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Monitor

1,008 threads in the archive

Monitor power

Based on 61 threads · 38 cited

AI draft, not reviewedDraft, written by AI from the archive, every statement linked to its source — not yet reviewed.

Check the voltage before you plug anything into your Steadicam® sled, because a 12V-only monitor can be damaged by 24V 22. Use the 12V output or an inline regulator for fussy gear, like a SmallHD DP1x that needs 12V regulated 127. On an EFP sled, the 6-pin Hirose labeled Monitor carries both 12V power and video 1819.

The questions 10

How do I power an SDI/HDMI converter or downconverter from my battery?7 threads · latest 2016

In short

Match the converter's voltage rating to the output you tap, and use a 12V output or an inline regulator for fussy units 12. Then pick the connector your sled or camera offers 3.

How the pros do it

  1. Check the converter's input rating first, because original Blackmagic HDMI-to-SDI mini-converters max out at 12V and shut down above 12.5V 1. The Heavy Duty and Battery Converter versions take 12V to 31V 1.
  2. On a V-mount sled, plug an inline voltage regulator cable (P-tap or LEMO) between the sled and a sensitive converter, since the sled output is unregulated and can exceed 12V on a full battery 1.
  3. For a Decimator 2, the rated maximum is 28V 2. Operators with reliable units powered it from the rig's 12V output, not the 24V outputs 2.
  4. Carry both a 4-pin Hirose cable and a P-Tap cable for the Decimator 2 or AJA HA5 3. That covers the sled Hirose, the camera P-Tap, or the Hirose on compatible Sony and Panasonic broadcast cameras 3.
  5. Give the converter its own supply and don't split it with a monitor, because a Decimator failed to power up after sharing a single splitter with a TV Logic monitor 4.
  6. For a cheap HDMI box on a DSLR rig, use a custom DC barrel to USB adapter cable and run it off camera battery power 5. Some adapters pull power straight from the HDMI port on cameras like the GH4 5.
Caution

Unregulated sled power can exceed 12V on a fully charged battery and damage converters with strict voltage limits 1. Decimator 2 failures were linked to 29-31V against a 28V rating, though the root cause was never settled 2.

Opinions differ here

Older Blackmagic units shut down above 12.5V, and some could not tolerate more than 14V 1. A budget SDI-to-HDMI converter rated 5-12V ran at 16.8V from a full V-lock battery without damage 6.

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How do I power a SmallHD or Marshall monitor from my battery plate?7 threads · latest 2015

In short

For a SmallHD DP1x, run a DC voltage regulator between your gold mount plate and the monitor, because it needs 12V regulated 7. A Marshall V-LCD70XHB-3GSDI has V-mount screw holes, so an NP-970 plate may not bolt on directly 8.

How the pros do it

  1. Check the monitor's input first, because the DP1x needs 12V regulated and draws about 1A, or 12W 7.
  2. Put a DC voltage regulator between the gold mount plate and the monitor 7. One custom regulator box took 3V to 32V in, gave adjustable output and had an LCD readout, but it was still in development 7.
  3. For a SmallHD 502, use a battery or battery adapter, because it has no dedicated power connector 9. A P-tap battery adapter worked for one user 9.
  4. On a DP7 OLED, use only cables made for SmallHD, because its Hirose connector wiring differs from standard 10. Manage the cable at the tiny Hirose connector so excess cable doesn't get pinched 10.
  5. On a Marshall V-LCD70XHB-3GSDI, check the hole pattern before you buy a plate, because it has V-mount screw holes and not the threaded holes an NP-970 plate needs 8. Workarounds are dead weight, velcro or a custom steel plate cut to the monitor's hole pattern 8.
  6. Budget your runtime, because a Teradek receiver draws about 10W and a SmallHD High Bright draws about 35W at full brightness 11. That is roughly 45W combined, so a 90Wh Dionic battery gives you about 2 hours 11.
Caution

A pinched or grounded power cable between the plate and the monitor connector can short the battery 10. Damaged insulation anywhere along the cable can do the same 10.

What changed

Earlier, in 2009, a Camos ran straight off a gold mount plate on an Anton Bauer battery 12, today, in 2014, a SmallHD DP1x wants a regulator between plate and monitor to hold 12V 7.

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How do I power a wireless HD transmitter from my sled battery?7 threads · latest 2014

In short

Feed it by cable from the sled's power, split with an XLR Y-cable if the camera shares the same output 13. In a 24V setup, don't piggyback a 12V transmitter off a battery while video cables are connected 14.

How the pros do it

  1. Split sled power with an XLR Y-cable so one connection feeds both the camera and the transmitter 13.
  2. Check the transmitter's voltage range first, because early Boxx AV Transmitters without V-Loc plates can't take 24 volts 15. Newer Boxx Meridian units accept 6.5 to 32 volts 15.
  3. In a 24V series setup, power the transmitter by cable from an external supply, from the monitor battery only, or through an inline power supply 14. With three batteries, the dedicated 12V accessory battery is a safe place for it 14.
  4. On a Steadicam® Pilot, a P-Tap to 2.1mm adapter built with the 5V converter from the Paralinx system powers a Paralinx Arrow from the rig's 2.1mm output 16.
  5. With camcorder-style cameras, powering the transmitter only through 4-pin XLR may leave the camera unpowered, so use battery plates or a split power cable 17. Some cameras, like the F900R, have a retracting pin in the 4-pin XLR socket that cuts D-Tap power 13.
  6. Plan for the load, since a stacked F900R setup with an RF Central transmitter ran about three hours on two PowerCubes 13. Several high-draw accessories on one sled output may need a higher amperage battery configuration 13.
Caution

Piggybacking a 12V transmitter on a 24V series battery setup with BNC video cables connected can trip the battery breaker 14. It can also overvolt connected devices 14.

Opinions differ here

Operators agree on the fixes for the 24V shutdown problem, but some disagreed on whether the BNC carries power, voltage, or just acts as ground 14. The cause was never confirmed by testing 14.

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What are the pinouts and connectors on my sled monitor ports?5 threads · latest 2022

In short

On an EFP sled, the 6-pin Hirose labeled Monitor carries both 12V power and video 1819. Pin 1 is video ground, pin 2 is video in, pin 5 is +12V and pin 6 is power ground 19.

How the pros do it

  1. Find the 6-pin Hirose labeled Monitor on the sled, which carries 12V power and the video signal together 1819.
  2. Wire pin 1 as video ground and pin 2 as video signal input 19. Pin 5 is +12V DC and pin 6 is power ground 19.
  3. Don't assume that pinout fits every monitor, because the 6-pin Hirose on a Master Greenscreen CRT differs from Transvideo or Modulus monitors 20.
  4. That Greenscreen accepts 12V or 24V, but only on its specific power pins 20.
  5. For small monitors with a 2.1mm DC barrel input, use a cable adapted from the video/power junction box output 21. You can get one from a specialized vendor or solder it yourself 21.
Caution

Voltage on the video pin instead of the power pins may damage the monitor's internal circuitry 20. Check the pinout for that exact monitor before you plug in 20.

Ask a follow-up
Can I run my 12V monitor or gear on a 24V sled?6 threads · latest 2014

In short

Not safely on the wrong plate, because a 12V-only device like the WEVI Cam Wave gets damaged by 24V 22. Mount it on the plate that is safe in 24V mode or power it from an external supply 2314.

How the pros do it

  1. Check each device's rated input first, because the WEVI Cam Wave is built for 12V only and gets damaged on 24V 22.
  2. On a dual-plate rig, the safe plate is the one that powers the rig when a single battery sits on it in 24V mode 23.
  3. On Tiffen Steadicam® models, that plate faces rear when the rig is collapsed and rear-lower when it is deployed 23.
  4. Put a meter on it to check polarity instead of guessing 23.
  5. With video cables connected, don't piggyback a 12V transmitter off a battery in 24V mode 14. Power it by cable from an external supply, run it from the monitor battery only, or use an inline supply 14.
  6. If you need 24V tolerance, look at gear built for it, like the Transvideo Titan HD that supports both 12V and 24V 22. Newer Boxx Meridian transmitters take 6.5 to 32 volts 15.
Caution

24V on a 12V-only device can damage it 22. A transmitter on the wrong battery plate in 24V mode can damage the camera, transmitter, or rig 23.

Opinions differ here

Operators don't agree on the mechanism behind the 24V video-ground problem, since some participants disagreed on whether the BNC carries power, voltage, or acts as ground 14. The underlying mechanism was also not confirmed through testing 14.

What changed

Earlier, in 2009, the WEVI Cam Wave was 12V only and the Transvideo Titan HD was the alternative that handled 24V 22, today, in 2014, newer Boxx Meridian transmitters accept 6.5 to 32 volts 15.

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How long do batteries last powering my recorder or monitor?4 threads · latest 2025

In short

It depends on the gear: ten AAs ran a Pilot's 5.8-inch monitor about 2 hours 20 minutes 24, a Hyperdeck Shuttle's internal battery lasts about two hours 25, and a Samurai got through a full day on its included 7.4V batteries 26. In extreme cold, plan on roughly a third of normal capacity 27.

How the pros do it

  1. Check the draw first, because the Pilot's 5.8-inch monitor pulls 9 watts 24. Ten AA batteries ran it for about 2 hours 20 minutes 24.
  2. For longer days on that monitor, IDX E-7S batteries at 71 watt-hours should run it about 7 to 8 hours in theory 24. That figure is extrapolated from a different Steadicam® model with a 7-inch screen and covers only the monitor, not the whole rig 24.
  3. On a Hyperdeck Shuttle, expect about two hours of recording from the internal battery before you need external power 25.
  4. On an Atomos Samurai, one operator got a full day from the included 7.4V batteries with capacity to spare 26. Screen lock in firmware past 2.8 keeps it recording with the display off to save power 26.
  5. In extreme cold, battery capacity drops to about one-third of normal below -24 °C, even when the batteries are kept warm 27. Heat them with thermal boxes or neoprene covers for extended operation 27.
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Can I power my Archos recorder directly from my sled?4 threads · latest 2009

In short

Yes, but not straight off the sled plug, because the sled puts out 12V and the Archos wants 5V, so you need a 12V-to-5V converter cable 2829. You can also feed it from the monitor battery circuit 30.

How the pros do it

  1. Build or buy a cable with a voltage converter that steps the sled's 12V down to 5V 2829.
  2. If you modify an ARCHOS 400 base station, the original plug has to be desoldered from the cradle 28. A commercial version of that cable ran about 110 USD plus connectors, and a used unit could cost about the same 28.
  3. To spare the main sled batteries, power the Archos from the monitor battery circuit 30. Its internal battery then charges while the monitor is on, and the unit stays ready for playback without menu navigation each time the monitor powers up 30.
  4. If you feed it from an adjustable DC jack on the base unit, the Archos powers up automatically when the sled powers on 30.
  5. On a 605 with external 5V, check the playback/record toggle if you get a black screen on the video out 31. It can end up in record mode when power is connected 31.
  6. Set the power-off timing and backlight behavior in the Archos settings 30. On the 604 wifi, a software update adds control over backlight and auto-shutdown 29.
Caution

Modifying the base station takes soldering skill to avoid damaging the device 28. It also permanently disables the base station and its remote control 28.

Opinions differ here

Operators disagree on whether the Archos backfeeds onto the power lines 30. One reported it created a dirty signal 30. Another reported it cleaned up the signal in their setup 30.

What changed

Earlier, in 2006, you desoldered the ARCHOS 400 base plug and added a converter to the cable 28, while by 2008 a custom 12V-to-5V cable plus the DVR travel adaptor ran the 604 wifi 29.

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Why does my transmitter or Modulus get so hot?3 threads · latest 2014

In short

The Teradek Bolt runs hot by design, because its metal chassis is the heat sink that pulls heat off the boards 32. The Modulus 2000 also reaches very high temperatures in normal use 33.

How the pros do it

  1. Expect a hot Bolt chassis in normal use 32. The metal body draws heat away from the internal circuit boards 32.
  2. In hot weather or direct sun, the Bolt chassis alone may not cool enough 32. One suggestion is adhesive-mounted copper heat sinks on the outside 32.
  3. Treat that copper heat sink idea as untested 32. It came from someone who did not own the unit at the time 32.
  4. On a Modulus 2000, heat sinks can help during continuous operation 33. Whether they work on the 2000 itself was not verified, since heat sink changes showed up in later models 33.
  5. Some operators run a Modulus 2000 for years in hot environments without switching it off between takes 33.
Caution

The Modulus 2000 can get hot enough to cause burns if touched and to damage velcro fasteners 33.

Opinions differ here

Operators did not agree on how to handle Modulus heat 33. One view is that running continuously beats frequent power cycling, because repeated heating and cooling can cause expansion and contraction damage 33. The thread reached no consensus on which is better for longevity, and the evidence was individual unit histories, such as one unit running since 1994 33.

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Why does my monitor get dimmer when I add video devices?3 threads · latest 2011

In short

With no distribution amplifier, every extra device on a single video output pulls the image down a bit more 34. On a Clipper 2 sled, hooking a recorder or field monitor to the BNC output dimmed the picture by 30-40% 35.

How the pros do it

  1. Find out whether your sled has a distribution amplifier (DA) at all 34. Newer Clipper sleds don't have one, because the DA is in the monitor and only feeds the frameline output 35.
  2. On a Clipper 2, record from the separate RCA video output instead of looping off the BNC monitor output 35. That may clear the dimming 35.
  3. Check your 75-ohm termination, because the dimming can come from missing termination or from accidentally loading the output 35. If your monitor has no termination switch, put a 75 ohm terminator on its BNC output 34.
  4. Add a DA if you run several monitors or recorders 34. In a PRO II it can go inside near the rear, or in a separate enclosure under the D-box if space is tight 34.
  5. On a Clipper, an internal connector inside the electronics housing takes an external DA module 35.
  6. If the screen is dark but the power light is on and you can faintly see the image, that may be backlight failure, not signal loading 36. Test the monitor with a different camera source to find out where the fault is 36.

Opinions differ here

Operators don't agree on how necessary a DA is: one thread leaves open whether it is essential or just beneficial, depending on your tolerance for signal loss 34. People in the Clipper 2 thread also disagreed on whether the BNC auto-switching exists, and the manual and photos don't match the connectors 35.

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What's the difference between PRO 1 and PRO 2 monitor power supplies?3 threads · latest 2004

In short

The PRO 2 uses a more modern high voltage power supply than the PRO 1 37. The PRO 1 has an external fuse, while the PRO 2 has an internal thermal fuse 37.

How the pros do it

  1. Look for a fuse receptacle on the left rail near the monitor plug, because the PRO 1 has one and the PRO 2 has no external fuse 37.
  2. Check the side rails, because the PRO 1 rails are smooth and the PRO 2 rails have ripples 37.
  3. Check the heat sink, because the PRO 1 has 10 ribs and the PRO 2 has two sets of 5 ribs plus a box structure 37.
  4. Count the faceplate screws, because the PRO 1 uses 3 and the PRO 2 uses 2 even though the sticker marks 3 holes 37.
  5. Match the monitor to your level equipment, because a PRO 1 monitor works only with PRO 1 level equipment while a PRO 2 monitor works with both 3738.
  6. Confirm the spec level by serial number, because internal components can be mixed between the two models during repair or upgrade 37.
Ask a follow-up

Sources 38

  1. 1Power supply compatibility and voltage sensitivity of Blackmagic HDMI-to-SDI mini-convertersVideo Assist and Video Accessories forum · 2011Disputed
  2. 2Decimator 2 downconverter reliability issues and power-related failures on camera rigsVideo Assist and Video Accessories forum · 2012Disputed
  3. 3Powering video downconverters on camera support sleds and choosing between downconverter modelsVideo Assist and Video Accessories forum · 2013
  4. 4Troubleshooting Decimator downconverter power failure and finding repair servicesVideo Assist and Video Accessories forum · 2013
  5. 5Powering an HDMI converter box on a Steadicam® rig for handheld documentary workGeneral Discussion forum · 2016
  6. 6Budget SDI to HDMI converter performance and reliability assessmentVideo Assist and Video Accessories forum · 2016
  7. 7Powering SmallHD DP1x monitor from gold mount battery platesMonitors forum · 2014
  8. 8Battery plate compatibility and mounting options for Marshall V-LCD70XHB-3GSDI monitorMonitors forum · 2014
All 38 sources
  1. 9Power supply options for Small HD 502 monitorMonitors forum · 2015
  2. 10SmallHD DP7 OLED monitor causing battery shorts during operationMonitors forum · 2015
  3. 11Power consumption comparison between SmallHD 7" Pro High Bright monitor and other cinema equipment when used with wireless receiverMonitors forum · 2015
  4. 12Power supply options for Camos video monitors using different battery plate typesVideo Assist and Video Accessories forum · 2009
  5. 13Powering multiple wireless video accessories stacked on a cinema camera through battery sled powerVideo Assist and Video Accessories forum · 2011
  6. 14Boxx transmitter causing battery shutdowns when piggybacked in 24V configuration with video signal connectionsVideo Assist and Video Accessories forum · 2012Disputed
  7. 15Power supply compatibility for Boxx AV Transmitter modelsVideo Assist and Video Accessories forum · 2014
  8. 16Powering Paralinx Arrow transmitter from Steadicam® Pilot rig's existing 2.1mm outputVideo Assist and Video Accessories forum · 2012
  9. 17IDX Camwave HD wireless video transmitter modifications, mounting, power delivery, and reliability issuesVideo Assist and Video Accessories forum · 2010
  10. 18EFP rig monitor connector specificationsMonitors forum · 2004
  11. 19Pin assignments for 6-pin Hirose monitor output connector on EFP sledMonitors forum · 2004
  12. 20Power connector pinout for Master Greenscreen CRT monitor with 6-pin Hirose connectorMonitors forum · 2022
  13. 21Powering small analog broadcast monitors with 2.1mm DC barrel connectorsMonitors forum · 2016
  14. 22WEVI Cam Wave wireless device failure when used with 24V Steadicam® Master Series setupVideo Assist and Video Accessories forum · 2009Disputed
  15. 23Safety considerations when mounting V-Mount transmitters on Steadicam® rigs with dual battery platesVideo Assist and Video Accessories forum · 2009
  16. 24Battery options and runtime for Steadicam® Pilot with Sony PMW-EX1Steadi-Newbies forum · 2007
  17. 25Battery life and practical operation of the Blackmagic Hyperdeck Shuttle recorderVideo Assist and Video Accessories forum · 2011
  18. 26HD recorders for camera use in 2012Video Assist and Video Accessories forum · 2012
  19. 27Operating ARRI Trinity 2 and Transvideo Starlite monitor in extreme cold (below -20 °C).SteadiHub · 2025
  20. 28Modifying ARCHOS video recorder base station to power professional camera sledsVideo Assist and Video Accessories forum · 2006
  21. 29Using Archos 604 and 605 wifi devices as video recorders with power and connectivity solutionsVideo Assist and Video Accessories forum · 2008
  22. 30Power management and signal effects of Archos recorders integrated into cinema camera sledsVideo Assist and Video Accessories forum · 2007Disputed
  23. 31Archos 605 video output issues when powered externally and video mode switchingVideo Assist and Video Accessories forum · 2009
  24. 32Teradek Bolt transmitter running hot during operationVideo Assist and Video Accessories forum · 2014
  25. 33Heat management for Modulus 2000 video assist units during extended operationVideo Assist and Video Accessories forum · 2008Disputed
  26. 34Video signal degradation when multiple devices share a single video output on camera sledsMonitors forum · 2007
  27. 35Video signal dimming when connecting external devices to Clipper 2 sledVideo Assist and Video Accessories forum · 2006Disputed
  28. 36Flyer Monitor display backlight failure after use with Canon 5D cameraMonitors forum · 2011
  29. 37Distinguishing features and component differences between PRO 1 and PRO 2 monitorsMonitors forum · 2004
  30. 38Compatibility of PRO 1 electronic level with PRO 2 film camera sled and alternative solutions for level and frameline generatorsMonitors forum · 2004

What operators found

Still argued about

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  2. 2026Monitor brightness and heat performance in direct sunlight: SmallHD 703 UB versus alternatives.FacebookThe Steadicam Group
  3. 2026Low-mode monitor selection for Volt Brain rig: latency performance of Transvideo Starlite versus current alternatives.FacebookThe Steadicam Group

Often in the same threads

Low Mode48, Monitor Bracket40, Zephyr32, Top Stage28, Artemis21, Volt12, CineLive8, CineMonitorHD813, Modulus91, Follow Focus15, Master Series15, BFD12

All threads

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  4. 2026Lemo connectors on the ARRI Artemis sled: pinout, polarity verification, and powering low-mode monitors and Volt battery.FacebookSteadicam operators group
  5. 2026Finding a bright (1500–2000 nits) low-mode monitor with recording and SDI I/O to replace a defective Transvideo Starlite.DisputedFacebookSteadicam operators group
  6. 2026Monitor brightness and heat performance in direct sunlight: SmallHD 703 UB versus alternatives.DisputedFacebookThe Steadicam Group
  7. 2026Low-mode monitor selection for Volt Brain rig: latency performance of Transvideo Starlite versus current alternatives.DisputedFacebookThe Steadicam Group
  8. 2026Low mode and flipping the image: what to check on the camera before the dayOperator practice
  9. 2026Powering everything from the sled: voltage, current, and why the two get confusedOperator practice
  10. 2026Choosing and troubleshooting the monitor on a stabilizer rigDisputedOperator practice
  11. 2026Transvideo has ceased trading: what owners of their monitors need to knowOperator practice
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  15. 2025Mounting a monitor at the battery rack on ARRI Trinity 2 in AR/X-mode: holder options and balance considerations.FacebookArri Artemis Trinity
  16. 2025Brightness requirements for low-mode monitoring: Blackmagic Video Assist 5-inch 3G at 300 nits versus alternatives for outdoor use.DisputedFacebookSteadicam operators group
  17. 2025SmallHD Ultra 7 as a sled monitor: image quality versus off-center mounting and weight distribution concernsDisputedFacebookSteadicam operators group
  18. 2025Bright 5- to 6-inch low-mode monitors with integrated level display: comparison of options and level accuracy concerns.DisputedFacebookThe Steadicam Group
  19. 2025Monitor bracket compatibility between Artemis generations: yoke rod width changes and retrofit kit availabilitySteadiHub
  20. 2025Monitor selection for Steadicam®: brightness, size, weight, and thermal performance with small HD Ultra 5, Port Keys BMS IV, Feelworld 6Luts, Transvideo Starlite HD+, and Blackmagic Video Assist 5 inch.SteadiHub
  21. 2025Operating ARRI Trinity 2 and Transvideo Starlite monitor in extreme cold (below -20 °C).SteadiHub
  22. 2025Affordable monitor mounting solution for low-mode operation with Axis Volt stabilizerSteadi-Newbies
  23. 2025Return video feed solutions for Steadicam operators during live broadcastsVideo Assist and Video Accessories
  24. 2024Using the SSB-3 side bracket for low-mode monitor mounting on ARRI Artemis Trinity and Steadicam® Volt.FacebookArri Artemis Trinity
  25. 2024Shimbol Memory 7 Pro as a Steadicam® monitor: build quality, SDI connectivity, recording capability, latency, and cost comparison to SmallHD and Blackmagic alternatives.FacebookThe Steadicam Group
  26. 2024Upgrading video cable in Steadicam® Aero 30 center pole from 3G-SDI to 12G-SDIFacebookSteadicam operators group
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  30. 2024Electronic spirit levels for video monitors: integrated sensors versus external gyro-stabilized indicators.DisputedFacebookThe Steadicam Group
  31. 2024Monitor size choice for lightweight Steadicam® rigs: 5-inch versus 7-inch trade-offsDisputedFacebookThe Steadicam Group
  32. 2024Choosing and integrating a low-mode monitor for Steadicam® rigs: performance, power stability, and balance considerations.FacebookSteadicam operators group
  33. 2024MK-V 2-inch gimbal with Tiffen Volt combination: compatibility, cost, and leveling alternatives.DisputedFacebookThe Steadicam Group
  34. 2024Virtual horizon feature in SmallHD 703 monitor firmwareGeneral Discussion
  35. 2024Adding a low mode monitor setup to a Steadicam Clipper 2 without standard rod mountingSteadi-Newbies
  36. 2024Low-mode monitor mounting solution for MKV Nexus SledGeneral Discussion
  37. 2023Low-mode monitor mounting solutions on a Volt Sled with M2-Top-StageFacebookSteadicam operators group
  38. 2023Lighter and coplanar monitor mounting on an ARRI Artemis 2 with Tiffen VoltFacebookArri Artemis Trinity
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  40. 2023SmallHD Cine 7 with integrated Bolt 6 transmitter as a Steadicam® monitor: weight savings versus system lock-in and transmitter placement strategy.DisputedFacebookSteadicam operators group
  41. 2023Upcoming SmartCAM SM7-3K-Z monitor for steadicam operationsMonitors
  42. 202215 mm rod compatibility on Tiffen M2 sled for low-mode monitor mountingFacebookSteadicam operators group
  43. 2022Upgrading from SmallHD Focus 5 to a 7-inch budget monitor (under ~1000 EUR) with HDMI to avoid arm obstructionFacebookThe Steadicam Group
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  45. 2022Monitor brightness requirements for outdoor Steadicam® operation and comparison of 1000-nit displays versus sunlight conditions.FacebookThe Steadicam Group
  46. 2022Upgrading from SmallHD 702 to a brighter on-set monitor: brightness comparison of Osee 7-inch 3000 nit, Blackmagic Video Assist 12G, Transvideo HD8, and Atomos Shinobi 7.FacebookSteadicam operators group
  47. 2022Atomos Shogun 7 and Shinobi 7 monitor cages with side-threading for CamJam mounts, and latency added by recorder-monitors.FacebookSteadicam operators group
  48. 2022Power connector pinout for Master Greenscreen CRT monitor with 6-pin Hirose connectorMonitors
  49. 2022Monitor options for low-mode gimbal useGeneral Discussion
  50. 2022Mounting brackets and arms for attaching low-mode monitors to camera stabilizersSteadi-Newbies
  51. 2022Choosing a monitor for Steadicam work with outdoor use requirementsMonitors
  52. 2022Cam Jam bracket compatibility with SmallHD 703 monitorMonitors
  53. 2022Advantages and disadvantages of using a dedicated low mode monitor on a steadicam rigSteadi-Newbies
  54. 2022Thermal performance and display characteristics of TVLogic F-7H Mk2 monitor compared to alternativesMonitors
  55. 2021Low-mode monitoring options for Steadicam® M-1: dedicated monitor versus repositioning the main monitor.DisputedFacebookSteadicam operators group
  56. 2021Control layout for ARRI Trinity in live production: positioning tilt joystick, monitor, zoom and focus on the gimbal handle.FacebookArri Artemis Trinity
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  59. 2021Switching from Transvideo to SmallHD monitors: brightness in sunlight, overheating, and balance impactFacebookThe Steadicam Group
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  61. 2021Rain protection options for cinema camera equipment sleds and monitorsGeneral Discussion
  62. 2021Smart System SM7-3K monitor for professional video productionMonitors
  63. 2021Selection criteria and options for high-brightness external monitors for professional video workGeneral Discussion
  64. 2021Comparison of stabilizer monitors for outdoor use and customer service considerationsMonitors
  65. 2020Monitor and accessory upgrades for Steadicam Zephyr rigsSteadi-Newbies
  66. 2020Mounting 16mm film cameras on Steadicam rigs with monitoring considerationsSteadi-Newbies
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  68. 2020Selecting a compact 7-inch monitor for Steadicam workMonitors
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  70. 2020Monitor mounting solutions for Steadicam Solo rigsSteadi-Newbies
  71. 2020Transvideo monitor repair service issues and spare parts availabilityMonitors
  72. 2020Repair options and known issues with Cinetronic Generation 2 monitorsMonitors
  73. 2019Framing solutions for film cameras without built-in monitors when used on camera stabilizersSteadi-Newbies
  74. 2019Mounting a monitor on gimbal handle instead of standard sled placementSteadi-Newbies
  75. 2019Sony FS5 SDI signal intermittently cutting out on V-LCD70XHB monitor when connected to Zephyr steadicamSteadi-Newbies
  76. 2019Choosing between Steadicam monitors with and without built-in digital levels, comparing Transvideo, SmallHD, and Boland optionsMonitors
  77. 2019Steadicam MSC-200590 monitor control buttons not responding over HDMI inputMonitors
  78. 2019Comparison of green screen monitors versus LCD displays for professional useMonitors
  79. 2019Tiffen M2 steadicam sled specifications and featuresGeneral Discussion
  80. 2019Bright daylight-visible monitors suitable for mounting on Archer 2 camera rigGeneral Discussion
  81. 2019TVlogic F-7H monitor mounting options and availabilityMonitors
  82. 2018Wireless video transmission systems for steadicam on film setsGeneral Discussion
  83. 2018MustHD 703S Hyper-Brite monitor performance and practical use for Steadicam workDisputedMonitors
  84. 2018Experience and reliability of Vaxis wireless video transmission systemsGeneral Discussion
  85. 2018HDMI recording limitations with DSLR camerasSteadi-Newbies
  86. 2018Transvideo StarliteHD 5-inch monitor specifications and recording capabilitiesMonitors
  87. 2018Experience with Cinetronic monitor generations regarding reliability and customer serviceDisputedMonitors
  88. 2018Custom yoke mount for Atomos Shogun series monitors on Steadicam with optional V-Mount battery integrationMonitors
  89. 2018Repair service for Cinetronics monitors addressing common manufacturing and connection issuesMonitors
  90. 2017Recorder and monitor equipment choices for steadicam operationsVideo Assist and Video Accessories
  91. 20175GHz spectrum analyzer feature added to Bolt wireless video receiversVideo Assist and Video Accessories
  92. 2017Rain cover solutions for on-camera monitors with ventilation portsMonitors
  93. 2017Using onboard batteries versus sled-powered cables for monitor operationMonitors
  94. 2017Recommendations for professional on-camera monitors based on user experienceMonitors
  95. 2017Using Atomos Ninja Star recorder with SDI cameras via HDMI converter and SDI record triggerVideo Assist and Video Accessories
  96. 2017Wireless video and focus control signal loss at 10+ feet distance with Teradek Bolt and Redrock microRemoteVideo Assist and Video Accessories
  97. 2017SmallHD 703 Ultra Bright on-board monitor specifications and featuresDisputedMonitors
  98. 2017Reducing screen reflections and glare on external monitorsGeneral Discussion
  99. 2017Electronic bubble level loses calibration when turning off Transvideo Cine 8 monitorMonitors
  100. 2017Converting HD/SDI video signals to composite output for a Flyer monitorSteadi-Newbies
  101. 2017Digital level devices that mix overlay information into HD video signals via BNC connectorsVideo Assist and Video Accessories
  102. 2017Cinetronic Gen 2 monitor HD-SDI connection failures caused by inadequate adhesive constructionMonitors
  103. 2017UltraBrite2 monitor display distortion when Alexa records to external Odyssey 7Q recorderMonitors
  104. 2017Connecting Sony F55 camera to Cinetronic 2 monitor at 23.997fpsMonitors
  105. 2016Monitor mounting and height adjustment on a Steadicam® post for low mode work.DisputedFacebookThe Steadicam Group
  106. 2016Teradek Bolt 2000 generation 1 capabilities and compatibilityDisputedVideo Assist and Video Accessories
  107. 2016Video signal loss on Shogun Flame monitor in RF-intensive environmentsMonitors
  108. 2016Finding a suitable monitor mount for the SmallHD 702 High Bright displayMonitors
  109. 2016Wireless video transmission options for remote focus pulling on a budgetDisputedVideo Assist and Video Accessories
  110. 2016Performance and reliability characteristics of Tiltamax wireless video transmitters compared to competing brandsDisputedVideo Assist and Video Accessories
  111. 2016Daylight visibility challenges with Transvideo CineMonitorHD X-SBL monitor and troubleshooting approachesMonitors
  112. 2016Teradek Sidekick receiver compatibility issues with Paralinx transmitters and PSF video signalsVideo Assist and Video Accessories
  113. 2016Sidekick wireless video receiver lacks an on/off switch, leading to battery drainVideo Assist and Video Accessories
  114. 2016Bolt 1000 and Bolt 3000 wireless video transmission systems with specifications and compatibility concernsVideo Assist and Video Accessories
  115. 2016Budget SDI to HDMI converter performance and reliability assessmentVideo Assist and Video Accessories
  116. 2016Rain protection solutions for monitors while maintaining image visibilityMonitors
  117. 2016Connex Mini wireless video transmitter performance and integration in production workflowsVideo Assist and Video Accessories
  118. 2016Signal issues when connecting Canon 5D Mark II to external monitor through Blackmagic converterGeneral Discussion
  119. 2016Sony a7sii HDMI output compatibility with external video converters and monitoring setupsVideo Assist and Video Accessories
  120. 2016Powering small analog broadcast monitors with 2.1mm DC barrel connectorsMonitors
  121. 2016Choosing between 6" and 8" Transvideo Cinemonitor X-SBL Evolution monitorsMonitors
  122. 2016Compatibility between 4K cameras and existing HD-SDI monitorsMonitors
  123. 2016Installing a Transvideo Rainbow HD7 SBL monitor on an Archer 1 camera rigMonitors
  124. 2016Building an entry-level wireless video monitoring system on a budgetVideo Assist and Video Accessories
  125. 2016Powering an HDMI converter box on a Steadicam rig for handheld documentary workGeneral Discussion
  126. 2016Image flipping and horizon level features on field monitorsMonitors
  127. 2016Comparison of portable video recorders and monitors for professional camera rigsVideo Assist and Video Accessories
  128. 2016Performance and practical experience with Atomos Shogun Flame monitor in field useMonitors
  129. 2016Selecting and configuring handheld director's monitors for field useMonitors
  130. 2016Controlling automatic fan activation on older Tiffen UltraBrite HD monitorsMonitors
  131. 2016Building a cost-effective director's finder using cameras and softwareVideo Assist and Video Accessories
  132. 2016Paralinx Ace wireless video transmitter performance, features, and practical setup considerationsVideo Assist and Video Accessories
  133. 2016Activating the tally input on SmallHD DP7 monitorsMonitors
  134. 2016Alexa Mini SDI sync problems with external SD monitor via downconverterMonitors
  135. 2016HD-SDI wireless transmitters for long-range video transmission beyond 50 metersVideo Assist and Video Accessories
  136. 2016Off-axis viewing performance of SmallHD monitors for sled-mounted camera workMonitors
  137. 2016User experience with Boland BVB07 DayBrite monitor for camera workMonitors
  138. 2016HD digital level options for steadicam monitoringDisputedVideo Assist and Video Accessories
  139. 2016Converting HD-SDI output to composite video for legacy monitorsMonitors
  140. 2016Wireless video transmitter selection for on-set director monitoringSteadi-Newbies
  141. 2015HDMI signal compatibility between GH4 camera and Steadicam Pilot VL monitorSteadi-Newbies
  142. 2015Comparison of monitor mounting systems including Quattro bracket, Cam-Jam yoke, and traditional spud receiversMonitors
  143. 2015Compact on-board HD recorders for camera rigsMonitors
  144. 2015Power consumption comparison between SmallHD 7" Pro High Bright monitor and other cinema equipment when used with wireless receiverMonitors
  145. 2015Compatibility and performance of 100% HD video tops with Arricam LT camerasVideo Assist and Video Accessories
  146. 2015Cinetronic Gen 2 monitor compatibility with Sony F55 cameraMonitors
  147. 2015SmallHD 702 on-camera monitor performance and practical setup considerationsDisputedMonitors
  148. 2015Connex wireless video link capabilities, pricing, modifications, and comparison with alternativesVideo Assist and Video Accessories
  149. 2015BlackMagic Video Assist connector specifications and physical characteristicsVideo Assist and Video Accessories
  150. 2015Custom monitor mount and accessory upgrades for Steadicam Scout, Pilot, and Flyer rigsMonitors
  151. 2015How monitor positioning affects dynamic balance on stabilizers with bottom-mounted monitor bracketsSteadi-Newbies
  152. 2015Wireless HD video transmission with tally integration for Sony broadcast cameras without CCUVideo Assist and Video Accessories
  153. 2015Ultra 2 monitor signal dropout issues and solutionsMonitors
  154. 2015Eclipse 500 HD wireless video transmitter performance and group purchaseVideo Assist and Video Accessories
  155. 2015Decimator MD-HX firmware upgrade adds image flip/flop capability and power connection guidanceVideo Assist and Video Accessories
  156. 2015Teradek Bolt Sidekick lightweight receiver for wireless video transmissionVideo Assist and Video Accessories
  157. 2015Transvideo Stargate FHD 7-inch monitor specifications and availabilityMonitors
  158. 2015Firmware updates and installation procedures for TV Logic VFM-058W monitorMonitors
  159. 2015Cinetronics Digital Level compatibility with different monitorsMonitors
  160. 2015Teradek Bolt 2000 dual battery plates and cages for transmitters and receiversDisputedVideo Assist and Video Accessories
  161. 2015Transvideo Starlite 5 inch monitor practical usage and mounting optionsMonitors
  162. 2015Dark shadow appearing on Transvideo HD6 SBL Evolution monitor screenMonitors
  163. 2015Finding a compact HD SDI frameline generator for custom overlay creationVideo Assist and Video Accessories
  164. 2015Selection criteria and performance comparison for on-camera monitors suitable for professional video workMonitors
  165. 2015Power supply options for Small HD 502 monitorMonitors
  166. 2015Vertical lines and interference patterns appearing on monitor displayMonitors
  167. 2015Bon monitor performance and build quality compared to competitorsMonitors
  168. 2015Transvideo StarliteHD 5-inch monitor/recorder for camera sleds and rigsMonitors
  169. 2015Generation 2 cinemonitor not accepting SD composite video signalMonitors
  170. 2015Light leakage and optical defects in high-brightness monitorsMonitors
  171. 2015Rain protection options for Cinetronic Gen 2 monitorMonitors
  172. 2015Transvideo CineMonitor HD X-SBL specifications and user experience comparison between 6 inch and 8 inch modelsMonitors
  173. 2015Finding an affordable carrying case for a 7-inch HD monitorMonitors
  174. 2015Comparison of 7-inch on-camera monitor brightness and features for outdoor useDisputedMonitors
  175. 2015Building a handheld director's monitor setup with wireless video receiver and batteryVideo Assist and Video Accessories
  176. 2015SmallHD DP7 OLED monitor causing battery shorts during operationMonitors
  177. 2015Connecting a Panasonic GH4 camera to SD and HD Pilot steadicam monitors via HDMI conversionSteadi-Newbies
  178. 2015Ultra Bright monitor losing graphical menu interface and failing to detect SDI syncMonitors
  179. 2015Converting HD-SDI video signal from Sony F35 to analog output for legacy monitorsMonitors
  180. 2015Transvideo monitor models and their suitability for camera operation and stabilization workDisputedMonitors
  181. 2015Selecting a monitor for Steadicam Pilot with V-lock mount and multiple input requirementsMonitors
  182. 2015IDX CW-3 wireless HD-SDI transmitter performance and capabilitiesVideo Assist and Video Accessories
  183. 2015Setting up a return monitor for live TV broadcast operationsMonitors
  184. 2015Choosing a Teradeck Bolt wireless transmitter model for steadicam and handheld camera workVideo Assist and Video Accessories
  185. 2015Cam-Jam monitor yoke compatibility and assembly with Sachtler monitor armMonitors
  186. 2015Daylight-viewable HD monitors suitable for mounting on a Flyer LE steadicam rigDisputedMonitors
  187. 2015Accessories and setup recommendations for live television work with stabilized camera rigsVideo Assist and Video Accessories
  188. 2015Cinetronic Generation 2 monitor displaying black screen after menu navigationMonitors
  189. 2015Demand for a compact, lightweight receiver variant of the Bolt PRO 2000 wireless video systemVideo Assist and Video Accessories
  190. 2015Connecting a Blackmagic Cinema Camera to a Steadicam monitor with incompatible signal formatsSteadi-Newbies
  191. 2015Teradek Bolt 300 Rx receiver loses signal and stops respondingVideo Assist and Video Accessories
  192. 2015Optical stabilization in lenses when using Steadicam for videoVideo Assist and Video Accessories
  193. 2015Boland DayBrite 7-inch monitor specifications and featuresMonitors
  194. 2015Paralinx Triton wireless video transmitter specifications and comparison to competing systemsVideo Assist and Video Accessories
  195. 2015Performance and features of Transvideo RainbowHD 7" SB monitor for on-set video workMonitors
  196. 2014Configuration settings and firmware features for Transvideo monitors to improve visibility and functionalityMonitors
  197. 2014Custom bracket and yoke mount system for Steadicam Pilot and Scout rigs to improve monitor positioning and balance adjustmentMonitors
  198. 2014Teradek Bolt transmitter running hot during operationVideo Assist and Video Accessories
  199. 2014Bolt Pro 600 wireless video transmission performance and suitability for production workVideo Assist and Video Accessories
  200. 2014Resolving frame synchronization delay issues with Boxx Meridian broadcast systems in live outside broadcastsVideo Assist and Video Accessories
  201. 2014Decimator 2 HD-SDI loop output failure troubleshootingVideo Assist and Video Accessories
  202. 2014External recorder selection for playback monitoring without interrupting camera feed to video villageVideo Assist and Video Accessories
  203. 2014Wireless video transmission technology choices and latency performance for professional on-set useVideo Assist and Video Accessories
  204. 2014Transvideo HD8 X-sbl monitor specifications, features, and user experiencesMonitors
  205. 2014Steadicam Pilot sled compatibility and HD monitor upgrade considerations for GH4 cameraSteadi-Newbies
  206. 2014Wireless video transmission device failure and repair service experienceDisputedVideo Assist and Video Accessories
  207. 2014Cinetronic Gen 2 monitor fails to display image despite power indicationMonitors
  208. 2014Decimator 2 USB control panel Mac support and firmware updatesVideo Assist and Video Accessories
  209. 2014Using GH4 camera with Pilot stabilizer monitor via composite video connectionSteadi-Newbies
  210. 2014HDMI to SDI converter options for on-camera use and steadicam monitoring in 2014Video Assist and Video Accessories
  211. 2014Selecting a professional on-camera monitor for HD production workMonitors
  212. 2014New camera support and monitoring equipment announced at IBC 2014General Discussion
  213. 2014Evaluating and upgrading a used Steadicam Pro Vid 2Steadi-Newbies
  214. 2014Techniques and time requirements for transitioning a Steadicam rig to low mode operationGeneral Discussion
  215. 2014Cost-effective wireless Standard Definition video transmission for short-distance line-of-sight applicationsVideo Assist and Video Accessories
  216. 2014Converting SDI output from BMC 4K camera to composite and HDMI signals for Steadicam Pilot monitoringSteadi-Newbies
  217. 2014Choosing appropriate monitor screen size for professional video workMonitors
  218. 2014Nyrius Aries Pro wireless HDMI transmitter compatibility with camera outputs and frame rate requirementsVideo Assist and Video Accessories
  219. 2014Selecting and comparing outdoor field monitors for independent film productionMonitors
  220. 2014Setting up tally light and zoom control systems for live steadicam workSteadi-Newbies
  221. 2014Marshall V-LCD70XP-3GSDI monitor not recognizing SDI signal from Red MX cameraMonitors
  222. 2014Powering SmallHD DP1x monitor from gold mount battery platesMonitors
  223. 2014Connecting Canon C100 camera to Steadicam Scout monitor via HDMI to SDI conversionDisputedMonitors
  224. 2014Powering up a Scout steadicam monitor and connecting a Canon C100 cameraMonitors
  225. 2014Tiffen WXB automatic horizon correction system for SteadicamMonitors
  226. 2014Performance comparison of wireless video transmitter systems for on-location workDisputedVideo Assist and Video Accessories
  227. 2014Upgrading a Steadicam Flyer LE sled with HD monitor rewiring and connector modificationsMonitors
  228. 2014Paralinx Arrow-X wireless video transmission system performance and reconnection behaviorVideo Assist and Video Accessories
  229. 2014StarliteHD 5-inch OLED monitor capabilities, recording features, and limitationsMonitors
  230. 2014Connecting Sony F5/F55 cameras to external monitors including the SmallHD Gen 2Monitors
  231. 2014Comparison of zoom control systems for broadcast camera workVideo Assist and Video Accessories
  232. 2014Repair options and panel replacements for IMP Hummingbird monitorsMonitors
  233. 2014XCS monitor prototype features and specificationsDisputedMonitors
  234. 2014Custom protective screen covers for monitorsMonitors
  235. 2014Compatible replacement antennas for Boxx wireless video systemsVideo Assist and Video Accessories
  236. 2014Comparison of wireless video transmission systems: Paralinx Arrow, Nyrius Pro, and IDX CW1Video Assist and Video Accessories
  237. 2014Power supply compatibility for Boxx AV Transmitter modelsVideo Assist and Video Accessories
  238. 2014Battery plate compatibility and mounting options for Marshall V-LCD70XHB-3GSDI monitorMonitors
  239. 2014Camera automation and Steadicam techniques at Eurovision 2014General Discussion
  240. 2014Monitor signal loss when using AJA10MD3 converter with Red Epic cameraGeneral Discussion
  241. 2014Compatibility and practicality of vintage NTSC VHF band video transmittersVideo Assist and Video Accessories
  242. 2014IDX CW-3 wireless 3G-SDI transmission system specifications and feature roadmapVideo Assist and Video Accessories
  243. 2014Nushield DayVue AR screen filter effectiveness on monitor visibilityMonitors
  244. 2014IDX CW-3 HD-SDI wireless video transmitter capabilities and trade-offsVideo Assist and Video Accessories
  245. 2014Handle and mounting solutions for 7-inch video monitors used as backup or set monitorsVideo Assist and Video Accessories
  246. 2014Teradek Bolt Pro wireless video transmission system updates for 2014 with three new transmitter and receiver modelsVideo Assist and Video Accessories
  247. 2014Using Odyssey OLED monitors as on-camera and director's monitors for video productionMonitors
  248. 2014Teradek Bolt Pro SDI wireless transmission of Alexa LDS metadata to external monitorsVideo Assist and Video Accessories
  249. 2014Selection and comparison of HD monitors for steadicam workMonitors
  250. 2014Marshall V-LCD651STX-3GSDI monitor performance for professional video workMonitors
  251. 2014Suitable monitor sizes for steadicam rigsMonitors
  252. 2014External level sensor for Transvideo Cinemonitor HD monitorsMonitors
  253. 2014Transvideo Cinemonitor HD 6 Classic displaying no image despite power and signal presenceMonitors
  254. 2014Adding HD-SDI video output to a Master Series Film SteadicamGeneral Discussion
  255. 2014Rear mounting hole thread size on TVLogic 5.6 inch monitorMonitors
  256. 2014Troubleshooting non-functional tally signal from PRO Cinelive to Cinetronic Gen2 monitorMonitors
  257. 2014Paralinx Array antenna specifications and FCC regulatory considerations for wireless HD video systemsDisputedVideo Assist and Video Accessories
  258. 2014Monitor yoke bracket for Steadicam rigs enabling tilting adjustment and easy mode switchingMonitors
  259. 2014Teradek Bolt 2000 wireless video transmitter performance and practical on-set useVideo Assist and Video Accessories
  260. 2014Cinetronic Gen2+ FullHD monitor specifications and upgrade optionsMonitors
  261. 2014Transvideo 6" Evolution3 X-SBL monitor performance and features for field useMonitors
  262. 2014Compatibility of Teradek Bolt wireless video transmission with Heden Carat Bluetooth focus control systemsVideo Assist and Video Accessories
  263. 2014Cinetronic Gen2 steadicam monitor brightness and visibility performanceMonitors
  264. 2014Latency issues when monitoring RED Epic footage in 5K and 4KGeneral Discussion
  265. 2014Modifying a Blackmagic Hyperdeck Shuttle recorder with Anton Bauer gold mount battery plates and upgraded connectors for camera rig mountingVideo Assist and Video Accessories
  266. 2014Custom bracket for mounting Teradek Bolt wireless video receiver on a standDisputedVideo Assist and Video Accessories
  267. 2014Choosing and setting up a Decimator video converter for on-set monitoringDisputedSteadi-Newbies
  268. 2014Latency introduced by HD signal cross conversion in video convertersVideo Assist and Video Accessories
  269. 2014Small HD DP7 Daybright monitor performance in diverse field conditions and practical use experienceMonitors
  270. 2014Firmware update procedure for Cinetronic monitor on Windows systemsMonitors
  271. 2014Monitor signal loss caused by walkie talkie interference during video monitoring setupMonitors
  272. 2014Nimbus WiMi6200 HD-SDI wireless video transmitter performance and capabilitiesVideo Assist and Video Accessories
  273. 2014Hyperdeck Shuttle incompatibility with Decimator 2 HDMI outputVideo Assist and Video Accessories
  274. 2014Practical experience with the BlackMagic HyperDeck Shuttle II as an on-board recorder for cinema camerasVideo Assist and Video Accessories
  275. 2014Vertical ghost lines appearing on Cinetronic 2 monitor when used with XCS sled and Decimator downconverterMonitors
  276. 2014Comparison of onboard HD-SDI recorders for Steadicam useGeneral Discussion
  277. 2013Anton Bauer HD RF wireless video transmission system performance and pricingVideo Assist and Video Accessories
  278. 2013Setting up framelines on monitors without built-in frameline generatorsMonitors
  279. 2013Hummingbird monitor screen delamination and adhesive leakageMonitors
  280. 2013Delamination and adhesive leakage issues in Hummingbird monitorsMonitors
  281. 2013Marshall V-LCD70MD monitor suitability for steadicam work and compatibility with gearMonitors
  282. 2013Yoke monitor mount for camera rigs with adjustable configurationsMonitors
  283. 2013Convergent Odyssey 7 OLED monitor with integrated recording capabilitiesMonitors
  284. 2013Identifying and sourcing a Transvideo monitor mount for Cinemonitor IIIMonitors
  285. 2013Rebotnix RB-2 wireless video transmission system specifications and comparisonDisputedVideo Assist and Video Accessories
  286. 2013Experiences with WHM-BG artificial horizon modules for camera stabilization equipmentMonitors
  287. 2013Custom modification of Hyperdeck Shuttle recorder with AB battery mount and BNC connectorsVideo Assist and Video Accessories
  288. 2013Configuration settings for Cinetronic digital level monitorsMonitors
  289. 2013Paralinx Tomahawk wireless HD video transmitter specifications and capabilitiesVideo Assist and Video Accessories
  290. 2013Teradek Bolt Pro 2000 wireless video transmitter capabilities and compatibilityVideo Assist and Video Accessories
  291. 2013Mounting options for SmallHD DP7 HB monitor on Pro monitor arm and spudMonitors
  292. 2013Upgrading from SD to HD-SDI monitor on Flyer 24LE stabilizer rigMonitors
  293. 2013Bone conduction headphones for live production monitoringGeneral Discussion
  294. 2013DC jack repair and internal testing connector on Nyrius Pro wireless video transmitterDisputedVideo Assist and Video Accessories
  295. 2013Comparison of portable HD monitors for broadcast useDisputedMonitors
  296. 2013Installing HD monitors on Steadicam Clipper 24 rigs originally wired for RGBMonitors
  297. 2013Comparison of downconverter options for video rigsDisputedGeneral Discussion
  298. 2013Replacing the original monitor on a Steadicam SK II with an LCD monitorMonitors
  299. 2013Troubleshooting a Master Series green screen monitor displaying only a horizontal lineMonitors
  300. 2013Tel-Mar HD wireless video transmission system features and capabilitiesVideo Assist and Video Accessories
  301. 2013Health concerns and workarounds for wireless HD video transmitters on setDisputedGeneral Discussion
  302. 2013Cinetronic Digital Level monitor specifications and early user experienceMonitors
  303. 2013Comparison of wireless video transmission systems for on-set video village monitoringVideo Assist and Video Accessories
  304. 2013Lilliput 663/S monitor suitability and features for video workMonitors
  305. 2013Wireless HD video transmission system performance and features for camera monitoringVideo Assist and Video Accessories
  306. 2013Wireless HD transmitter and receiver systems for video transmission over 70 yards with minimal latencySteadi-Newbies
  307. 2013Signal recognition failures when connecting Atomos Samurai through XCS and Decimator loop-throughVideo Assist and Video Accessories
  308. 2013Monitor yoke options for camera rigs and their performance characteristicsMonitors
  309. 2013Transvideo HD6 X-SBL 2000nits monitor capabilities and limitations for field useMonitors
  310. 2013Cinetronics monitor bracket vibration and stability issues during camera movementDisputedMonitors
  311. 2013Wireless video transmission options for college athletic event production using a Tricaster-based fly-pack systemVideo Assist and Video Accessories
  312. 2013Red discoloration defect appearing on Cinetronic monitor display at high backlight levelsDisputedMonitors
  313. 2013Methods for transmitting tally signals to camera operators and monitorsGeneral Discussion
  314. 2013Mounting a Hyperdeck Shuttle recorder to a Cinetronic 2 monitor while maintaining battery power and signal routingMonitors
  315. 2013Connecting cameras to Black Magic HyperDeck Shuttle recorders with DIN 1.0/2.3 cables and adapters for steadicam useVideo Assist and Video Accessories
  316. 2013Custom padded vinyl dust covers for Cinetronic LCD monitorsMonitors
  317. 2013Electronic viewfinders with HD/SDI input for professional handheld camera workDisputedMonitors
  318. 2013Sony F55 HDMI output compatibility with 23.98 frame rateVideo Assist and Video Accessories
  319. 2013Cinetronic Generation 2 monitor technical issues, solutions, and user experiencesDisputedMonitors
  320. 2013Performance characteristics of Boxx Cobalt wireless video transmitterVideo Assist and Video Accessories
  321. 2013Level display bouncing issue in Cinetronic Gen II monitor during startupMonitors
  322. 2013Wireless HDMI transmitter/receiver systems for professional video assist on Steadicam and camera rigsDisputedVideo Assist and Video Accessories
  323. 2013Choosing analog-to-SDI converter devices for video workflow standardizationVideo Assist and Video Accessories
  324. 2013Remote recording start/stop functionality on Ki Pro Mini external recordersVideo Assist and Video Accessories
  325. 2013Connecting a Nikon D800 camera to a Pilot monitor using HDMI to RCA conversionGeneral Discussion
  326. 2013Choosing between Transvideo monitor models for steadicam operation and considerations for budget-conscious operatorsMonitors
  327. 2013Converting SDI or HDMI video signals to FireWire format for legacy DV recordersGeneral Discussion
  328. 2013Long-range HD wireless video transmission options for film productionVideo Assist and Video Accessories
  329. 2013Reliability and usability comparison between Atomos Samurai recorders and Blackmagic alternatives for on-set video recordingDisputedVideo Assist and Video Accessories
  330. 2013Cinetronic Gen2 monitor performance, usability, and power management issues for cinema camera rigsDisputedMonitors
  331. 2013Wireless SD video transmission options for steadicam use at live eventsVideo Assist and Video Accessories
  332. 2013Cinetronic 2 monitor overheating and pixel failure when exposed to direct sunlightDisputedMonitors
  333. 2013Monitor displays no signal and goes gray when used with steadicamMonitors
  334. 2013Enabling HDMI output scaling on Decimator 2 for wireless video transmission compatibilityVideo Assist and Video Accessories
  335. 2013Experience with the Bon FM-072SCH 7-inch HD-SDI monitor for on-set useMonitors
  336. 2013Integrating wireless HDMI video transmission with SD camera slider monitoring using DSLR camerasDisputedSteadi-Newbies
  337. 2013Methods for labeling custom cables with affordable solutionsVideo Assist and Video Accessories
  338. 2013Selecting a high-brightness HD monitor to replace the standard monitor on a Flyer LE stabilizerMonitors
  339. 2013Ikan HD wireless video transmitter latency and antenna durabilityVideo Assist and Video Accessories
  340. 2013Paralinx Crossbow wireless video transmitter capabilities and limitationsVideo Assist and Video Accessories
  341. 2013Compatible yoke and bridge for mounting Transvideo CineMonitor 8 with Tiffen Ultra 2Monitors
  342. 2013Monitor bracket options compatible with 15mm rod systems for camera rigsMonitors
  343. 2013Greenscreen monitor displaying artifacts without proper termination or video inputMonitors
  344. 2013Cinetronics Gen 2 monitor manufacturing defects and early product support experienceMonitors
  345. 2013Tiffen Ultra Brite 2 monitor compatibility issues with Red Epic and Scarlet camerasMonitors
  346. 2013Sun shades and hoods for field monitors to improve visibility in bright sunlightMonitors
  347. 2013Screw size for Cinetronic 1 monitor yoke attachmentMonitors
  348. 2013Powering video downconverters on camera support sleds and choosing between downconverter modelsVideo Assist and Video Accessories
  349. 2013Repair and warranty service options for Decimator video convertersVideo Assist and Video Accessories
  350. 2013Wireless camera control systems used for television production in ChinaDisputedGeneral Discussion
  351. 2013Cinetronic electronic level monitor with gyro compensation and on-screen bubble indicatorMonitors
  352. 2013HDwireless integrated wireless control panel system for Sony HDC 2400/2500 broadcast camerasVideo Assist and Video Accessories
  353. 2013Self-operated focus and zoom on a Steadicam rig during live productionVideo Assist and Video Accessories
  354. 2013Teradek Bolt wireless video transmitter reliability and customer service qualityDisputedVideo Assist and Video Accessories
  355. 2013Paralinx Tomahawk wireless HD video receiver specifications and release timelineVideo Assist and Video Accessories
  356. 2013Eliminating low-frequency vibrations in Cinetronic monitor rod setups with PRO postsMonitors
  357. 2013Ultrabrite 2 monitor HD/SDI inputs stopped working mid-shoot while SD/composite inputs remained functionalMonitors
  358. 2013Comparison of wireless video transmission systems for film and television productionDisputedVideo Assist and Video Accessories
  359. 2013Choosing a wireless video transmitter for SD video assist work as a beginnerVideo Assist and Video Accessories
  360. 2013Performance of Marshall V-LCD70MD-3G monitor for outdoor and sunlight shootingMonitors
  361. 2013BNC output connector at base of Steadicam rig not functioningSteadi-Newbies
  362. 2013Comparison of Taradek Bolt and Paralinx Arrow wireless video transmitters for on-set video monitoringVideo Assist and Video Accessories
  363. 2013Switronix Recon wireless video transmitter experiencing dropouts specifically with RED camerasDisputedVideo Assist and Video Accessories
  364. 2013Monitor bracket mounting issues with loose kipp handles on Steadicam rigsMonitors
  365. 2013Comparison of Ikan MD7 and Marshall 7-inch field monitors for outdoor useMonitors
  366. 2013High brightness monitors for professional video monitoring and steadicam workMonitors
  367. 2013Transvideo Rainbow HD monitor weather resistance and protective featuresMonitors
  368. 2013Live broadcast Steadicam technique for high-risk running shots with wireless video assistVideo Assist and Video Accessories
  369. 2013Wireless HDMI video transmission options for camera monitoringVideo Assist and Video Accessories
  370. 2013Using Atomos HDMI-SDI converter as alternative to decimator with wireless video transmission systemsVideo Assist and Video Accessories
  371. 2013Mounting and using the Marshall V-LCD-HI digital level on monitor rigsMonitors
  372. 2013DIY construction plans for a monitor yoke bracket for Marshall 651 monitorsMonitors
  373. 2013Building a robust handheld director's monitor setup with an IDX Camwave batteryVideo Assist and Video Accessories
  374. 2013Monitoring multiple camera feeds simultaneously on iPad with Teradek CubeVideo Assist and Video Accessories
  375. 2013Resolution capabilities of cinema distribution and human perception limitsOff Topic
  376. 2013Replacing the SD monitor on a Steadicam Pilot with HD-capable alternativesMonitors
  377. 2013Pricing strategy for wireless video transmission systems in camera operator kitsVideo Assist and Video Accessories
  378. 2013Teradek Cube WiFi video monitoring system evaluation for on-set crew viewingVideo Assist and Video Accessories
  379. 2013Monitoring HD video from a Red Scarlett X camera mounted on a Video SK Steadicam rigSteadi-Newbies
  380. 2013Experiences with BON brand field monitors for professional video workMonitors
  381. 2013Coiled HD-SDI BNC cables for video applicationsVideo Assist and Video Accessories
  382. 2013Wireless HD transmission systems for short-range multicam work in urban environmentsVideo Assist and Video Accessories
  383. 2013Compatibility of XCS digital level with Cinetronic version 2 monitor in standard definition formatsMonitors
  384. 2013Troubleshooting Decimator downconverter power failure and finding repair servicesVideo Assist and Video Accessories
  385. 2013Steadicam Zephyr HD monitor connection troubleshooting with RED Scarlet cameraSteadi-Newbies
  386. 2013SmallHD DP7 Pro High Bright monitor as an alternative to Cinetronic for professional video workDisputedMonitors
  387. 2013Using Paralinx Arrow wireless video transmission for critical focus pullingDisputedVideo Assist and Video Accessories
  388. 2013Cinetronic Gen 2 digital level features and HD monitor development plansMonitors
  389. 2013Wireless video transmission systems for broadcast and live eventsVideo Assist and Video Accessories
  390. 2012Mounting and wireless transmission options for autocue monitors on camera rigsMonitors
  391. 2012Decimator displaying washed out grey in bright image areasVideo Assist and Video Accessories
  392. 2012Comparison of Marshall 7-inch monitor models for on-camera useMonitors
  393. 2012Wireless video transmission systems for focus pulling on film setsVideo Assist and Video Accessories
  394. 2012Downconverter options for sending HD video signals through cinema camera sledsVideo Assist and Video Accessories
  395. 2012Wireless video transmission systems for video assist applicationsVideo Assist and Video Accessories
  396. 2012Distinguishing between analog composite video (CVBS) and digital SDI formats (SD-SDI and HD-SDI) in cinema camera accessoriesVideo Assist and Video Accessories
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