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G-70

126 threads in the archive

G-70 in the catalogSpecs and owners

Based on 126 threads · 30 cited

AI draft, not reviewedDraft, written by AI from the archive, every statement linked to its source — not yet reviewed.

The G-70 is a Steadicam® arm that operators put at about 75 pounds of payload, though that figure comes from operator estimates and unverified web specs, not official data 6. It plugs into the WK Vest connector without a Pin Block swap, but it won't drop onto a VZ Pro gimbal because its posts are 3/4 inch and the gimbal takes 5/8 12. Tune ride and lift first when it bounces, and if you're weighing a G-70X, an upgraded G-70 performs very close to one 1728.

The questions 8

Will my G-70 fit my vest, gimbal or sled?6 threads · latest 2013

In short

Vest: yes, the G70 connector and the WK Vest connector work together without a Pin Block swap 1. Gimbal: not straight out of the box, because the G-70 has 3/4 inch posts and the VZ Pro takes 5/8 inch 2.

How the pros do it

  1. On the vest side, the G70 arm connector and the WK Vest connector are compatible without a Pin Block swap 1. For a back mount, reverse the kickback link to optimize the arm angle 1.
  2. To reconfigure the G-70 bracket, pull the pin and align the mating parts into one of two positions 3. The 'in' position works better with the mounting armature and socket block set up for back-mounted vests 3.
  3. Repositioning the bracket is the same operation as switching between regular and goofy stance 3. The kickback reversal advice applies to standard riders, and the goofy-foot setup stays unchanged 1.
  4. Check your socket block size, because smaller rigs use different socket blocks than full-size systems 4. Don't put a full-size socket block on a smaller vest, since it exceeds that platform's weight limits 4.
  5. For gimbals, Tiffen part number 800-7204-03 is the adapter between the G-70 and 5/8 inch gimbal connections 2. On the VZ Pro its post length may be too short, and the thread didn't settle on a fix 2.
  6. For sleds, arms and sleds connect through pin or dowel interfaces that can be machined to different diameters for compatibility 4. Tiffen and CP arms have some incompatibilities with certain vests, but solutions exist 4.
Caution

Full-size socket blocks on smaller vests exceed the weight design limits of those platforms 4. Non-approved component combinations may not be covered by the manufacturer's warranty if something gets damaged 5.

Ask a follow-up
How much payload can my G-70 arm carry?6 threads · latest 2012

In short

Operators put the G70 at about 75 pounds maximum, versus roughly 77 pounds for the PRO arm 6. That comes from operator estimates and unverified web specs, not official manufacturer data 6.

How the pros do it

  1. Treat about 75 pounds as the top end for a G70, and don't plan to sit right at it 6.
  2. Weigh the whole package, not just the camera body, because a full sliding baseplate instead of a lightweight bracket can max out a G70 with a Panavision Platinum 7.
  3. A G-70 can carry a Platinum but has little headroom beyond a fully rigged camera, so keep extra accessories to a minimum 7.
  4. If you're near the limit, hard-mount the rig where you can, since hard-mounting heavy rigs puts less strain on the arm than flying them 8.
  5. Run a test day before production to sort out rigging and balance problems 7.
Caution

Extended arms carrying loads over 18 kilograms can put extra strain on the arm post and rod ends 8. Don't push a G70 to its limit on a job without testing first 7.

Ask a follow-up
How do I repair or service my G-70 arm?6 threads · latest 2012

In short

For squeaks, put a little fine oil or Teflon spray on the spring ends 9. For stripped top-part threads or worn bearings and cables, go to the manufacturer's customer service or service department 1011.

How the pros do it

  1. If the lower part of the first arm section squeaks after a fall or knock, apply a small amount of fine oil or Teflon spray at the spring ends 9.
  2. ACF-50 oil is reported to stop squeaking and creaking on the G-70 arm with long-lasting results 9. That advice came from users, not manufacturer support 9.
  3. If the screw threads in the top part strip, try longer screws of the same diameter and thread pitch so they bite into undamaged threads deeper in the hole 10. One case came down to screws that were too short for the hole depth 10.
  4. Adjust lift and iso without pulling the arm off the vest and without tools 12. G-series arms were built for user disassembly and field maintenance, but the promised service manual never appeared 12.
  5. Keep protective covers on the arm to guard against dust and water 12. The arm still performs well with rain and dust covers fitted 12.
  6. For worn bearings or deteriorated spring cables, call the manufacturer's service department, which still supports repairs and parts on older arms 11. Customer service can also tell you whether the stripped top part needs replacing 10.
Caution

A squeak after a fall may be just dry springs or it may be damage, and the sources could not tell which 9. If you are unsure, have the manufacturer's service department check it 11.

Ask a follow-up
How do I adjust the spring tension and lift on my G-70 arm?5 threads · latest 2015

In short

Set base spring tension first, with the arm unloaded and both sections adjusted equally 13. Then set lift so both sections track together, and tune ride by backing the knob out until it locks and turning it in a couple of turns 1415.

How the pros do it

  1. Unload the arm, then loosen or tighten the bolts on both sections equally to set the weight window 13. The adjustment knobs only give 25 pounds of fine-tuning, so base tension comes first 13.
  2. Use a low profile ratcheting hex tool with a 3/16 inch Allen bit for on-set tension changes 13. Keep the cables from twisting while you work 13.
  3. To get the sections moving together, wind both spring tensions out to zero 15. Then add lift in small increments until both sections sit just below horizontal 15.
  4. Check that both sections track and move together smoothly when you boom 15. The arm should work with minimal effort and without locking up or going over center 14.
  5. Set ride by unscrewing the ride knob gradually while booming up and down until it starts to lock 14. Then screw it back in a couple of turns 14.
  6. Expect the two controls to interact, so a ride change can slightly shift your lift setting 14. The G50 and G70 models have two separate knobs for adjustment 16.
Caution

Avoid twisting the cables during any spring tension work 13. Talk to a spring specialist before going beyond standard detuning 13.

Opinions differ here

The threads disagree on where the sections should sit 1415. One puts them slightly above horizontal at 5 to 10 degrees 14, the other just below horizontal 15.

What changed

Earlier (2008) the sections were set slightly above horizontal at 5 to 10 degrees 14, today (2011) both sections sit just below horizontal 15.

Ask a follow-up
Why does my G-70 bounce or bump, and how do I fix it?4 threads · latest 2022

In short

G-70 bounce comes from ride and lift settings that don't suit your body, from the arm's design, or from technique 1718. Tune ride and lift first, then check fasteners and socket block tilt 1718.

How the pros do it

  1. Adjust the ride and lift controls to match your body style and shooting technique, since that can cut the bouncing 17.
  2. If the lower arm section swings too much, it is likely misaligned, so inspect all fasteners and verify the tilt setting at the socket block 18.
  3. If the lift knob rotates during booming, adjust the locking bolt under the knob, because the right tightness keeps it in place 19.
  4. Note that the locking bolt fix was confirmed only on a G50, so don't count on it fixing every G70 19.
  5. If the knob problem persists, send the arm to the factory to tighten the adjuster and replace worn parts 19.
  6. Work on your boom hand pressure, because proper pressure control is essential for smooth footage on slow moves 20.

Opinions differ here

The 2012 thread does not settle whether arm quality or operator skill matters more for bobbing 20. One side says some arms perform noticeably better on extremely slow moves 20, while the other says bobbing improves significantly with operator training and experience 20.

What changed

Earlier, in 2010, operators reported G-70 bounce and said newer production runs handled it better 17, today, in 2022, the Tiffen G-70 is described as lacking the smooth iso-elastic response of the G-70X 18.

Ask a follow-up
Can I use my G-70 on a back-mounted vest?5 threads · latest 2013

In short

Yes, the G-70 bracket has an "in" position that works with the socket block orientation for back-mounted vests 3. But back-mounted use loads the arm harder, so you should treat the arm and socket block as wear parts 21.

How the pros do it

  1. Pull the pin on the G-70 arm bracket and align the mating parts into the "in" position 3.
  2. Use the mounting armature and socket block oriented for back-mounted vests 3.
  3. Fit a steel socket block rather than titanium, because the 2006 advice was steel for back-mounted vests 21.
  4. Keep the arm from reaching far away from your body, since extending it raises stress on the upper arm and socket block 21.
  5. Look at the 2013 MK-V PRO attachment method for socket block adapters on backmount vests, and note that a version for G70 and G70x style arms was only planned at that point 22.
Caution

Hinges and socket blocks have fractured in back-mounted vest and vehicle mount use, over several years and in both titanium and steel versions 23. Back-mounted restriction of shoulder movement may also send hard bumps into the socket block in some positions 21.

Opinions differ here

Several operators had arm failures after switching to back-mounted vests, and the upper arm bone and socket block are named as the weak points 21. Others ran back-mounted vests with arms for many years without problems, and the thread could not confirm whether the link is causal or coincidence 21.

What changed

Earlier, in 2006, steel socket blocks were recommended over titanium for back-mounted vests 21, while today, from 2008 reports, failures have occurred in both titanium and steel and newer hinges got thicker walls 23.

Ask a follow-up
Should I get a G-70, G-50 or another arm?5 threads · latest 2010

In short

Pick by payload. A G50 is rated 50 pounds and fits lighter packages 24, but operators who start light often upgrade to a G70 or PRO when jobs get heavier 25.

How the pros do it

  1. Add up your real weight, because a typical sled with LCD, battery, focus receiver, servo and transmitter is about 18 pounds, which leaves about 32 pounds for the camera on a 50-pound arm 24. A Sony HVW-750p with Pro 35 adapter, prime, Arri bridgeplate and mattebox reaches about 30 pounds on its own 24.
  2. Expect older, heavier film cameras to exceed 50 pounds, especially with extra batteries or DC-DC converters 24. Newer lightweight cameras fit a 50-pound arm more comfortably 24.
  3. Check the sled limit as well as the arm limit 25. For example, the Clipper 324 top stage is rated 30-35 pounds 5.
  4. Don't count on technique to make up for weight, because you can approximate G50 boom range by kneeling or using an apple box, but you can't easily compensate for capacity 25.
  5. Compare G70 and PRO directly, because the G70 has about 32 inches of boom range against about 28 for the PRO, adjusts lift tension without tools, and is lighter on your body 26. The PRO needs a hex wrench for adjustments, but it has a lifetime warranty and sealed bearings 26. Its sealed springs come out and clean in under a minute 27.
  6. Handle the arms at a trade show before you buy, because that beats forum posts or short trials 27. The gap between PRO or G70 and 3A-style budget arms shows up within minutes 27.
Caution

The manufacturer's warranty may not cover damage from non-approved configurations, such as mixing a Clipper 324 with a G-70 arm 5.

Opinions differ here

Participants disagree on how often the G50's extended boom range is actually needed in practice 25. On construction, one side says machined arms are inherently superior, while the other says a properly designed extruded arm like the G70 is adequate for its intended loads 26.

What changed

Earlier, in 2006, the G70 had only limited field testing 26, today, in 2010, operators group it with the PRO as a top-tier arm 27.

Ask a follow-up
Should I upgrade my G-70 or buy a G-70X?3 threads · latest 2019

In short

If there is a significant price gap, upgrade the G-70, because an upgraded G-70 performs very close to a G-70X 28. The G-70X only has small mechanical differences that give subtle gains 28.

How the pros do it

  1. Price both options first, because an upgraded G-70 is a reasonable choice when the gap to a new G-70X is significant 28.
  2. Know what the X-series changed: improved trunnion and bearing designs, geometry changes for isoelastic response, and stiction and hysteresis addressed 29.
  3. Remember that the upgraded G-70 and the G-70X use the same bearing components, so vibration absorption should be equivalent unless the arm is damaged 28.
  4. Ask about vibration transfer to the post on run shots, since it was reported secondhand on the G-70 and on an upgraded G-70X but not on new G-70X units 28.
  5. Tune the ride control settings according to the manual, whichever arm you pick 28.
  6. Expect to dial in the arm, because early G-70X testers found it butter-smooth but saw minor bounce in certain settings 30.

What changed

Earlier, in 2012, the G-70X was described as smoother, with less sticking and creaking than the G-70 3029, today, in 2019, an upgraded G-70 is described as performing very close to the G-70X 28.

Ask a follow-up

Sources 30

  1. 1Compatibility of Pin Block components between G70 arm and WK Vest connectorsArms forum · 2009
  2. 2Adapter compatibility between Tiffen G-70 arm and VZ Pro gimbalGimbal forum · 2010
  3. 3Reconfiguring the G-70 arm bracket for back-mounted vest compatibilityArms forum · 2007
  4. 4Compatibility between stabilizer rig components including arms, vests, and sledsSteadi-Newbies forum · 2012
  5. 5Compatibility of Clipper 324 stabilizer with G-70 arm instead of standard G-50 armArms forum · 2008Disputed
  6. 6Steadicam® equipment specifications and payload capacities for 3D film production3D Steadicam forum · 2012
  7. 7Flying a Panavision Platinum camera on a Steadicam® rigCameras (Film/Video/HD) forum · 2010
  8. 8Carrying heavy 3D camera rigs on a Steadicam® body rigGeneral Discussion forum · 2010Disputed
All 30 sources
  1. 9Eliminating squeaking noises from the lower section of a G-70 arm after impact damageArms forum · 2007
  2. 10Stripped threads in G-70 arm top part attachment pointArms forum · 2008
  3. 11Sourcing replacement bearings and cables for mechanical camera support armsArms forum · 2012
  4. 12Maintenance and field serviceability of G-series steadicam arms compared to Pro armsArms forum · 2012Disputed
  5. 13Adjusting spring tension on a Master Arm to change weight capacity and detuning settingsArms forum · 2011
  6. 14Adjusting ride and lift controls on Steadicam® arms for proper balance and smooth operationSteadi-Newbies forum · 2008
  7. 15Tuning arm sections to move in synchronizationArms forum · 2011
  8. 16Adjustment mechanisms for Master Series Steadicam® arm weight and float point settingsArms forum · 2015
  9. 17Comparison of G-70 and PRO steadicam arms based on user experienceArms forum · 2010Disputed
  10. 18G-70 arm: eliminating bridge bumper impacts between upper and lower sections after tuningFacebook · Steadicam operators group · 2022
  11. 19Lift knob rotation problem on G70 stabilizer armArms forum · 2015
  12. 20Reducing vertical bobbing in Steadicam® footage during slow walking movementsSteadi-Newbies forum · 2012Disputed
  13. 21Steadicam® arm failure modes and stress factors with back-mounted vestsArms forum · 2006Disputed
  14. 22MK-V PRO arm upgrade attachment methods for backmount and hardmount applicationsArms forum · 2013
  15. 23Structural failures in camera stabilizer arm hinges and socket blocks during back-mounted vest and vehicle mount useArms forum · 2008
  16. 24Comparing camera stabilizer arms for weight capacity and suitability for different shooting scenariosArms forum · 2005
  17. 25Comparison of G50 and Master arm for Steadicam® workArms forum · 2010Disputed
  18. 26Comparison of PRO and G70 camera crane arms for different load capacities and working conditionsArms forum · 2006Disputed
  19. 27Comparison of steadicam arms: G70, PRO, ACT2, Silverspring, and Luna for budget-conscious operatorsArms forum · 2010
  20. 28Performance differences between G-70X and upgraded G-70 armsArms forum · 2019
  21. 29Differences between G50/G70 and G50X/G70X stabilizer armsArms forum · 2012
  22. 30Experience with G-70X tonearm compared to earlier modelsArms forum · 2012

What operators found

Still argued about

  1. 2018Cleaning a GPI PRO Titan Arm after exposure to sweat and salt water: procedure, materials, and risksFacebookThe Steadicam Group
  2. 2015Strategies for deciding when to use low mode stabilization and how to manage director/DP expectations about switching modes on setOperating
  3. 2014Evaluating Master broadcast sled versus Archer2 sled for professional steadicam workSteadi-Newbies

Often in the same threads

Arm Post17, G-70X9, xARM4, Zephyr11, Master Series10, Low Mode9, Follow Focus7, Top Stage8, Artemis6, Hard Mount3, BFD5, Ultra Vest4

All threads

  1. 2023Backup and spare equipment for Steadicam® operators: priority list and budget considerationsFacebookSteadicam operators group
  2. 2023Hanging a Tiffen G50X arm on a docking mount pin without a harness; availability of longer arm posts.FacebookThe Steadicam Group
  3. 2023Performance and value assessment of Rever Steadicam stabilizer systemsGeneral Discussion
  4. 2022Arm section lengths (pivot-center to pivot-center) in PRO, Tiffen, Xarm, and NB models: whether larger boom range derives from longer sections or wider opening angles.FacebookThe Steadicam Group
  5. 2022G-70 arm: eliminating bridge bumper impacts between upper and lower sections after tuningFacebookSteadicam operators group
  6. 2021Extending arm posts on steadicam rigs for shorter operatorsSteadi-Newbies
  7. 2019Selecting a camera support arm compatible with Trinity stabilizerGeneral Discussion
  8. 2019Performance differences between G-70X and upgraded G-70 armsArms
  9. 2018Cleaning a GPI PRO Titan Arm after exposure to sweat and salt water: procedure, materials, and risksDisputedFacebookThe Steadicam Group
  10. 2018Comparison of Tiffen M1 and GPI/PRO modular sleds for film camera stabilizationSled
  11. 2017Maintenance and lubrication of Tiffen G50X camera armArms
  12. 2016Arm post rotation limitations on stabilizer rigs with certain collar designsArms
  13. 2016Upper leg pain when wearing Steadicam vest during extended useSteadi-Newbies
  14. 2015Guidance for beginners assembling their first Steadicam kitSteadi-Newbies
  15. 2015Adjustment mechanisms for Master Series Steadicam arm weight and float point settingsArms
  16. 2015Lift knob rotation problem on G70 stabilizer armArms
  17. 2015Advice for purchasing a first steadicam rig as a new operatorSteadi-Newbies
  18. 2015Strategies for deciding when to use low mode stabilization and how to manage director/DP expectations about switching modes on setDisputedOperating
  19. 2015Equipment performance and operational strategies for extreme cold weather filming below -20 CelsiusJournals
  20. 2014Characteristics and performance of Robert Luna-modified Steadicam arms compared to standard designsArms
  21. 2014Evaluating Master broadcast sled versus Archer2 sled for professional steadicam workDisputedSteadi-Newbies
  22. 2014Using aircraft pins as replacements for stock pins in camera support arms to enable quick socket block flippingArms
  23. 2013Mixing different brands of stabilizer components when building a first rigGeneral Discussion
  24. 2013Converting an Ultra2 Steadicam rig from normal to super-high mode using a telescoping postDisputedSled
  25. 2013Performance issues with the Glidecam X-45 stabilizer armArms
  26. 2013Live broadcast Steadicam technique for high-risk running shots with wireless video assistVideo Assist and Video Accessories
  27. 2013Comparison of Steadicam training workshops and how to choose between different instructors and equipment brandsNews, Events, Workshops
  28. 2013MK-V PRO arm upgrade attachment methods for backmount and hardmount applicationsArms
  29. 2012Arm post friction adjustment and its effect on operating stabilityDisputedArms
  30. 2012Compatibility of Proaim 7000 arm with Steadicam and Klassen vests through socket block measurementsArms
  31. 2012Experience with G-70X tonearm compared to earlier modelsArms
  32. 2012Maintenance and field serviceability of G-series steadicam arms compared to Pro armsDisputedArms
  33. 2012Compatibility between stabilizer rig components including arms, vests, and sledsSteadi-Newbies
  34. 2012Sourcing replacement bearings and cables for mechanical camera support armsArms
  35. 2012Steadicam equipment specifications and payload capacities for 3D film production3D Steadicam
  36. 2012Maximum camera weight capacity for the Steadicam Pilot and how to interpret the 10 lb payload specificationDisputedSteadi-Newbies
  37. 2012Discrepancies in Archer rig specification documentation regarding arm compatibilitySteadi-Newbies
  38. 2012Steadyrig Arm performance and user experienceArms
  39. 2012Compatibility between 3A sled gimbal and G-50 armArms
  40. 2012Reducing vertical bobbing in Steadicam footage during slow walking movementsDisputedSteadi-Newbies
  41. 2012Differences between G50/G70 and G50X/G70X stabilizer armsArms
  42. 2011Adjustment and performance characteristics of 3A and Cinema Products armsDisputedArms
  43. 2011Flying the RED EPIC camera with anamorphic lenses on a camera sledCameras (Film/Video/HD)
  44. 2011Rigging dual Alexa cameras on a Steadicam for 3D cinematography3D Steadicam
  45. 2011Payload weight limits and balancing issues with Archer 2 gimbal system when using heavy camera rigs and accessoriesSled
  46. 2011Spring failure in pan-tilt arms and replacement procedureArms
  47. 2011Adjusting spring tension on a Master Arm to change weight capacity and detuning settingsArms
  48. 2011Tuning arm sections to move in synchronizationArms
  49. 2011Availability and alternatives for J-brackets and arm positioning accessoriesBrackets/Widgets
  50. 2010Weight and operational challenges of stereoscopic 3D steadicam rigs using dual F-series camerasGeneral Discussion
  51. 2010Job management and client information tracking systems for freelance workGeneral Discussion
  52. 2010Comparison of G-70 and PRO steadicam arms based on user experienceDisputedArms
  53. 2010Comparison of steadicam arms: G70, PRO, ACT2, Silverspring, and Luna for budget-conscious operatorsArms
  54. 2010Weight capacity considerations for using a Flyer stabilizer rig with a camera package exceeding the stated limitDisputedSteadi-Newbies
  55. 2010Carrying heavy 3D camera rigs on a Steadicam body rigDisputedGeneral Discussion
  56. 2010Mounting a Canon 5D DSLR camera on a G50/G70 camera arm with accessory managementDisputedVehicles and Mounts
  57. 2010Comparison of G50 and Master arm for Steadicam workDisputedArms
  58. 2010Guidance for purchasing a used stabilizer rig within a limited budgetSteadi-Newbies
  59. 2010Steadicam Phantom sled specifications and market positioning within Tiffen's stabilizer product lineSled
  60. 2010Adapter compatibility between Tiffen G-70 arm and VZ Pro gimbalGimbal
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