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1,008 threads in the archive

Video and wireless

Based on 382 threads · 107 cited

AI draft, not reviewedDraft, written by AI from the archive, every statement linked to its source — not yet reviewed.

Video and wireless transmission is where most of your no-picture headaches start, and a lot of them are just a connection mismatch, like an analogue monitor on an SDI sled or a cable in the wrong connector 37. Stock Steadicam® monitors expect analog SD composite, so use the camera's composite out or convert HDMI/SDI down to it 2122. When the wireless breaks up, suspect RF interference first, and skip 2.4 GHz if you can because many sets are saturated with it 71729899.

The questions 10

Which HD-SDI downconverter should I buy for my rig?32 threads · latest 2017

In short

Buy a Decimator 2 if your monitor needs composite or HDMI, because it is the widely used option 1 and takes 5 to 22 volts 2. Check the output and the voltage range of any other box first 34.

How the pros do it

  1. The Decimator 2 has composite output 5, while the MD-HX puts out SD-SDI only, not analog composite 3.
  2. The Decimator takes 5 to 22 volts 2, early Blackmagic converters in the original casing took 14 volts or less 4, and newer ones take 12 to 31 volts 4.
  3. The Decimator needs a custom cable from a DC locking connector to your rig 2, and a P-Tap cable off the camera battery keeps extra power sources off the rig 6.
  4. The Decimator 2 pulls about 0.84 amps at 12V, which drains a portable battery faster than you expect 7.
  5. The Decimator 2 does not scale HDMI by default, so tick the scaling box in the control panel software 8.
  6. Connect the monitor straight to the downconverter, and if that works, look at the rig wiring or top stage connectors 9.
Caution

Some Blackmagic converters can be damaged by the unregulated power from a freshly charged battery 12. Check the voltage spec of the exact unit before you plug it in 12.

Opinions differ here

Some users report consistent Decimator performance with no failures 11, while others report a Decimator 2 failing after minimal use 1. On AJA, one side calls the HD10MD3 reliable with strong customer support 1, and the other calls it sensitive to voltage and better suited to the studio than the field 11.

What changed

Earlier, in 2008, the AJA HD10MD3 was the widely used downconverter for Steadicam® work 10, today, in 2013, the Decimator 2 is the widely used option 1.

Ask a follow-up
Which wireless video system is the most reliable for Steadicam® work?30 threads · latest 2018

In short

It is rated more reliable than Camwave or Bolt for live multicam work, though it costs more 13. Operators also report it needs little adjustment after setup 14.

How the pros do it

  1. The Meridian has been used successfully on live-to-air television and is becoming standard in UK studios because of zero transmission delay 15.
  2. It has been noted for stable signal without dropouts and for switching channels with a single button 16.
  3. If the budget is tight and you stay within 30 meters, the Teradek Bolt is the practical middle option with minimal latency 13. Expect to reposition and adjust it for obstructions and distance, where Boxx runs without frequent adjustment 14.
  4. Put external patch antennas high in the air to reduce pixelation caused by people and metal structures 13. Use separate transmitter-receiver pairs for outdoor and indoor metal-structure locations, because dropout can hit any wireless HD system when you move between them 13.
  5. Test on site before you commit, because reliability varies with antenna placement, local RF and the people in the space 13. Tell the client that cutting cost directly cuts reliability 13.
Caution

Teradek Bolt units generate enough heat to damage adhesive velcro mounting 14. Do not change channels on a Modulus 3000 while it is powered on, because that can damage the electronics 17.

Opinions differ here

Some report it performs reliably in production when used correctly 18, while others report overheating dropouts on early units and heat damage to antennas and BNC connectors 1916. They also split on the IDX CamWave: it worked reliably as a video assist in controlled HD studio shoots 15, but it failed completely in downtown Los Angeles 20.

What changed

Earlier, in 2004, operators called the Modulus 3000 a reliable workhorse 17, today, in 2018, the Boxx Atom is noted for stable signal without dropouts 16.

Ask a follow-up
How do I connect my camera to my Steadicam® monitor?30 threads · latest 2017

In short

Stock Steadicam® monitors expect analog SD composite, so use the camera's composite out or convert HDMI/SDI down to it 2122.

How the pros do it

  1. Check what the monitor takes first, because a BNC fit does not guarantee the signal matches 21. Confirm the monitor really has SDI input, since some only have Hirose connectors 23.
  2. A Canon 5D or 7D sends composite through its own cable, and only the yellow plug carries video 24. For a Scout with BNC input, put an RCA to BNC adapter on the yellow plug 25.
  3. If the camera only gives HDMI, put an HDMI to composite converter in line, about 30-50 USD 22. Some run off the HDMI feed with no external power, though they drain the camera battery 2627. On a GH4, 30p stays smooth, but 24p Cinema mode gives artifacts and delay 28.
  4. If the camera gives HD-SDI, use a downconverter such as a Decimator, a Blackmagic Mini Converter or an AJA 2930. On an EX1, convert the SDI to standard definition in the camera menus and turn off iLink 31. The EX1's AV Out break-out cable also feeds a Pilot 32.
  5. Red cameras send true progressive 1080p, and switching to 720p can fix it 33. An Alexa through an AJA stopped flickering at 29.97 30. The F55 sends PSF, which a Decimator converts for a Cinetronic monitor 3435.
  6. Power the converter from the sled with a P-Tap or DTap, and tie everything down 2936. Velcro, cable ties or gaff tape keep cables from moving and upsetting the balance 25.
Caution

Reversed polarity cables can blow the soldered fuse in a Decimator, and it needs a technician to replace it 30. Older Blackmagic Mini Converters can fail on voltage above their rating, such as a fresh camera battery 29.

What changed

Earlier, in 2008, operators fed the EX1's analog AV Out straight into a Pilot 32, today, in 2015, they convert HDMI or SDI with a Decimator or Atomos H2S 28.

Ask a follow-up
Why does my monitor lose signal or show no picture?21 threads · latest 2026

In short

On a used rig, no picture is mostly a connection-standard mismatch, like an analogue monitor on an SDI sled or the cable in the wrong top stage connector 37. Intermittent dropouts usually come from a bad cable or connector, RF interference, or the camera's output format 38394041.

How the pros do it

  1. Check which connector on the top stage the cable sits in, and whether the monitor has an SDI input at all 37. A monitor without an SDI socket cannot be fed by an SDI sled without a converter 37.
  2. Test directly between camera and monitor with a single cable, then trace the signal path through the sled 42. If the image drops and only a monitor power cycle brings it back, suspect a defective SDI cable before the port 38. Mini BNC connectors on the sled can loosen with use and cause the same intermittent loss 39.
  3. An Ultra Bright monitor may reject 60i and accept only progressive formats like 24p on HDSDI 41. An Alexa outputting PSF instead of progressive can make AJA downconverters blackout or strobe 43. On an Alexa Mini, switching the SDI output from 24fps to 60fps fixed sync loss through a downconverter in one case 44.
  4. Fight RF interference with properly shielded, high-quality HD-SDI cables and connectors throughout the chain 40. A reclocker in the HD-SDI path can clean up the signal 40. Running a separate cable down the post bypasses the sled's internal cabling and can end dropouts near radio transmitters 39.
  5. Don't route HD through the Hirose convenience port on a Zephyr, because it is rated only for standard definition 45. Give HD its own dedicated SDI cable 45. Don't use T-splitters on HD-SDI, and feed multiple destinations from a powered distribution amplifier with individual buffered outputs 46.
  6. Boards and connectors in an Ultra 2 can vibrate apart in transport, and re-seating them and securing them with thin electrical tape was one fix 39. Early UltraBrite 2 units had an overlong internal ribbon cable that caused dropouts until it was shortened 47.
Caution

Inserting a Hirose connector incorrectly can damage the monitor 42.

Opinions differ here

One used a well-known 7-inch recording monitor for nine months, called it unsuitable for stabilizer work, and had two burn-outs even after repair 37. Another uses the same model by choice, purely for its recording ability 37.

What changed

Earlier, in 2009, operators traced UltraBrite 2 dropouts to an overlong internal ribbon cable in early units 47, today, in 2026, the usual cause of no picture on a used rig is the connection standard rather than a fault 37.

Ask a follow-up
How far can this wireless video transmitter reach?24 threads · latest 2016

In short

The Teradek Bolt Pro 600 gives about 600 feet in the open 48, and the Bolt Pro 2000 is rated up to 2000 feet with under 1 millisecond of delay 49.

How the pros do it

  1. Pick the model for the shot: the Bolt Pro 600 is adequate for most Steadicam® work but may fall short on vehicle shots 48, and the Bolt Pro 2000 reaches up to 2000 feet 49.
  2. Keep line of sight, because that is where the Bolt Pro 2000 performs best 49. Mount the transmitter high and away from obstructions 50.
  3. On a Paralinx Ace, put the transmitter on top of the camera rather than on the side, because orientation changes range significantly 51.
  4. To push past stock range, add external antennas: a Bolt 2000 with aftermarket high-gain panel antennas was tested at 2700 feet line of sight 50, and a Boxx with an external array holds about a quarter-mile in open terrain 52.
  5. Plan for walls: a Bolt 2000 held signal past 400 feet through multiple walls and doorways 50, and a Nimbus WiMi6200 transmitted through 4+ house walls 53.
  6. Don't count on the spec sheet alone, because terrain and unexpected location changes cut practical range 52. One Eclipse 500 lost signal at around 250 meters, similar to the Bolt600 54.
Caution

Mount the transmitter on velcro with corrugated material and zip ties so heat doesn't damage it 50. If you build a power cable for a 12-volt, 2-amp transmitter like the Peerless HDS100, use a properly rated voltage regulator on battery systems 56.

What changed

Earlier, in 2008, the IDX CAM-WAVE HD was quoted at about 150 feet line of sight 55, today, from 2013 on, the Teradek Bolt Pro 2000 is rated up to 2000 feet 49.

Ask a follow-up
How much latency does this wireless video system add?23 threads · latest 2014

In short

Uncompressed links add under 1 ms 5758, H.264 links add about 20 to 40 ms 596061, and 2006-2007 era systems added 8 to 12 frames 6263.

How the pros do it

  1. The Paralinx Arrow is listed below 1 ms 57, and so is the IDX CW-3 58.
  2. The Rebotnix RB-2 is listed at 40 ms 60, and about 40 ms is called a practical lower threshold for H.264 61. The Ikan unit is listed at roughly 20 ms with high compression 59.
  3. For the Teradek Cube, matched units are listed under 100 ms end to end 64. On a laptop with VLC you can set 100 ms to 2 seconds, and 300 ms gives a good quality balance 65. On an iPad or iPhone expect about 10 seconds 65.
  4. Anton Bauer HD tested at about 0.3 seconds, which is too slow for focus pulling in multi-camera broadcast work 66. A later firmware was said to maybe bring it under one-tenth of a second, but that was untested 67.
  5. A Sony F900 adds about 5 frames on the SD output 68, and a cross converter adds about one frame 69.
  6. Use an audio delay device for headphones, or shoot with actors out of earshot 65. The 2006 model needed 380 ms of audio delay to match its 10-frame video delay 70.

Opinions differ here

Operators split on whether a 12-frame delay is workable 62. One side says it can be managed if the director and crew know about it, rehearse, and use a separate audio delay 62. The other side calls 12 frames unacceptable for director positioning and real-time shot monitoring regardless of workarounds 62.

What changed

Earlier, in 2006, wireless systems added 8 to 10 frames of delay 63, today, in 2014, uncompressed systems like the IDX CW-3 add under 1 millisecond 58.

Ask a follow-up
Why does my wireless video break up or get interference?19 threads · latest 2017

In short

Most break-up is RF interference, either from other gear on your rig or from the location 7172. Weak antennas and a blocked line of sight make it worse 7374.

How the pros do it

  1. Move the transmitter away from the camera and recorder, ideally to the bottom of the rig 71. Under the weight plate or a Preston focus motor riser also cut interference on HD cameras 75.
  2. A Modulus 3000 above channel 50 caused problems with Bartech units 76. A Canatrans next to a Panatape caused lost accuracy until it moved to the back of the magazine 77.
  3. Give the transmitter its own battery instead of sharing power with other rig gear 71. A Preston MDR and Decimator on the same circuit increased interference, and separate supplies reduced it significantly 78.
  4. Check your cables. Short BNC cables with thin shielding and non-HD-rated BNCs can drop signal, and a Red Epic output depends on good cable 79. Connect the camera straight to the monitor with a bypass cable to find out whether the sled, breakout box or cable is at fault 79.
  5. Use antennas cut to your channel and point transmitter and receiver antennas the same way, both perpendicular or both parallel to the ground 73. Keep line of sight and raise the transmitter antenna or use a directional receiver antenna 74.
  6. A walkie talkie keyed near the monitor can cause a complete dropout 79. WiFi routers on 2.4 or 5.8 GHz can drop a Teradek Bolt signal 80.

Opinions differ here

One thread says switching to a different transmission channel may resolve interference 71, while Manhattan testing with a Modulus 3000 showed no meaningful improvement from switching channels 72.

Ask a follow-up
Which antenna should I use and where do I mount it?18 threads · latest 2014

In short

Use an antenna made for your operating band and mount the transmitter as high as you can, on top of the camera or on the sled side 8182. Keep the antenna vertical and clear of the camera body 8384.

How the pros do it

  1. Match the antenna to your band, because a 2.4 GHz antenna will not work reliably on a 5.8 GHz system 81. On a Boxx Meridian setup, any broadband antenna covering 5.1 to 5.9 GHz works if the SMA connector is right, and you need an SMA to BNC adapter on the transmitter side with third-party antennas 85.
  2. Do not buy an antenna designed only for 5.7/5.8 GHz if you run lower channels, because it does not perform well there 85. Original Boxx antennas cost more but performed well against cheap generic ones 85.
  3. Mount the transmitter on top of the camera, because that gives the antenna the clearest line of sight to the receiver 84. If you cannot, make sure the antenna extends above the camera body, or lift it on a riser arm to get it above head level 84.
  4. Keep the transmitter off the tape deck, because placing it on or near the deck can cause RF interference and audio or video degradation 82. Do not mount it directly against the camera body either, since that can cause ghosting lines 84. Lower-end digital cameras with less shielding interfere more than an Alexa or RED 86.
  5. Keep the transmitter antenna vertical, because a vertical antenna sends a donut-shaped signal on a horizontal plane and crew or gear in that plane degrade reception 83. Set the receiver antenna vertical at the same pitch as the transmitter antenna 83.
  6. Fix the transmitter with Velcro on the camera top or sled side, or use a second dovetail plate on top of the camera for a cleaner, more secure mount 82. On the receive side, a diversity setup combining directional and omnidirectional antennas beats a single antenna indoors 87. Receiver antenna quality matters more than transmitter power 88.
Caution

A transmitter without a tuned antenna can damage itself because it cannot dissipate the power it generates 88. A badly matched antenna also robs transmitter power and turns it into heat 89.

Opinions differ here

Operators split on how much the antenna model matters 8789. One side says custom antennas tuned to a specific frequency outperform a single antenna covering a wide range, and calls the original CIT antennas mediocre 8990. The other side says that for receiving, shark fins, rubber ducks, whips and rabbit ears all give similar results, and multipath and blocking limit you more than the antenna type 87.

What changed

Earlier, in 2007, operators talked about custom antennas tuned to within about 5 MHz of the channel frequency on UHF gear 89, today, in 2014, the advice is broadband 5.1 to 5.9 GHz antennas with the right SMA connector 85.

Ask a follow-up
What's a cheap wireless video system that actually works on set?15 threads · latest 2016

In short

Cheap wireless HDMI units like the Brite-View Air Sync HD at about $220 are what people ran in 2011 91. The Paralinx Arrow at $999 is the step up 92. The old analog security-camera transmitters drop out once the rig moves 9394.

How the pros do it

  1. Start with the Brite-View Air Sync HD, which costs around $200-220 and sent 1080p over at least 60 feet line of sight with minimal latency in an RF-noisy environment 91.
  2. Feed it 29.97 frame rate, because it performs poorly at 23.976 unless you convert the frame rate 91.
  3. For a pro workflow, add an HD-SDI converter on each end, like a Decimator and an AJA HA-5, to get BNC for field monitors 95.
  4. Power it with 5V at 3 amps, which you can pull from camera aux power through a step-down transformer, or run a Tekkeon pack that lasted 4-5 hours 9591.
  5. Run camera to transmitter to monitor, because that was more stable than routing through intermediate monitoring devices first 91.
  6. Stay line of sight, because the signal dropped completely after two walls 95, and external 4.9-5.8GHz antennas improved range and reliability on the Brite-View 91.
Caution

HDMI connectors are prone to damage on set and are a weak point compared to BNC 95. The 4-pin power connector on the Connex Mini is fragile, so tape or tie the cable to the transmitter body for transport 96.

Opinions differ here

One side says the Brite-View HDMI unit stayed stable during movement and handheld operation 95. The other side says generic 2.4GHz units show shifting video artifacts and perform poorly when moved around actively 97.

What changed

Earlier, in 2005-2009, operators tried analog 2.4GHz security-camera transmitters that struggled once the transmitter moved 9394, today, from 2011 on, they use wireless HDMI units like the Brite-View, Paralinx Arrow and Nyrius Pro 9196.

Ask a follow-up
Should I use 1.2 GHz, 2.4 GHz or UHF for wireless video?12 threads · latest 2012

In short

Avoid 2.4 GHz if you can, because it is saturated on many sets 9899. Take UHF when you shoot through walls and obstacles, and 1.2 GHz when you want quieter spectrum and have line of sight 100101.

How the pros do it

  1. Go 1.2 GHz over 2.4 GHz where you have the choice, since 2.4 GHz saturates in many locations 99. It also carries heavy interference from data links, security cameras and wireless focus systems 101.
  2. Go UHF when you work through walls or around obstacles, because lower frequencies penetrate better 98100. UHF also degrades gradually instead of losing sync and flickering 102.
  3. Run a diversity receiver whatever the band or modulation 103. Mount a unidirectional receiving antenna away from surfaces that bounce signal 104.
  4. Don't chase power. Extra transmitter power can worsen multipath indoors 103104. A 500 mW unit typically reaches 100 to 150 meters 99, and about 0.25 W is the licence-free limit in many jurisdictions 105.
  5. If you are stuck on 2.4 GHz, add a 7-8 dB gain receiver antenna mounted at height 106. Check that your wireless follow focus is not on the same channel as the video link 98.
  6. It gives no breakup and minimal delay 104, and it holds up indoors better than analog FM 103.
Caution

Broadcast-band transmitters can get your equipment confiscated if discovered 102. High-power units are illegal in many countries, so check local rules before you buy 10799.

Opinions differ here

One side says UHF gives gradual degradation and gets through walls and obstacles better 102100. The other side says microwave runs legally without regulatory worries 102 and generally performs better, though it costs more 105.

What changed

Earlier, in 2004, operators pushed 1.2 GHz as the quiet band 101, today, by 2009 and 2012, 900 MHz and 2.4 GHz are more common than 1.2 GHz 105 and UHF is favored for its extra channels to switch between 98.

Ask a follow-up

Sources 107

  1. 1Comparison of downconverter options for video rigsGeneral Discussion forum · 2013Disputed
  2. 2Choosing and setting up a Decimator video converter for on-set monitoringSteadi-Newbies forum · 2014Disputed
  3. 3Decimator MD-HX firmware upgrade adds image flip/flop capability and power connection guidanceVideo Assist and Video Accessories forum · 2015
  4. 4Selecting HDMI to SDI converters for DSLR cameras that change resolution during recordingVideo Assist and Video Accessories forum · 2012
  5. 5Choosing between Decimator 2 and MD-Cross converters for HDMI input requirementsVideo Assist and Video Accessories forum · 2012
  6. 6Using a Decimator downconverter with Steadicam® rigs for monitoring HD camera feedsVideo Assist and Video Accessories forum · 2011
  7. 7Hyperdeck Shuttle incompatibility with Decimator 2 HDMI outputVideo Assist and Video Accessories forum · 2014
  8. 8Enabling HDMI output scaling on Decimator 2 for wireless video transmission compatibilityVideo Assist and Video Accessories forum · 2013
All 107 sources
  1. 9Converting HD/SDI video signals to composite output for a Flyer monitorSteadi-Newbies forum · 2017
  2. 10Downconverters for converting RED camera HD-SDI output to SD for use with Steadicam® monitoring systemsVideo Assist and Video Accessories forum · 2008
  3. 11Comparison of AJA and Decimator video converters for professional useVideo Assist and Video Accessories forum · 2011
  4. 12Downconverter options for sending HD video signals through cinema camera sledsVideo Assist and Video Accessories forum · 2012
  5. 13Wireless HD transmission systems for short-range multicam work in urban environmentsVideo Assist and Video Accessories forum · 2013
  6. 14Comparison of wireless video transmission systems for on-set video village monitoringVideo Assist and Video Accessories forum · 2013
  7. 15Wireless video transmission systems for live event production and their reliability compared to traditional triax cablesVideo Assist and Video Accessories forum · 2011Disputed
  8. 16Wireless video transmission systems for steadicam on film setsGeneral Discussion forum · 2018
  9. 17Wireless video transmitter units for film and video work, including the Modulus 3000 and alternativesVideo Assist and Video Accessories forum · 2004
  10. 18Comparison of Taradek Bolt and Paralinx Arrow wireless video transmitters for on-set video monitoringVideo Assist and Video Accessories forum · 2013
  11. 19Comparison of wireless video transmission systems for film and television productionVideo Assist and Video Accessories forum · 2013Disputed
  12. 20Comparison of HD wireless video transmitter systems for professional camera workVideo Assist and Video Accessories forum · 2010Disputed
  13. 21Connecting a Blackmagic Cinema Camera to a Steadicam® monitor with incompatible signal formatsSteadi-Newbies forum · 2015
  14. 22Connecting a digital camera to an older Steadicam® monitor via HDMI to SD conversionMonitors forum · 2012
  15. 23Steadicam® Zephyr HD monitor connection troubleshooting with RED Scarlet cameraSteadi-Newbies forum · 2013
  16. 24Connecting Canon 5D and 7D cameras to Steadicam® Pilot monitors via composite video cablesSteadi-Newbies forum · 2010
  17. 25Connecting Canon 7D video output to Scout monitor via BNCSteadi-Newbies forum · 2011
  18. 26Using GH4 camera with Pilot stabilizer monitor via composite video connectionSteadi-Newbies forum · 2014
  19. 27Connecting a Nikon D800 camera to a Pilot monitor using HDMI to RCA conversionGeneral Discussion forum · 2013
  20. 28Connecting a Panasonic GH4 camera to SD and HD Pilot steadicam monitors via HDMI conversionSteadi-Newbies forum · 2015
  21. 29Monitoring HD video from a Red Scarlett X camera mounted on a Video SK Steadicam® rigSteadi-Newbies forum · 2013
  22. 30Getting HD-SDI monitors working with the Alexa camera for video assistGeneral Discussion forum · 2010
  23. 31Connecting Sony EX1 video output to Steadicam® Pilot LCD monitorSteadi-Newbies forum · 2009
  24. 32Connecting a Sony PMW-EX1 camera to a Steadicam® Pilot monitor via video outputSteadi-Newbies forum · 2008
  25. 33Tiffen Ultra Brite 2 monitor compatibility issues with Red Epic and Scarlet camerasMonitors forum · 2013
  26. 34Cinetronic Gen 2 monitor compatibility with Sony F55 cameraMonitors forum · 2015
  27. 35Connecting Sony F55 camera to Cinetronic 2 monitor at 23.997fpsMonitors forum · 2017
  28. 36Converting HD-SDI output to composite video for legacy monitorsMonitors forum · 2016
  29. 37Choosing and troubleshooting the monitor on a stabilizer rigOperator practice forum · 2026Disputed
  30. 38Sony FS5 SDI signal intermittently cutting out on V-LCD70XHB monitor when connected to Zephyr steadicamSteadi-Newbies forum · 2019
  31. 39Ultra 2 monitor signal dropout issues and solutionsMonitors forum · 2015
  32. 40HD-SDI signal interference in camera stabilizer rigs from radio communication equipmentGeneral Discussion forum · 2011Disputed
  33. 41Ultra Bright monitor losing graphical menu interface and failing to detect SDI syncMonitors forum · 2015
  34. 42Used Zephyr with original SD monitor shows 'No signal' with Sony FX6; HD-SDI compatibility and monitor upgrade.Facebook · Steadicam operators group · 2026
  35. 43Video distortion and signal issues when using AJA downconverters with Alexa cameras on steadicam rigsVideo Assist and Video Accessories forum · 2011
  36. 44Alexa Mini SDI sync problems with external SD monitor via downconverterMonitors forum · 2016
  37. 45Video signal loss on Shogun Flame monitor in RF-intensive environmentsMonitors forum · 2016
  38. 46Signal issues when connecting Canon 5D Mark II to external monitor through Blackmagic converterGeneral Discussion forum · 2016
  39. 47HD SDI signal dropout issues on UltraBrite 2 monitors during initial connectionMonitors forum · 2009
  40. 48Bolt Pro 600 wireless video transmission performance and suitability for production workVideo Assist and Video Accessories forum · 2014
  41. 49Teradek Bolt Pro 2000 wireless video transmitter capabilities and compatibilityVideo Assist and Video Accessories forum · 2013
  42. 50Teradek Bolt 2000 wireless video transmitter performance and practical on-set useVideo Assist and Video Accessories forum · 2014
  43. 51Paralinx Ace wireless video transmitter performance, features, and practical setup considerationsVideo Assist and Video Accessories forum · 2016
  44. 52Long-range HD wireless video transmission options for film productionVideo Assist and Video Accessories forum · 2013
  45. 53Nimbus WiMi6200 HD-SDI wireless video transmitter performance and capabilitiesVideo Assist and Video Accessories forum · 2014
  46. 54Eclipse 500 HD wireless video transmitter performance and group purchaseVideo Assist and Video Accessories forum · 2015
  47. 55IDX CAM-WAVE HD wireless camera transmission system specifications and capabilitiesVideo Assist and Video Accessories forum · 2008Disputed
  48. 56Wireless HD video transmission systems for film production monitoringVideo Assist and Video Accessories forum · 2012
  49. 57Using Paralinx Arrow wireless video transmission for critical focus pullingVideo Assist and Video Accessories forum · 2013Disputed
  50. 58IDX CW-3 wireless 3G-SDI transmission system specifications and feature roadmapVideo Assist and Video Accessories forum · 2014
  51. 59Ikan HD wireless video transmitter latency and antenna durabilityVideo Assist and Video Accessories forum · 2013
  52. 60Rebotnix RB-2 wireless video transmission system specifications and comparisonVideo Assist and Video Accessories forum · 2013Disputed
  53. 61Wireless video transmission technology choices and latency performance for professional on-set useVideo Assist and Video Accessories forum · 2014
  54. 62Wireless video transmission system for camera operation with assessment of 12-frame delay impactVideo Assist and Video Accessories forum · 2006Disputed
  55. 63Wireless video transmission system with low latency and wall penetration capabilityVideo Assist and Video Accessories forum · 2006
  56. 64Teradek Cube wireless HD encoder/decoder system performance and features for on-set monitoringGeneral Discussion forum · 2010
  57. 65Teradek Cube HD video encoder performance, latency characteristics, and practical application in production environmentsVideo Assist and Video Accessories forum · 2010Disputed
  58. 66Wireless video transmission systems for video assist applicationsVideo Assist and Video Accessories forum · 2012
  59. 67Anton Bauer HD RF wireless video transmission system performance and pricingVideo Assist and Video Accessories forum · 2013
  60. 68Frame delay when using wireless video transmission with Sony F900 camera and external modulus receiverVideo Assist and Video Accessories forum · 2009
  61. 69Latency introduced by HD signal cross conversion in video convertersVideo Assist and Video Accessories forum · 2014
  62. 70Wireless HD video transmission system with minimal latency for on-set monitoringVideo Assist and Video Accessories forum · 2008Disputed
  63. 71Wireless video transmission causing red ghosting artifacts on Sony DSR 500 cameraVideo Assist and Video Accessories forum · 2004
  64. 72Wireless video assist receiver performance issues in New York City environmentsVideo Assist and Video Accessories forum · 2009
  65. 73Wireless video monitoring setup for Steadicam® rigs using transmitters and receiversVideo Assist and Video Accessories forum · 2004
  66. 74Wireless video transmission for remote control camera cars experiencing signal dropout during high-motion scenariosVideo Assist and Video Accessories forum · 2010Disputed
  67. 75RF interference from wireless video transmitters affecting HD camera recordingsVideo Assist and Video Accessories forum · 2009
  68. 76Radio frequency interference between Modulus wireless transmitters and Bartech focus control systemsVideo Assist and Video Accessories forum · 2007
  69. 77Canatrans transmitter causing radio frequency interference with Panatape focus measurement systemVideo Assist and Video Accessories forum · 2007
  70. 78Electromagnetic interference between Preston MDR and RedByte Decimator devices on camera rigVideo Assist and Video Accessories forum · 2011
  71. 79Monitor signal loss caused by walkie talkie interference during video monitoring setupMonitors forum · 2014
  72. 80Compatibility of Teradek Bolt wireless video transmission with Heden Carat Bluetooth focus control systemsVideo Assist and Video Accessories forum · 2014
  73. 81Upgrading antenna systems on Switronix Recon wireless video receivers with external SMA-connected antennasVideo Assist and Video Accessories forum · 2012
  74. 82Mounting wireless video transmitters on Steadicam® rigsSteadi-Newbies forum · 2007
  75. 83Mounting a Canatrans wireless video transmitter on a camera recorder mount instead of at the top of the camera rigVideo Assist and Video Accessories forum · 2008
  76. 84Optimal placement of wireless video transmitters on camera sledsVideo Assist and Video Accessories forum · 2011
  77. 85Compatible replacement antennas for Boxx wireless video systemsVideo Assist and Video Accessories forum · 2014
  78. 86Mounting positions and cabling options for Canatrans video transmitters on camera rigsVideo Assist and Video Accessories forum · 2011
  79. 87Selecting receive antennas for Modulus 3000 wireless video systemsVideo Assist and Video Accessories forum · 2008Disputed
  80. 88Selecting wireless video transmitter and receiver equipment for video assistVideo Assist and Video Accessories forum · 2008
  81. 89Custom-tuned video transmitter antennas for improved power efficiencyVideo Assist and Video Accessories forum · 2007
  82. 90Finding replacement antennas for Modulus 2000 video transmitter equipmentVideo Assist and Video Accessories forum · 2009
  83. 91Testing consumer-grade wireless HDMI transmission devices for low-cost on-set video monitoringVideo Assist and Video Accessories forum · 2011
  84. 92Wireless HDMI transmission systems for lightweight aerial platformsVideo Assist and Video Accessories forum · 2012
  85. 93Wireless video transmission systems for cinema and television production useVideo Assist and Video Accessories forum · 2008
  86. 94Budget wireless video transmission systems for steadicam use and their frequency considerationsVideo Assist and Video Accessories forum · 2009
  87. 95Using consumer wireless HDMI system on professional film sets with RED cameraVideo Assist and Video Accessories forum · 2011Disputed
  88. 96Building an entry-level wireless video monitoring system on a budgetVideo Assist and Video Accessories forum · 2016
  89. 97Budget wireless 2.4 GHz video transmitter and receiver options for camera rigsVideo Assist and Video Accessories forum · 2009Disputed
  90. 98Comparing UHF and 2.4 GHz wireless video transmission for on-set useVideo Assist and Video Accessories forum · 2012
  91. 99Selection and performance characteristics of wireless video transmitter systems for production useVideo Assist and Video Accessories forum · 2006
  92. 100Wireless video transmission frequency selection for camera movement applicationsVideo Assist and Video Accessories forum · 2007
  93. 101Choosing between 1.2 GHz and 2.4 GHz radio links for wireless video transmissionVideo Assist and Video Accessories forum · 2004
  94. 102Comparing wireless video transmission systems for film production: broadcast, microwave, and emerging technologiesVideo Assist and Video Accessories forum · 2006Disputed
  95. 103Wireless video transmitters for on-set monitoring and their practical performanceVideo Assist and Video Accessories forum · 2007
  96. 104Wireless video transmitters for on-set use: frequency bands, power levels, and interference challengesVideo Assist and Video Accessories forum · 2005Disputed
  97. 105Wireless video transmitter and receiver options for camera equipmentVideo Assist and Video Accessories forum · 2009
  98. 106Video transmitter options for on-set video assist, comparing microwave and 2.4 GHz systemsVideo Assist and Video Accessories forum · 2004
  99. 107Wireless video transmitters for broadcast use: legality, power output, frequency selection, and antenna design considerationsVideo Assist and Video Accessories forum · 2004Disputed

What operators found

Still argued about

  1. 2026Finding a bright (1500–2000 nits) low-mode monitor with recording and SDI I/O to replace a defective Transvideo Starlite.FacebookSteadicam operators group
  2. 2026Monitor brightness and heat performance in direct sunlight: SmallHD 703 UB versus alternatives.FacebookThe Steadicam Group
  3. 2026Low-mode monitor selection for Volt Brain rig: latency performance of Transvideo Starlite versus current alternatives.FacebookThe Steadicam Group

Often in the same threads

Low Mode48, Monitor Bracket40, Zephyr32, Top Stage28, Artemis21, Volt12, CineLive8, CineMonitorHD813, Modulus91, Follow Focus15, Master Series15, BFD12

All threads

  1. 2026Repairing shorted BNC video lines in an ARRI Artemis 1 sled: interim workarounds and permanent solutions.FacebookSteadicam operators group
  2. 2026Used Zephyr with original SD monitor shows 'No signal' with Sony FX6; HD-SDI compatibility and monitor upgrade.FacebookSteadicam operators group
  3. 2026Quick 90-degree monitor rotation for portrait-format social media shots (9:16) on stabilizersFacebookThe Steadicam Group
  4. 2026Lemo connectors on the ARRI Artemis sled: pinout, polarity verification, and powering low-mode monitors and Volt battery.FacebookSteadicam operators group
  5. 2026Finding a bright (1500–2000 nits) low-mode monitor with recording and SDI I/O to replace a defective Transvideo Starlite.DisputedFacebookSteadicam operators group
  6. 2026Monitor brightness and heat performance in direct sunlight: SmallHD 703 UB versus alternatives.DisputedFacebookThe Steadicam Group
  7. 2026Low-mode monitor selection for Volt Brain rig: latency performance of Transvideo Starlite versus current alternatives.DisputedFacebookThe Steadicam Group
  8. 2026Low mode and flipping the image: what to check on the camera before the dayOperator practice
  9. 2026Powering everything from the sled: voltage, current, and why the two get confusedOperator practice
  10. 2026Choosing and troubleshooting the monitor on a stabilizer rigDisputedOperator practice
  11. 2026Transvideo has ceased trading: what owners of their monitors need to knowOperator practice
  12. 2025Integrating a Betz Wave monitor into a Steadicam® PRO sled via fixed bayonet connectors: balance geometry and operational gains.FacebookThe Steadicam Group
  13. 2025Gimbal upgrade path for GPI PRO CineLive: Volt 2 now versus Volt 3 or alternative horizon stabilizers (Wave, MK-V Level), and adapter compatibility.DisputedFacebookThe Steadicam Group
  14. 2025Mounting a budget Shimbol monitor to a Steadicam® sled with integrated power and video cabling.FacebookThe Steadicam Group
  15. 2025Mounting a monitor at the battery rack on ARRI Trinity 2 in AR/X-mode: holder options and balance considerations.FacebookArri Artemis Trinity
  16. 2025Brightness requirements for low-mode monitoring: Blackmagic Video Assist 5-inch 3G at 300 nits versus alternatives for outdoor use.DisputedFacebookSteadicam operators group
  17. 2025SmallHD Ultra 7 as a sled monitor: image quality versus off-center mounting and weight distribution concernsDisputedFacebookSteadicam operators group
  18. 2025Bright 5- to 6-inch low-mode monitors with integrated level display: comparison of options and level accuracy concerns.DisputedFacebookThe Steadicam Group
  19. 2025Monitor bracket compatibility between Artemis generations: yoke rod width changes and retrofit kit availabilitySteadiHub
  20. 2025Monitor selection for Steadicam®: brightness, size, weight, and thermal performance with small HD Ultra 5, Port Keys BMS IV, Feelworld 6Luts, Transvideo Starlite HD+, and Blackmagic Video Assist 5 inch.SteadiHub
  21. 2025Operating ARRI Trinity 2 and Transvideo Starlite monitor in extreme cold (below -20 °C).SteadiHub
  22. 2025Affordable monitor mounting solution for low-mode operation with Axis Volt stabilizerSteadi-Newbies
  23. 2025Return video feed solutions for Steadicam operators during live broadcastsVideo Assist and Video Accessories
  24. 2024Using the SSB-3 side bracket for low-mode monitor mounting on ARRI Artemis Trinity and Steadicam® Volt.FacebookArri Artemis Trinity
  25. 2024Shimbol Memory 7 Pro as a Steadicam® monitor: build quality, SDI connectivity, recording capability, latency, and cost comparison to SmallHD and Blackmagic alternatives.FacebookThe Steadicam Group
  26. 2024Upgrading video cable in Steadicam® Aero 30 center pole from 3G-SDI to 12G-SDIFacebookSteadicam operators group
  27. 2024ARRI Trinity 1 Live upgrade (NAB 2024): broadcast mounting plates, tally integration, and control optionsFacebookArri Artemis Trinity
  28. 2024Motorized cmotion Rota-Pola-Stage rotatable polarizing filter in the matte box: weight versus convenience on Steadicam®FacebookSteadicam operators group
  29. 2024Auto-record function on Transvideo Starlite HD monitor: compatibility with ARRI, RED and Sony cameras.DisputedFacebookSteadicam operators group
  30. 2024Electronic spirit levels for video monitors: integrated sensors versus external gyro-stabilized indicators.DisputedFacebookThe Steadicam Group
  31. 2024Monitor size choice for lightweight Steadicam® rigs: 5-inch versus 7-inch trade-offsDisputedFacebookThe Steadicam Group
  32. 2024Choosing and integrating a low-mode monitor for Steadicam® rigs: performance, power stability, and balance considerations.FacebookSteadicam operators group
  33. 2024MK-V 2-inch gimbal with Tiffen Volt combination: compatibility, cost, and leveling alternatives.DisputedFacebookThe Steadicam Group
  34. 2024Virtual horizon feature in SmallHD 703 monitor firmwareGeneral Discussion
  35. 2024Adding a low mode monitor setup to a Steadicam Clipper 2 without standard rod mountingSteadi-Newbies
  36. 2024Low-mode monitor mounting solution for MKV Nexus SledGeneral Discussion
  37. 2023Low-mode monitor mounting solutions on a Volt Sled with M2-Top-StageFacebookSteadicam operators group
  38. 2023Lighter and coplanar monitor mounting on an ARRI Artemis 2 with Tiffen VoltFacebookArri Artemis Trinity
  39. 2023Tally indication on external monitors (SmallHD 703 UB) without Transvideo integration on GPI CineLiveFacebookThe Steadicam Group
  40. 2023SmallHD Cine 7 with integrated Bolt 6 transmitter as a Steadicam® monitor: weight savings versus system lock-in and transmitter placement strategy.DisputedFacebookSteadicam operators group
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