesCases/Carts/Stands and Transport
82. 2007Mounting and operating the Aaton XTRprod camera on a Steadicam rigCameras (Film/Video/HD)
83. 2007Compatibility and performance of Hedén M26VE motors with Preston follow focus systemsFollow Focus
84. 2007Video signal dropouts when using a digital level and RF video transmitter together on a Clipper 24 sledVideo Assist and Video Accessories
85. 2007Connector model numbers for Transvideo Titan video monitorVideo Assist and Video Accessories
86. 2007Clipper II camera top stage looseness and vibration in video footageCamera Stage/Donkey Box
87. 2007Adding grip diameter to small camera stabilizer handlesCenter Post
88. 2007Powering follow focus motors and wireless receivers from video camera battery connectorsDisputedFollow Focus
89. 2007Techniques for setting up a Steadicam rig in low mode without specialized equipmentOperating
90. 2007Comparison of front-mounted and back-mounted steadicam vests for long-term operator comfort and healthVests
91. 2007Wexler wireless video transmitter systems for on-set monitoringDisputedVideo Assist and Video Accessories
92. 200735mm sync sound film cameras for steadicam work with limited budgetCameras (Film/Video/HD)
93. 2007Weight capacity and operational characteristics of older ActionCam single-action spring arm stabilizersArms
94. 2007Comparing entry-level stabilization systems: Steadicam SK, Steadicam Flyer, and Glidecam V25DisputedSteadi-Newbies
95. 2007Stabilizer balancing problems and stability issues on first steadicam shootSteadi-Newbies
96. 2007Getting started as a Steadicam operator with no professional experienceSteadi-Newbies
97. 2007Anti-reflective film coating on Transvideo cinema monitorsMonitors
98. 2007Compatibility of PRO to Preston power cable with Bartech follow focus systemFollow Focus
99. 2007Rental agreements and insurance requirements for equipment provided by crew members to production companiesLegal / Business Practices
100. 2007Compatibility of Flyer arm and vest components with Merlin stabilizerSteadi-Newbies