What operators found

• The system achieved remarkable transmission distance during testing in Miami conditions.2013 Video Assist and Video Accessories
• A steadicam operator should attend a professional workshop to develop skills beyond basic operation and learn to critique their own work.2013 Steadi-Newbies
• First generation Cinetronic monitors lack a built-in frameline generator and only squeeze the image without cropping it2013 Monitors
• When the optical bonding on a Hummingbird monitor screen fails, the lamination begins to separate from the display panel2013 Monitors
• The lamination layer on Hummingbird monitor screens can separate and deteriorate over time2013 Monitors
• Amazon Basics coiled audio cables can be purchased and modified by soldering appropriate connectors for use as power cables, with the shielding serving as neutral and the two leads tied together to create approximately 20AWG equivalent power cable.2013 Batteries/Power

Still argued about

1. 2013Rebotnix RB-2 wireless video transmission system specifications and comparisonVideo Assist and Video Accessories
2. 2013Stabilization technique used in Glidecam footage for action sports videographyOperating
3. 2013Movi motorized camera head capabilities and limitations compared to Steadicam for professional productionsGeneral Discussion

Often in the same threads

Zephyr61, Follow Focus55, Top Stage21, Low Mode20, Artemis13, Monitor Bracket13, Master Series12, MDR11, CineLive9, Arm Post8, Base Plate8, BFD8

All threads

1. 2013Anton Bauer HD RF wireless video transmission system performance and pricingVideo Assist and Video Accessories
2. 2013Developing steadicam operating skills and readiness for freelance workSteadi-Newbies
3. 2013Setting up framelines on monitors without built-in frameline generatorsMonitors
4. 2013Hummingbird monitor screen delamination and adhesive leakageMonitors
5. 2013Delamination and adhesive leakage issues in Hummingbird monitorsMonitors
6. 2013Sources and options for obtaining coiled power and audio cable for custom camera power cord assemblyBatteries/Power
7. 2013Marshall V-LCD70MD monitor suitability for steadicam work and compatibility with gearMonitors
8. 2013Yoke monitor mount for camera rigs with adjustable configurationsMonitors
9. 2013Convergent Odyssey 7 OLED monitor with integrated recording capabilitiesMonitors
10. 2013Identifying and sourcing a Transvideo monitor mount for Cinemonitor IIIMonitors
11. 2013Repair options for Decimator 2 units in the United StatesGeneral Discussion
12. 2013Rebotnix RB-2 wireless video transmission system specifications and comparisonDisputedVideo Assist and Video Accessories
13. 2013Techniques and applications for operating geared heads versus fluid heads in camera workOperating
14. 2013Experiences with WHM-BG artificial horizon modules for camera stabilization equipmentMonitors
15. 2013Custom modification of Hyperdeck Shuttle recorder with AB battery mount and BNC connectorsVideo Assist and Video Accessories
16. 2013Stabilization technique used in Glidecam footage for action sports videographyDisputedOperating
17. 2013Risks of responding to group text rate inquiries in professional workLegal / Business Practices
18. 2013Prototype follow focus unit functioning as power distribution and motor controllerFollow Focus
19. 2013Configuration settings for Cinetronic digital level monitorsMonitors
20. 2013Identifying Lemo connector part numbers for DCE Donkeybox auxiliary power portsCamera Stage/Donkey Box
21. 2013Teradek Bolt receiver power compatibility issues with Anton Bauer batteries via PTAP-LEMO cablesBatteries/Power
22. 2013Paralinx Tomahawk wireless HD video transmitter specifications and capabilitiesVideo Assist and Video Accessories
23. 2013Preventing Preston Strap Ring loosening on HU3 and Single Channel unitsGeneral Discussion
24. 2013Preparation and workflow for a first professional Steadicam Pilot assignmentSteadi-Newbies
25. 2013Movi motorized camera head capabilities and limitations compared to Steadicam for professional productionsDisputedGeneral Discussion
26. 2013Teradek Bolt Pro 2000 wireless video transmitter capabilities and compatibilityVideo Assist and Video Accessories
27. 2013Improving footwork and body movement control for Steadicam operatingDisputedOperating
28. 2013Mounting options for SmallHD DP7 HB monitor on Pro monitor arm and spudMonitors
29. 2013IBaird Pro vest low mode bracket for adjusting socket block height on camera support vestsVests
30. 2013Protecting and tracking filmmaking equipment on set from loss and theftGeneral Discussion
31. 2013Initial stabilizer testing and technique feedback for gimbal operationSteadi-Newbies
32. 2013Power connector specifications and wiring for Sony F65 cameraCameras (Film/Video/HD)
33. 2013Steadicam techniques for achieving camera movements in confined spaces without major set modificationsOperating
34. 2013Building a professional camera stabilizer rig on a budget by purchasing used componentsGeneral Discussion
35. 2013Brushless gimbal market composition and custom versus off-the-shelf componentsDisputedGeneral Discussion
36. 2013Battery selection and specifications for Preston HU3 follow focus systemFollow Focus
37. 2013PRO Titan arm low mode bracket orientation and arm post retention solutionsArms
38. 2013Upgrading from SD to HD-SDI monitor on Flyer 24LE stabilizer rigMonitors
39. 2013Prioritizing equipment upgrades for a Steadicam rig with limited budgetSteadi-Newbies
40. 2013Practical considerations for purchasing and using a vintage Steadicam Model III systemDisputedSteadi-Newbies
41. 2013Preston MDR pinout for Arri Alexa 3-pin Fischer start stop cable connectionFollow Focus
42. 2013UniArm steadicam arm design and classificationArms
43. 2013Bone conduction headphones for live production monitoringGeneral Discussion
44. 2013Electric tracking dolly designed for Steadicam and professional film productionVehicles and Mounts
45. 2013Options for restoring old Steadicam PAG batteries versus switching to alternative battery systemsBatteries/Power
46. 2013Mounting a Manfrotto quick release bracket to a Glidecam HD-2000Steadi-Newbies
47. 2013DC jack repair and internal testing connector on Nyrius Pro wireless video transmitterDisputedVideo Assist and Video Accessories
48. 2013Gear pitch specification for Fujinon ENG lens iris ring controlFollow Focus
49. 2013Compensation and contractual practices for camera operators across major television productionsLegal / Business Practices
50. 2013Compatibility of Merlin and Pilot kit vests and armsSteadi-Newbies
51. 2013Comparison of portable HD monitors for broadcast useDisputedMonitors
52. 2013Budget-friendly stabilizer options for renting with a Canon C300 cameraSteadi-Newbies
53. 2013Getting started with steadicam equipment on a limited budgetSteadi-Newbies
54. 2013Battery options for powering RedRock wireless follow focus systems on gimbalsSteadi-Newbies
55. 2013Custom start/stop cable for Red Epic/Scarlet cameras with Bartech follow focus receiverFollow Focus
56. 2013Methods for managing cable shield fraying at connector endsGeneral Discussion
57. 2013Installing HD monitors on Steadicam Clipper 24 rigs originally wired for RGBMonitors
58. 2013Remote start/stop control options for Canon C500 cameraCameras (Film/Video/HD)
59. 2013Gravity One stabilization system for handheld camera workVehicles and Mounts
60. 2013Stabilizer setup and technique with Canon T4i and zoom lensSteadi-Newbies
61. 2013Comparison of downconverter options for video rigsDisputedGeneral Discussion
62. 2013Selecting a stabilizer rig as a beginner considering weight capacity, serviceability, upgradeability, and priceDisputedSteadi-Newbies
63. 2013Using Sony F65 camera on Steadicam rigOperating
64. 2013Steadicam sled losing level balance after drop tests and dockingSled
65. 2013Motor selection for robotic camera follow focus systemsFollow Focus
66. 2013Calendar feature for posting and displaying upcoming events on the forumForum Support
67. 2013Creating start/stop control cables for Sony F55 camera using Hirose 4-pin connectorDisputedFollow Focus
68. 2013Routing and securing wired video cables for flying a stabilized camera rigSteadi-Newbies
69. 2013Dock n Roll docking bracket accessory for securing and rotating Steadicam rigs on Jerry Hill bracketsBrackets/Widgets
70. 2013Replacing the original monitor on a Steadicam SK II with an LCD monitorMonitors
71. 2013Troubleshooting a Master Series green screen monitor displaying only a horizontal lineMonitors
72. 2013Tel-Mar HD wireless video transmission system features and capabilitiesVideo Assist and Video Accessories
73. 2013Production challenges and equipment choices for one-shot music video choreographyOperating
74. 2013Trying on and fitting a Pro vest before purchaseVests
75. 2013Essential portable gadgets for professional on-set workGeneral Discussion
76. 2013Bartech wireless follow focus motor experiencing random twitching and vibration issuesFollow Focus
77. 2013Luggage and bags for location work and travelCases/Carts/Stands and Transport
78. 2013Balancing a Canon Mark II with 50mm lens and battery grip on a Merlin 2 gimbalSteadi-Newbies
79. 2013Health concerns and workarounds for wireless HD video transmitters on setDisputedGeneral Discussion
80. 2013Proper timing and meaning of calling 'set' during film productionOperating
81. 2013Entry-level steadicam equipment recommendations for film students on a budgetSteadi-Newbies
82. 2013Cinetronic Digital Level monitor specifications and early user experienceMonitors
83. 2013Comparison of wireless video transmission systems for on-set video village monitoringVideo Assist and Video Accessories
84. 2013Powering an ALEXA cinema camera from front battery position on a sled by modifying jumper blocks and power cablesDisputedBatteries/Power
85. 2013Reducing pendulum motion in handheld gimbal operation during lateral camera positioningSteadi-Newbies
86. 2013High-pitched whistling noise from Ultra 1 sled bottomSled
87. 2013Lilliput 663/S monitor suitability and features for video workMonitors
88. 2013Ultra 1 24V battery pack showing reduced charge capacity despite charger indicating full chargeDisputedBatteries/Power
89. 2013Balancing and tuning a Merlin 2 Steadicam rig with various camera modelsSteadi-Newbies
90. 2013Wireless HD video transmission system performance and features for camera monitoringVideo Assist and Video Accessories
91. 2013Career pathway and equipment decisions for beginning steadicam operatorsDisputedSteadi-Newbies
92. 2013Career planning and equipment investment strategy for new steadicam operatorsSteadi-Newbies
93. 2013Carrying and storing Anton Bauer batteries and chargers for travel and workBatteries/Power
94. 2013Forward-facing camera mounting on moving vehicles for plate shotsVehicles and Mounts
95. 2013Weight plate options and balancing strategies for operating smaller cameras on Zephyr and Pilot steadicam rigsDisputedSteadi-Newbies
96. 2013Hip and knee pain from tight camera vest waistband during operatingOperating
97. 2013Wireless lens control system with ergonomic design and affordable pricing compared to competitorsDisputedFollow Focus
98. 2013Identifying sources of vibration and loose play in camera gimbal systems during productionGimbal
99. 2013Using Trakdot luggage tracker inside equipment cases for touringGeneral Discussion
100. 2013Atlas arm elbow bouncing against lower arm during operationArms
101. 2013Loose metal ring at top of Steadicam Flyer sled caused by expanded pin holesSled
102. 2013Upgrading a Master series sled with HD-SDI connections by repurposing existing composite video cablesSled
103. 2013Image flipping capabilities of the F65 eyepieceCameras (Film/Video/HD)
104. 2013Starting a career as a professional steadicam operatorSteadi-Newbies
105. 2013Replacement and recelling options for aging V-lock batteries used in cinema camera rigsBatteries/Power
106. 2013Getting video overlays and frame indicators with HD-SDI signal on Ultra 2 sledSled
107. 2013Methods for spotting and guiding camera operators wearing stabilization vests during movementOperating
108. 2013Wireless camera systems used in live television productionGeneral Discussion
109. 2013Comparison of Steadicam transport carts: Inovativ Scout/Echo/Ranger versus Backstage Magliner and TR-05 modelsCases/Carts/Stands and Transport
110. 2013Mounting a camera to a bicycle to capture smooth point-of-view footage locked to the front wheel orientationSteadi-Newbies
111. 2013Mounting plates and baseplate solutions for Alexa Studio on SteadicamOperating
112. 2013Wireless HD transmitter and receiver systems for video transmission over 70 yards with minimal latencySteadi-Newbies
113. 2013D-tap connector polarity damage to Bartech follow focus receiver and motor mounting issuesFollow Focus
114. 2013Performance characteristics and practical issues with Leica Summilux-C prime lensesGeneral Discussion
115. 2013Adjusting a Pilot vest to prevent rotation and maintain stability during useSteadi-Newbies
116. 2013Antenna upgrades for wireless follow focus systems to improve transmission rangeDisputedFollow Focus
117. 2013Troubleshooting issues with a wired focus wheel controller for cinema lens focus pullsFollow Focus
118. 2013Selecting a professional stabilized camera sled for broadcast and feature workDisputedSled
119. 2013Signal recognition failures when connecting Atomos Samurai through XCS and Decimator loop-throughVideo Assist and Video Accessories
120. 2013Heden Carat single-channel motorized lens control system performance and capabilitiesDisputedFollow Focus
121. 2013Monitor yoke options for camera rigs and their performance characteristicsMonitors
122. 2013Disassembling a Bartech follow focus transmitter for battery connection repairFollow Focus
123. 2013Cable wallet organizer for film production equipment storage and transportCases/Carts/Stands and Transport
124. 2013Comparison of Steadicam and brushless gimbal stabilization technology for professional film and television productionDisputedGeneral Discussion
125. 2013Arri Amira camera design features and market positioningCameras (Film/Video/HD)
126. 2013Steadicam operator rates declining as producers offer below-standard compensation for feature filmsGeneral Discussion
127. 2013Transvideo HD6 X-SBL 2000nits monitor capabilities and limitations for field useMonitors
128. 2013Flying an Arri Alexa camera on a Steadicam Zephyr rig: power, mounting, and weight considerationsSteadi-Newbies
129. 2013CP Wedge Clamp for stabilizing camera sled dovetail connectionCamera Stage/Donkey Box
130. 2013Gold mount utility plates for attaching accessories via velcroBrackets/Widgets
131. 2013Cinematography workflow and equipment practices on major film productionsDisputedJournals
132. 2013Cinetronics monitor bracket vibration and stability issues during camera movementDisputedMonitors
133. 2013Steadicam operation techniques for dynamic fight choreography in feature filmsDisputedJournals
134. 2013Suitability of Glidecam HD2000 for stabilizing a Canon 5D3 with various lensesDisputedSteadi-Newbies
135. 2013Using PL-mount lenses with long base on Canon EOS cameras via adaptersGeneral Discussion
136. 2013Alternative chargers for Sony NP-F750 and Preston M series batteriesBatteries/Power
137. 2013Cooling vests and garments for use in high heat environmentsGeneral Discussion
138. 2013Wireless video transmission options for college athletic event production using a Tricaster-based fly-pack systemVideo Assist and Video Accessories
139. 2013Red discoloration defect appearing on Cinetronic monitor display at high backlight levelsDisputedMonitors
140. 2013Methods for transmitting tally signals to camera operators and monitorsGeneral Discussion