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Mounts

645 threads in the archive

Based on 671 threads · 94 cited

AI draft, not reviewedDraft, written by AI from the archive, every statement linked to its source — not yet reviewed.

Mounts decide whether your rig stays solid or fights you all day, so match every plate, bracket and clamp to your camera and sled instead of assuming it fits 110. Keep heavy items at the rear and every mount rigid, and put monitors on sled rods rather than on the camera 25264647. For vehicles, bolt the rig on with a proper vehicle mount and strap yourself in separately with a full-body harness 38.

The questions 10

Which camera plate or dovetail fits my camera on my sled?32 threads · latest 2026

In short

Match the plate to your camera and to the dovetail width of your top stage, because widths differ between makers and sleds 1. An ALEXA Mini goes straight on a standard Steadicam® plate, while an ALEXA 35 takes an ARRI SAM plate or an Apex A35 plate 2.

How the pros do it

  1. Check the dovetail width of your sled first 1. XCS makes two plate widths, and current XCS Standard and Side Adjustable plates do not fit a Betz-Tools topstage 1.
  2. Know that the Zephyr and Ultra sleds use different dovetail sizes, and Zephyr plates share the Archer width 3.
  3. For ARRI cameras, the ALEXA Mini mounts directly to a standard Steadicam® plate 2. The Mini LF needs the ARRI SAM-2 adapter 2.
  4. For the ALEXA 35, use the ARRI SAM-7 or the Apex Cinema Gear A35 plate 2. SAM plates have 3/8-inch threads underneath and stack directly 4.
  5. For a Sony Venice, Betz-Tools makes a part that attaches it to a Steadicam® dovetail plate 5. Ronford Baker's Venice Extension Block is another option 5.
  6. For VCT and broadcast cameras on an XCS Top Stage, the Zalex Longplate (about 300 USD) mounts straight into the dovetail and replaces the separate VCT baseplate 6. The CamJam Railway plate replaces the heavier Sony baseplate if you don't need lateral adjustment 6.
Caution

Don't overtighten the Kipp handle on an XCS clamp, because it needs less force than some other designs and can be damaged 9. One operator reported broken yoke forks under heavy camera loads on a Flyer, so inspect them regularly 4.

Opinions differ here

One side favors the longer, more rigid SAM-7 for the ALEXA 35 and keeps the Apex plate as a backup 2. The other side likes the Apex plate because it saves about 1.5-2 inches of height on a Flyer 4. On a Trinity, the SAM-6 is the correct spec, and Apex with a SAM-0 adds about 1/4 inch of height 8.

What changed

Earlier, in 2022, the ARRI SAM-7 was not yet available for the ALEXA 35 7, today, in 2023, operators mount it with the SAM-7 or an Apex A35 plate 2.

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Which low-mode bracket do I need for my camera?35 threads · latest 2022

In short

Use a bracket made for your camera body, because brackets are not universal 10. You also need a gimbal bracket (D, F or J) that matches your rig 11.

How the pros do it

  1. Match the camera bracket to the body, since not all brackets fit all cameras 10. The VLS bracket works with Sony and Panasonic cameras like the F900, D600, Varicam and SDX-900 12, and the Hill 435 bracket only fits the Arri 435 13.
  2. On an Arri 435, a 100% video top is the preferred low-mode mount because it has a built-in plate 14. If you use the Hill bracket instead, you need Steadicam® magazines because standard 435 magazines hit the bracket 14.
  3. Pick a bracket that mounts to the camera chassis, not to small handle screws, for more rigidity 10. Avoid clamping to padded or plastic handles if you can, because they flex and give only mediocre stability 1512.
  4. Add the gimbal bracket for your rig, a D, F or J type 11. The III A arm uses 5/8 inch posts 16, and a sled with 3/4 inch posts may not take standard brackets 17.
  5. On a Pilot, the dedicated F-bracket lowers lens height by about seven inches 18. On a Zephyr, part number 300-7901 is the F-bracket itself, and the low mode kit adds a clamp for the camera top handle 15.
  6. If no bracket exists for your camera, mount it upside down and flip the image in post 10. Shoot progressive when you plan to flip, because interlaced video jitters and flickers when inverted 19.
Caution

Do not overtighten stirrup rods on video brackets, because it can damage plastic camera parts 12. A low-mode baseplate can also crush the fragile viewfinder focus knob on an Aaton 24.

Opinions differ here

Many operators skip dedicated brackets and just flip the camera upside down, then correct it in post 21. Others point out that camera department staff and some cinematographers prefer the camera right-side-up in low mode, which is what a bracket gives you 23.

What changed

Earlier, in 2004, operators leaned on camera-specific brackets such as the SR2 low mode bracket 20, while today, in 2010 and 2022, many flip the camera and fix it in post 21 or use post extensions instead of a bracket 22.

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Where do I mount my focus motor, recorder or receiver on the rig?27 threads · latest 2026

In short

Put heavy items at the rear of the camera or sled so they act as counterweight, and keep every mount rigid 2526. Motors go on rods or a camera-mounted bracket, and transmitters or receivers go on the rear of the sled or the battery plate 272829.

How the pros do it

  1. Mount recorders on the rear of the camera on a flat plate, not on top or bottom, because a high mount raises the center of gravity 25. A rigid mount matters, since any flex keeps throwing off your balance 25.
  2. A Codex Onboard at 5.7 pounds sits on the rear of an Alexa without camera modification 30. That rear spot also lets you use low-mode plates 30.
  3. Put the Preston MDR4 as far back as possible so it counterweights the sensor and lens 26. On an Epic, top-mounted 19mm rods are the standard way to carry motors 27.
  4. For an MDR on rods, the Skipps Engineering Modular bracket clamps onto 19mm rods 31. A cheeseplate mount for the MDR gives 116 mounting location and orientation combinations and suits camera-based placement better than rod-based solutions 32.
  5. Put the wireless transmitter at the rear of the sled foot, not on the camera, to reduce load on the gimbal head 26. On a Trinity you can use the ARRI CSS clamping bridge 19 mm with a drilled 1/4-inch hole and a quick-release plate 28. The Trinity gen.1 battery stage rods measure about 18mm, so check adapter fit 33.
  6. Mount the RIA-1 receiver on the rear top of the ALEXA 35 body, or on a B-Mount cheeseplate that clips into the battery plate 29. For a small HDMI to SDI converter, zip ties plus a D-tap with a 5-volt regulator worked on a Blackmagic mini converter 34.
Caution

DualLock removal force can damage delicate recorder bottom plates 36. Codex power draw can drop battery voltage and shut the recorder down, so swap batteries before they get critical 30.

Opinions differ here

Operators split on how to attach recorders 36. Some prefer clamps while others favor DualLock adhesive 36. On receivers, velcro is convenient but less reliable than fixed brackets for professional follow-focus work 37.

What changed

Earlier, in 2007, transmitters were commonly velcroed to the camera top or sled side 35, today, in 2023, they go on the rear of the sled foot or on a clamping bridge with a quick-release plate 2628.

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How do I safely hard-mount my Steadicam® to an ATV, UTV or vehicle?26 threads · latest 2026

In short

Treat it as two jobs: attach the rig with a proper vehicle mount, and attach yourself separately with a full-body harness 38. Have a key grip build and verify the rig, and use an experienced driver 3940.

How the pros do it

  1. Bring in a key grip or grip team to build and verify the rig, because vehicle rigging is grip work and not a solo job 39. Confirm the vehicle specs, bed or hitch dimensions, speed and ground conditions first 39.
  2. Use a vehicle mount that adapts your vest socket block to speed rail, a Mitchell plate or a 2-inch receiver 38. Ideally that means a speed rail clamp on a pipe frame built by grips 39.
  3. If you use a hitch receiver, check the tongue weight rating, since a Class III 2-inch hitch rated for 4000 pounds towing may carry only 600 pounds of tongue weight 41. Gussets on welded joints add strength where the torque concentrates 41.
  4. Level the vehicle with the full weight of operator and rig in place, and put counterweight over the front wheels when you shoot from the back 42. Expect the suspension to compress under the extra load 40.
  5. Wear a full body harness with anchor points at shoulder and waist, and keep the leash short enough that a fall cannot drag you 38. Add a helmet 4243.
  6. Do a monkey test by shaking the complete rig with your full body weight before the shoot 39. Rehearse at progressively higher speeds with driver, director and operator agreed on the procedure 42. Balance neutral with some extra drop time on a hard mount 44.
Caution

ATVs have a high center of gravity and tight suspension and are prone to flipping at speed, which can destroy equipment and seriously injure you 42. Climbing daisy chains are not rated for fall protection, and if one fails it can release enough slack to drag you 38.

Opinions differ here

Operators split on restraint and rigid mounting on ATVs 4240. One side says a roll cage or a tight harness protects better than being unstrapped 42. The other says ATVs flip in sand, so rigidly attached gear is dangerous during high-speed maneuvers 40.

What changed

Earlier in 2010 a new vehicle mount was quoted at about 1075 dollars 45, today a 2026 entry quotes around 800 USD and calls it an order of magnitude only 38.

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How do I mount a monitor on my sled, including in low mode?20 threads · latest 2025

In short

Clamp the monitor to rods on the sled through an arm, not to the camera 4647. For low mode, put it on the sled's top rods, for example with a Cam Jam Quattro arm 4846.

How the pros do it

  1. Rod-mounted solutions are more stable than the existing 1/4" holes on baseplates, and bolting straight into a baseplate loosens more easily 47.
  2. A Starlight HD went on the top rods of a Pro HD II sled as a low-mode monitor, and Quattro arm brackets can be adapted for it 46.
  3. Ball-clamp magic arms with rubber o-rings hold better under inertial stress than generic ones, and a Cam Jam Quattro suits small HD monitors on pro sleds 4748.
  4. Monitors under 5 inches stay reliable on ball-arm mounts, and longer rod extensions can add vibration 4749.
  5. An M2 top stage takes 15mm rods with 1/2-13 threading, and Cam-Jam makes them for M1, M2 and Archer2 at lower cost than Tiffen 50.
  6. A battery eliminator or a DC to D-Tap cable saves weight and a separate battery swap, but recorder-monitors can add up to 6 frames on top of the camera's 1-2 frame delay 4751.
Caution

Don't open the Steadicam® Solo's post to route video connectors, because you risk damaging clamps or other components 52. A standard 1/4-20 mount can loosen from a bump, so check it before you fly with the monitor 53.

What changed

Earlier, in 2006, operators put heavy CRT monitors on adjustable brackets like the Chrosziel Ted Churchill 49, today, in 2022, monitors under 5 inches sit on ball-clamp magic arms 47.

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Where should I mount a gyro or Volt gimbal on my sled?19 threads · latest 2026

In short

Mount a heavy gyro low on the sled or on the post right below the gimbal, not up on the camera 5455. The Volt gimbal goes on the post in place of your gimbal, and its control box needs a stiff, short mount close to the top stage 5657.

How the pros do it

  1. Keep a heavy gyro low on the sled rather than on the camera, because up top it makes the rig top-heavy and unstable 54.
  2. Or clamp the gyro to the post directly below the gimbal in an X pattern, which keeps added mass close to the gimbal 55. Put batteries and umbilical connections away from the gimbal mount 55.
  3. If the original maker no longer builds your gyro mount, look at XCS post mount brackets, Optical Support brackets or a custom fabricated mount 55. Verify bracket fit for your gyro model and post size before you buy 55.
  4. For a Kenyon 6x6 on a Pro rig, bolt a custom aluminium plate to the V-lock battery plate at the sled bottom 58. Add metal support brackets on both sides of the battery up to the accessories plate, because the plastic plate alone takes too much torque 58.
  5. The Volt gimbal fits posts of 1.75 inches or smaller and cannot go on a 2 inch post without major modification 56. For a 1.5 inch post, Tiffen's VOLT GK1 kit includes adapters for multiple post sizes, and you must specify Regular or Goofy when ordering 59.
  6. Mount the Volt control box with 15 mm rods or an ARRI 15 mm clamp on the top or bottom stage, short, stiff and close to the stage 57. On an XCS U3 with a 1.75 inch post, a dovetail plate or bracket raises the sensorbox nearly one inch to keep it from fouling the camera 60.
Caution

Check power cable compatibility between your rig and the Volt control box carefully, or you can damage the equipment 59. Mounting a gyro straight on the plastic V-lock plate creates excessive torque and stress 58.

Opinions differ here

Operators disagree on what makes the Volt brain mount stiff enough 5761. One side uses ARRI-recommended 15 mm rod mounts with steel rods 61. Another finds the ARRI mount flexes on fast moves and says CamJam is more rigid for the brain and monitor together 61. A 15 mm ARRI clamp mounted straight to the stage has also been called bomb-proof 57.

What changed

Earlier, in 2012, gyro placement was described as either near the camera or below the gimbal 54, today, in 2016, the advice is to post-mount it directly below the gimbal in an X pattern 55.

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Can I mount my Steadicam® on a Segway, rickshaw or other platform?20 threads · latest 2017

In short

Yes. The sources cover a hard-mounted Segway 6263, rickshaws 6465 and low-speed bicycle mounts 66, and each has limits on speed, surface or noise 646766.

How the pros do it

  1. For a Segway, the 2011 conversion kit runs about 10,000-10,700 euros, takes about one hour to fit and can be reversed 62. A custom hardmount on a standard Segway costs significantly less than a pre-made setup 63.
  2. Pick the model for your location: the x2 has a larger footprint and slightly better stability, and it takes narrow wheels for indoor work 68. The i2 feels more responsive 68.
  3. Budget practice time: expect several days of a couple of hours each before you feel confident on a real location 69. For tight spaces like tunnels, use a radio spotter on a dedicated channel 70.
  4. For a motorized rickshaw, the Steadiseg attachment converts in under 5 minutes and needs about 30 minutes of practice to steer 65. It suits low-angle shots and shooting backwards at speed in confined spaces 65.
  5. For a towed rickshaw, use the 2-inch square hitch receiver, stay under 30 mph, and stick to flat, smooth surfaces 64. Setup takes under 2 minutes, and metal shims or gaffer tape take the play out of the receiver 64.
  6. For a bicycle, use a step-through frame and cut off the handlebar on the rig side 66. Add training wheels for slow speeds, starts and stops, and keep the seat high enough to pedal 66.
Caution

A Segway operator who watched the monitor hit an obstacle and fell, and a sudden stop throws the rider forward 7273. If you fall, grip the Steadicam® arm to keep the camera off the ground 73.

Opinions differ here

Operators split on Segway safety fenders: one view is that they may help deflect lightweight objects away from the wheels 72, while participants also disagreed on whether fenders would work or create other hazards 72.

What changed

Earlier (2005), the Segway rig was still in development at an estimated price under $20,000 71, today (2011) a conversion kit costs about 10,000-10,700 euros and installs in about an hour 62.

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Should I use V-mount or Gold Mount batteries on my rig?12 threads · latest 2023

In short

Go Gold Mount if you shoot low mode or inverted, because it holds better and stays on when bumped 747576. V-mount is lighter, cheaper and quicker to swap one-handed, and many operators pick it simply because they already own the batteries 7775.

How the pros do it

  1. Check what your local rental houses and crews run, and match it 78. Gold Mount is more common in North America, V-mount in Europe and Asia 75.
  2. If you work in low mode or with the rig inverted, choose Gold Mount 7475. V-mount batteries can slide out and cut power when the camera sits close to the ground 75.
  3. If you stay on V-mount with a RED, add a strap to hold the battery during handheld or Steadicam® work 77. Sony cameras have fewer retention problems 77.
  4. Fit a dedicated plate instead of living on an adapter 78. Adapters have mechanical play, add height and can cause vibration and electrical connection problems 79.
  5. If you must use an adapter, put soft Velcro on both the mount and the adapter to cut the vibration 79. Keep adapter plates for both directions in the kit so you can use production or colleagues' batteries 7778.
  6. To convert a sled from V-mount to Gold Mount, swap the plate and solder positive to positive and negative to negative 7880. Expect to drill and tap new holes, since the screw patterns differ 80.
Caution

V-mount batteries have been reported falling off cameras, which risks damaging gear such as monitors 7576. When converting plates, verify polarity before resoldering the power leads to avoid damage 80.

Opinions differ here

Some operators say Gold Mount stays secure when inverted or knocked, where V-mount batteries come off 74. Others say V-mount retention varies widely by battery plate and camera, with RED worse than Sony 77. A later thread says both systems work adequately and the choice is usually driven by prior purchases and region 75.

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Which docking bracket or collar fits my rig, and how do I mount it?11 threads · latest 2025

In short

Match the bracket to your sled weight class and arm post size 8182. Light sleds can use an inexpensive bracket, while heavier rigs do better with a used PRO Docking Bracket 81.

How the pros do it

  1. Pick by weight class: a beginner sled can use an inexpensive bracket, and a heavier rig benefits from a used PRO Docking Bracket 81.
  2. Check the arm post size: Pilot, Zephyr and Flyer share one docking bracket because their arm posts are the same size, and the Scout uses the Pilot bracket 82. The Aero fitting is an assumption, not confirmed 82.
  3. With a Hill docking ring on a Gorelock 2 as the dock, a 2-inch collar is the right size to go over the PRO locking part beneath the junction box 83.
  4. On an Artemis/Trinity carbon post, several operators dock with a Hill collar beneath the blue ARRI collar 84. Don't overtighten it, because it migrates upward against the ARRI collar over time 84. Keep the ARRI dock for initial assembly and post-load changes 84.
  5. Don't put a docking collar below the gimbal on a telescoping post, because the ring can squeeze and deform the post 85. It can also obstruct the gimbal when you invert the camera for low-angle shots 85.
  6. The Trinity-Air docking fork can't be adapted to other dock systems without one or two custom-fabricated parts 86. Thicker replacement retention forks give less wobble with heavier camera assemblies 87.
Caution

A budget CAME-TV Docking Bracket holding a RED Komodo and ARRI ALEXA Mini tipped significantly and needed a sandbag and a second person standing by 81. Operators warn that cheap camera-support parts often cost more through damage and replacement 81.

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Should I use a front-mounted or back-mounted vest?9 threads · latest 2020

In short

Make a back-mounted vest your main one for long days and heavy rigs 88. Keep a front-mount option for tight spaces and running 8889.

How the pros do it

  1. Pick back-mount for long takes, lock-offs and heavy cameras, because it allows longer operating duration and handles heavier loads 88. One report has it carrying 11+ hour days with minimal soreness the next day 90.
  2. Keep a front-mount for doorways, narrow corridors, stairs and running shots 88. Some operators just add a front-mount adapter to the back-mounted vest for difficult access, but it can add flex and needs shimming so the sled doesn't move away 90.
  3. Get the vest fitted to your measurements, in person if you can 89. Make sure it sits correctly above the waist to avoid nerve pinching and leg numbness 91.
  4. Plan for an adaptation period, which can take up to a year if you come from years of front-mount work 89. Back-mount users often report leg fatigue instead of back soreness 89.
  5. Most operators settle on one primary vest and keep a backup of the other type 89. Some prefer two separate vests over a dual-mount that switches inside one harness 92.
Caution

Both vest types can cause leg tingling, numbness or nerve compression from prolonged wear without movement 94. A wide back-mounted profile can also damage set pieces with the carbon arm and mounting hardware 88.

Opinions differ here

Most operators report that back-mount reduces fatigue and back pain 9089. Others tried it and went back to front-mount after discomfort or numbness 91, and some say back-mounted setups gave them asymmetrical weight distribution that affected posture 93. Opinions on which design is better stay divided among experienced operators 91.

What changed

Earlier, in 2007, back-mounted vests were credited with better posture and breathing 88, today, in 2020, some operators say front-mounted exovests that contact only the pelvis and shoulders may breathe easier and give better stamina 93.

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Sources 94

  1. 1Compatibility of dovetail plates with steadicam sleds and tripod mountsBrackets/Widgets forum · 2017
  2. 2Camera plates required for Steadicam® Ultra 1 with ARRI ALEXA Mini, Mini LF, and ALEXA 35Facebook · Steadicam operators group · 2023
  3. 3Dovetail plate compatibility between Zephyr and Ultra steadicam sleds for Alexa camera mountingGeneral Discussion forum · 2014
  4. 4Low-profile mounting of ARRI ALEXA 35 to Steadicam® Flyer using minimal-height base plates.Facebook · The Steadicam Group · 2024
  5. 5Mounting solutions for attaching a Steadicam® plate to a Sony Venice cameraGeneral Discussion forum · 2021
  6. 6Baseplates for VCT and broadcast cameras on XCS Top Stage sledFacebook · The Steadicam Group · 2021
  7. 7Mounting the ARRI ALEXA 35 on Steadicam®: plate options and balance considerations.Facebook · The Steadicam Group · 2022
  8. 8Initial equipment specification for ARRI Trinity 2: camera plates, power cables, and battery selection.Facebook · Arri Artemis Trinity · 2023Disputed
All 94 sources
  1. 9Compatibility issues between Panavision Alexa dovetail plates and XCS Topstage camera support systemsGeneral Discussion forum · 2013Disputed
  2. 10Choosing between cage and bracket systems for low mode on Steadicam® rigs with video camerasBrackets/Widgets forum · 2007
  3. 11Essential low-mode brackets for basic Steadicam® setups and their alternativesBrackets/Widgets forum · 2006
  4. 12Video camera low mode brackets and mounting solutionsBrackets/Widgets forum · 2004
  5. 13Compatibility of Hill 435 bracket with Red camera in low mode configurationBrackets/Widgets forum · 2009
  6. 14Supporting the ARRI 435 camera in Steadicam® low mode configurationBrackets/Widgets forum · 2009
  7. 15Choosing between F-bracket options for Steadicam® ZephyrSteadi-Newbies forum · 2013
  8. 16Operating Steadicam® in low mode with and without a D/F/J bracketSteadi-Newbies forum · 2006
  9. 17Finding f/j brackets compatible with thicker arm posts on action camera sledsBrackets/Widgets forum · 2011
  10. 18Using Steadicam® Pilot in low-mode operation with F-bracket accessorySteadi-Newbies forum · 2012
  11. 19Low-mode solutions for Steadicam® Flyer camera rigBrackets/Widgets forum · 2005
  12. 20Low mode mounting brackets for Arriflex SR cameras and handle stability issuesBrackets/Widgets forum · 2004
  13. 21Low-mode brackets and camera setup alternatives for the Alexa cinema cameraBrackets/Widgets forum · 2010
  14. 22Lowering camera position on ARRI Trinity: post extensions vs. low-mode brackets and gimbal reach limits.Facebook · Arri Artemis Trinity · 2022
  15. 23Using low mode brackets for stabilizing cameras on steadicam rigs during extended low-mode workBrackets/Widgets forum · 2006
  16. 24Safely mounting Aaton film cameras in low-mode using the handle for Steadicam® operationBrackets/Widgets forum · 2004
  17. 25Mounting a Firestore FS-100 external recorder on a Steadicam® rig with an HVX200 cameraSteadi-Newbies forum · 2007
  18. 26Mounting Preston MDR4 focus motor and Light Ranger iris control on an ALEXA 35 on the ARRI TrinityFacebook · Arri Artemis Trinity · 2023
  19. 27Motor mounting options and rod configurations for Red Epic camerasBrackets/Widgets forum · 2012
  20. 28Mounting a Teradek wireless transmitter on an ARRI Artemis Trinity sled without cable tiesFacebook · Arri Artemis Trinity · 2023
  21. 29Mounting the RIA-1 wireless receiver on ARRI Trinity with ALEXA 35Facebook · Arri Artemis Trinity · 2026
  22. 30Mounting and balancing the Codex Onboard recorder with Alexa cameras on steadicam rigsCameras (Film/Video/HD) forum · 2011
  23. 31Mounting a Preston MDR bracket on camera rigsBrackets/Widgets forum · 2011
  24. 32Custom cheeseplate mounting bracket for Preston MDR focus controllersBrackets/Widgets forum · 2013
  25. 33Mounting Teradek wireless transmitters on ARRI Trinity gen.1 battery stage with cheese plates and clamps.SteadiHub · 2025
  26. 34Mounting HDMI to SDI converters on camera rigsSteadi-Newbies forum · 2022
  27. 35Mounting wireless video transmitters on Steadicam® rigsSteadi-Newbies forum · 2007
  28. 36Designing a recorder mount bracket for a camera sled with multiple attachment optionsBrackets/Widgets forum · 2013Disputed
  29. 37Mounting motor driver receivers to camera support systems with incompatible hole spacingBrackets/Widgets forum · 2007Disputed
  30. 38Hard-mounting the rig to a vehicle: the two riggings, the honest speeds, and when not to do it at allOperator practice forum · 2026
  31. 39Rigging a Steadicam® Zephyr with Sony FX6 to an off-road vehicle (UTV) for live transmission: Hard Mount preparation and alternativesFacebook · Steadicam operators group · 2026
  32. 40Mounting camera equipment on an all-terrain vehicle for off-road filmingVehicles and Mounts forum · 2012
  33. 41Building a modular vehicle-mounted camera support using a hitch receiver and Speed Rail systemVehicles and Mounts forum · 2015
  34. 42Safety practices and operational procedures for mounting steadicam equipment on all-terrain vehicles for film productionVehicles and Mounts forum · 2005Disputed
  35. 43Rigging a Mitchell High Hat as a vehicle mount on a Chevrolet Suburban for camera work on sand dunesVehicles and Mounts forum · 2011
  36. 44Hard-mounting camera stabilizer to golf cart for following shots with bicyclist and joggerVehicles and Mounts forum · 2006
  37. 45Pricing and features of Walter Klassen vehicle mount for camera stabilizationVehicles and Mounts forum · 2010
  38. 46Mounting a Starlight HD monitor to a Pro HD II sled for use as a low-mode monitorBrackets/Widgets forum · 2018
  39. 47Mounting brackets and arms for attaching low-mode monitors to camera stabilizersSteadi-Newbies forum · 2022
  40. 48Monitor bracket options for professional sleds with 7-inch high-brightness displaysBrackets/Widgets forum · 2015
  41. 49Adjustable monitor brackets for camera rigs with fore-aft positioning capabilityBrackets/Widgets forum · 2006
  42. 50Finding affordable monitor mounting rods compatible with M2 top stage accessory mountsBrackets/Widgets forum · 2024
  43. 51Atomos Shogun 7 and Shinobi 7 monitor cages with side-threading for CamJam mounts, and latency added by recorder-monitors.Facebook · Steadicam operators group · 2022
  44. 52Monitor mounting solutions for Steadicam® Solo rigsSteadi-Newbies forum · 2020
  45. 53On-camera monitor arm solutions for film production rigsBrackets/Widgets forum · 2016
  46. 54Optimal mounting location for gyroscope stabilizers on camera sledsBrackets/Widgets forum · 2012
  47. 55Mounting options for gyroscopic stabilizers on camera rigsBrackets/Widgets forum · 2016
  48. 56Compatibility of M1 Volt gimbal with different Steadicam® brand sleds and armsGeneral Discussion forum · 2020
  49. 57Eliminating vibration of the Volt control box on ARRI Artemis during full motor load through rigid mounting alternatives to the standard ARRI SSB-3 bracket.Facebook · Arri Artemis Trinity · 2023Disputed
  50. 58Mounting a Kenyon 6x6 gyroscope to a GPI Pro camera rig when standard post mounts are unavailableBrackets/Widgets forum · 2015
  51. 59Compatibility of Volt gimbal with 1.5-inch post rigsGeneral Discussion forum · 2024
  52. 60Mounting a Tiffen Volt sensorbox higher on an XCS U3 with 1.75-inch post to prevent fouling of the camera.Facebook · The Steadicam Group · 2022
  53. 61Mounting the TIFFEN Volt brain: rigidity comparison between ARRI rod mounts and CamJam mounts to minimize vibrationsSteadiHub · 2026Disputed
  54. 62Steadicam® Segway conversion system for camera stabilizationVehicles and Mounts forum · 2011
  55. 63Mounting a Segway for steadicam use in EuropeVehicles and Mounts forum · 2011
  56. 64Rickshaw vehicle mount design and performance for steadicam tracking shotsVehicles and Mounts forum · 2004
  57. 65Steadiseg Rickshaw motorized attachment for camera stabilizationVehicles and Mounts forum · 2013
  58. 66Using a bicycle as a camera mount platform for steadicam operationsVehicles and Mounts forum · 2007
  59. 67Steadicam® mounting on Segway vehicles for tracking shotsVehicles and Mounts forum · 2005
  60. 68Choosing between Segway i2 and x2 modelsVehicles and Mounts forum · 2013
  61. 69Using a Segway-based camera stabilization platform for film and video workVehicles and Mounts forum · 2005
  62. 70Using a Segway-mounted camera for live sports broadcasting at rugby union matchesVehicles and Mounts forum · 2012
  63. 71Segway modified for steadicam camera operationVehicles and Mounts forum · 2005
  64. 72Safety risks when operating camera rigs on Segways during live sports coverageVehicles and Mounts forum · 2011Disputed
  65. 73Operating a Steadicam® mounted on a Segway and managing fall risksVehicles and Mounts forum · 2013
  66. 74Comparison of Anton Bauer gold mount versus V mount battery systems for professional video equipmentBatteries/Power forum · 2011
  67. 75Comparison of V-mount and AB Gold-mount battery systems for camera workBatteries/Power forum · 2017
  68. 76Comparison of V-Mount and Gold Mount battery systems for camera rigsBatteries/Power forum · 2021
  69. 77Comparing V-Mount and Anton Bauer battery mounts for camera rigsBatteries/Power forum · 2010Disputed
  70. 78Choosing between V-mount adapter plates and converting a Sachtler Artemis sled to AB Gold mountBatteries/Power forum · 2013
  71. 79Compatibility between AB and V-lock battery mounting systemsBatteries/Power forum · 2006
  72. 80Converting V-mount battery plate to AB gold mount on cinema camera sledBatteries/Power forum · 2017
  73. 81Choosing between budget and professional docking brackets for rig balancingFacebook · Steadicam operators group · 2022
  74. 82Docking bracket compatibility across Scout and similar modelsSteadi-Newbies forum · 2017
  75. 83Correct collar size for Hill docking ring on PRO locking componentBrackets/Widgets forum · 2021
  76. 84Using a Hill docking collar beneath the blue ARRI docking collar on the carbon post of Artemis/Trinity.Facebook · Arri Artemis Trinity · 2023
  77. 85Mounting docking collar below gimbal on camera support sledBrackets/Widgets forum · 2010
  78. 86Adapting ARRI Trinity-Air docking fork to alternative dock systems; head-to-tripod collision in low mode due to fork proximity to baby pan.Facebook · Arri Artemis Trinity · 2024
  79. 87ARRI Trinity docking-bracket retention forks: thicker and more robust replacement design.Facebook · Arri Artemis Trinity · 2025
  80. 88Advantages and limitations of front-mounted versus back-mounted camera stabilizer vests, and whether operators should carry bothVests forum · 2007
  81. 89Comparison of front-mounted and back-mounted steadicam vests for long-term operator comfort and healthVests forum · 2007
  82. 90Practical comparison of front-mounted versus back-mounted Steadicam® vests for different shooting scenariosVests forum · 2006
  83. 91Comparison of back-mounted Walter Klassen vests versus front-mounted camera support vestsVests forum · 2009Disputed
  84. 92Comparing back-mount and front-mount steadicam vests for different shooting scenarios and physical comfortVests forum · 2009Disputed
  85. 93Comparison of back-mounted versus front-mounted exoskeleton vests for camera operationVests forum · 2020Disputed
  86. 94Comparison of front-mounted and back-mounted Steadicam® vests for different shooting situationsVests forum · 2004

What operators found

Still argued about

  1. 2026Mounting the TIFFEN Volt brain: rigidity comparison between ARRI rod mounts and CamJam mounts to minimize vibrationsSteadiHub
  2. 2025MK-V Level: compact roll-stabilization module, function, pricing, and early operator feedbackFacebookSteadicam operators group
  3. 2024MK-V The Level horizon stabilizer: geometry, weight, and compatibility compared to Wave and AR-Mini systemsFacebookThe Steadicam Group

Often in the same threads

Low Mode88, Dovetail Plate57, Top Stage49, Zephyr48, Base Plate36, Follow Focus36, Hard Mount22, ALEXA 3517, Volt17, Monitor Bracket16, Artemis22, Arm Post18

All threads

  1. 2026Modernizing Steadicam® PRO sled: Gen-2 battery holder retrofit and universal monitor bracket on the tube collar.FacebookSteadicam operators group
  2. 2026Swapping an ARRI ALEXA 35 between tripod/studio and Steadicam® mounting: baseplate choice and fastest workflow.FacebookSteadicam operators group
  3. 2026Mounting a Mo-Sys LED-wall tracking sensor on ARRI Trinity 2 with the sensor oriented upward for virtual production.FacebookArri Artemis Trinity
  4. 2026Mounting the RIA-1 wireless receiver on ARRI Trinity with ALEXA 35FacebookArri Artemis Trinity
  5. 2026Eliminating vibration with the ARRI ALEXA 35 on Steadicam®: rigid mounting plate options to bypass the dovetail systemFacebookThe Steadicam Group
  6. 2026Movcam FlexPro carrier system compatibility with Sony Venice in Rialto Mini configuration on DJI RS gimbalFacebookThe Steadicam Group
  7. 2026Rigging a Steadicam® Zephyr with Sony FX6 to an off-road vehicle (UTV) for live transmission: Hard Mount preparation and alternativesFacebookSteadicam operators group
  8. 2026Mounting the TIFFEN Volt brain: rigidity comparison between ARRI rod mounts and CamJam mounts to minimize vibrationsDisputedSteadiHub
  9. 2026Hard-mounting the rig to a vehicle: the two riggings, the honest speeds, and when not to do it at allOperator practice
  10. 2026Swapping the camera between tripod and rig: the cheapest upgrade most operators never makeOperator practice
  11. 2026Managing weight constraints when flying large-format film cameras with heavy anamorphic lenses on a Steadicam rigGeneral Discussion
  12. 2026Camera adapter plates and stabilizer mounting systems to keep in a steadicam operator kitGeneral Discussion
  13. 2025MK-V Level: compact roll-stabilization module, function, pricing, and early operator feedbackDisputedFacebookSteadicam operators group
  14. 2025Modifying a Wave horizon stabilizer for direct PRO-Post mounting and balancing without a top stageFacebookThe Steadicam Group
  15. 2025Mounting a budget Shimbol monitor to a Steadicam® sled with integrated power and video cabling.FacebookThe Steadicam Group
  16. 2025Camera payload specifications and setup limits for the Steadicam® Axis; comparison with Sony and ARRI cameras.FacebookThe Steadicam Group
  17. 2025ARRI Trinity docking-bracket retention forks: thicker and more robust replacement design.FacebookArri Artemis Trinity
  18. 2025Mounting a Raptor XL camera in an ARRI Trinity: inverted orientation requirement.SteadiHub
  19. 2025Choosing low/high mode kits for ARRI Artemis2 with Xarm Neo arm: compatibility of Pro and Tiffen options.SteadiHub
  20. 2025Adapting ball head tripods to Mitchell/flat base for ARRI Steadicam® Trinity joystick controlSteadiHub
  21. 2025Monitor bracket compatibility between Artemis generations: yoke rod width changes and retrofit kit availabilitySteadiHub
  22. 2025Powering and configuring ARRI DRW-1 wireless wheels and ERM-2400 transceiver with Trinity 2 and RCP-3 controllerSteadiHub
  23. 2025Mounting Teradek wireless transmitters on ARRI Trinity gen.1 battery stage with cheese plates and clamps.SteadiHub
  24. 2025Nodal point alignment of the Steadicam® T2 head with SAM plates and large-format cameras.SteadiHub
  25. 2025MK-V gimbal compatibility with Artemis 2 post and manufacturing lead times.SteadiHub
  26. 2025ARRI Trinity Pan Module: hardware assessment, software challenges, and grip department workflow integration.SteadiHub
  27. 2025Affordable monitor mounting solution for low-mode operation with Axis Volt stabilizerSteadi-Newbies
  28. 2025Delivery delays and technical specifications of the MK-V Level camera stabilization deviceGeneral Discussion
  29. 2024MK-V The Level horizon stabilizer: geometry, weight, and compatibility compared to Wave and AR-Mini systemsDisputedFacebookThe Steadicam Group
  30. 2024Centering Sony cameras in the ARRI Trinity T1 using custom-made riser plates instead of ARRI factory plates.FacebookArri Artemis Trinity
  31. 2024ALEXA 35 Live compatibility with the ARRI Trinity: standard body versus fibre-return moduleFacebookArri Artemis Trinity
  32. 2024Mounting Sony Venice 2 on ARRI Trinity with SAM-0 plate: build configuration and balancing strategies.FacebookArri Artemis Trinity
  33. 2024Low-profile mounting of ARRI ALEXA 35 to Steadicam® Flyer using minimal-height base plates.FacebookThe Steadicam Group
  34. 2024Adapting ARRI Trinity-Air docking fork to alternative dock systems; head-to-tripod collision in low mode due to fork proximity to baby pan.FacebookArri Artemis Trinity
  35. 2024Inner diameter of the telescoping post on Tiffen M2 with 1.75-inch outer section.FacebookThe Steadicam Group
  36. 2024Operating an Alexa 35 camera on a Steadicam Aero 30 systemSteadi-Newbies
  37. 2024Vibration issues with Arri BUD-1 female plate lock during fast camera movement with heavy lensesGeneral Discussion
  38. 2024Compatibility and setup considerations when using Volt gimbal systems with Artemis 2 and M2 sledsGeneral Discussion
  39. 2024Adding a low mode monitor setup to a Steadicam Clipper 2 without standard rod mountingSteadi-Newbies
  40. 2024Finding affordable monitor mounting rods compatible with M2 top stage accessory mountsBrackets/Widgets
  41. 2024Modifications to a Steadicam Scout rig for expanded power distribution and connectivityGeneral Discussion
  42. 2024Compatibility of Volt gimbal with 1.5-inch post rigsGeneral Discussion
  43. 2024Ring placement on top stage mounting locationGeneral Discussion
  44. 2024Low-mode monitor mounting solution for MKV Nexus SledGeneral Discussion
  45. 2023Initial equipment specification for ARRI Trinity 2: camera plates, power cables, and battery selection.DisputedFacebookArri Artemis Trinity
  46. 2023Mounting a Teradek wireless transmitter on an ARRI Artemis Trinity sled without cable tiesFacebookArri Artemis Trinity
  47. 2023Securing monitor and master grip to Trinity sled via 19 mm clamps in low mode: slippage during fast moves.DisputedFacebookArri Artemis Trinity
  48. 2023Mounting non-ARRI cameras (e.g. RED Komodo) on an ARRI Trinity at optical center using stacked riser-plates.DisputedFacebookArri Artemis Trinity
  49. 2023Camera compatibility with ARRI Trinity 2: mounting options and weight limits.FacebookArri Artemis Trinity
  50. 2023Reducing build weight for an ARRI ALEXA Mini LF on Steadicam®: SAM plate, wireless focus control, eliminator plate, and motor placement.FacebookSteadicam operators group
  51. 2023Mounting Preston MDR4 focus motor and Light Ranger iris control on an ALEXA 35 on the ARRI TrinityFacebookArri Artemis Trinity
  52. 2023Identifying compatibility and voltage configuration of sled camera cables for ARRI ALEXA Mini, Mini LF, and ALEXA 35.FacebookSteadicam operators group
  53. 2023Camera plates required for Steadicam® Ultra 1 with ARRI ALEXA Mini, Mini LF, and ALEXA 35FacebookSteadicam operators group
  54. 2023ALEXA 35 power cable compatibility with ALEXA Mini/Mini LF cables and sled-mounted battery supplies.DisputedFacebookThe Steadicam Group
  55. 2023Mounting a Steadicam® rig with large, heavy lenses: long camera plate configuration and lens support setup.FacebookSteadicam operators group
  56. 2023Mounting an ARRI ALEXA 35 with Zeiss Super Speed lenses on Steadicam® with minimal height: mattebox options and rod support alternatives.DisputedFacebookThe Steadicam Group
  57. 2023Using a Hill docking collar beneath the blue ARRI docking collar on the carbon post of Artemis/Trinity.FacebookArri Artemis Trinity
  58. 2023Eliminating vibration of the Volt control box on ARRI Artemis during full motor load through rigid mounting alternatives to the standard ARRI SSB-3 bracket.DisputedFacebookArri Artemis Trinity
  59. 2023Lighter and coplanar monitor mounting on an ARRI Artemis 2 with Tiffen VoltFacebookArri Artemis Trinity
  60. 2023SmallHD Cine 7 with integrated Bolt 6 transmitter as a Steadicam® monitor: weight savings versus system lock-in and transmitter placement strategy.DisputedFacebookSteadicam operators group
  61. 2023Modification options for routing SDI video cable through Tilta Float stabilizer postGeneral Discussion
  62. 2022Lowering camera position on ARRI Trinity: post extensions vs. low-mode brackets and gimbal reach limits.FacebookArri Artemis Trinity
  63. 202215 mm rod compatibility on Tiffen M2 sled for low-mode monitor mountingFacebookSteadicam operators group
  64. 2022Powering the ALEXA 35 on the Trinity 1 and mounting plate options at market launch.FacebookArri Artemis Trinity
  65. 202212G-SDI connector protection on the ARRI ALEXA 35 at the sled, and mounting the camera while ARRI plates are unavailable.DisputedFacebookThe Steadicam Group
  66. 2022Mounting the ARRI ALEXA 35 on Steadicam®: plate options and balance considerations.FacebookThe Steadicam Group
  67. 2022Attaching a Tilta Nucleus Nano focus handwheel to an ARRI Trinity and wireless motor pairing limits.FacebookArri Artemis Trinity
  68. 2022Choosing between budget and professional docking brackets for rig balancingFacebookSteadicam operators group
  69. 2022Choosing between Exovest and WK-Harness as a base for Easyrig Vario 5FacebookSteadicam operators group
  70. 2022Mounting a Tiffen Volt sensorbox higher on an XCS U3 with 1.75-inch post to prevent fouling of the camera.FacebookThe Steadicam Group
  71. 2022Atomos Shogun 7 and Shinobi 7 monitor cages with side-threading for CamJam mounts, and latency added by recorder-monitors.FacebookSteadicam operators group
  72. 2022Docking gimbals below standard height using alternative mounts such as the Betz Wave to raise gimbal position and improve sled ergonomicsFacebookThe Steadicam Group
  73. 2022ARTEMIS 1 versus ARTEMIS 2: what changed and what carried overManufacturer documentation
  74. 20223D printing center post spacers for Cam Jam QuattroBrackets/Widgets
  75. 2022Restoring and modifying an early Steadicam Flyer with a Steadicam Mini sled for use with a Canon C100Steadi-Newbies
  76. 2022Mounting brackets and arms for attaching low-mode monitors to camera stabilizersSteadi-Newbies
  77. 2022Gimbal compatibility with Fujifilm X-T2 camera and lensDisputedGeneral Discussion
  78. 2022Baer-Bel steadicam rigs as starter equipment and component compatibilityGeneral Discussion
  79. 2022Restoration specifications for a 1992 Video SK camera rigGeneral Discussion
  80. 2022Mounting HDMI to SDI converters on camera rigsSteadi-Newbies
  81. 2021Sourcing a replacement aircraft safety pin for a GPI PRO Low-Mode-Bracket.FacebookSteadicam operators group
  82. 2021Rigging a RED Komodo on Steadicam®: weight distribution, arm setup, and rig choice for a compact, lightweight camera.DisputedFacebookSteadicam operators group
  83. 2021Flying an ARRI ALEXA 65 on Steadicam®: weight, power supply voltage and mounting plate optionsDisputedFacebookSteadicam operators group
  84. 2021Setup considerations for 35mm film cameras (Panavision, ARRI, Moviecam) on Steadicam® rigs.FacebookThe Steadicam Group
  85. 2021Mounting V-Mount power and monitor beneath a Flycam Galaxy sled, and rigging a Nucleus-M wireless focus system for solo pulling without an AC.DisputedFacebookSteadicam operators group
  86. 2021Mounting a Betz Wave on a Tiffen Archer 2: feasibility with small top stage and lightweight bottom stage.DisputedFacebookThe Steadicam Group
  87. 2021Baseplates for VCT and broadcast cameras on XCS Top Stage sledFacebookThe Steadicam Group
  88. 2021Mounting solutions for attaching a Steadicam plate to a Sony Venice cameraGeneral Discussion
  89. 2021Maximum camera payload capacity for Steadicam Aero 15 arm with sledSteadi-Newbies
  90. 2021Adapting an A30 arm with 1/2 inch pin to a sled requiring 5/8 inch pin connectionSteadi-Newbies
  91. 2021Correct collar size for Hill docking ring on PRO locking componentBrackets/Widgets
  92. 2021Connecting DSLR and monitor to a Pilot camera stabilizerSteadi-Newbies
  93. 2021Adjustment friction issues with Tiffen Universal Monitor Bracket on SmallHD 703General Discussion
  94. 2020Monitor and accessory upgrades for Steadicam Zephyr rigsSteadi-Newbies
  95. 2020Mounting and using a Garfield mount for steadicam rigsSteadi-Newbies
  96. 2020Mounting 16mm film cameras on Steadicam rigs with monitoring considerationsSteadi-Newbies
  97. 2020Camera plate options for steadicam builds with cinema camerasSteadi-Newbies
  98. 2020Using Steadicam rig as tripod alternative to reduce setup timeGeneral Discussion
  99. 2020Combining a Steadicam Zephyr with a motorized gimbal for stabilized camera workDisputedGeneral Discussion
  100. 2020Compatibility of M1 Volt gimbal with different Steadicam brand sleds and armsGeneral Discussion
  101. 2020Stanton 12pin Hirose right angle adapter cable construction and propertiesGeneral Discussion
  102. 2020Headset microphone exchange systems for film set communicationBrackets/Widgets
  103. 2020Tally signal voltage compatibility between Clipper3 and Tvlogic F-7h mk2 monitorGeneral Discussion
  104. 2020Monitor mounting solutions for Steadicam Solo rigsSteadi-Newbies
  105. 2019Balancing an ARRI Artemis Trinity with ALEXA Mini and Cooke 65 mm Macro anamorphic lens using two focus motors.FacebookArri Artemis Trinity
  106. 2019Framing solutions for film cameras without built-in monitors when used on camera stabilizersSteadi-Newbies
  107. 2019Sony FS5 SDI signal intermittently cutting out on V-LCD70XHB monitor when connected to Zephyr steadicamSteadi-Newbies
  108. 2019Operating a Sony Venice camera on a Zephyr stabilizer rigSteadi-Newbies
  109. 2019Mounting options for ARRI Mini EVF positioning on camera handleGeneral Discussion
  110. 2019Bright daylight-visible monitors suitable for mounting on Archer 2 camera rigGeneral Discussion
  111. 2019Compatible monitor yokes for Pro telescoping monitor armsBrackets/Widgets
  112. 2019Installing Tiffen M1 Volt gimbal on MKV 1.5 inch camera sledGeneral Discussion
  113. 2019Mounting options for rear viewfinder on Arri Mini RF cameraBrackets/Widgets
  114. 2019Mounting the Arri Amira camera on Steadicam rigsGeneral Discussion
  115. 2019Mounting options for gyro inverter boxes on Steadicam rigsBrackets/Widgets
  116. 2018Mounting a Starlight HD monitor to a Pro HD II sled for use as a low-mode monitorBrackets/Widgets
  117. 2018Safety equipment and rigging for camera operators working on vehicle-mounted shotsVehicles and Mounts
  118. 2018Lightweight camera stabilizer rigs suitable for carrying multiple mounted accessoriesGeneral Discussion
  119. 2018Mounting a microforce zoom control on an Arrihead camera head using the slider railBrackets/Widgets
  120. 2017Compact battery-powered LED with push-button and auto-off timer for backlighting spirit levels in camera rigsBrackets/Widgets
  121. 2017Mitchell and Castle nut wrenches for broadcast camera equipmentVehicles and Mounts
  122. 2017Wheel and tire options for rickshaw constructionVehicles and Mounts
  123. 2017Wireless teleprompter setups for steadicam operationGeneral Discussion
  124. 2017Selection of Steadicam stands, wheels, and mounting hardwareSteadi-Newbies
  125. 2017Compatibility of Aero 30 arm with LX Vest socket blockSteadi-Newbies
  126. 2017Adapting stabilizer arm posts between 1/2 inch and 5/8 inch sled connectionsSteadi-Newbies
  127. 2017Compatibility of dovetail plates with steadicam sleds and tripod mountsBrackets/Widgets
  128. 2017Achieving smooth stabilized footage with lightweight camera rigs and proper balancing techniqueSteadi-Newbies
  129. 2017Docking bracket compatibility across Scout and similar modelsSteadi-Newbies
  130. 2017Mounting a steadicam on a horse for filming dialogue and close-upsVehicles and Mounts
  131. 2017Converting HD/SDI video signals to composite output for a Flyer monitorSteadi-Newbies
  132. 2017Using Steadicam equipment to document earthquake damage and structural behaviorDisputedSteadi-Newbies
  133. 2017Choosing a van for film equipment transport and occasional passenger useVehicles and Mounts
  134. 2017Backlit spirit level fixture for monitor mounting in low-light filming conditionsBrackets/Widgets
  135. 2016Construction of a vehicle hard mount for camera rigs similar to the Sophie Rickshaw designVehicles and Mounts
  136. 2016Connecting Sony OB camera tally output to Shadow V50 rig tally connectorGeneral Discussion
  137. 20163D printable wrap grip designs for camera stabilizer posts in multiple sizesBrackets/Widgets
  138. 2016Gimbal and steadicam compatibility with Blackmagic URSA Mini 4.6KGeneral Discussion
  139. 2016Solutions for undersized or slipping dovetail plates on lever-locking camera platesGeneral Discussion
  140. 2016On-camera monitor arm solutions for film production rigsBrackets/Widgets
  141. 2016Vibrations in Alexa camera footage when mounted on Steadicam rigsGeneral Discussion
  142. 2016Operating an Alexa mini camera system on a DJI Pilot droneGeneral Discussion
  143. 2016Brushless gimbal systems for professional film production and integration with existing camera support equipmentGeneral Discussion
  144. 2016Suitability of Steadicam Scout for operating a 14-pound RED Scarlet-W camera and recommended accessoriesDisputedGeneral Discussion
  145. 2016Pan and tilt dock devices for steadicam rigsBrackets/Widgets
  146. 2016Transitioning to low mode with a Ted Churchill monitor bracket on a Betz RIGBrackets/Widgets
  147. 2016Mounting options for gyroscopic stabilizers on camera rigsBrackets/Widgets
  148. 2016Compatibility and practical considerations for using a Steadicam Pilot with Sony FS700 and PMW F3 camerasSteadi-Newbies
  149. 2016Compatibility of Stanton zoom/focus controller with Zephyr camera craneGeneral Discussion
  150. 2016Finding high-quality precision screwdriver sets with both metric and imperial hex drivers plus flathead and Phillips optionsBrackets/Widgets
  151. 2015HDMI signal compatibility between GH4 camera and Steadicam Pilot VL monitorSteadi-Newbies
  152. 2015Replacement pin for PRO mode bracket arm post connectionBrackets/Widgets
  153. 2015Fixing a stuck screw on an XCS telescoping dual rod monitor bracket when using a smallHD DP7 High Bright monitorBrackets/Widgets
  154. 2015Finding gyro mount solutions for Pro battery module 3Brackets/Widgets
  155. 2015Powering a Blackmagic HDMI-SDI converter box from a Steadicam battery via a 3-pin Lemo connectorDisputedGeneral Discussion
  156. 2015Ninebot handsfree personal transport device for camera stabilization workVehicles and Mounts
  157. 2015Choosing between KS 6x6 and KS 8x8 gyroscopic stabilizers for camera sledsBrackets/Widgets
  158. 2015Body-mounted camera rigs for medium and wide shots featuring the performerGeneral Discussion
  159. 2015Connecting a Panasonic GH4 camera to SD and HD Pilot steadicam monitors via HDMI conversionSteadi-Newbies
  160. 2015Steadicam Zephyr setup and accessory selection for documentary and event workDisputedSteadi-Newbies
  161. 2015Mounting a Kenyon 6x6 gyroscope to a GPI Pro camera rig when standard post mounts are unavailableBrackets/Widgets
  162. 2015Mounting options for Atomos Shogun recorder on cinema camera sleds with monitor rodsDisputedBrackets/Widgets
  163. 2015Monitor bracket options for professional sleds with 7-inch high-brightness displaysBrackets/Widgets
  164. 2015Balancing a Canon 7D camera on a Steadicam PilotSteadi-Newbies
  165. 2015Connecting a Blackmagic Cinema Camera to a Steadicam monitor with incompatible signal formatsSteadi-Newbies
  166. 2015Building a modular vehicle-mounted camera support using a hitch receiver and Speed Rail systemVehicles and Mounts
  167. 2015Mounting a camera cage to a Steadicam Pilot plate when screw holes do not alignGeneral Discussion
  168. 2014Upgrading a first-generation camera stabilizer with modular rail systems and power distribution improvementsGeneral Discussion
  169. 2014Budget baseplate options compatible with Steadicam Archer dovetail plates for indie productionsDisputedSteadi-Newbies
  170. 2014Affordable 15mm clamp solution for PRO FIZ dovetail platesBrackets/Widgets
  171. 2014Flying an Amira camera on a Zephyr aerial platformGeneral Discussion
  172. 2014Amira camera mounting brackets and adapters for Steadicam and matte box compatibilityBrackets/Widgets
  173. 2014Electric unicycle as a camera stabilization vehicle platformVehicles and Mounts
  174. 2014Compatibility of Steadicam Zephyr HD with Arri Alexa camerasGeneral Discussion
  175. 2014Mounting bracket options for MDR3 camera support on 15mm rodsBrackets/Widgets
  176. 2014Steadicam Pilot sled compatibility and HD monitor upgrade considerations for GH4 cameraSteadi-Newbies
  177. 2014Using a DJI Ronin gimbal on a Steadicam arm via an adapter instead of a traditional sledSteadi-Newbies
  178. 20143D printing for manufacturing camera accessories with quality control considerationsBrackets/Widgets
  179. 2014Weight plate accessory for Transvideo RainbowHD7 monitor to improve balance on camera rigsBrackets/Widgets
  180. 2014Dovetail plate compatibility between Zephyr and Ultra steadicam sleds for Alexa camera mountingGeneral Discussion
  181. 2014Fine adjustment options for steadicam head positioningGeneral Discussion
  182. 2014Steadicar vehicle mount for camera stabilization during production filmingDisputedVehicles and Mounts
  183. 2014Mounting a brushless gimbal on a steadicam for extended camera movement range and combined stabilizationDisputedGeneral Discussion
  184. 2014Creating a power cable from Steadicam rig Lemo connector to AJA deviceSteadi-Newbies
  185. 2014Compatibility of Zephyr arm with Exovest and required adapter socket blockSteadi-Newbies
  186. 2014Steadicam Pilot Gimbal Grip design, installation, and performance feedbackBrackets/Widgets
  187. 2014Mounting options and adapters for TB6 monitor on camera rigsBrackets/Widgets
  188. 2014Vehicle selection for transporting film production equipmentVehicles and Mounts
  189. 2014Clamp-on matte boxes for 4x5.6 filters: user experiences and comparisonsBrackets/Widgets
  190. 2014Feasibility of operating an Alexa XT camera on a Steadicam Zephyr rig in low modeGeneral Discussion
  191. 2014Letus Helix single-axis stabilizer performance and reliability issuesBrackets/Widgets
  192. 2014Finding and sourcing replacement Kipp adjustable handles for machineryBrackets/Widgets
  193. 2014Finding and installing a dovetail plate for an SK2 Steadicam rigSteadi-Newbies
  194. 2014Replacement U-bolts and fasteners for Hill vehicle mount bracketsBrackets/Widgets
  195. 2014Finding replacement delrin or plastic discs for arm post clamps to reduce friction during gimbal arm movementBrackets/Widgets
  196. 2014Mounting solutions and weight considerations for flying an Alexa cinema camera on a Flyer steadicam rigBrackets/Widgets
  197. 2014Low-cost dovetail mounting method for Alexa camerasBrackets/Widgets
  198. 2014Mounting options for Preston MDR-3 focus control unit on camera rigs and steadicam sledsDisputedBrackets/Widgets
  199. 2014Choosing and setting up a Decimator video converter for on-set monitoringDisputedSteadi-Newbies
  200. 2014Cable management and organization using everyday storage items and specialized pouchesDisputedBrackets/Widgets
  201. 2014Accessories and setup considerations when upgrading to a Pro Rig systemGeneral Discussion
  202. 2014Custom wraparound grip for Zephyr gimbal to increase diameter and controlBrackets/Widgets
  203. 2014Managing weight limits on a steadicam rig when adding heavy accessories like external recordersSteadi-Newbies
  204. 2013Electric tracking dolly designed for Steadicam and professional film productionVehicles and Mounts
  205. 2013Mounting a Manfrotto quick release bracket to a Glidecam HD-2000Steadi-Newbies
  206. 2013Battery options for powering RedRock wireless follow focus systems on gimbalsSteadi-Newbies
  207. 2013Gravity One stabilization system for handheld camera workVehicles and Mounts
  208. 2013Routing and securing wired video cables for flying a stabilized camera rigSteadi-Newbies
  209. 2013Dock n Roll docking bracket accessory for securing and rotating Steadicam rigs on Jerry Hill bracketsBrackets/Widgets
  210. 2013Forward-facing camera mounting on moving vehicles for plate shotsVehicles and Mounts
  211. 2013Mounting a camera to a bicycle to capture smooth point-of-view footage locked to the front wheel orientationSteadi-Newbies
  212. 2013Flying an Arri Alexa camera on a Steadicam Zephyr rig: power, mounting, and weight considerationsSteadi-Newbies
  213. 2013Gold mount utility plates for attaching accessories via velcroBrackets/Widgets
  214. 2013Cinematography workflow and equipment practices on major film productionsDisputedJournals
  215. 2013Using PL-mount lenses with long base on Canon EOS cameras via adaptersGeneral Discussion
  216. 2013Compatibility issues between Panavision Alexa dovetail plates and XCS Topstage camera support systemsDisputedGeneral Discussion
  217. 2013Upgrading options and limitations of the Pilot Steadicam systemSteadi-Newbies
  218. 2013Mounting small cameras on Zephyr rigs using weight plates and risersBrackets/Widgets
  219. 2013Selecting camera plates and rod mounts for small steadicam rigsSteadi-Newbies
  220. 2013Compatibility of Steadicam clip-on weights with third-party monitor bracketsBrackets/Widgets
  221. 2013Cable routing and monitor setup solutions for Steadicam rigs with HDMI-to-SDI conversionGeneral Discussion
  222. 2013Attaching a quick release plate to a custom-machined weight plate with threaded holesGeneral Discussion
  223. 2013Using a Steadicam Merlin with a Canon 5D Mark III and 70-200mm lensSteadi-Newbies
  224. 2013DC power jack specifications for mini-plus lite panelsBrackets/Widgets
  225. 2013Using a Red Epic camera on a Steadicam Flyer stabilizerGeneral Discussion
  226. 2013Using 3D printing technology to manufacture camera support brackets and accessoriesBrackets/Widgets
  227. 2013Elements V-Dock 15mm and 19mm mounting brackets for camera accessoriesBrackets/Widgets
  228. 2013Tiffen Artificial Horizon Module for camera stabilizersBrackets/Widgets
  229. 2013Adding stabilizing extensions to a pan-tilt head for improved balance and reduced hinge playBrackets/Widgets
  230. 2013Choosing between Segway i2 and x2 modelsVehicles and Mounts
  231. 2013HyperCam3 vehicle-mounted stabilization rig design and capabilitiesVehicles and Mounts
  232. 2013Balancing a heavy camera on a stabilizer rig with offset mounting pointsSteadi-Newbies
  233. 2013Quick-release plate systems for Steadicam rigs to enable faster camera swapsBrackets/Widgets
  234. 2013Transferring camera between crane and Steadicam during a continuous shotVehicles and Mounts
  235. 2013Designing a recorder mount bracket for a camera sled with multiple attachment optionsDisputedBrackets/Widgets
  236. 2013Methods for securely mounting accessories to camera bodies, cages, and rigs while maintaining balanceSteadi-Newbies
  237. 2013Cinelectrix eBay seller experience for cinema equipment cablesGeneral Discussion
  238. 2013Steadiseg Rickshaw motorized attachment for camera stabilizationVehicles and Mounts
  239. 2013Building custom BNC cables for HD-SDI videoBrackets/Widgets
  240. 2013Thread adapter needed to mount Merlin weights on Zacuto rodsDisputedBrackets/Widgets
  241. 2013Mickey balancing device for dynamic weight distribution in camera stabilization systemsBrackets/Widgets
  242. 2013Missing connecting rod for low mode F bracket gimbal yoke attachmentBrackets/Widgets
  243. 2013Elastic snow chains for footwear provide traction on icy and slippery surfacesBrackets/Widgets
  244. 2013Custom cheeseplate mounting bracket for Preston MDR focus controllersBrackets/Widgets
  245. 2013Custom adapter plate design for mounting video equipment with multiple mounting standardsBrackets/Widgets
  246. 2013Transitioning a camera from handheld Steadicam to body-mounted Snorricam rig in a single shotGeneral Discussion
  247. 2013Adapter plate options for smaller dovetail mounts on Zephyr tripod headsBrackets/Widgets
  248. 2013Operating a Steadicam mounted on a Segway and managing fall risksVehicles and Mounts
  249. 2013Mounting camera numbering cards on Steadicam rigsGeneral Discussion
  250. 2013Converting Allen bolts to finger-operable fasteners using press-fit knob headsDisputedBrackets/Widgets
  251. 2013Monitoring HD video from a Red Scarlett X camera mounted on a Video SK Steadicam rigSteadi-Newbies
  252. 2013Choosing between F-bracket options for Steadicam ZephyrSteadi-Newbies
  253. 2013Steadicam Zephyr HD monitor connection troubleshooting with RED Scarlet cameraSteadi-Newbies
  254. 2013DIY folding wind blocking panels for camera stabilization workBrackets/Widgets
  255. 2012Essential Steadicam accessories to expect from camera rental houses when renting an AlexaSteadi-Newbies
  256. 2012Using a Tango stabilizer on fast-moving vehicles in winter conditionsDisputedVehicles and Mounts
  257. 2012Connecting Canon 7D video output to Flyer LE stabilizer via BNC connectorsSteadi-Newbies
  258. 2012Optimal mounting location for gyroscope stabilizers on camera sledsBrackets/Widgets
  259. 2012Fitting a Cinetronic monitor yoke to a Marshall 6.5-inch monitor with mismatched dimensionsBrackets/Widgets
  260. 2012Mounting camera equipment on an all-terrain vehicle for off-road filmingVehicles and Mounts
  261. 2012Difference between soft and hard mounting techniques for Steadicam operation on vehiclesGeneral Discussion
  262. 2012Mounting dovetail plates and accessories on RED EPIC for low-mode steadicam operation and potential cooling issuesBrackets/Widgets
  263. 2012Using Steadicam Pilot in low-mode operation with F-bracket accessorySteadi-Newbies
  264. 2012Hard mounting a Zephyr camera support to a Garfield mountVehicles and Mounts
  265. 2012Tally light polarity issue with Archer 2 monitor cable setupGeneral Discussion
  266. 2012Mounting a Marshall HD monitor on a Zephyr sled and relocating BNC connectorsDisputedSteadi-Newbies
  267. 2012Contact information for Steadicam service repairs at Tiffen CompanyGeneral Discussion
  268. 2012Converting an Anton Bauer Scout battery mount to V-mount and sourcing LEMO connectorsSteadi-Newbies
  269. 2012Powering a Bartech wireless follow focus receiver from an Archer II stabilizer's 3-pin Lemo connectorSteadi-Newbies
  270. 2012HD-SDI cable selection and signal integrity on camera rigsDisputedBrackets/Widgets
  271. 2012L-brackets and mounting solutions for pointing cameras upwardDisputedBrackets/Widgets
  272. 2012Using a Segway-mounted camera for live sports broadcasting at rugby union matchesVehicles and Mounts
  273. 2012Full body harnesses for vehicle-mounted camera riggingVehicles and Mounts
  274. 2012Adding counterweight to a Master Series Steadicam when practicing with lightweight camerasBrackets/Widgets
  275. 2012Motor mounting options and rod configurations for Red Epic camerasBrackets/Widgets
  276. 2012Compatibility between Merlin and Pilot arm and vest componentsSteadi-Newbies
  277. 2012Using a Steadicam EFP rig for television work and compatibility with modern cinema camerasSteadi-Newbies
  278. 2012Single-wheel electric vehicle as a Steadicam stabilization platformVehicles and Mounts
  279. 2012Updated 12-inch Steadicam plate with dual iris rod mounting pointsBrackets/Widgets
  280. 2012Handheld camera support options for front-heavy film camerasOff Topic
  281. 2012Mounting a 6kg zoom lens on Arri Alexa 15mm steel bars for vibration and load capacityBrackets/Widgets
  282. 2012Camera attachment safety concerns for Steadicam rigs using single-screw mountingSteadi-Newbies
  283. 2012Converting HDMI output from DSLRs to composite/analogue video for use with existing analogue monitors on Steadicam rigsSteadi-Newbies
  284. 2012Heat dissipation concerns when adding protective covers to gyroscope equipmentBrackets/Widgets
  285. 2012Adjustable camera bracket for Steadicam rigs designed to handle back-heavy setups with Alexa cameras and accessoriesBrackets/Widgets
  286. 2012Camera tilt plates and wedges for steadicam rigsBrackets/Widgets
  287. 2012Steadicam equipment and setups used during Super Bowl broadcast coverageJournals
  288. 2012Powering gyroscopic stabilizers with onboard versus offboard powerBrackets/Widgets
  289. 2012Optimal positioning and quantity of gyroscopes on Steadicam rigs for stabilizationBrackets/Widgets
  290. 2012Image flipping options for low-mode shooting with Epic and Alexa camerasDisputedBrackets/Widgets
  291. 2012Connecting a Sony camcorder to a Steadicam Master Film Cine sled for trainingGeneral Discussion
  292. 2011Safety risks when operating camera rigs on Segways during live sports coverageDisputedVehicles and Mounts
  293. 2011Standard practices for applying hook and loop velcro to camera equipmentBrackets/Widgets
  294. 2011Mounting solutions for back-heavy Alexa cameras on steadicam rigsBrackets/Widgets
  295. 2011Compatibility of RED One MX camera with Zephyr Steadicam sledSteadi-Newbies
  296. 2011Mk-V Alexa camera plate performance and alternatives for mounting on narrow dovetailsDisputedBrackets/Widgets
  297. 2011Using gyroscopic stabilizers for dialogue scenes in windy conditions and their impact on sound recordingBrackets/Widgets
  298. 2011Mounting a Preston MDR bracket on camera rigsBrackets/Widgets
  299. 2011Mounting a stabilized camera rig to a Jeep Wrangler for vehicle filmingVehicles and Mounts
  300. 2011Finding f/j brackets compatible with thicker arm posts on action camera sledsBrackets/Widgets
  301. 2011Accessories and power solutions for Zephyr camera stabilizer used with RED camerasJournals
  302. 2011Mounting the EX1 camera on a Steadicam Pilot with a Manfrotto quick release plate causes balance and access issuesSteadi-Newbies
  303. 2011Mounting steadicam equipment on horses for filmingVehicles and Mounts
  304. 2011Connecting Canon 7D video output to Steadicam ProVid2 monitorGeneral Discussion
  305. 2011Modifying Segway X2 for quick wheel changes to adjust width for different filming locationsVehicles and Mounts
  306. 2011Adding a Manfrotto release plate affects camera balance on a stabilizerSteadi-Newbies
  307. 2011Lightweight wireless HD camera system suitable for steadicam useGeneral Discussion
  308. 2011Adding weight to a Pro Vid 2 Steadicam rig when using a lightweight Canon 7D cameraGeneral Discussion
  309. 2011Operating Arri 435 film camera on steadicam with power and equipment constraintsSteadi-Newbies
  310. 2011Quick-swap adapter solutions for Steadicam Flyer rig between aerial and tripod mountingSteadi-Newbies
  311. 2011Quick release plate compatibility and alternatives for the Glidecam HD1000 stabilizerSteadi-Newbies
  312. 2011Power cabling solutions for the Flyer and Flyer LE camera stabilizer rigsSteadi-Newbies
  313. 2011Bracket solutions for mounting mixed analog and digital BFD/BDR receivers on Steadicam rigsBrackets/Widgets
  314. 2011Rigging a Mitchell High Hat as a vehicle mount on a Chevrolet Suburban for camera work on sand dunesVehicles and Mounts
  315. 2011Base plate options for Steadicam Pilot with Canon 5D and follow focus systemSteadi-Newbies
  316. 2011Selecting and connecting an external monitor to a Flyer-LE Steadicam rig for exposure verification during productionDisputedSteadi-Newbies
  317. 2011Gyro stabilizer selection and setup for Steadicam Archer 2 SE with high-speed filmingBrackets/Widgets
  318. 2011Powering a Decimator 2 device with an AB Zephyr mount using custom cablesSteadi-Newbies
  319. 2011Red Epic power connector specifications and compatibility with Steadicam cablesGeneral Discussion
  320. 2011Cheap portable LED lighting solution for dark work environments using battery box and gooseneck lightBrackets/Widgets
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