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Buying

589 threads in the archive

Based on 601 threads · 83 cited

AI draft, not reviewedDraft, written by AI from the archive, every statement linked to its source — not yet reviewed.

Before you buy anything, weigh your full assembled package and pick a rig whose rating clears it with headroom 12. Take a workshop first, try rigs in person, then buy a used name-brand rig that fits your camera weight and budget for roughly 15,000 to 30,000 USD, with accessories on top 1617262728. Fly any used rig yourself and have the manufacturer inspect it before you pay 4142.

The questions 9

What weight can this rig carry for my camera?37 threads · latest 2022

In short

Weigh your full assembled package, then pick a rig whose rating clears it with headroom 12. Entry-level rigs today carry roughly 20 lb for the Aero 30 and 23 lb for the Zephyr 3.

How the pros do it

  1. Weigh the complete camera package first, with lens and follow focus on 1. Count camera, sled, monitor, battery and accessories, because an 8-10 kg setup called for a rig sized for 15-20 kg total 2.
  2. Check what the maker's number covers, because payload can mean total weight on the sled, arm capacity alone, or camera weight only 4. The Zephyr net camera weight counts body, top-platform accessories, cards and quick-release plate, but not counterweights or the system monitor 5.
  3. Match the weight to the class: Scout is 8 kg and Zephyr is 11 kg 6, while the Scout is also quoted at 5-18 lb 7. The Pilot is specified for 2 to 10 lb 8, and full-sized rigs typically carry 40-50 lb 4.
  4. Don't fly at the limit, since operators advise against consistently flying the maximum payload 3. The Zephyr was called close to its limit at 24 lb 5.
  5. Trim weight where you can by removing top handles and eyepieces 9. Power the camera from the sled 7, and move batteries and recorders to external packs and skip the matte box, which took a 24-30 lb rig down to about 22 lb 10.
  6. Size up for heavy glass, because an Archer 1 or 2 is recommended for a Mini with large-format anamorphics 11. An Alexa Classic needs a full-sized professional rig 12.
Caution

Overloading a sled can cause gimbal failure or bearing wear that needs repair or replacement 4. It may also get an insurance claim rejected if equipment is damaged 14.

Opinions differ here

Operators disagree on pushing rigs past spec 14. Some report an Archer carrying up to 16 kg without gimbal problems 14 and about 18 kg when balanced with added weight 15. Others say that if you consistently fly 18 kg or more, you should pick a rig built for that range 14, and that overloading causes gradual, non-obvious damage 9.

What changed

Earlier, in 2008, the Flyer was the 19 lb mid-class rig 13, today, in 2018, the entry-level rigs are the Aero 30 at 20 lb and the Zephyr at 23 lb 3.

Ask a follow-up
Which rig should I buy as a beginner for my first stabilizer?31 threads · latest 2026

In short

Take a course and try rigs in person first, then buy a used name-brand rig that fits your camera weight 1617. For professional work today the Steadicam® Zephyr is the minimum and the Tiffen Archer 2 is preferred 18.

How the pros do it

  1. Take a training course before you spend money, because some people find out they dislike wearing a rig 16. Try a vest and handle rigs in person too 19.
  2. Match payload to your camera, because your first rig should handle the full range of kits you use on paid work 17. A Zephyr flies most Red and Alexa Mini builds 20.
  3. If you only want to learn, a Steadicam® Pilot under $750 handles up to 10 pounds and has flown a Sony EX1R with accessories 21. The Flyer LE teaches inertia, but even a basic ARRI ALEXA Mini build saturates it 18.
  4. For professional work, the standard entry points are the Zephyr, the Aero 30, or a used Master Series or PRO 1, all around USD 6,000-10,000 18. Have a used Zephyr serviced before or right after you buy it 20.
  5. If you want a longer runway, the Steadicam® Elite carries 14 kg with a Volt 3 gimbal built into the sled 22. Retrofitting a Volt gimbal onto third-party sleds is not approved by the manufacturer 22.
  6. Budget $5,000 to $10,000 beyond the rig for accessories and cables 23. You can rent wireless video and focus gear at first 17.
Caution

The Zephyr yoke can snap if you overload the rig beyond its weight capacity 20.

Opinions differ here

One side says start cheap: a Pilot under $750 lets you build skill before committing capital 21. The other side says a budget purchase is often wasted, since some buyers ended up renting professional rigs anyway 25, and the Flyer LE saturates quickly 18. A middle route is a used Zephyr kit that you resell at a similar price after a year 22.

What changed

Earlier, in 2012, a used Flyer LE at around $5000 was the typical starter rig 24, today, in 2026, the Steadicam® Elite with 14 kg payload and an integrated Volt 3 gimbal is a first-purchase option 22.

Ask a follow-up
How much should I budget to start as a steadicam operator?23 threads · latest 2026

In short

Plan on about 15,000 to 30,000 USD for a used professional rig 2627. Accessories come on top of that 28.

How the pros do it

  1. Take a workshop before you spend anything 27. Then try other operators' rigs, because vests vary a lot in fit 27.
  2. Put real money into a high-load-capacity arm and a quality vest 26. The first sled can be cheap if it works, and you can swap it later 26.
  3. If you only have 15,000 USD, look at used pro rigs, since complete Ultra-2 kits go for around 14,500 USD 26. At 20,000 USD, a used Archer 2 sled covers most indie and small-budget jobs 29.
  4. Budget for accessories on top of the rig, such as batteries, follow focus, transmitters and cases 30. Start with six to nine batteries and buy them new, because you can't verify how used ones were treated 28.
  5. Search for months and move fast on listings, since gear on forums disappears quickly 28. A used PRO sled with Master arm fit a 25,000 USD budget after months of searching and haggling 31.
  6. If you can't afford a pro rig yet, learn on a used Pilot or A-15 with a lightweight camera 32. Study the manual and training video, practice for several weeks, then buy a rig matched to your camera 32.

Opinions differ here

Most advise against Rever EVO and similar budget brands because of cast parts, weak bearings and loosening fasteners 26, while one user of the Rever predecessor found it adequate for the price 26. Some users call the Thanos Pro Cine at 4,500-5,000 USD solid and widely deployed 33, but its longevity is contested 33.

What changed

Earlier, in 2011, a used PRO sled with Master arm fit within 25,000 USD 31, today, in 2025, about 30,000 USD is described as sufficient for a starter kit 27.

Ask a follow-up
Are budget or knockoff stabilizers worth buying instead of genuine Steadicam®?21 threads · latest 2025

In short

Mostly no. The majority view is that budget rigs are poor value and fail near their rated load 34, though a cheap rig can work as a learning tool before you invest 3536.

How the pros do it

  1. Budget for a brand entry point instead: the Steadicam® Pilot, a used Steadicam® Zephyr, or Tiffen and GPI PRO systems, generally from USD 10,000 up 34.
  2. Look at old large rigs on the used market, which are as cheap as they have ever been 34. One example is a used MK-V sled with a Tiffen vest and CP-3A arm, where repair channels and spares are still known 34.
  3. If you go cheap anyway, treat it as a trial to find out whether Steadicam® work suits you before you buy pro gear 3536. Never push it near its rated load 34.
  4. Expect work on arrival: budget rigs often come with loose fasteners that need thread-locking compound, and some have bent edges or broken threads 37. Cheap arms add springiness to the image and cheap sleds add vibration 34.
  5. For light cameras at events, a motorized hand gimbal like the DJI Ronin RS2 or RS3 has a much shorter learning curve than vest and arm 34.
  6. Take a workshop or private lessons before you buy 34. Training and practice count for more than the gear 38.
Caution

Poor vests risk physical harm, and inferior sleds can vibrate and endanger the camera 34. One EEMOV arm broke under a seven pound load during a concert job 40.

Opinions differ here

The majority says budget rigs like the Walimex Pro with Laing stabilizer are poor value and lack manufacturer support 34, and that they risk giving DPs and producers a bad impression of Steadicam® work 39. A minority sees an affordable learning set that keeps its resale value 34. One operator reported a low-cost stabilizer flying RED Epic, Scarlett and Alexa Classic when properly balanced, though others warn that it can damage your credibility on pro sets 35.

What changed

Earlier, in 2007, a budget rig was described as giving acceptably smooth footage when balanced 37, while today, in 2025, the majority calls such rigs poor value that often fail near rated capacity 34.

Ask a follow-up
What should I check before buying a used rig?20 threads · latest 2023

In short

Fly it yourself, test the gimbal, stage, power and video, and have the manufacturer inspect it before you pay 4142. Then confirm the seller really owns it 4344.

How the pros do it

  1. Fly the rig on both arm and vest 41. Bring an experienced operator, because they spot condition problems a casual buyer misses 45.
  2. Check the gimbal. Balance it on a drop time of 3-4 seconds in one direction, rotate it 180 degrees and confirm it still holds 46. Run it under load to see if pan and tilt stay smooth, and move the stage through its full range in all directions 42.
  3. Test every power connection and video signal path 42. Make sure the monitor powers on, and have someone at the location check it rather than trusting the seller 47. On a Master Series sled, remember it was built for analog NTSC and PAL and needs modification to pass HD-SDI 48.
  4. Have the manufacturer or an authorized service center inspect the rig before you complete the purchase 41. Ask the seller to ship it there and pay only after you get confirmation it is in good condition 41.
  5. Verify ownership. The manufacturer can check the serial number against ownership history, and PERA can show whether it was reported stolen 43. Ask for ownership documentation and the legal right to sell 49. Cross-check serial numbers and insist on current photos of the actual gear 44.
  6. Ask for the number of production days, battery wear, past repairs and an itemized list of everything included 49. Budget extra, because a complete rig at £6500 may not include a monitor, cables or batteries, which can add several thousand pounds 41.
Caution

Never mount a heavy-duty socket block on a Flyer vest, because the vest clasps will likely fail under load 51. Exceeding a rig's design payload range can cause gimbal failure, vibration and reduced stiffness 51.

What changed

Earlier, in 2008, the Master Series was recommended as a flexible used buy for television work, today, in 2018, it needs modification to pass HD-SDI signals 5048.

Ask a follow-up
When should I upgrade to a bigger or better rig?16 threads · latest 2026

In short

Upgrade when your jobs consistently approach or exceed your rig's payload limit 52. If your current rig still carries your cameras without problems, the gain from moving up may not justify the cost 53.

How the pros do it

  1. Multiple lenses or extra motors are what push lightweight rigs past their weight constraints 52.
  2. The Pilot tops out around 10 pounds and cannot be fixed with stronger arms or springs 54. The Axis gimbal supports about 9 kg 55, and the new Elite is rated for 14 kg 56.
  3. If the rig handles your cameras and future cameras are not much heavier, a Scout does not justify the high cost 53. A vest-only upgrade on a Pilot gives a big ergonomic gain for much less money 53.
  4. Verify vest fit, gimbal stability, absence of vibration and a solid top stage 57.
  5. For heavy cinema cameras the secondhand market is currently the better option, so check specialist forums regularly 58. Used gear from established manufacturers also works on a budget 52.
  6. Ease into the cost. Rent unfamiliar gear and upgrade components one at a time 59. Keep your older rig as a backup during the transition 56.
Caution

Overloading a Steadicam® Pilot beyond its design limit will damage the gimbal and other components 54. Metal parts in budget systems wear out within months under heavy cinema rigs 58.

Opinions differ here

Operators split on upgrade order: one thread says the gimbal comes first because it drives image stability 61, while another says arm first, then sled 57. On budget, one camp says save for a quality rig from XCS, PRO or Tiffen 62, while the other favors stepwise upgrades from Glidecam, Flycam and Aero up to a Zephyr 62.

What changed

Earlier, in 2009, stepping up meant moving to an Archer with about 30 pounds of capacity for RED packages 60, today, in 2025, entry-level vests are ruled out for ALEXA 35 and Venice rigs and used professional systems are the better buy 58.

Ask a follow-up
Should I take a workshop before buying a rig?14 threads · latest 2026

In short

Yes, take the workshop first and buy once you know what you need 6364.

How the pros do it

  1. Book a workshop before you spend on gear 6566. A week-long course also shows you whether Steadicam® operating is the right career 67.
  2. Use the workshop to try several rigs side by side 68. Comfort and function differ in ways you can't read off a spec sheet 68.
  3. Skip the budget rig as a practice platform 64. Most operators say it behaves differently and you end up learning twice 64.
  4. After the course, consider a used rig 63. Used gear cuts the starting cost and still gives you a complete working rig 65.
  5. Budget for more than the sled 65. Total initial investment, with cables, monitors, power and reserves, typically runs two to three times the base rig cost 65.
  6. Prepare beforehand with the Steadicam® Operator's Handbook and by meeting local operators for practice 69.
Caution

Learn posture and technique early, because bad habits are hard to correct later and can cause injury 67.

Opinions differ here

Operators split on timing 69. Most say workshop first, but the 2026 thread also records a dispute over whether to attend a workshop before buying a professional rig or to buy the professional rig first 69. A minority in 2023 held that a budget rig is acceptable for modest money, better than waiting years without practice 64.

Ask a follow-up
What accessories and cables should I buy first for my rig?14 threads · latest 2026

In short

Start with a monitor power cable and at least two 4-pin XLR cables 7071. Then add follow focus, and buy camera-specific cables only for jobs you are booking 7273.

How the pros do it

  1. Get a monitor power cable and a 4-pin XLR cable first 71. Buy at least two XLRs, since it is the most common power solution for broadcast cameras 70.
  2. Pair the XLR with an XLR to Gold Mount or V-mount adapter plate, so one cable powers several camera types 71. An Anton Bauer SO-XLR plate does the same for cameras with Anton Bauer plates 70.
  3. Add P-tap extension cables, male and female, so your assistants have familiar power options 73. A P-tap male to 4-pin XLR female cable taps 12 V from an Anton Bauer plate for accessories or monitors 70.
  4. Buy quality 3G or better BNC cables from sled to monitor, plus shielded BNC to the camera 73. Curly SDI cables are more robust and have built-in right-angle connectors 73.
  5. Buy camera-specific power cables only for the cameras your market is booking 7473. Power cables for different camera models are not interchangeable 74.
  6. Make follow focus your first major accessory, and add a wireless video transmitter after it 72. Keep three spares of every cable and a second monitor of equal size 75.
Caution

One operator reported monitor failure and motor freezing when a motorized system was powered through an amplifier, and the cause was never resolved 77.

What changed

Earlier, in 2011, operators advised stocking a wide range of camera-specific power cables 76, today, as of 2017, most modern digital cameras run on onboard batteries, so you buy those cables based on actual market demand 73.

Ask a follow-up
How can I finance my first Steadicam® rig?8 threads · latest 2024

In short

Most operators combine a dealer or rental-house program, a bank loan backed by a business plan, or a used rig bought in stages 7879. Only finance a big rig if you have realistic job prospects 78.

How the pros do it

  1. It builds your skills and gives you real numbers to show a bank 8079.
  2. EFP, PRO 1, Ultra 1, Ultra 2, Clipper, Archer and modified Zephyr units are named as good value 78. A used complete rig from another operator can cost less than new 81.
  3. For a bank loan, bring a business plan and letters of intent from potential clients 79. Expect to put down 20% in cash 79. A 5-year amortization gives lower monthly payments than 3 years 79.
  4. Bring brochures and specs, since the rig is the collateral 82. Shop several banks and compare rates and terms 82.
  5. Line up financing before you start looking at gear, so you don't miss a good rig 81. Upgrading in stages, arm first, then vest, then sled, costs less than buying a complete rig at once 78.
  6. If you have no capital, you can operate a retiring operator's rig and have the rental income credited toward buying it 78. That needs a watertight contract or real trust 78.

Opinions differ here

One 2005 account describes a bait-and-switch with doubled interest and payments after the deposit was cashed 83. A 2010 thread says such financiers may offer better terms and industry understanding than general banks 79. A 2024 account found an unsecured personal loan from a main bank cheaper than film equipment financiers, with early repayment allowed without penalty 78.

What changed

Earlier, in 2005, operators warned about specialized Steadicam® financing companies that swapped in worse contract terms after taking a deposit 83, today, in 2024, a specialized film equipment financier is listed as a normal path next to dealer programs and bank loans 78.

Ask a follow-up

Sources 83

  1. 1Selecting a used Steadicam® rig under 20 lb capacity for RED Komodo with larger lenses and follow focus.Facebook · Steadicam operators group · 2022Disputed
  2. 2Selecting a steadicam system for cameras in the 8-10kg weight rangeGeneral Discussion forum · 2016
  3. 3Comparison of Aero 30 and Zephyr steadicam rigs for lightweight camera packagesGeneral Discussion forum · 2018
  4. 4Payload capacity differences between steadicam sleds and how it affects equipment selectionSteadi-Newbies forum · 2019
  5. 5Selecting between Steadicam® Zephyr and Flyer systems for studio use with larger broadcast camerasSteadi-Newbies forum · 2011
  6. 6Comparing Steadicam® Scout and Zephyr for use with Sony F5 and similar camerasGeneral Discussion forum · 2014
  7. 7Suitability of Steadicam® Scout for operating a 14-pound RED Scarlet-W camera and recommended accessoriesGeneral Discussion forum · 2016Disputed
  8. 8Maximum camera weight capacity for the Steadicam® Pilot and how to interpret the 10 lb payload specificationSteadi-Newbies forum · 2012Disputed
All 83 sources
  1. 9Suitability of Archer 2 sled with G50-X arm for typical camera setups in professional workGeneral Discussion forum · 2018
  2. 10Selecting a steadicam system for a heavy DSLR cinema rig used in live event workSteadi-Newbies forum · 2014
  3. 11Stabilizer rig choice in the €3,000–6,000 range for ARRI ALEXA Mini with anamorphic lenses on larger productions after entry-level equipment.Facebook · Steadicam operators group · 2021
  4. 12Choosing an appropriate steadicam rig for learning with an Arri Alexa Classic cameraSteadi-Newbies forum · 2020
  5. 13Choosing between Steadicam® Pilot and Flyer rigs for different shooting scenariosSteadi-Newbies forum · 2008Disputed
  6. 14Weight capacity and load-carrying capabilities of Archer and Clipper steadicam rigsSteadi-Newbies forum · 2008
  7. 15Capabilities and limitations of the Archer Steadicam® rig compared to larger modelsSteadi-Newbies forum · 2008Disputed
  8. 16Selecting a Steadicam® rig and getting started as an operatorSteadi-Newbies forum · 2010
  9. 17Advice for purchasing a first steadicam rig as a new operatorSteadi-Newbies forum · 2015
  10. 18Entry-level rig comparison: Glidecam X-22 at USD 2,200 versus lightweight alternatives and professional progression paths.Facebook · The Steadicam Group · 2024Disputed
  11. 19Choosing a first steadicam rig as a beginner operatorSteadi-Newbies forum · 2020
  12. 20Advice for beginners purchasing and using a Zephyr steadicam rigSteadi-Newbies forum · 2020
  13. 21Starting a Steadicam® career and choosing an appropriate entry-level rigSteadi-Newbies forum · 2024
  14. 22First stabilizer purchase: Steadicam® Elite (14 kg payload, integrated Volt 3) versus Rever Evo (higher payload) and used-market strategy.Facebook · The Steadicam Group · 2026Disputed
  15. 23Starting a Steadicam® career on a limited budget with used rigs under $30,000Steadi-Newbies forum · 2009Disputed
  16. 24Choosing between Pilot and Flyer LE stabilization rigs for beginnersSteadi-Newbies forum · 2012
  17. 25Evaluation of Glidecam V.16 stabilizer as a beginner learning toolSteadi-Newbies forum · 2009
  18. 26Entry-level stabilizer strategy on a 15,000 USD budget: Rever EVO versus used Artemis 2 or M2 plus Volt, in a market with limited secondhand availability.Facebook · The Steadicam Group · 2026Disputed
  19. 27Getting started with Steadicam® operating as a professional freelancerGeneral Discussion forum · 2025
  20. 28Building a first Steadicam® rig with a 25,000 dollar budgetSteadi-Newbies forum · 2021
  21. 29Selecting a solid entry-level Steadicam® rig on a USD 20,000 budget: vest priority, used arm and sled, upgrade path.Facebook · The Steadicam Group · 2021
  22. 30Selecting and budgeting for a Steadicam® rig for film productionSteadi-Newbies forum · 2008
  23. 31Starting a Steadicam® operating business with a $25,000 initial budget for video camera workSteadi-Newbies forum · 2011
  24. 32Buying strategy for a 25,000 USD entry-level rig: used Artemis-1 with Flowcine X-Arm versus Rever-Evo Sled, and the case for learning on budget equipment firstFacebook · The Steadicam Group · 2026Disputed
  25. 33Choosing an entry-to-advanced stabilizer rig in the 3,000–5,000 USD budget rangeFacebook · Steadicam operators group · 2024Disputed
  26. 34Buying a budget vest-and-arm rig (Walimex Pro with Laing stabilizer) for 5–8 kg cameras at events: cost-benefit and learning-curve trade-offs.Facebook · Steadicam operators group · 2025Disputed
  27. 35Budget steadicam rigs for practice and professional viabilitySteadi-Newbies forum · 2015Disputed
  28. 36Suitability of budget stabilizer rigs like Magic Arm and Flycam 6000 for the Sony EX1 cameraSteadi-Newbies forum · 2009
  29. 37Budget steadicam rig performance and practical considerations for beginnersSteadi-Newbies forum · 2007
  30. 38Comparing stabilization rigs under $5000 for small production useSteadi-Newbies forum · 2004
  31. 39SmallRig entry into the Steadicam® market with budget vests and arms: operator assessment of low-cost manufacturers.Facebook · Steadicam operators group · 2024Disputed
  32. 40Reliability and durability of EEMOV stabilizer systems compared to alternativesSteadi-Newbies forum · 2015
  33. 41What to check when buying a used Steadicam® Clipper 2 rigSteadi-Newbies forum · 2013
  34. 42Pre-purchase inspection checklist for a Broadcast Master camera stabilization systemGeneral Discussion forum · 2017
  35. 43Verifying the ownership history and legitimacy of a used Steadicam® equipment purchaseSteadi-Newbies forum · 2006
  36. 44Detecting fraudulent used-equipment listings: copied photos and text in a Trinity 1 sale.Facebook · Steadicam operators group · 2023
  37. 45Purchasing used Steadicam® systems and avoiding impulsive buying decisionsSteadi-Newbies forum · 2015
  38. 46Evaluating the purchase of a used ActionCam stabilizer rig as a first systemGeneral Discussion forum · 2020
  39. 47Evaluation criteria for purchasing used Steadicam® equipmentGeneral Discussion forum · 2005
  40. 48Evaluating used Steadicam® Master Series rigs versus newer systems for operators starting outGeneral Discussion forum · 2018
  41. 49Purchasing considerations for used Steadicam® rigsGeneral Discussion forum · 2012
  42. 50Choosing between used Master Series and Archer steadicam rigs for television workSteadi-Newbies forum · 2008
  43. 51Guidance for purchasing a used stabilizer rig within a limited budgetSteadi-Newbies forum · 2010
  44. 52Upgrading from a lightweight stabilizer rig to a larger payload-capable systemSteadi-Newbies forum · 2019
  45. 53Whether upgrading from Pilot to Scout steadicam system is worthwhile for lightweight camera workSteadi-Newbies forum · 2013
  46. 54Upgrading a Steadicam® Pilot to handle heavier cameras with lens adaptersSteadi-Newbies forum · 2009
  47. 55Choosing a first rig after Archer 2 experience: Steadicam® Axis with Aero-30 arm for mid-size cinema cameras (FX6, Pyxis, ALEXA Mini, upgraded FX3).Facebook · Steadicam operators group · 2025Disputed
  48. 56Upgrading an older Steadicam® MK-V with 1.5-inch post to Volt configuration or switching to the new Steadicam® Elite (1.25-inch post, 14 kg).Facebook · The Steadicam Group · 2026
  49. 57Choosing between upgrading to a Pro 2 sled or purchasing a Titan Pro arm for an existing Pro 1 setupGeneral Discussion forum · 2016
  50. 58Whether to build a Steadicam® system or upgrade an entry-level vest for ARRI ALEXA 35 and Sony Venice camera rigs.Facebook · The Steadicam Group · 2025
  51. 59Upgrading to professional camera stabilization equipment and managing the financial investmentGeneral Discussion forum · 2006
  52. 60Selecting an appropriate Steadicam® rig for stepping up from a Glidecam system to handle professional feature film work with heavier cameras like the RED.Steadi-Newbies forum · 2009
  53. 61Prioritizing equipment upgrades for a Steadicam® rig with limited budgetSteadi-Newbies forum · 2013
  54. 62Budget entry-level rigs and dynamic balancing technique: Proaim Zest Pro versus quality brands, and the Mickey-method for balancing.Facebook · Steadicam operators group · 2022Disputed
  55. 63Equipment purchasing strategy for amateur steadicam operators beginning trainingSteadi-Newbies forum · 2010
  56. 64Budget rig (Flycam Vista II with Zest Pro sled) as a practice platform before a Steadicam® workshop: learning transfer and durability concernsFacebook · Steadicam operators group · 2023Disputed
  57. 65Career planning and equipment investment strategy for new steadicam operatorsSteadi-Newbies forum · 2013
  58. 66Getting started with Steadicam® operation: training, practice, and equipment decisions for new operatorsSteadi-Newbies forum · 2014Disputed
  59. 67Workshop training versus buying a lightweight Steadicam® rig as a career starting pointNews, Events, Workshops forum · 2013
  60. 68Selecting an appropriate steadicam rig for broadcast work with a Sony PMW 350K cameraSteadi-Newbies forum · 2010
  61. 69Choosing between upgrading an older ProVid-2 kit or investing in a professional rig: workshop-first versus equipment-first approach for beginners.Facebook · Steadicam operators group · 2026Disputed
  62. 70Essential power cables and accessories for Steadicam® operators starting with the Archer 2Steadi-Newbies forum · 2012
  63. 71Essential cables to purchase when starting with steadicam equipmentSteadi-Newbies forum · 2022
  64. 72Recommended equipment purchases for gimbal operators starting with a Flyer systemSteadi-Newbies forum · 2007
  65. 73Essential cables for a new steadicam operator to purchaseSteadi-Newbies forum · 2017
  66. 74Cable kit requirements for Steadicam® operators entering the professionSteadi-Newbies forum · 2011
  67. 75Backup and spare equipment for Steadicam® operators: priority list and budget considerationsFacebook · Steadicam operators group · 2023
  68. 76Essential power cables for Steadicam® equipment on film setsSteadi-Newbies forum · 2011
  69. 77Essential equipment and accessories to purchase when acquiring a first Steadicam® rig for professional rental and operationSteadi-Newbies forum · 2005
  70. 78Financing a Steadicam® rig entry: dealer programs, equipment finance, bank loans, used purchases, and staged upgrades.Facebook · The Steadicam Group · 2024
  71. 79Financing options and business planning for purchasing a Steadicam® rig as a startup operationSteadi-Newbies forum · 2010
  72. 80How to acquire and finance a Steadicam® rig as a beginner operatorSteadi-Newbies forum · 2005
  73. 81Financing strategies for purchasing a steadicam rigLegal / Business Practices forum · 2015
  74. 82Getting bank financing for steadicam equipment purchasesSteadi-Newbies forum · 2008
  75. 83Risks and problems when financing steadicam gear through specialized financing companiesSteadi-Newbies forum · 2005

What operators found

Still argued about

  1. 2026Trinity vs. 360-degree roll head: practical job prospects and system flexibility for operator investment decisions.FacebookSteadicam operators group
  2. 2026Entry-level stabilizer strategy on a 15,000 USD budget: Rever EVO versus used Artemis 2 or M2 plus Volt, in a market with limited secondhand availability.FacebookThe Steadicam Group
  3. 2026Choosing between upgrading an older ProVid-2 kit or investing in a professional rig: workshop-first versus equipment-first approach for beginners.FacebookSteadicam operators group

Often in the same threads

Zephyr110, Top Stage58, Volt40, Low Mode37, Artemis33, Master Series32, xARM16, Docking Bracket15, Arm Post13, G-7015, Follow Focus79, BFD14

All threads

  1. 2026Trinity vs. 360-degree roll head: practical job prospects and system flexibility for operator investment decisions.DisputedFacebookSteadicam operators group
  2. 2026PRO-Pan bearing sourcing change and specification differences between PRO and Tiffen gimbal bearingsFacebookThe Steadicam Group
  3. 2026Emergency contact and spare parts supply for Tiffen Steadicam® M-2 Center Post clamp and accessories.FacebookThe Steadicam Group
  4. 2026Entry-level stabilizer strategy on a 15,000 USD budget: Rever EVO versus used Artemis 2 or M2 plus Volt, in a market with limited secondhand availability.DisputedFacebookThe Steadicam Group
  5. 2026Choosing between upgrading an older ProVid-2 kit or investing in a professional rig: workshop-first versus equipment-first approach for beginners.DisputedFacebookSteadicam operators group
  6. 2026First stabilizer purchase: Steadicam® Elite (14 kg payload, integrated Volt 3) versus Rever Evo (higher payload) and used-market strategy.DisputedFacebookThe Steadicam Group
  7. 2026Discontinuation of Steadicam® Aero 30 and Axis entry-level rigs, availability of service and spare parts for discontinued models, and purchasing strategy alternatives.DisputedFacebookThe Steadicam Group
  8. 2026Movcam FlexPro carrier system compatibility with Sony Venice in Rialto Mini configuration on DJI RS gimbalFacebookThe Steadicam Group
  9. 2026Upgrading cheap arm springs for Sony FX3 and repairing stripped threads with threaded inserts (Heli-Coil).DisputedFacebookSteadicam operators group
  10. 2026Choosing long-term battery investment for Steadicam® sleds: Anton Bauer, Core SWX, IDX, Indipro, and custom cell builds.DisputedFacebookThe Steadicam Group
  11. 2026MK-V Level horizon stabilizer: specifications, plate compatibility, price, and comparison to Wave.DisputedFacebookThe Steadicam Group
  12. 2026Upgrading an older Steadicam® MK-V with 1.5-inch post to Volt configuration or switching to the new Steadicam® Elite (1.25-inch post, 14 kg).FacebookThe Steadicam Group
  13. 2026Finding a bright (1500–2000 nits) low-mode monitor with recording and SDI I/O to replace a defective Transvideo Starlite.DisputedFacebookSteadicam operators group
  14. 2026Low-mode monitor selection for Volt Brain rig: latency performance of Transvideo Starlite versus current alternatives.DisputedFacebookThe Steadicam Group
  15. 2026Buying strategy for a 25,000 USD entry-level rig: used Artemis-1 with Flowcine X-Arm versus Rever-Evo Sled, and the case for learning on budget equipment firstDisputedFacebookThe Steadicam Group
  16. 2026Sourcing ARRI Steadicam® pins (part 50.0011959) and equivalent M5×11mm nylon-tip screwsSteadiHub
  17. 2026The pan bearing in the gimbal: what a Kaydon bearing is, what fails, and what a change of supplier would and would not meanOperator practice
  18. 2026Vest drops: what lowering the arm socket actually buys, and what it costs at the topOperator practice
  19. 2026Swapping the camera between tripod and rig: the cheapest upgrade most operators never makeOperator practice
  20. 2026Deposits on high-value orders: get the terms in writing before you payOperator practice
  21. 2026Choosing and troubleshooting the monitor on a stabilizer rigDisputedOperator practice
  22. 2026Volt generations, and whether the system is necessary at allDisputedOperator practice
  23. 2026Transvideo has ceased trading: what owners of their monitors need to knowOperator practice
  24. 2026Wave versus MK-V The Level: what actually differs in practiceOperator practice
  25. 2026Evaluating whether to repair an older ProVid 2 system or invest in a newer rig for entry-level steadicam workSteadi-Newbies
  26. 2026Comparison of Pro Titan arm versus Smart System X1 arm performance and tuningGeneral Discussion
  27. 2026Recommended upgrade priorities for a GPI Pro steadicam rigSteadi-Newbies
  28. 2025MK-V Level: compact roll-stabilization module, function, pricing, and early operator feedbackDisputedFacebookSteadicam operators group
  29. 2025MK-V Level performance after two weeks on set: Low Mode operation, tilt response settings, and delivery delays in 2025FacebookThe Steadicam Group
  30. 2025Comparison of MK-V Level prototype and Betz Wave: flight characteristics, weight savings, and low-mode operation.DisputedFacebookThe Steadicam Group
  31. 2025Gimbal upgrade path for GPI PRO CineLive: Volt 2 now versus Volt 3 or alternative horizon stabilizers (Wave, MK-V Level), and adapter compatibility.DisputedFacebookThe Steadicam Group
  32. 2025Evaluating an unlicensed stabilizer clone found as scrap; suitability for a Canon 5D Mark III and missing parts.FacebookSteadicam operators group
  33. 2025Purchasing the ARRI Artemis 2 sled with Volt power system: ergonomics, modularity, and comparison to Tiffen alternatives.DisputedFacebookSteadicam operators group
  34. 2025Market saturation of ARRI Trinity systems in 2025: demand collapse, rental rates, and ROI viability across regions.DisputedFacebookArri Artemis Trinity
  35. 2025Steadicam® Axis Action Kit for small productions: payload limits, sled performance, and typical upgrade path for returning operators.FacebookSteadicam operators group
  36. 2025Payload capacity and suitability of the Steadicam® Axis kit (Volt, A30 arm) as a first rig for mid-range cinema cameras with accessories.FacebookThe Steadicam Group
  37. 2025Whether to build a Steadicam® system or upgrade an entry-level vest for ARRI ALEXA 35 and Sony Venice camera rigs.FacebookThe Steadicam Group
  38. 2025GPI Pro acquisition by Apex Cinema Gear, price reduction, and battery rack generation transition.FacebookThe Steadicam Group
  39. 2025Choosing a first rig after Archer 2 experience: Steadicam® Axis with Aero-30 arm for mid-size cinema cameras (FX6, Pyxis, ALEXA Mini, upgraded FX3).DisputedFacebookSteadicam operators group
  40. 2025Load capacity limits on the Steadicam® Axis: arm choice, bottlenecks, and compatible upgrades.FacebookSteadicam operators group
  41. 2025Volt battery compatibility with Artemis sled and prospects for Volt 3 adapter solutions.SteadiHub
  42. 2025Choosing low/high mode kits for ARRI Artemis2 with Xarm Neo arm: compatibility of Pro and Tiffen options.SteadiHub
  43. 2025Remote control setup for ARRI Trinity 2: RF modules, joystick controller, and L-Bus power configuration.SteadiHub
  44. 2025Fischer connector standard for CAN bus cabling in stabilizer systems.SteadiHub
  45. 202512V B-mount battery adapter for ARTEMIS 2 Live rigs enabling 24V battery compatibility.SteadiHub
  46. 2025Mounting Teradek wireless transmitters on ARRI Trinity gen.1 battery stage with cheese plates and clamps.SteadiHub
  47. 2025Sourcing the external power cable for ARRI Trinity 2 head (part K2.0048481) and supply availability.SteadiHub
  48. 2025Rigging the Sony Venice 2 on an ARRI Trinity 1: height accommodation, balance, and counterweight solutions.SteadiHub
  49. 2025ARRI Artemis 2 sled with Volt post, gimbal options, and comparison with Artemis 1, Trinity 2, and third-party stabilizers.DisputedSteadiHub
  50. 2025MK-V gimbal compatibility with Artemis 2 post and manufacturing lead times.SteadiHub
  51. 2025Getting started with Steadicam operating as a professional freelancerGeneral Discussion
  52. 2025Differences between M-1 and M-2 gimbal designsGeneral Discussion
  53. 2024MK-V The Level horizon stabilizer: geometry, weight, and compatibility compared to Wave and AR-Mini systemsDisputedFacebookThe Steadicam Group
  54. 2024Shimbol Memory 7 Pro as a Steadicam® monitor: build quality, SDI connectivity, recording capability, latency, and cost comparison to SmallHD and Blackmagic alternatives.FacebookThe Steadicam Group
  55. 2024SmallRig entry into the Steadicam® market with budget vests and arms: operator assessment of low-cost manufacturers.DisputedFacebookSteadicam operators group
  56. 2024Entry-level rig comparison: Glidecam X-22 at USD 2,200 versus lightweight alternatives and professional progression paths.DisputedFacebookThe Steadicam Group
  57. 2024Choosing an entry-to-advanced stabilizer rig in the 3,000–5,000 USD budget rangeDisputedFacebookSteadicam operators group
  58. 2024Financing a Steadicam® rig entry: dealer programs, equipment finance, bank loans, used purchases, and staged upgrades.FacebookThe Steadicam Group
  59. 2024Tiffen Steadicam® Axis with integrated Volt as an upgrade for owner-operators and DPs flying RED V-Raptor on occasional projectsDisputedFacebookThe Steadicam Group
  60. 2024Cinetex padding upgrade for the GPI PRO vest: durability, fit, and breathability.FacebookThe Steadicam Group
  61. 2024Stiff movement in a new Steadicam® A-30 arm (Axis system): load and lateral adjusters difficult to turn—lubrication advice.FacebookThe Steadicam Group
  62. 2024Starting a Steadicam career and choosing an appropriate entry-level rigSteadi-Newbies
  63. 2024Comparison of Steadicam Pilot and A15 arm designs and their technical differencesSteadi-Newbies
  64. 2024Quality concerns with knockoff camera stabilization equipment compared to original designsGeneral Discussion
  65. 2024Using two top stages from Trinity 2 stabilizer as conversion option for Artemis 2General Discussion
  66. 2024Compatibility and setup considerations when using Volt gimbal systems with Artemis 2 and M2 sledsGeneral Discussion
  67. 2024Restoration and modification of a used Steadicam Flyer including power system redesign, display upgrade, and custom sled componentsSteadi-Newbies
  68. 2024Choosing between silver and gold level steadicam workshops for beginnersSteadi-Newbies
  69. 2024Material selection for camera gimbal arm posts: aluminum versus stainless steel durability and performanceGeneral Discussion
  70. 2024Evaluating budget Steadicam rigs for skill development and career preparationSteadi-Newbies
  71. 2024Choosing between steadicam rigs, arms, and vests for beginnersGeneral Discussion
  72. 2023Backup and spare equipment for Steadicam® operators: priority list and budget considerationsFacebookSteadicam operators group
  73. 2023Detecting fraudulent used-equipment listings: copied photos and text in a Trinity 1 sale.FacebookSteadicam operators group
  74. 2023Evaluating a Laing Master rig for payloads up to 50 lbs: setup, technique, and why brand rigs are recommended.FacebookSteadicam operators group
  75. 2023Budget rig (Flycam Vista II with Zest Pro sled) as a practice platform before a Steadicam® workshop: learning transfer and durability concernsDisputedFacebookSteadicam operators group
  76. 2023Buying a 1994 Steadicam® Master Series complete rig for approximately 10,000 GBP as a first rig, and retrofitting it with Volt electronics.DisputedFacebookThe Steadicam Group
  77. 2023Viability of used entry-level Glidecam V8 and Smooth Shooter arm systems for a RED Komodo with cinema lens at approximately 7 kg total weight.FacebookThe Steadicam Group
  78. 2023Replacing collapsed padding in a 4–5 year old Exovest: professional refurbishment options.FacebookThe Steadicam Group
  79. 2023Comparison of SmartSystem Arm X1, Tiffen G50X/G70X, PRO Arm, and Flowcine Xarm: performance, reliability, and selection criteria.DisputedFacebookSteadicam operators group
  80. 2023Performance and value assessment of Rever Steadicam stabilizer systemsGeneral Discussion
  81. 2022Choosing a first major stabilizer rig: Tiffen Steadicam®, GPI PRO, or small-maker sled (Calicocam), budget and features considered.DisputedFacebookThe Steadicam Group
  82. 2022Budget entry-level rigs and dynamic balancing technique: Proaim Zest Pro versus quality brands, and the Mickey-method for balancing.DisputedFacebookSteadicam operators group
  83. 2022Selecting a used Steadicam® rig under 20 lb capacity for RED Komodo with larger lenses and follow focus.DisputedFacebookSteadicam operators group
  84. 2022Choosing between budget and professional docking brackets for rig balancingFacebookSteadicam operators group
  85. 2022Sourcing a replacement pan bearing for a Tiffen sled when PRO no longer sells them individuallyDisputedFacebookSteadicam operators group
  86. 2022Using an A-30 arm with an Archer-2 sled for lightweight builds, and rig growth path.FacebookSteadicam operators group
  87. 2022Weight specification of Steadicam M2 sled with accessoriesGeneral Discussion
  88. 2022Selecting a suitable arm for a Steadicam rig purchase with budget constraintsGeneral Discussion
  89. 2022Essential cables to purchase when starting with steadicam equipmentSteadi-Newbies
  90. 2022Steadicam operator feedback on first professional gig and equipment setup discussionSteadi-Newbies
  91. 2022Choosing a steadicam rig and learning about different brands before purchaseSteadi-Newbies
  92. 2022Steadicam equipment brands and components worth considering or avoidingSteadi-Newbies
  93. 2021Import duties and customs clearance when purchasing a Flowcine arm directly from an EU manufacturer for delivery to the USAFacebookSteadicam operators group
  94. 2021Selecting a solid entry-level Steadicam® rig on a USD 20,000 budget: vest priority, used arm and sled, upgrade path.FacebookThe Steadicam Group
  95. 2021Stabilizer rig choice in the €3,000–6,000 range for ARRI ALEXA Mini with anamorphic lenses on larger productions after entry-level equipment.FacebookSteadicam operators group
  96. 2021Choosing between a used Steadicam® Zephyr (23 lb payload) and a factory-refurbished Glidecam X-30 (32 lb payload) as an entry-level rig for RED Komodo and future heavier cameras.DisputedFacebookThe Steadicam Group
  97. 2021Front-mount versus back-mount vests for doorways and tight passages: ergonomics, bulk, and arm folding behaviour.DisputedFacebookThe Steadicam Group
  98. 2021Volt gimbal on a GPI PRO sled: spare parts and accessories to order with the rig.DisputedFacebookThe Steadicam Group
  99. 2021Comparison of Steadicam arms for use with Arri Alexa EV and Cinema Products 509 sledGeneral Discussion
  100. 2021Comparison of Betz Wave and Volt camera stabilizers for operatingGeneral Discussion
  101. 2021Building a first Steadicam rig with a 25,000 dollar budgetSteadi-Newbies
  102. 2021Comparison of Tiffen G50x/G70x steadicam arms versus Smart System X1 arm for stabilization workDisputedGeneral Discussion
  103. 2021Purchasing advice for a used Archer 2 Steadicam rig with Volt stabilizer as a first professional setupDisputedGeneral Discussion
  104. 2021Selection criteria and options for high-brightness external monitors for professional video workGeneral Discussion
  105. 2021Using Pelican Air cases for air travel with camera equipmentSteadi-Newbies
  106. 2021Assessing repair viability and options for aging Masters Broadcast Steadicam rigGeneral Discussion
  107. 2020Compatibility and payload limitations when mixing Steadicam Pilot and Mini componentsGeneral Discussion
  108. 2020Comparison of camera stabilizer arms for beginners and backup useGeneral Discussion
  109. 2020Monitor and accessory upgrades for Steadicam Zephyr rigsSteadi-Newbies
  110. 2020Comparison of GPI Pro and Steadicam M-2 stabilizer systems for operators considering an upgradeGeneral Discussion
  111. 2020Choosing a first steadicam rig as a beginner operatorSteadi-Newbies
  112. 2020Zoom controller options for broadcast lens systemsGeneral Discussion
  113. 2020Advice for new Steadicam operators starting their careerDisputedSteadi-Newbies
  114. 2020Finding suitable stabilizer vests for very tall operatorsSteadi-Newbies
  115. 2020Advice for beginners purchasing and using a Zephyr steadicam rigSteadi-Newbies
  116. 2020Identifying and evaluating a used Steadicam Flyer model with red handle and balance knobs for beginner learningSteadi-Newbies
  117. 2020Steadicam Proline equipment quality and practicality compared to established brandsDisputedGeneral Discussion
  118. 2020Proaim Orion geared head suitability for practice versus professional useGeneral Discussion
  119. 2020SmartSystem Matrix One bundle suitability for first-time steadicam purchase and hybrid Ronin 2 compatibilityGeneral Discussion
  120. 2020Comparing used Steadicam Flyer and Pilot models for purchase decisionsSteadi-Newbies
  121. 2020Payload capacity differences between Zephyr Arm and A30 Arm on Zephyr stabilizersSteadi-Newbies
  122. 2020Differences between Archer 2 stabilizer models and suitability for various camera systemsGeneral Discussion
  123. 2020Evaluating the purchase of a used ActionCam stabilizer rig as a first systemGeneral Discussion
  124. 2020Learning steadicam operating as a self-taught filmmaker on a limited budgetGeneral Discussion
  125. 2020Choosing an appropriate steadicam rig for learning with an Arri Alexa Classic cameraSteadi-Newbies
  126. 2020Luggage case options for cinema stabilizer rigs as alternatives to standard manufacturer casesGeneral Discussion
  127. 2020Stabilization tools for film production: MKV Omega-R and Letus Helix Pro comparisonSteadi-Newbies
  128. 2020Payload capacity differences between Tiffen M1 and M2 stabilizer sleds for cinema camerasGeneral Discussion
  129. 2020Zoom and focus controllers for steadicam workGeneral Discussion
  130. 2019Evaluating budget entry-level steadicam options under 700 euros for learning and small production workDisputedSteadi-Newbies
  131. 2019How to insure second-hand aerial filming equipment for proper replacement coverageGeneral Discussion
  132. 2019Service providers and upgrades for Steadicam Master sled equipmentGeneral Discussion
  133. 2019Equipment recommendations for learning steadicam on a limited budget as a beginnerSteadi-Newbies
  134. 2019Differences between Tiffen M1 and M2 camera sleds regarding construction, components, and specificationsGeneral Discussion
  135. 2019Selecting a stabilizing camera rig within a 15,000 dollar budget for Alexa Mini and RED camera workDisputedSteadi-Newbies
  136. 2019Suitability of small Steadicam rigs like the Aero-15 for run-and-gun solo work versus dedicated camera support systemsSteadi-Newbies
  137. 2019Using a larger steadicam arm to exceed weight capacity of a Zephyr rigGeneral Discussion
  138. 2019Steadiproline Raven stabilizer system performance and suitability for operatorsSteadi-Newbies
  139. 2019Upgrading from a lightweight stabilizer rig to a larger payload-capable systemSteadi-Newbies
  140. 2019Insurance options for independent production equipmentGeneral Discussion
  141. 2019Selecting a camera support arm compatible with Trinity stabilizerGeneral Discussion
  142. 2019Import duties and taxes when purchasing optical equipment from the UK to the United StatesGeneral Discussion
  143. 2019Evaluation of used Action Cam Raptor gimbal rig versus Zephyr for first-time purchaseGeneral Discussion
  144. 2019Payload capacity differences between steadicam sleds and how it affects equipment selectionSteadi-Newbies
  145. 2019Choosing between upgrading to a Steadicam Pilot Sled or using a DJI Ronin gimbal mounted on an existing Steadicam armSteadi-Newbies
  146. 2018Comparison of Aero 30 and Zephyr steadicam rigs for lightweight camera packagesGeneral Discussion
  147. 2018Evaluating used Steadicam Master Series rigs versus newer systems for operators starting outGeneral Discussion
  148. 2018Choosing a beginner steadicam rig setup with budget constraintsSteadi-Newbies
  149. 2018Starting a career as a steadicam operator on a budgetSteadi-Newbies
  150. 2018Experience and reliability of Vaxis wireless video transmission systemsGeneral Discussion
  151. 2018Comparison of M1VOLT and WAVE 1 stabilization systems for camera sledsGeneral Discussion
  152. 2018Suitability of Archer 2 sled with G50-X arm for typical camera setups in professional workGeneral Discussion
  153. 2018Priority purchases for a beginning Steadicam operator who rents equipmentSteadi-Newbies
  154. 2018Steadicam Aero 15 capacity for Red Scarlet W camera systemSteadi-Newbies
  155. 2018Reasons for selling Wave1 stabilization equipment and comparison with newer alternativesGeneral Discussion
  156. 2018Steadicam rig selection and weight capacity specifications for camera payloadsSteadi-Newbies
  157. 2018Comparison of Aero 30 and Zephyr camera rigs for stabilization workDisputedSteadi-Newbies
  158. 2017ATA Carnet acceptance and customs procedures for equipment import to BrazilFacebookSteadicam operators group
  159. 2017Low-mode brackets: depth extension to 200 mm and gimbal-like rotatable head options.FacebookThe Steadicam Group
  160. 2017Differences between Flyer and Flyer LE camera stabilizersGeneral Discussion
  161. 2017Shipping a Backstage Steadicam cart via FedExOff Topic
  162. 2017Comparison of Core and BCB battery options for Steadicam rigsSteadi-Newbies
  163. 2017Essential cables for a new steadicam operator to purchaseSteadi-Newbies
  164. 2017Selection of Steadicam stands, wheels, and mounting hardwareSteadi-Newbies
  165. 2017Comparing Flyer LE and Scout steadicam sleds for purchase and operational differencesSteadi-Newbies
  166. 2017Using lightweight Steadicam models as practice rigs before investing in higher-end equipmentSteadi-Newbies
  167. 2017Budget video stabilizers suitable for hobbyist vacation footageSteadi-Newbies
  168. 2017Pre-purchase inspection checklist for a Broadcast Master camera stabilization systemGeneral Discussion
  169. 2017Selecting and setting up a camera for recording practice footage on a weight cageGeneral Discussion
  170. 2017Carrying case options for Steadicam Aero with A-30 arm rigSteadi-Newbies
  171. 2017Market value and practical usability of older Steadicam ProVid systemsGeneral Discussion
  172. 2017Docking bracket compatibility across Scout and similar modelsSteadi-Newbies
  173. 2017Finding replacement parts and workarounds for a used Steadicam Merlin missing counterweights and dovetail plateGeneral Discussion
  174. 2016Ownership versus rental of wireless follow focus systems and video transmission equipment for Steadicam operatorsSteadi-Newbies
  175. 2016Selecting a first steadicam rig: Steadicam Aero versus Zephyr for budget-conscious operatorsSteadi-Newbies
  176. 2016Identifying wear and loosening issues in older Steadicam Flyer rigs, particularly in the bottom assemblySteadi-Newbies
  177. 2016Introduction and specifications of new Steadicam Aero 15 and Aero 30 modelsGeneral Discussion
  178. 2016Selecting appropriate steadicam equipment for heavy cinema camerasGeneral Discussion
  179. 2016Comparison of Artemis Maxima and Movi gimbals for camera stabilizationGeneral Discussion
  180. 2016Choosing a first Steadicam rig within a £10,000 budget for lightweight work up to 23 poundsSteadi-Newbies
  181. 2016Lytro light field camera assessment and market viability compared to established cinema camerasGeneral Discussion
  182. 2016Choosing between upgrading to a Pro 2 sled or purchasing a Titan Pro arm for an existing Pro 1 setupGeneral Discussion
  183. 2016Suitability of Steadicam Scout for operating a 14-pound RED Scarlet-W camera and recommended accessoriesDisputedGeneral Discussion
  184. 2016Renting larger Steadicam rigs in the Los Angeles area for operators transitioning from smaller packagesSteadi-Newbies
  185. 2016Selecting a steadicam system for cameras in the 8-10kg weight rangeGeneral Discussion
  186. 2016Comparison of CAME TV and Steadicam Pilot steadicam rigs for first-time buyersSteadi-Newbies
  187. 2016Choosing an appropriate steadicam rig as a first purchase based on camera weight capacitySteadi-Newbies
  188. 2016Compatibility and practical considerations for using a Steadicam Pilot with Sony FS700 and PMW F3 camerasSteadi-Newbies
  189. 2016Regulations for temporarily importing camera equipment into BrazilGeneral Discussion
  190. 2016Wireless video transmitter selection for on-set director monitoringSteadi-Newbies
  191. 2015Evaluating and purchasing a used Pilot stabilizer with HDMI modificationSteadi-Newbies
  192. 2015Guidance for beginners assembling their first Steadicam kitSteadi-Newbies
  193. 2015Identifying an unknown stabilizing vest and finding replacement partsSteadi-Newbies
  194. 2015Visual differences between Flyer and Flyer LE steadicam modelsSteadi-Newbies
  195. 2015Distinguishing Steadicam Flyer from Flyer LE models by physical characteristicsGeneral Discussion
  196. 2015Selecting stabilization equipment for a lightweight camera on a documentary shoot with limited training timeGeneral Discussion
  197. 2015Starting a steadicam operating career and choosing initial equipmentSteadi-Newbies
  198. 2015Advice for purchasing a first steadicam rig as a new operatorSteadi-Newbies
  199. 2015Purchasing used Steadicam systems and avoiding impulsive buying decisionsSteadi-Newbies
  200. 2015Choosing between Steadicam Pilot AA and Glidecam stabilizers for DSLR workSteadi-Newbies
  201. 2015Market competition between steadicam operators and handheld electronic gimbals in film and television productionGeneral Discussion
  202. 2015Career planning and equipment investment decisions for new steadicam operatorsDisputedSteadi-Newbies
  203. 2015Delivery timeline and manufacturing lead times for Steadicam Pilot HD ordersSteadi-Newbies
  204. 2015Starting a Steadicam career with limited budget and building professional reputationDisputedGeneral Discussion
  205. 2015Reliability and durability of EEMOV stabilizer systems compared to alternativesSteadi-Newbies
  206. 2015Choosing between complete Pilot steadicam system versus sled-only with aftermarket arm and vest componentsSteadi-Newbies
  207. 2015Choosing between entry-level steadicam rigs like Pilot and Scout for learning as an operatorSteadi-Newbies
  208. 2015Sourcing rectangular spirit level vials and understanding their sensitivity characteristicsGeneral Discussion
  209. 2015Choosing an appropriate Steadicam rig for DSLR and small cinema camerasSteadi-Newbies
  210. 2015Budget steadicam rigs for practice and professional viabilityDisputedSteadi-Newbies
  211. 2015Evaluating the CAME carbon fiber steadicam as a budget alternative to professional brands for 20-30lb camera rigsDisputedSteadi-Newbies
  212. 2015Rate structure for Steadicam operator equipment rental and labor on multi-day bookingsSteadi-Newbies
  213. 2015Choosing between budget steadicam and gimbal for video stabilizationSteadi-Newbies
  214. 2015Steadicam equipment value retention and depreciation factorsGeneral Discussion
  215. 2014Budget baseplate options compatible with Steadicam Archer dovetail plates for indie productionsDisputedSteadi-Newbies
  216. 2014Blackmagic Design customer support and repair policies compared to competitorsGeneral Discussion
  217. 2014Career path and equipment decisions for someone starting in steadicam operatingSteadi-Newbies
  218. 2014Comparison of AJA V2 Analog and Decimator 2 converters for downconversion and reliabilityGeneral Discussion
  219. 2014Getting started with Steadicam operation: training, practice, and equipment decisions for new operatorsDisputedSteadi-Newbies
  220. 2014Performance and versatility of budget-priced Merlin-style camera stabilizersSteadi-Newbies
  221. 2014Choosing a steadicam rig for live television broadcast workSteadi-Newbies
  222. 2014Budget options for stabilizer arm and vest systems supporting heavy camera loadsSteadi-Newbies
  223. 2014Steadicam Pilot sled compatibility and HD monitor upgrade considerations for GH4 cameraSteadi-Newbies
  224. 2014Evaluating Master broadcast sled versus Archer2 sled for professional steadicam workDisputedSteadi-Newbies
  225. 2014Selecting a steadicam system for a heavy DSLR cinema rig used in live event workSteadi-Newbies
  226. 2014Budget-friendly camera stabilizer options for DSLR filmmaking under $400Steadi-Newbies
  227. 2014Evaluating and upgrading a used Steadicam Pro Vid 2Steadi-Newbies
  228. 2014Finding replacement parts for damaged Arrihead 1 camera head handwheel thumb knobsOff Topic
  229. 2014Learning Steadicam with a Zephyr rig and choosing between P2 202 and P2 502 camerasSteadi-Newbies
  230. 2014Determining day rates for steadicam operator services and equipment rentalSteadi-Newbies
  231. 2014Performance and quality comparison between Chinese knockoff stabilizer rigs and genuine Steadicam systemsGeneral Discussion
  232. 2014Comparison between Archer2 and Clipper2 camera stabilizers for film workSteadi-Newbies
  233. 2014Choosing between Canon 7D and Canon XF300 for multi-hour Steadicam work at a fixed-location performance eventDisputedSteadi-Newbies
  234. 2014Purchasing decisions for used Steadicam equipment as a beginnerSteadi-Newbies
  235. 2014Selecting a used steadicam rig suitable for both DSLR and broadcast camera workSteadi-Newbies
  236. 2014Desired improvements and missing accessories for Steadicam equipmentGeneral Discussion
  237. 2014Comparison between Steadicam Pilot and Flycam stabilizers for purchasing decisionsSteadi-Newbies
  238. 2014Comparing Steadicam Scout and Zephyr for use with Sony F5 and similar camerasGeneral Discussion
  239. 2014Advice for beginners considering purchasing professional or prosumer Steadicam equipmentSteadi-Newbies
  240. 2014Starting a steadicam career as a beginner with the Pilot rigSteadi-Newbies
  241. 2014Choosing a Steadicam Pilot model for a Canon 7D DSLR and understanding battery compatibility optionsSteadi-Newbies
  242. 2014Upgrading from Zephyr to EFP/3A rig: modularity, compatibility, and component performanceDisputedSteadi-Newbies
  243. 2014Insurance requirements and practices for personal production equipment provided by crew membersSteadi-Newbies
  244. 2014Budget stabilizer options for DSLR video workSteadi-Newbies
  245. 2014Building a Steadicam rig with a Zephyr HD for RED and DSLR camerasDisputedSteadi-Newbies
  246. 2014Comparison of onboard HD-SDI recorders for Steadicam useGeneral Discussion
  247. 2013Repair options for Decimator 2 units in the United StatesGeneral Discussion
  248. 2013Building a professional camera stabilizer rig on a budget by purchasing used componentsGeneral Discussion
  249. 2013Brushless gimbal market composition and custom versus off-the-shelf componentsDisputedGeneral Discussion
  250. 2013Prioritizing equipment upgrades for a Steadicam rig with limited budgetSteadi-Newbies
  251. 2013Practical considerations for purchasing and using a vintage Steadicam Model III systemDisputedSteadi-Newbies
  252. 2013Budget-friendly stabilizer options for renting with a Canon C300 cameraSteadi-Newbies
  253. 2013Getting started with steadicam equipment on a limited budgetSteadi-Newbies
  254. 2013Comparison of downconverter options for video rigsDisputedGeneral Discussion
  255. 2013Selecting a stabilizer rig as a beginner considering weight capacity, serviceability, upgradeability, and priceDisputedSteadi-Newbies
  256. 2013Entry-level steadicam equipment recommendations for film students on a budgetSteadi-Newbies
  257. 2013Career pathway and equipment decisions for beginning steadicam operatorsDisputedSteadi-Newbies
  258. 2013Career planning and equipment investment strategy for new steadicam operatorsSteadi-Newbies
  259. 2013Wireless HD transmitter and receiver systems for video transmission over 70 yards with minimal latencySteadi-Newbies
  260. 2013Comparison of Steadicam and brushless gimbal stabilization technology for professional film and television productionDisputedGeneral Discussion
  261. 2013Suitability of Glidecam HD2000 for stabilizing a Canon 5D3 with various lensesDisputedSteadi-Newbies
  262. 2013Upgrading options and limitations of the Pilot Steadicam systemSteadi-Newbies
  263. 2013Weight capacity and stabilization performance of the Glide Gear DNA 1000 with a Canon 60DSteadi-Newbies
  264. 2013Selecting camera plates and rod mounts for small steadicam rigsSteadi-Newbies
  265. 2013Film equipment pricing and market dynamics for professional production gearGeneral Discussion
  266. 2013Selection and comparison of thin versus standard BNC cables for video equipmentDisputedGeneral Discussion
  267. 2013Durability and maintenance costs of Steadicam rigs, particularly entry-level modelsDisputedSteadi-Newbies
  268. 2013Strategies for reducing luggage loss when traveling with multiple flight cases via commercial airlinesGeneral Discussion
  269. 2013Air travel options for transporting steadicam equipment between locationsSteadi-Newbies
  270. 2013Comparison of MK-V Evolution and Stedicam Ultra2 steadicam rigs for broadcast television and commercial productionSteadi-Newbies
  271. 2013Comparing stabilizer rigs for purchasing decision: tilting top stage necessity and balancing techniquesGeneral Discussion
  272. 2013Pricing guidelines for steadicam operators at different career levels and project typesSteadi-Newbies
  273. 2013Mixing different brands of stabilizer components when building a first rigGeneral Discussion
  274. 2013Building a follow focus capability as a steadicam operator on a limited budgetSteadi-Newbies
  275. 2013Estimating the global population of professional Steadicam operators and identifying legitimate equipment manufacturersGeneral Discussion
  276. 2013Selecting a downconverter for Steadicam Master with Red One camera and choosing an affordable follow focus systemSteadi-Newbies
  277. 2013Building a basic power system for a budget steadicam rigSteadi-Newbies
  278. 2013Cinelectrix eBay seller experience for cinema equipment cablesGeneral Discussion
  279. 2013Choosing an appropriate steadicam rig as a new operator balancing budget, payload capacity, and future growthSteadi-Newbies
  280. 2013Choosing V-mount batteries for camera stabilization rigs as replacements for PowerCube batteriesSteadi-Newbies
  281. 2013What to check when buying a used Steadicam Clipper 2 rigSteadi-Newbies
  282. 2013Whether upgrading from Pilot to Scout steadicam system is worthwhile for lightweight camera workSteadi-Newbies
  283. 2013Rate negotiation and market positioning for steadicam operators in small marketsDisputedSteadi-Newbies
  284. 2013Market impact and technical assessment of low-cost Chinese stabilizer systems competing with professional Steadicam equipmentGeneral Discussion
  285. 2013Suitability of Steadicam Zephyr for operating a Red One camera as a beginner with budget constraintsSteadi-Newbies
  286. 2013Selection criteria for Pilot Steadicam systems for DSLR cameras used in wedding and commercial workSteadi-Newbies
  287. 2013Choosing between F-bracket options for Steadicam ZephyrSteadi-Newbies
  288. 2013Choosing between Glidecam X-10 vest system and Steadicam Pilot for DSLR work, with considerations for heavier cameras like Red Epic and ScarletSteadi-Newbies
  289. 2013Choosing between USB 3.0 and Thunderbolt RAID storage for video editing on a MacBook ProOff Topic
  290. 2013Choosing an appropriate Steadicam rig for professional workSteadi-Newbies
  291. 2013Identifying a Steadicam SK-2 kit acquired at government auction and assessing its value and practical utilitySteadi-Newbies
  292. 2013Cinema Products West Docking Bracket durability issuesPicture and History Archives
  293. 2012Choosing stabilization equipment for occasional documentary steadicam work with travel constraintsSteadi-Newbies
  294. 2012Pricing strategy and experience requirements for new Steadicam operatorsDisputedSteadi-Newbies
  295. 2012Purchasing a used follow focus system on a student budgetSteadi-Newbies
  296. 2012Essential Steadicam accessories to expect from camera rental houses when renting an AlexaSteadi-Newbies
  297. 2012Choosing a steadicam rig to carry a stripped-down RED Scarlet cameraDisputedSteadi-Newbies
  298. 2012Insurance options for Steadicam equipment coverageSteadi-Newbies
  299. 2012Sourcing fasteners and components for weight plates in camera riggingSteadi-Newbies
  300. 2012Availability and sourcing of lightweight flexible fiber optic cablesGeneral Discussion
  301. 2012Identifying Flyer crane models and their distinguishing featuresGeneral Discussion
  302. 2012Balancing a budget steadicam rig with a lightweight DSLR cameraSteadi-Newbies
  303. 2012Whether steadicam operators should invest in lightweight rigs or heavy rigs for professional workSteadi-Newbies
  304. 2012Budget Steadicam rig selection and component choices for independent film work around 6-8K USDDisputedSteadi-Newbies
  305. 2012Selecting an appropriate steadicam rig for beginners wanting to operate professional HD camerasDisputedSteadi-Newbies
  306. 2012Building a functional steadicam rig from used components and traveling with it safelySteadi-Newbies
  307. 2012Purchasing considerations for used Steadicam rigsGeneral Discussion
  308. 2012Assessment of a Segway-mounted camera crane system with remote head controlDisputedGeneral Discussion
  309. 2012Maximum camera weight capacity for the Steadicam Pilot and how to interpret the 10 lb payload specificationDisputedSteadi-Newbies
  310. 2012Evaluation criteria for purchasing steadicam rigs beyond basic service considerationsGeneral Discussion
  311. 2012Factors for choosing custom-built stabilizer rigs versus name-brand equipment for professional camera workSteadi-Newbies
  312. 2012Comparison of Steadicam Archer 2 and Action Cam RebelPro rigs for professional rental workSteadi-Newbies
  313. 2012Discrepancies in Archer rig specification documentation regarding arm compatibilitySteadi-Newbies
  314. 2012Choosing between Pilot and Flyer LE stabilization rigs for beginnersSteadi-Newbies
  315. 2012Budget planning and equipment selection for purchasing a used steadicam rig capable of supporting an Alexa cameraSteadi-Newbies
  316. 2012Evaluating a steadicam operator's demo reel and discussing Glidecam equipment performanceSteadi-Newbies
  317. 2012FedEx shipping loss and insurance claim procedures for camera equipmentGeneral Discussion
  318. 2012Budget-friendly camera stabilizer options for DSLR beginnersSteadi-Newbies
  319. 2011Steadicam EFP training video availability and format qualitySteadi-Newbies
  320. 2011Choosing between budget and diagnostic chargers for Anton Bauer batteriesSteadi-Newbies
  321. 2011Comparing budget stabilizer systems versus professional Steadicam rigs for small production workSteadi-Newbies
  322. 2011Steadicam Pilot purchase timing and performance assessmentSteadi-Newbies
  323. 2011Troubleshooting Zephyr monitor connection and configuring the rig for 35mm film camerasGeneral Discussion
  324. 2011Selecting a suitable Steadicam rig for operating RED cameras as a beginnerDisputedSteadi-Newbies
  325. 2011Steadicam Merlin wobble compared to Pilot and stability physicsSteadi-Newbies
  326. 2011Accessories and power solutions for Zephyr camera stabilizer used with RED camerasJournals
  327. 2011Communication delays and lead times when ordering motors from Heden EngineeringGeneral Discussion
  328. 2011Renting out steadicam equipment when unable to use it personallyDisputedSteadi-Newbies
  329. 2011Adding weight to a Pro Vid 2 Steadicam rig when using a lightweight Canon 7D cameraGeneral Discussion
  330. 2011Advancing from lightweight glidecam to professional steadicam rigs and workshop training for career operatorsSteadi-Newbies
  331. 2011Quick release plate compatibility and alternatives for the Glidecam HD1000 stabilizerSteadi-Newbies
  332. 2011Choosing a Steadicam system for a lightweight camera and planning equipment setupSteadi-Newbies
  333. 2011Matching camera equipment cost to stabilizer rig cost as a selection guidelineDisputedSteadi-Newbies
  334. 2011Using DSLR stabilizers with non-DSLR cameras and understanding price differencesSteadi-Newbies
  335. 2011Using SCSI hard drives as affordable gyroscopic stabilizers for camera lensesDisputedGeneral Discussion
  336. 2011Cable kit requirements for Steadicam operators entering the professionSteadi-Newbies
  337. 2011Equipment selection and cost considerations for starting a live television steadicam businessGeneral Discussion
  338. 2011Comparing Zephyr and Glidecam X-22 steadicam rigs for educational useDisputedSteadi-Newbies
  339. 2011Essential power cables for Steadicam equipment on film setsSteadi-Newbies
  340. 2011Base plate options for Steadicam Pilot with Canon 5D and follow focus systemSteadi-Newbies
  341. 2011Choosing between Steadicam Pilot and Zephyr models for initial investmentSteadi-Newbies
  342. 2011Headset options and modifications for television camera operatorsGeneral Discussion
  343. 2011Purchasing a used steadicam rig as a first investmentSteadi-Newbies
  344. 2011Selecting between Steadicam Zephyr and Flyer systems for studio use with larger broadcast camerasSteadi-Newbies
  345. 2011Upgrading from entry-level to professional steadicam equipment within a $20,000 budgetGeneral Discussion
  346. 2011Comparison of Pilot and Merlin stabilizers for handheld wedding videographySteadi-Newbies
  347. 2011GPI PRO Gen III battery hanger features, adjustability, and comparison to alternativesGeneral Discussion
  348. 2011Choosing an entry-level Steadicam rig for a young production company ownerSteadi-Newbies
  349. 2011Career path and equipment acquisition strategy for freelance steadicam operators without owned rigsSteadi-Newbies
  350. 2011Compatibility of Glidecam 4000 steadicam with Sony F900 broadcast cameraSteadi-Newbies
  351. 2011Camera equipment supply shops in UK locationsGeneral Discussion
  352. 2011Wireless follow focus equipment ownership and rental for steadicam operatorsGeneral Discussion
  353. 2011Starting a Steadicam operating business with a $25,000 initial budget for video camera workSteadi-Newbies
  354. 2011Factors influencing the purchase decision for steadicam rigs and componentsGeneral Discussion
  355. 2011Wireless video transmission systems for steadicam work and live event coverageSteadi-Newbies
  356. 2011Comparison between original Flyer and Flyer LE stabilizers for different camera weightsSteadi-Newbies
  357. 2011Choosing between Steadicam Pilot and Scout rigs for DSLR workSteadi-Newbies
  358. 2010Choosing between Zephyr and EFP Steadicam sleds for a beginner operator focusing on video and TV workSteadi-Newbies
  359. 2010Choosing an entry-level stabilizer rig for wedding videography on a tight budgetSteadi-Newbies
  360. 2010Whether to purchase a personal headset for live event work or rely on production-supplied equipmentDisputedGeneral Discussion
  361. 2010Trends in camera stabilization rig size as lighter professional cameras become viableGeneral Discussion
  362. 2010Identifying fraudulent equipment auctions on eBay through seller behavior and listing red flagsGeneral Discussion
  363. 2010Sourcing tally lights and fiber-optic jumpers for Steadicam camera operationSteadi-Newbies
  364. 2010Equipment progression strategy for steadicam operators starting with lightweight rigsSteadi-Newbies
  365. 2010Selecting an appropriate steadicam rig for broadcast work with a Sony PMW 350K cameraSteadi-Newbies
  366. 2010Selecting an appropriate lightweight Steadicam model for property videography workDisputedSteadi-Newbies
  367. 2010Compatibility of Tango stabilizer with Zephyr arm versus heavier G40 armSteadi-Newbies
  368. 2010Career transition to steadicam operation starting at mid-career ageSteadi-Newbies
  369. 2010Availability and reliability of VFX focus/iris controller systemsGeneral Discussion
  370. 2010Investment decision: comparing Steadicam rig purchase vs camera package for early-career cinematographersDisputedSteadi-Newbies
  371. 2010Steadicam EFP system pricing and marketplace cautionsGeneral Discussion
  372. 2010Differences between Steadicam Flyer and Flyer LE models and weight capacity considerationsSteadi-Newbies
  373. 2010Pricing strategy and rental practices for Steadicam Pilot equipmentGeneral Discussion
  374. 2010Choosing between Steadicam Pilot and Flyer rigs for a Canon 7D with multiple wireless accessoriesSteadi-Newbies
  375. 2010Matching camera weight to stabilizer rig capacitySteadi-Newbies
  376. 2010Steadicam operation rates and market conditions in Spain around 2010Off Topic
  377. 2010Finding bright, lightweight monitors suitable for outdoor daytime operation on small steadicam rigsDisputedSteadi-Newbies
  378. 2010Essential equipment and accessories for professional Steadicam operators beyond the basic rigSteadi-Newbies
  379. 2010Equipment purchasing strategy for amateur steadicam operators beginning trainingSteadi-Newbies
  380. 2010Mohawk fiber optic cable for steadicam use - durability and supplier informationGeneral Discussion
  381. 2010Technical differences between Archer 1 and Archer 2 steadicam rigsSteadi-Newbies
  382. 2010Exceeding the Glidecam HD2000 weight specification with additional camera accessoriesDisputedSteadi-Newbies
  383. 2010Equipment and strategy considerations for starting a Steadicam career focused on filming RED camerasSteadi-Newbies
  384. 2010Television production pay rates and rental terms for steadicam operatorsGeneral Discussion
  385. 2010Choosing between a Flyer LE and larger steadicam rigs for television camera workDisputedSteadi-Newbies
  386. 2010Weight capacity considerations for using a Flyer stabilizer rig with a camera package exceeding the stated limitDisputedSteadi-Newbies
  387. 2010Pricing strategy for beginner steadicam operators and equipment rental ratesSteadi-Newbies
  388. 2010Financing options and business planning for purchasing a Steadicam rig as a startup operationSteadi-Newbies
  389. 2010Comparison of Steadicam Flyer/Zephyr versus Glidecam X-22 for educational use with various camera weightsSteadi-Newbies
  390. 2010Building a homemade Steadicam stabilizer rig versus purchasing professional equipmentSteadi-Newbies
  391. 2010Guidance for purchasing a used stabilizer rig within a limited budgetSteadi-Newbies
  392. 2010Choosing camera equipment and preparing for video production work in UgandaOff Topic
  393. 2010Finding replacement cheeseplate for old Video SK camera rigGeneral Discussion
  394. 2010Essential equipment and budget considerations for beginning Steadicam operatorsSteadi-Newbies
  395. 2010Comparative performance assessment of Glidecam stabilizer systems versus competitor offeringsSteadi-Newbies
  396. 2010Tango stabilization rig capabilities and market considerationsDisputedSteadi-Newbies
  397. 2010Selecting a Steadicam rig and getting started as an operatorSteadi-Newbies
  398. 2010Steadicam rig selection and learning requirements for small camcorder workDisputedSteadi-Newbies
  399. 2010Steadicam selection for Canon 7D with travel and wedding videographyDisputedSteadi-Newbies
  400. 2010Choosing between Flyer and Archer 2 steadicam rigs for XDCAM and 5D camera workDisputedSteadi-Newbies
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